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‘A Return, a Mirror, a Photograph’: Return Journeys, Material Culture and Intergenerational Transmission in a Greek Cypriot Refugee Family 一次回归、一面镜子、一张照片":一个希族塞浦路斯难民家庭的回归之旅、物质文化和代际传承
Pub Date : 2024-05-10 DOI: 10.3390/genealogy8020057
Christakis Peristianis
During times of war, displaced families carry various material items that later serve as means for preserving the memories of lost homes and maintaining a sense of identity. In divided Cyprus, the use of material objects by people displaced before and during the 1974 Turkish invasion has been influenced by the opening of checkpoints between the two sides in 2003. This paper explores how different generations in my family reacted to and interpreted the rediscovery of a lost material item—a handmade mirror piece—during the return journey. It discusses how my mother located the item, photographed it, and placed its photograph in the family’s photographic archive. During the research project upon which this paper follows from, both items re-emerged through my mother’s storytelling about her experience of return, transforming the project into a form of intergenerational transmission. The paper portrays how the storytelling about the mirror piece and its photograph was interpreted differently by me and my mother, influenced by the different politics of memory. The paper also showcases the resourcefulness of refugee families in maintaining the memory of their lost homes, which simultaneously reveals their views and hopes regarding the political future of the island.
战争期间,流离失所的家庭携带各种物质物品,这些物品后来成为保存失去家园的记忆和保持身份认同感的手段。在分裂的塞浦路斯,1974 年土耳其入侵前和入侵期间流离失所的人们对物质物品的使用受到了 2003 年双方开放检查站的影响。本文探讨了我家几代人在返程途中重新发现一件遗失物品--手工制作的镜子--时是如何反应和解释的。本文讨论了我的母亲是如何找到这件物品、为其拍照并将其照片存入家族摄影档案的。在本文所依据的研究项目中,这两件物品通过我母亲讲述她的回国经历再次出现,将该项目转化为一种代际传承的形式。本文描绘了我和我母亲如何在不同的记忆政治影响下,对镜片及其照片进行不同的诠释。本文还展示了难民家庭在保持对失去家园的记忆方面的机智,这同时也揭示了他们对岛屿政治未来的看法和希望。
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引用次数: 0
‘I Am a Broken Policy’: A Critical Reflection on Whiteness and Gender Anti-Black Racism in Institutions of Higher Education and Social Services 我是被打破的政策》:高等教育和社会服务机构中的白人和性别反黑人种族主义批判性反思
Pub Date : 2024-05-08 DOI: 10.3390/genealogy8020052
Tiffany N. Younger
This personal narrative is a critical reflection and affirmation letter to Black women. Throughout this commentary, at the end of each section, I have included what I call “gems”. I hope they serve as a manifesto for our collective healing from working in institutions that center on the ideologies and practices of dominance. This piece particularly focuses on the dominant ideology and practice of “whiteness” within institutions as a surveillance tool through policy that directly impacts Black women’s wellbeing through gender anti-black racism. Through storytelling and drawing on Black feminist scholarship, this narrative exposes the challenges I faced with institutional policies and practices as I pursued my career in both academia and social service work. Throughout this narrative, I highlight how the undercurrent of whiteness is embedded in the foundation of institutional policy and practices. This narrative serves as a demand for institutional accountability and reckoning with the coloniality of epistemology and ontology. There is a great emotional toll for Black women who are confronting and resisting gendered anti-black racism with deep internal struggles and triumphs. The violent institutional practices seek to eclipse Black women’s ability to dream, imagine and create. Whiteness is centered in institutional infrastructure, serves as a distraction, and impedes our ability to conceptualize the world we desire. We deserve to have imagination in our work. This narrative is a reflection of the harm of whiteness, a guide for Black women academics, a manifesto for change, and a testament to our humanity.
