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Otherization and Identity Distortion in Dangarembga’s Writing 丹加伦巴写作中的异化和身份扭曲
Pub Date : 2024-06-01 DOI: 10.34293/english.v12i3.7769
Inas Laheg
In spite of the fact that most African novelists, penning stories in English language by the end of the 20th century and the beginning of the 21st century, were graduates of the British colonial missionaries and universities, they had yet been able to escape the suppressive ideology of colonization and become genuine mouthpieces for their native communities’ struggles and adversity. Amongst whom, the Zimbabwean Tsitsi Dangarembga rose to the fore as representative of her fellow countrywomen during the British colonization. Henceforth, concomitant with the rise of postcolonial criticism in the literary arena, this paper aims to address the European colonial mechanism of otherization and its impact on the identity construction of the otherized subject in Dangarembga’s novels, Nervous Conditions and The Book of Not. Dangarembga foreshadows the main thematic realm of her semi-autobiographical trilogy, through her first novel’s title which is reminiscent of Frantz Fanon’s preface in the book of The Wretched of the Earth. To unravel the intricate complexities of the colonizer/colonized contact, this study pinpoints the psychological confusion of the protagonist, Tambuzdai, as an exemplar of the colonized Black individual’s distress. To fathom the depth of Tambu’s psyche during those encounters, this paper relies on Elke Boehmer’s attribution of otherization as a Western self-projecting process that seeks to produce self-soothing and “dark mirror-images” of the other. In addition, Du Bois’s analysis of double consciousness seems to account for the protagonist’s identity crisis and self alienation. In conclusion, Dangarembga does not seem as an opponent of cultural exchanges in general or hybridity in particular, but she simply advocates cautious adaption that does not decentre and disregard one’s native-ness and cultural origins.
尽管在 20 世纪末和 21 世纪初,大多数用英语写作的非洲小说家都毕业于英国殖民传教士和大学,但他们仍然能够摆脱殖民压制的意识形态,成为其本土社区斗争和逆境的真正代言人。其中,津巴布韦的齐齐-丹加伦布加(Tsitsi Dangarembga)作为英国殖民时期女同胞的代表崭露头角。因此,随着后殖民批评在文学领域的兴起,本文旨在探讨欧洲殖民主义的他者化机制及其对丹加伦布加的小说《神经状况》和《非之书》中被他者主体身份建构的影响。丹加伦布加通过第一部小说的标题预示了她半自传体三部曲的主要主题领域,这个标题让人联想到弗朗茨-法农在《地球上的可怜虫》一书中的序言。为了揭示殖民者与被殖民者之间错综复杂的关系,本研究将主人公坦布兹代的心理困惑作为被殖民黑人个人苦恼的典范。为了探究坦布在接触过程中的心理深度,本文借鉴了埃尔克-博默(Elke Boehmer)的观点,即他者化是西方人的自我投射过程,旨在制造自我安慰和他者的 "黑暗镜像"。此外,杜波依斯对双重意识的分析似乎可以解释主人公的身份危机和自我疏离。总之,丹加伦布加似乎并不反对一般的文化交流,也不反对具体的混杂性,她只是主张谨慎的适应,不要贬低和无视自己的本土性和文化渊源。
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引用次数: 0
Integrative, Hierarchic, and Anarchic Oikos in Ancient Tamil Poetry: An Analysis of Ainkurunuru’s Translation by Martha Ann Selby 古代泰米尔语诗歌中的综合、等级和无政府 Oikos:玛莎-安-塞尔比的 Ainkurunuru 翻译分析
Pub Date : 2024-06-01 DOI: 10.34293/english.v12i3.7485
S. Garret Raja Immanuel
This paper explores the intricate depiction of oikos in the Sangam literary corpus, specifically through an analysis of the Ainkurunuru’s translation by Martha Ann Selby, namely, Tamil Love Poetry: One of the most influential collections of the Tamil literature is known as the Five Hundred Short Poems of the Ainkurunuru. Using tiNai poetics’ model by Nirmal Selvamony, the study digs into how the environment and society are depicted in the ancient Tamil poetry and it is manifested on integrative oikos which has “all-inclusive harmony”. This approach of harmony and unity of the universal Tamil culture, on the other hand, is the epitome of the close ecological bond transcended by the people, as they do not just merely live in the environment but also significantly contribute to the community’s cultural and daily lifestyle through the natural world. The paper further identifies and analyses two additional aspects of oikos depicted in the poetry: from the top-down decision making systems to the anarchist movements alike. The oikos of nature is highly hierarchical. It shows up in the social stratification and environmental stability, which mirrors the society’s respect to leaders with decision-making power. On the contrary, a sort of anarchy may show up in the oikos fragments that in turn encompass turmoil and subversion, the deviance away from ordinary principles in both nature and society, symbolizing the flow of life together with its upheavals that the man and nature relationship represents.
