Clara Eugenia Ronderos es poeta y cuentista colombiana doctorada en Literatura Hispánica de la Universidad de Massachusetts Amherst. Sus libros más recientes son el poemario Vida profunda y la colección de relatos Doble filo (Córdoba, Argentina: Alción, 2023). Otras publicaciones incluyen las colecciones de relatos Agua que no has de beber (Alción, 2019) y Ábrete Sésamo (Madrid: Torremozas, 2016); y los poemarios Unfoldings (Massachusetts: Nixes Mate, 2021), Después de la fábula (Madrid: Verbum, 2018), De reyes y fuegos (Torremozas, 2018), The Poetry of Clara Eugenia Ronderos (Seasons of Exile, Lewiston NY: Mellen. Traducción Mary G Berg, 2015), Raíz del Silencio (Bogotá: Universidad de los Andes, 2012) y Estaciones en Exilio (Premio Carmen Conde, Torremozas, 2010). Ronderos vive entre los Estados Unidos y Colombia y se dedica a la escritura, luego de jubilarse como profesora titular de español y literatura en la Universidad de Lesley de Cambridge, Massachusetts.
Clara Eugenia Ronderos是哥伦比亚诗人和说书人，拥有马萨诸塞大学阿默斯特分校西班牙文学博士学位。他的最新著作是诗集Vida profundo和故事集Doble filo (cordoba，阿根廷:alcion, 2023)。其他出版物包括故事集Agua que no has de beber (alcion, 2019)和芝麻开放(马德里:Torremozas, 2016);《展开》(马萨诸塞州:尼克斯伴侣，2021年)、《寓言》(马德里:Verbum, 2018年)、《雷耶斯与富埃特罗斯》(托雷莫萨斯，2018年)、《克拉拉·尤金妮亚·朗德罗斯的诗歌》(纽约刘易斯顿:梅伦)。《沉默的根源》(bogota: Universidad de los Andes, 2012)和《流亡的站》(Carmen Conde prize, Torremozas, 2010)。Ronderos生活在美国和哥伦比亚之间，在马萨诸塞州剑桥市莱斯利大学担任西班牙语和文学教授退休后，她致力于写作。
{"title":"Cuando las montañas son paisaje, y otros poemas","authors":"Clara Eugenia Ronderos","doi":"10.26824/lalr.397","DOIUrl":"https://doi.org/10.26824/lalr.397","url":null,"abstract":"Clara Eugenia Ronderos es poeta y cuentista colombiana doctorada en Literatura Hispánica de la Universidad de Massachusetts Amherst. Sus libros más recientes son el poemario Vida profunda y la colección de relatos Doble filo (Córdoba, Argentina: Alción, 2023). Otras publicaciones incluyen las colecciones de relatos Agua que no has de beber (Alción, 2019) y Ábrete Sésamo (Madrid: Torremozas, 2016); y los poemarios Unfoldings (Massachusetts: Nixes Mate, 2021), Después de la fábula (Madrid: Verbum, 2018), De reyes y fuegos (Torremozas, 2018), The Poetry of Clara Eugenia Ronderos (Seasons of Exile, Lewiston NY: Mellen. Traducción Mary G Berg, 2015), Raíz del Silencio (Bogotá: Universidad de los Andes, 2012) y Estaciones en Exilio (Premio Carmen Conde, Torremozas, 2010). Ronderos vive entre los Estados Unidos y Colombia y se dedica a la escritura, luego de jubilarse como profesora titular de español y literatura en la Universidad de Lesley de Cambridge, Massachusetts.","PeriodicalId":499662,"journal":{"name":"Latin American literary review","volume":"54 4","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"136319808","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Jen Ross Laguna's nonfiction has appeared in Guernica Magazine and Hispanic Magazine. Her poetry appears in Better than Starbucks, Last Stanza Poetry Journal, the other side of hope, Descant and in an anthology by The Poet Magazine. Her fiction has appeared in The Pine Cone Review, The Global Youth Review, Isele Magazine, Evocations Review, the Arlington Literary Journal, and the Everlast anthology by Dragon Soul Press.
{"title":"Macho Mama","authors":"Jen Ross Laguna","doi":"10.26824/lalr.386","DOIUrl":"https://doi.org/10.26824/lalr.386","url":null,"abstract":"Jen Ross Laguna's nonfiction has appeared in Guernica Magazine and Hispanic Magazine. Her poetry appears in Better than Starbucks, Last Stanza Poetry Journal, the other side of hope, Descant and in an anthology by The Poet Magazine. Her fiction has appeared in The Pine Cone Review, The Global Youth Review, Isele Magazine, Evocations Review, the Arlington Literary Journal, and the Everlast anthology by Dragon Soul Press.","PeriodicalId":499662,"journal":{"name":"Latin American literary review","volume":"95 1-2","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"136319805","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
In The Business of Conquest, Nicole Legnani outlines the links and contradictions between caritas (Christian love) and cupiditas (the desire for things) during the Imperial Spanish dominion. Legnani wants to show how the Spanish Empire advocated its monetary objectives through Catholic discourses.
{"title":"<em>The Business of Conquest. Empire, Love, and Law in the Atlantic World</em>, by Nicole D. Legnani. Notre Dame, Indiana: University of Notre Dame Press, 2020. 282 p.","authors":"Christian Elguera","doi":"10.26824/lalr.412","DOIUrl":"https://doi.org/10.26824/lalr.412","url":null,"abstract":"In The Business of Conquest, Nicole Legnani outlines the links and contradictions between caritas (Christian love) and cupiditas (the desire for things) during the Imperial Spanish dominion. Legnani wants to show how the Spanish Empire advocated its monetary objectives through Catholic discourses.","PeriodicalId":499662,"journal":{"name":"Latin American literary review","volume":"33 3","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134972092","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"<em>Asaltos al escenario: humor, g&eacute;nero e historia en el teatro de Sabina Berman</em>, de Priscilla Mel&eacute;ndez. Mexico City: Bonilla Artigas Editores, 2021. 384 p&aacute;ginas.","authors":"Stuart A. Day","doi":"10.26824/lalr.402","DOIUrl":"https://doi.org/10.26824/lalr.402","url":null,"abstract":"Review","PeriodicalId":499662,"journal":{"name":"Latin American literary review","volume":"12 4","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134972093","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"<em>Revolutionary Visions:</em><em> Jewish Life and Politics in Latin American Film, </em>by&nbsp;Stephanie Pridgeon. Toronto: University of Toronto Press, 2021. 194 pages.","authors":"Claire Solomon","doi":"10.26824/lalr.409","DOIUrl":"https://doi.org/10.26824/lalr.409","url":null,"abstract":"<jats:p>n/a</jats:p>","PeriodicalId":499662,"journal":{"name":"Latin American literary review","volume":"26 19","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134972091","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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