这篇个人叙事是写给黑人女性的一封批判性反思和肯定信。在整篇评论中,我在每一部分的末尾都加入了我称之为 "宝石 "的内容。我希望这些 "瑰宝 "能成为我们的宣言,帮助我们集体治愈在以统治意识形态和实践为中心的机构中工作的创伤。这篇文章特别关注机构内 "白人 "的主导意识形态和做法,这是一种通过政策进行监控的工具,通过性别反黑人种族主义直接影响黑人妇女的福祉。通过讲故事和借鉴黑人女权主义学术研究,本叙事揭示了我在学术界和社会服务工作中追求事业发展时面临的机构政策和实践的挑战。在整个叙述中,我强调了白人的暗流是如何嵌入到机构政策和实践的基础中的。这一叙述是对机构问责制的要求,也是对认识论和本体论的殖民性的反思。黑人妇女以深刻的内心斗争和胜利来对抗和抵制性别化的反黑人种族主义,她们付出了巨大的情感代价。暴力的制度性做法试图削弱黑人妇女的梦想、想象和创造能力。白化是制度性基础设施的核心,它分散了我们的注意力,阻碍了我们构想我们渴望的世界的能力。我们理应在工作中拥有想象力。这一叙述反映了白人的危害,是黑人女性学者的指南,是变革的宣言,也是我们人性的证明。
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引用次数: 0
Hidden from Family History: The Ethics of Remembering 家族史中的隐秘:记忆的伦理
Pub Date : 2024-05-01 DOI: 10.3390/genealogy8020051
Martin Robb
This article draws on case studies or ‘microhistories’ from the author’s own research to explore the ethical responsibility of family historians to represent the experiences of those whose lives have been ‘hidden from history’, and in particular the lives of one’s female ancestors, as a way of correcting the omissions and erasures of official histories. It also discusses the ethical dilemmas posed by the discovery that one’s ancestors were involved in activities that are now regarded as morally suspect, such as profiting from the ownership of slaves. Finally, the article debates ethical arguments about respecting the rights of the dead to privacy.
本文利用作者自己研究的案例研究或 "微观历史 "来探讨家族史学者的伦理责任,即表现那些被 "隐藏在历史中 "的人的生活经历,特别是女性祖先的生活,以此来纠正官方历史的遗漏和抹杀。文章还讨论了发现自己的祖先曾参与现在被视为道德可疑的活动(如从拥有奴隶中获利)所带来的伦理困境。最后,文章辩论了关于尊重死者隐私权的伦理论点。
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引用次数: 0
Indigenous Genealogies of Relational Knowledge: Cedar Tree and Gray Squirrel as Important Relatives and Teachers 关系知识的原住民谱系:雪松和灰松鼠是重要的亲戚和老师
Pub Date : 2024-02-16 DOI: 10.3390/genealogy8010019
Michelle M. Jacob, Leilani Sabzalian, Regan N. Anderson, Haeyalyn R. Muniz, Kevin Simmons, Virginia R. Beavert
Indigenous peoples have education systems thousands of years old that have sustained our peoples in respectful relation with place. The backbone of our education systems is our stories and storytelling traditions. Beyond mere intellectual or analytical “texts” or “literature”, our stories place us in webs of relationships with sacred responsibilities. In this article, we discuss the importance of Indigenous genealogies of knowledge from both personal expertise and Indigenous Studies scholarship. We then describe a project on Yakama homelands in which Sahaptin storytelling is honored as a knowledge system that guides leaders and educators in their work. This project demonstrates the important role Indigenous stories can play in fostering more respectful and responsive systems. We argue that if educational programs or institutions wish to develop and remain in respectful relationships with Indigenous peoples and place, leaders and educators must learn to value, learn from, and lead with Indigenous knowledges.