本文通过分析玛莎-安-塞尔比(Martha Ann Selby)翻译的《泰米尔爱情诗歌》(Ainkurunuru's translation),探讨桑伽姆文学作品中对 "恋歌"(oikos)的复杂描述:Ainkurunuru 的五百首短诗是泰米尔文学中最具影响力的诗集之一。本研究采用尼玛尔-塞尔瓦莫尼(Nirmal Selvamony)提出的 "tiNai 诗学 "模式,探讨古代泰米尔诗歌如何描绘环境和社会,并将其体现在具有 "包罗万象的和谐 "的整合性 oikos 上。另一方面,泰米尔普遍文化中的这种和谐与统一的方法是人们所超越的密切生态联系的缩影,因为他们不仅仅生活在环境中,而且还通过自然世界为社区的文化和日常生活方式做出了重要贡献。本文进一步确定并分析了诗歌中描绘的 oikos 的另外两个方面:从自上而下的决策系统到无政府主义运动。自然界的 oikos 是高度等级化的。它体现在社会分层和环境稳定上,反映了社会对拥有决策权的领导者的尊重。相反,一种无政府状态可能会在 oikos 片段中显现出来,而 oikos 片段又包含动荡和颠覆,在自然和社会中偏离普通原则,象征着人与自然关系所代表的生命流动及其动荡。
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引用次数: 0
Kazuo Ishiguro’s Klara and the Sun: A Posthumanist Anatomization 石黑一雄的《克拉拉与太阳》:后人文主义解剖
Pub Date : 2024-06-01 DOI: 10.34293/english.v12i3.7636
P. Catherine Benita
Kazuo Ishiguro’s eighth novel Klara and the Sun is a quintessence to manifest Ishiguro’s power when he tactfully explored the new arena of technology that encompasses Artificial Intelligence and Gene Editing. The novel stands as a test of time to prove Ishiguro’s humanitarianism in the post era of pandemic. While transhumanism is on the rise, the society is in a great flux across the globe with speedy technology that marches to post humanist epoch. It is a watershed moment to wake up to the fact that breakthrough in technology has mixed blessings and albeit the high fidelity world provides sophisticated artificial intelligence to aid human existence, still there are certain things a machine has less competence doing. The article aims to give a panoramic view of how the novel foreshadows post anthropocentric world where it questions the identity of human dignity and how with the leading edge of technology viz. gene editing to push the frontier of the human excellence for the maximum reap will come home to roost.
石黑一雄的第八部长篇小说《克拉拉与太阳》是石黑一雄对包括人工智能和基因编辑在内的新技术领域进行机智探索的力作。这部小说经受住了时间的考验,证明了石黑在后大流行病时代的人道主义精神。在超人类主义兴起的同时,全球各地的社会也在发生巨大的变化,科技飞速发展,向后人道主义时代迈进。这是一个分水岭,让我们清醒地认识到,技术的突破喜忧参半,尽管高仿真世界提供了复杂的人工智能来帮助人类生存,但机器在某些事情上仍然力不从心。本文旨在全景式地展示这部小说如何预示着后人类中心主义世界对人类尊严身份的质疑,以及如何利用基因编辑这一前沿技术推动人类的卓越发展以获得最大收获。
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引用次数: 0
The Intersection of Transhumanism, Prognosis, and AI in Dan Brown’s Origin 丹-布朗《起源》中超人类主义、预言和人工智能的交集
Pub Date : 2024-06-01 DOI: 10.34293/english.v12i3.7624
Suresh Frederick, Larin John Reid
The intersection of Transhumanism, Prognosis, and Artificial Intelligence (AI) is a topic that has captured the imagination of science fiction writers for years. In Dan Brown’s novel, Origin, he explores the idea that as AI evolves to the point of self-learning, the prospect of a posthuman world becomes increasingly plausible. Artificial intelligence has become ubiquitous, not only in technology but also in the way people think about the world. Machines are learning, and evolving, and are soon expected to surpass human intelligence. However, this pursuit of creating the ultimate AI raises ethical and moral concerns. The idea of a machine achieving sentience and surpassing human intelligence is a nightmare scenario for some who fear the rise of artificial intelligence. In his quest to create the ultimate AI, the protagonist in “Origin” has plunged into dangerous territory, pushing the limits of what is acceptable. The defining technology of the modern era is artificial intelligence, a force that is transforming every aspect of society from finance to healthcare to transportation. As AI continues to advance, people are becoming increasingly concerned about the ethical implications of creating machines that can think and reason like humans. Transhumanism, which aims to enhance human capabilities through the use of technology, is closely linked with the development of AI. The coalescence of man and machine is becoming a real possibility, and the future belongs to those who can control it. In conclusion, the intersection of transhumanism, prognosis, and AI raises important ethical and moral questions about the future of humanity. As we continue to develop AI, it is essential to consider the potential consequences of creating machines that can think and reason like humans. The quest for the ultimate AI is a double-edged sword, and we must be careful not to plunge too far into dangerous territory.
