Pub Date : 2024-01-25DOI: 10.1080/17496772.2023.2287368
Rebekah Frank
This Statement of Practice presents {Queer} + {Metals}, a multilayered project that engaged an international cohort of artists in a conversation about the intersection of queerness and metalsmithin...
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Pub Date : 2024-01-25DOI: 10.1080/17496772.2023.2264628
Sarah Parrish
Published in The Journal of Modern Craft (Vol. 16, No. 2-3, 2023)
发表于《现代手工艺杂志》（第 16 卷，第 2-3 期，2023 年）
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Pub Date : 2024-01-25DOI: 10.1080/17496772.2023.2264647
Philip Mairet
Published in The Journal of Modern Craft (Vol. 16, No. 2-3, 2023)
发表于《现代手工艺杂志》（第 16 卷，第 2-3 期，2023 年）
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Pub Date : 2024-01-25DOI: 10.1080/17496772.2023.2264636
Nicole Archer
Published in The Journal of Modern Craft (Vol. 16, No. 2-3, 2023)
发表于《现代手工艺杂志》（第 16 卷，第 2-3 期，2023 年）
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Pub Date : 2024-01-25DOI: 10.1080/17496772.2023.2264650
Philip Conford
Published in The Journal of Modern Craft (Vol. 16, No. 2-3, 2023)
发表于《现代手工艺杂志》（第 16 卷，第 2-3 期，2023 年）
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Pub Date : 2024-01-25DOI: 10.1080/17496772.2023.2287373
Elizabeth K. Thomson
This article gives a brief overview of the development of Vietnamese lacquer painting, a unique art form, which came into being due to French and Vietnamese artists collaborating in the 1920s and h...
本文简要概述了越南漆画的发展情况，这种独特的艺术形式产生于二十世纪二十年代法国和越南艺术家的合作。
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Pub Date : 2024-01-25DOI: 10.1080/17496772.2023.2264631
Anna Hoddé
Published in The Journal of Modern Craft (Vol. 16, No. 2-3, 2023)
发表于《现代手工艺杂志》（第 16 卷，第 2-3 期，2023 年）
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Pub Date : 2024-01-25DOI: 10.1080/17496772.2023.2264635
Elizabeth Guffey
Published in The Journal of Modern Craft (Vol. 16, No. 2-3, 2023)
发表于《现代手工艺杂志》（第 16 卷，第 2-3 期，2023 年）
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Pub Date : 2024-01-25DOI: 10.1080/17496772.2023.2264634
Jessica Hemmings
Published in The Journal of Modern Craft (Vol. 16, No. 2-3, 2023)
发表于《现代手工艺杂志》（第 16 卷，第 2-3 期，2023 年）
{"title":"Teresa Lanceta: Weaving as Open Source","authors":"Jessica Hemmings","doi":"10.1080/17496772.2023.2264634","DOIUrl":"https://doi.org/10.1080/17496772.2023.2264634","url":null,"abstract":"Published in The Journal of Modern Craft (Vol. 16, No. 2-3, 2023)","PeriodicalId":501504,"journal":{"name":"The Journal of Modern Craft","volume":"36 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139589914","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-11-29DOI: 10.1080/17496772.2021.2000704
Antonia Behan
(2021). Commentary. The Journal of Modern Craft: Vol. 14, No. 3, pp. 281-286.
(2021)。评论。现代工艺学报:第14卷，第3期，第281-286页。
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