原住民的教育体系已有数千年的历史,这些体系使我们的民族与地方保持着相互尊重的关系。我们教育体系的支柱是我们的故事和讲故事的传统。除了知识性或分析性的 "文本 "或 "文学 "之外,我们的故事将我们与神圣的责任联系在一起。在本文中,我们将从个人专长和土著研究学术研究两方面讨论土著知识谱系的重要性。然后,我们介绍了在雅卡玛家园开展的一个项目,在该项目中,萨哈普廷故事讲述作为一种知识体系,为领导者和教育工作者的工作提供了指导。该项目展示了土著故事在培养更加尊重他人、更加顺应民意的制度方面所能发挥的重要作用。我们认为,如果教育计划或机构希望发展并保持与土著人民和地方的尊重关系,领导者和教育工作者就必须学会重视、借鉴土著知识,并以土著知识为指导。
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引用次数: 0
Hosts, Again: From Conditional Inclusion and Liberal Censorship to Togetherness and Creative/Critical Refugee Epistemologies 又是东道主:从有条件的包容和自由审查到团结和创造性/批判性难民认识论
Pub Date : 2024-02-16 DOI: 10.3390/genealogy8010018
Saida Hodžić
In this experimental text that critically juxtaposes autoethnographic narration, reflection, and analysis with theoretical engagements, I suggest that the power dynamics that diminish and dispossess the lives of refugees and other displaced people also constrain and censor critical refugee epistemologies. Refugees are frequently impelled to speak, implored to speak, coached to speak, interrogated and ordered to speak, but on the condition that we consent to having our voices policed. Our narratives are welcomed if they affirm the humanitarian liberal order, but the knowledge we possess challenges it. Presented as benevolent and caring, the incessant demands for refugee stories and trauma erotics are also mechanisms of putting refugees in place: they assign the refugee a subject position of a conditionally accepted narrator who is refused authorship and self-possession. Our narratives fail to count as knowledge unless they are converted into writing by citizen ghost writers or coauthors. And when we refuse to recite trauma stories and instead disrupt the order of things by critically analyzing violent regimes of refuge and liberal complicity, we are censored. Refugees have things to say as ethnographers of their own lives, analysts of upside-down mobility, and critics of violent bureaucracies. This knowledge is needed and wanted. Rather than orienting our work to liberal publics, we are creating alternative, self-authorized structures that uphold displaced people as knowledgeable and world-building subjects, as people able to host others.
在这篇将自述、反思和分析与理论探讨批判性并列的实验性文章中,我提出,削弱和剥夺难民和其他流离失所者生活的权力动态也限制和审查了批判性的难民认识论。难民经常被强迫发言、被恳求发言、被指导发言、被审问和被命令发言,但条件是我们必须同意我们的声音受到监督。如果我们的叙述肯定了人道主义的自由秩序,我们就会受到欢迎,但我们所掌握的知识却对这种秩序提出了挑战。对难民故事和创伤情色的不断需求以仁慈和关怀的姿态出现,但这也是将难民置于原地的机制:它们赋予难民一种有条件接受的叙述者的主体地位,而难民的作者身份和自我占有权却被拒绝。除非我们的叙述被公民幽灵作家或共同作者转化为文字,否则它们就不能算作知识。当我们拒绝背诵创伤故事,而是通过批判性地分析暴力避难制度和自由主义的共谋来破坏事物的秩序时,我们就会受到审查。难民作为自己生活的民族志作者、颠倒流动的分析者和暴力官僚机构的批评者,他们有话要说。我们需要这些知识。我们的工作不是面向自由主义的公众,而是创建另一种自我授权的结构,将流离失所者视为知识渊博和建设世界的主体,视为能够接纳他人的人。
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引用次数: 0
Did John Lydgate Write the Original for the “Scotch Copy of a Poem on Heraldry”? 约翰-吕德加特是否为 "苏格兰纹章诗抄 "撰写了原作?
Pub Date : 2024-02-09 DOI: 10.3390/genealogy8010017
Bruce Durie
Evidence is presented, from heraldic, linguistic and political–historical evidence, that the original author of the “Scotch Copy of a Poem on Heraldry” was not Adam Loutfut ca. 1494 but the earlier English writer John Lydgate, possibly drawing from French heraldic sources. A new transcription from the Harleian MS 6149 is given with a comparison to the text from a copy in Queen’s MS. 161, plus a modern-language “translation” and critical commentary.