多年来,超人类主义、预言和人工智能(AI)的交集一直是吸引科幻作家想象力的话题。在丹-布朗(Dan Brown)的小说《起源》(Origin)中,他探讨了这样一个观点:随着人工智能进化到自我学习的程度,后人类世界的前景变得越来越可信。人工智能已经无处不在,不仅体现在技术领域,也体现在人们思考世界的方式上。机器在学习,在进化,预计很快就会超越人类智能。然而,这种对创造终极人工智能的追求引发了伦理道德方面的担忧。对于一些担心人工智能崛起的人来说,机器获得知觉并超越人类智能的想法是一种噩梦般的情景。在追求创造终极人工智能的过程中,《起源》中的主人公陷入了危险的境地,挑战了人们可以接受的极限。人工智能是当代的决定性技术,它正在改变社会的方方面面,从金融、医疗到交通。随着人工智能的不断进步,人们越来越关注创造能像人类一样思考和推理的机器所带来的伦理影响。超人类主义旨在通过利用技术提高人类的能力,它与人工智能的发展密切相关。人类与机器的融合正成为现实,而未来属于那些能够掌控它的人。总之,超人类主义、预言和人工智能的交叉提出了有关人类未来的重要伦理和道德问题。在我们继续发展人工智能的同时,必须考虑创造出能像人类一样思考和推理的机器可能带来的后果。对终极人工智能的追求是一把双刃剑,我们必须小心谨慎,不要在危险的领域走得太远。
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引用次数: 0
Impact of Language Processing on the Growth of Cognitive Abilities 语言处理对认知能力成长的影响
Pub Date : 2024-06-01 DOI: 10.34293/english.v12i3.7620
R. Vidya Krishnan, S. Vinodhini
Language is a key factor in influencing cognitive development, and there is a complicated and entwined relationship between language and cognitive science. The relationship between language and cognitive science is further explored through the study of brain functions and mind, leading to the emergence of disciplines like cognitive neuroscience and neurolinguistics. Cognitive development is greatly impacted by language processing in a number of ways. First, memory development is influenced by language processing. Secondly, domain-general cognitive functions including representational ability, processing speed, and attention are necessary for language processing. Thirdly, there is a connection between language processing and cognitive growth; language processing promotes learning, reasoning, memory, and attention.
语言是影响认知发展的关键因素,语言与认知科学之间存在着复杂而纠缠不清的关系。通过对大脑功能和思维的研究,语言与认知科学之间的关系得到了进一步探讨,并由此产生了认知神经科学和神经语言学等学科。认知发展在多个方面受到语言处理的极大影响。首先,记忆的发展受到语言处理的影响。其次,包括表征能力、处理速度和注意力在内的领域一般认知功能是语言处理所必需的。第三,语言处理与认知发展之间存在联系;语言处理促进学习、推理、记忆和注意力。
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引用次数: 0
Colonial Landscape Navigation: Postcolonial Ecocriticism in Sea of Poppies by Amitav Ghosh 殖民地景观导航:阿米塔夫-高什《罂粟花海》中的后殖民主义生态批评
Pub Date : 2024-06-01 DOI: 10.34293/english.v12i3.7494
Harsha Eswaraiah, J.G Ravi Kumar, S. Narasimha Murthy
This article examines how colonialism, ecology, and postcolonial viewpoints interact in Amitav Ghosh’s novel. The main themes and theoretical frameworks used to analyse the novel’s representation of a colonial environment and its ecological repercussions are highlighted in this study. Sea of Poppies by Amitav Ghosh brings readers to a 19th-century India firmly enmeshed in British colonialism. This work explores the intricate interactions between people and the environment, exploring the massive ecological changes brought on by imperial conquest via a postcolonial eco-critical perspective. This study reveals the novel’s ecological roots by looking at how Ghosh questions conventional narratives and presents a criticism of the effects of colonial rule on both human and non-human beings. The research emphasises the function of landscape as a place of contestation and resistance, illuminating how nature is exploited and perverted within the colonial setting by drawing on postcolonial theory and eco-critical frameworks. Important problems about power dynamics, environmental justice, and the connections between capitalism and ecological degradation are brought up by Ghosh’s depictions of the opium trade, the transatlantic slave trade, and the privatisation of nature.
