Pub Date : 2023-06-28DOI: 10.25587/litteraesvfu.2023.66.67.003
S. E. Noeva (Karmanova)
The article attempts to study the images of inverted space in the prose of Platon Oyunsky. Special attention is paid to the initial images of the artistic chronotope, forming a scheme of inversion: this is the underwater and lower worlds, the urban space in the writer's stories. The author of the article also highlights the image of the border, which forms a specific character of the Yakut world, also asserting the exceptional image of the initiating hero. The scholarly paradigm of this study also includes the issue of the body (clothing) as the main component of the image of the “I” of an urban person, defining the boundaries of his/her social sphere.
{"title":"Boundaries of being: The images of inverted space in the prose of the Yakut writer Platon Oyunsky","authors":"S. E. Noeva (Karmanova)","doi":"10.25587/litteraesvfu.2023.66.67.003","DOIUrl":"https://doi.org/10.25587/litteraesvfu.2023.66.67.003","url":null,"abstract":"The article attempts to study the images of inverted space in the prose of Platon Oyunsky. Special attention is paid to the initial images of the artistic chronotope, forming a scheme of inversion: this is the underwater and lower worlds, the urban space in the writer's stories. The author of the article also highlights the image of the border, which forms a specific character of the Yakut world, also asserting the exceptional image of the initiating hero. The scholarly paradigm of this study also includes the issue of the body (clothing) as the main component of the image of the “I” of an urban person, defining the boundaries of his/her social sphere.","PeriodicalId":500034,"journal":{"name":"Issues of national literature","volume":"9 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-06-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135359549","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-06-28DOI: 10.25587/litteraesvfu.2023.11.57.001
A. A. Burtsev, M. A. Burtseva
The article analyses the artistic specificity in the novel "The Universal Storm" by Elena Sleptsova-Kuorsunnakh, dedicated to the tragic fate of the Sakha intelligentsia. By its genre nature, this is a synthetic work that combines the features of an epic novel with a document-based family chronicle. Although the narrative in the novel is built around the Orosin clan, its distinctive feature is the depiction of a complex polyphony of individual destinies and characters that do not merge into a single mass, but give rise to real diversity. The article features the images of such historical figures as Vasily Nikiforov, Anepodist Sofronov, Platon Oyunsky, and Vera Davydova. The depiction of the real vicissitudes of their private lives not only confirms the novelistic character of the Kuorsunnakh's work, but also testifies to the presence of the features of psychological "genre generalization". In this regard, as shown in the article, the use of literary allusions and reminiscences by the author among the ways of mastering the artistic material seems to be successful.
{"title":"The functioning of literary allusions and reminiscences in the novel \"The Universal Storm\" by Sleptsova-Kuorsunnakh","authors":"A. A. Burtsev, M. A. Burtseva","doi":"10.25587/litteraesvfu.2023.11.57.001","DOIUrl":"https://doi.org/10.25587/litteraesvfu.2023.11.57.001","url":null,"abstract":"The article analyses the artistic specificity in the novel \"The Universal Storm\" by Elena Sleptsova-Kuorsunnakh, dedicated to the tragic fate of the Sakha intelligentsia. By its genre nature, this is a synthetic work that combines the features of an epic novel with a document-based family chronicle. Although the narrative in the novel is built around the Orosin clan, its distinctive feature is the depiction of a complex polyphony of individual destinies and characters that do not merge into a single mass, but give rise to real diversity. The article features the images of such historical figures as Vasily Nikiforov, Anepodist Sofronov, Platon Oyunsky, and Vera Davydova. The depiction of the real vicissitudes of their private lives not only confirms the novelistic character of the Kuorsunnakh's work, but also testifies to the presence of the features of psychological \"genre generalization\". In this regard, as shown in the article, the use of literary allusions and reminiscences by the author among the ways of mastering the artistic material seems to be successful.","PeriodicalId":500034,"journal":{"name":"Issues of national literature","volume":"50 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-06-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135359407","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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