通过纹章学、语言学和政治史方面的证据证明,《苏格兰纹章诗抄》的原作者并非亚当-卢特福特(Adam Loutfut,约 1494 年),而是更早的英国作家约翰-莱德盖特(John Lydgate)。苏格兰纹章诗抄 "的原作者不是亚当-卢特福特(Adam Loutfut,约 1494 年),而是更早的英国作家约翰-莱德盖特(John Lydgate),他可能借鉴了法国纹章学资料。本报告提供了来自哈里安 MS 6149 的新抄本,并将其与皇后 MS 161 抄本中的文本进行了比较。161 号中的文本进行了对比,并提供了现代语言的 "翻译 "和评论。
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引用次数: 0
Did John Lydgate Write the Original for the “Scotch Copy of a Poem on Heraldry”? 约翰-吕德加特是否为 "苏格兰纹章诗抄 "撰写了原作?
Pub Date : 2024-02-09 DOI: 10.3390/genealogy8010017
Bruce Durie
Evidence is presented, from heraldic, linguistic and political–historical evidence, that the original author of the “Scotch Copy of a Poem on Heraldry” was not Adam Loutfut ca. 1494 but the earlier English writer John Lydgate, possibly drawing from French heraldic sources. A new transcription from the Harleian MS 6149 is given with a comparison to the text from a copy in Queen’s MS. 161, plus a modern-language “translation” and critical commentary.
通过纹章学、语言学和政治史方面的证据证明,《苏格兰纹章诗抄》的原作者并非亚当-卢特福特(Adam Loutfut,约 1494 年),而是更早的英国作家约翰-莱德盖特(John Lydgate)。苏格兰纹章诗抄 "的原作者不是亚当-卢特福特(Adam Loutfut,约 1494 年),而是更早的英国作家约翰-莱德盖特(John Lydgate),他可能借鉴了法国纹章学资料。本报告提供了来自哈里安 MS 6149 的新抄本,并将其与皇后 MS 161 抄本中的文本进行了比较。161 号中的文本进行了对比,并提供了现代语言的 "翻译 "和评论。
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引用次数: 0
Toward an Onomastic Account of Vietnamese Surnames 建立越南姓氏的专名学说
Pub Date : 2024-02-05 DOI: 10.3390/genealogy8010016
Viet Khoa Nguyen
This article presents a comprehensive exploration of Vietnamese surnames, with a specific focus on those attributed to the Kinh people, from an onomastic perspective. Beginning with a broad overview of general studies on Vietnamese names, the paper introduces the prevailing name structure, which follows the format [Surname + (Middle name) + Given name]. The study then delves into a careful examination of Vietnamese surnames, addressing key facets such as their origin, distinctive characteristics, quantity, and distribution. Notably, the article emphasizes the widespread usage of the Nguyễn surname, offering arguments and insights into its prevalence. Furthermore, the paper discusses the intricate nature of the meanings associated with Vietnamese surnames and highlights the legal considerations surrounding them. By combining historical context with cultural significance, the article aims to provide valuable insights into the complexities inherent in Vietnamese surnames. Ultimately, this research contributes to a deeper understanding of the historical roots and cultural significance of Kinh group surnames within the broader context of Vietnamese onomastics.