本文探讨了殖民主义、生态学和后殖民主义观点在阿米塔夫-高什的小说中是如何相互作用的。本研究强调了用于分析小说对殖民环境及其生态影响的表现的主要主题和理论框架。阿米塔夫-戈什所著的《罂粟花海》将读者带入一个深受英国殖民主义影响的 19 世纪印度。这部作品探讨了人与环境之间错综复杂的互动关系,通过后殖民生态批判的视角探索了帝国征服带来的巨大生态变化。本研究通过考察戈什如何质疑传统叙事并对殖民统治对人类和非人类的影响进行批判,揭示了小说的生态根源。研究强调了景观作为争论和反抗场所的功能,通过借鉴后殖民理论和生态批判框架,揭示了在殖民背景下自然是如何被利用和扭曲的。戈什对鸦片贸易、跨大西洋奴隶贸易和自然私有化的描写,提出了有关权力动态、环境正义以及资本主义与生态退化之间联系的重要问题。
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引用次数: 0
Through Feminist Eyes: Gender Identities and Gender Roles in the Fiction of Fay Weldon 透过女权主义的眼睛:费伊-韦尔登小说中的性别认同和性别角色
Pub Date : 2024-06-01 DOI: 10.34293/english.v12i3.7275
Vidya Rajagopal
In a society of patriarchal hegemony, women have been subordinated and humiliated in such a way that many feminist writers have highlighted the pathetic plight of women. The commodification and humiliation to which the women have been subjected form favourite fictional themes for writers like Fay Weldon. The premise is that man is woman’s protector whose authority she has to acquiesce in whether she wills it or not. Female relationships in all their multiplicity and complexity are what Fay Weldon probes in most of her works. Some of her novels set in the seventies reflect certain features of radical feminism in that they deal with gender difference and its impact on women. This article focuses on Weldon’s concern for the creation of female spaces and the need for the assertion of their identities in a patriarchal society. Weldon does not adopt a tone of confrontation, rather strikes a healthy compromise between conciliation and confrontation.
在父权制霸权社会中,妇女一直处于从属和被侮辱的地位,许多女权主义作家都强调了妇女的悲惨遭遇。女性所遭受的商品化和屈辱构成了费伊-韦尔登(Fay Weldon)等作家最喜爱的小说主题。前提是男人是女人的保护者,无论她是否愿意,都必须默认男人的权威。女性关系的多重性和复杂性是费伊-韦尔登大多数作品所探究的问题。她的一些以七十年代为背景的小说反映了激进女权主义的某些特征,即涉及性别差异及其对女性的影响。本文重点关注韦尔登对创造女性空间的关注,以及在父权制社会中维护女性身份的必要性。韦尔登没有采取对抗的语气,而是在和解与对抗之间达成了健康的妥协。
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引用次数: 0
Instilling Values through Short Stories with Special Reference to Sudha Murty’s Grandma’s Bag of Stories 通过短篇小说灌输价值观,特别参考 Sudha Murty 的《奶奶的故事袋
Pub Date : 2024-06-01 DOI: 10.34293/english.v12i3.7623
A. Hajira Banu
Values, like charity, begin at home. Nevertheless we live in a world where digitalizing is everything, and digitalization throws itself into everything from the way we work, communicate, play and even the way we raise our kids. For the most part, it is Wi-fi that brings people in the families together. The exquisite art of coming together to listen to stories from grandmothers is quietly fading away from our absorbed life-style. Story telling is a legacy so lovingly bestowed to us down the generations. The most cherished values for a life time have been endearingly shared through stories around the world. The present paper focuses on the values and life skills imparted in Sudha Murty’s Grandma’s Bag of Stories. Murty has most amusingly enwrapped the values in attractive envelopes and presented them for the child readers.
