Pub Date : 2024-05-06DOI: 10.1080/17496772.2024.2316498
Martina Margetts
Published in The Journal of Modern Craft (Vol. 17, No. 1, 2024)
发表于《现代手工艺杂志》（第 17 卷第 1 期，2024 年）
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Pub Date : 2024-05-06DOI: 10.1080/17496772.2024.2316484
Maru López
In this essay, I engage with the work of Puerto Rican artist Javier Orfón. Orfón expands notions of Puerto Rican identity through his exploration of craft knowledges. In his practice he learns abou...
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Pub Date : 2024-05-06DOI: 10.1080/17496772.2024.2316499
Jill Kingsley DiMassimo
Published in The Journal of Modern Craft (Vol. 17, No. 1, 2024)
发表于《现代手工艺杂志》（第 17 卷第 1 期，2024 年）
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Pub Date : 2024-05-06DOI: 10.1080/17496772.2024.2316496
Miriam Devlin
Published in The Journal of Modern Craft (Vol. 17, No. 1, 2024)
发表于《现代手工艺杂志》（第 17 卷第 1 期，2024 年）
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Pub Date : 2024-05-06DOI: 10.1080/17496772.2024.2316480
Tom Martin
This essay illustrates my pedagogical approach on the MA in Critical Craft Studies (MACR) and explains some of the philosophical commitments that underpinned my teaching there. Working as Core Facu...
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Pub Date : 2024-05-06DOI: 10.1080/17496772.2024.2316482
Kate Hawes
Dullness is a quality that is hard to pin down for a woodworker; it defies easy definitions, and yet has the power to radically change the temper of experience. Using methods of self-observation dr...
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Pub Date : 2024-05-06DOI: 10.1080/17496772.2024.2316490
Sara Clugage
Published in The Journal of Modern Craft (Vol. 17, No. 1, 2024)
发表于《现代手工艺杂志》（第 17 卷第 1 期，2024 年）
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Pub Date : 2024-05-06DOI: 10.1080/17496772.2024.2316471
Lexie Harvey
This article considers the significance of the “dirt circuit,” the cyclical tour of Renaissance Festivals in the eastern US state of Maryland that craft vendors and performers take each year, as a ...
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Pub Date : 2024-05-06DOI: 10.1080/17496772.2024.2316488
Danielle Burke
This Statement of Practice speaks to my role as the Program Coordinator for the MA in Critical Craft Studies at Warren Wilson College in Swannanoa, North Carolina from 2018 to 2020. I share how I i...
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Pub Date : 2024-05-06DOI: 10.1080/17496772.2024.2316486
Amy Meissner
Taking as its point of departure the personal experience of finding a discarded rope on a remote beach, this essay describes the way found objects assert agency to become craft materials, and how, ...
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