本文从古文字学的角度对越南姓氏进行了全面的探讨,重点是那些归属于京族的姓氏。文章首先对越南人姓氏的一般研究进行了概述,然后介绍了普遍的姓氏结构,即[姓+(中名)+名]的格式。然后,文章对越南姓氏进行了仔细研究,探讨了姓氏的起源、特点、数量和分布等关键问题。值得注意的是,文章强调了 Nguyễn 这一姓氏的广泛使用,并对其普遍性提出了论据和见解。此外,文章还讨论了越南姓氏相关含义的复杂性,并强调了围绕这些含义的法律考量。通过将历史背景与文化意义相结合,文章旨在为越南姓氏固有的复杂性提供有价值的见解。最终,这项研究有助于在越南文字学的大背景下加深对京族姓氏的历史根源和文化意义的理解。
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引用次数: 0
Toward an Onomastic Account of Vietnamese Surnames 建立越南姓氏的专名学说
Pub Date : 2024-02-05 DOI: 10.3390/genealogy8010016
Viet Khoa Nguyen
This article presents a comprehensive exploration of Vietnamese surnames, with a specific focus on those attributed to the Kinh people, from an onomastic perspective. Beginning with a broad overview of general studies on Vietnamese names, the paper introduces the prevailing name structure, which follows the format [Surname + (Middle name) + Given name]. The study then delves into a careful examination of Vietnamese surnames, addressing key facets such as their origin, distinctive characteristics, quantity, and distribution. Notably, the article emphasizes the widespread usage of the Nguyễn surname, offering arguments and insights into its prevalence. Furthermore, the paper discusses the intricate nature of the meanings associated with Vietnamese surnames and highlights the legal considerations surrounding them. By combining historical context with cultural significance, the article aims to provide valuable insights into the complexities inherent in Vietnamese surnames. Ultimately, this research contributes to a deeper understanding of the historical roots and cultural significance of Kinh group surnames within the broader context of Vietnamese onomastics.
本文从古文字学的角度对越南姓氏进行了全面的探讨,重点是那些归属于京族的姓氏。文章首先对越南人姓氏的一般研究进行了概述,然后介绍了普遍的姓氏结构,即[姓+(中名)+名]的格式。然后,文章对越南姓氏进行了仔细研究,探讨了姓氏的起源、特点、数量和分布等关键问题。值得注意的是,文章强调了 Nguyễn 这一姓氏的广泛使用,并对其普遍性提出了论据和见解。此外,文章还讨论了越南姓氏相关含义的复杂性,并强调了围绕这些含义的法律考量。通过将历史背景与文化意义相结合,文章旨在为越南姓氏固有的复杂性提供有价值的见解。最终,这项研究有助于在越南文字学的大背景下加深对京族姓氏的历史根源和文化意义的理解。
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引用次数: 0
Listening to, Reconstructing, and Writing about Stories of Violence in My Country of Origin: On Shifting Positionalities and the Intertwining of My Life and Research Amidst Personal Loss 倾听、重构和书写我原籍国的暴力故事:在个人损失中转变立场并将我的生活与研究交织在一起
Pub Date : 2024-02-03 DOI: 10.3390/genealogy8010014
K. Avram
This article explores the interplay between my life and research on responsibility in the context of (past) collective violence and state repression in Romania, my country of origin. Reflecting on the five-year research process, I delve into my multiple and shifting positionalities during data collection, analysis, and presentation, pointing to the fluid identities of researchers along a continuum in which their backgrounds, professional roles, as well as dynamic negotiations in ‘the field’ and personal experiences intertwine and affect research at every stage. In particular, I explore the impact of my personal experience of loss and grief after the sudden death of my mother on my research, revealing its influence on reconstructing and writing about stories of violence. In doing so, research unfolds as a journey where personal and professional lives merge, showcasing knowledge production as an inherently subjective endeavor. Building on this, I advocate for recognizing the influence of emotions and personal experiences on narrative interpretations as well as for considering the intertwining between research and personal life’s as central facets of positionality and reflexivity.
本文探讨了在我的原籍国罗马尼亚(过去)集体暴力和国家镇压的背景下,我的生活与责任研究之间的相互作用。通过对五年研究过程的反思,我深入探讨了自己在数据收集、分析和展示过程中不断变化的多重身份,指出研究人员的身份是一个连续体,他们的背景、职业角色以及在 "现场 "的动态谈判和个人经历在每个阶段都交织在一起并影响着研究。特别是,我探讨了母亲突然去世后失去亲人和悲痛的个人经历对我的研究产生的影响,揭示了它对重建和书写暴力故事的影响。在此过程中,研究作为个人生活与职业生活融合的旅程而展开,展示了知识生产作为一种固有的主观努力。在此基础上,我主张承认情感和个人经历对叙事解释的影响,并将研究与个人生活的交织视为立场性和反思性的核心内容。
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引用次数: 0
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Genealogy
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