价值观,就像慈善一样,始于家庭。然而,在我们生活的世界里,数字化就是一切,从我们的工作方式、交流方式、娱乐方式,甚至到我们教育孩子的方式,无不数字化。在大多数情况下,是 Wi-fi 将家庭中的人们联系在一起。聚在一起听祖母讲故事的精湛艺术正悄悄地从我们的生活方式中消失。讲故事是世世代代留给我们的宝贵遗产。在世界各地,人们通过故事分享一生中最珍视的价值观。本文重点介绍 Sudha Murty 的《奶奶的故事袋》中传授的价值观和生活技能。穆尔蒂以最有趣的方式将价值观包裹在极具吸引力的信封中,呈现给儿童读者。
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引用次数: 0
Exploring Decolonization and Colonial Legacies: A Postcolonial Reading of Khushwant Singh’s Novel Train to Pakistan 探索非殖民化与殖民遗产:库什万特-辛格小说《开往巴基斯坦的列车》的后殖民解读
Pub Date : 2024-06-01 DOI: 10.34293/english.v12i3.7702
Mahmud AI Hasan
The paper examines the multifaceted nature of decolonization, encompassing socio-cultural, economic, political, psychological, and territorial aspects, which signifies the emancipation of the colonized. It focuses on the Indian subcontinent, utilizing Khushwant Singh’s partition novel, Train to Pakistan, to scrutinize whether an ideal decolonization occurred in postcolonial India or not. Besides, it underlines the imperative of achieving ideal decolonization, emphasizing the prime necessity of reclaiming native identity, language, and cultural heritage for India’s advancement following the British Empire’s collapse in 1947. The research aims to depict the often-violent process of decolonization and examines how inheritances of colonialism still persist in contemporary Indian societies, political and administrative systems, manifesting in various forms, and masks. This qualitative study employs postcolonial theory to analyze the selectedtext, supplemented by data from credible secondary sources to accomplish its objectives.
本文探讨了非殖民化的多面性,包括社会文化、经济、政治、心理和领土等方面,它标志着殖民者的解放。该研究以印度次大陆为重点,利用库什万特-辛格(Khushwant Singh)的分治小说《开往巴基斯坦的列车》(Train to Pakistan)来审视后殖民时期的印度是否实现了理想的非殖民化。此外,研究还强调了实现理想的非殖民化的必要性,强调了在 1947 年大英帝国解体后,为促进印度的发展,恢复本土身份、语言和文化遗产的首要必要性。本研究旨在描绘经常充满暴力的非殖民化进程,并探讨殖民主义遗产如何以各种形式和面具在当代印度社会、政治和行政体系中持续存在。本定性研究采用后殖民理论对选文进行分析,并辅以可靠的二手资料来实现研究目标。
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引用次数: 0
Discerning Pervasive Figures of Speech in English Poetic Constructions 辨析英语诗歌结构中无处不在的语用符号
Pub Date : 2024-06-01 DOI: 10.34293/english.v12i3.7703
L. Sharma
A figure of speech serves as a literary device, strategically employing words or phrases in a manner that transcends their literal meanings, and creates a distinct effect. This article aims to discern pervasive figures of speech in English poetic constructions crafted by various poets. Employing a qualitative stylistic approach, the article involves examples as the demonstrations,boldface words as discernment and explication of discerned figures of speech as clarification. It reveals the findings that figures of speech in poetic construction suggest rich layers of meaning, evoke vivid imagery and emotions, convey symbolic significance, enhance the musicality of the text, and invite readers to engage in interpretation and exploration. They are essential tools for poets to express complex ideas and evoke profound emotional responses from their readers. It is expected to prove beneficial to college students pursuing poetry as a major subject, as well as teachers keen on instructing figures of speech in English poetry. It is significant as it indicates that enhanced capacity for memorization and comprehension of figures of speech augments the overall grasp of poetic constructions thereby fostering a more profound understanding of entire poems among both students and teachers.
比喻是一种文学手法,它有策略地运用单词或短语,超越其字面含义,创造出一种独特的效果。本文旨在揭示不同诗人所创作的英语诗歌结构中普遍存在的修辞手法。文章采用定性文体学方法,以实例为示范,以黑体字为辨析,以对辨析出的语用符号的阐释为澄清。研究发现,诗歌结构中的语词暗示了丰富的意义层次,唤起了生动的意象和情感,传达了象征意义,增强了文本的音乐性,并吸引读者参与解读和探索。它们是诗人表达复杂思想和唤起读者深刻情感反应的重要工具。该书预计将对以诗歌为主修科目的大学生以及热衷于指导英语诗歌中的修辞手法的教师有所裨益。它的重要意义在于,它表明提高对语词的记忆和理解能力可以增强对诗歌结构的整体把握,从而促进学生和教师对整首诗歌更深刻的理解。
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引用次数: 0
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Shanlax international journal of English
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