Pub Date : 2024-02-28DOI: 10.26650/cons2024-1431502
İsmail Burdurlu
{"title":"A Conceptual Exploration on the Interplay of Unconscious in Musical Creativity","authors":"İsmail Burdurlu","doi":"10.26650/cons2024-1431502","DOIUrl":"https://doi.org/10.26650/cons2024-1431502","url":null,"abstract":"","PeriodicalId":505212,"journal":{"name":"Conservatorium / Konservatoryum","volume":"126 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-02-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140417845","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-12-11DOI: 10.26650/cons2023-1374485
Ezginur Küçükdürüm
{"title":"Mekânsal Taşıma ve Yeniden İnşa Sürecinde Bir Göçmen Eğlencesi: Eskişehir Özbek/Afgan Nişan Örneği","authors":"Ezginur Küçükdürüm","doi":"10.26650/cons2023-1374485","DOIUrl":"https://doi.org/10.26650/cons2023-1374485","url":null,"abstract":"","PeriodicalId":505212,"journal":{"name":"Conservatorium / Konservatoryum","volume":"19 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139183380","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-11-30DOI: 10.26650/cons2023-1247270
Liz Mellısh, Nick Green
This paper aims to frame and contextualize Selena’s research between 2010 and 2019 in villages with a Serbian population situated in the Danube Gorge in Romania and in particular the village of Svinit , a (Svinica). Selena’s research focus was on the community dance practices and local customs and festivals, and especially interethnic/cross-cultural sharing between the Serbians and Romanians living in this area. In order to provide this contextualization this paper draws on the concept of positionality encompassing historical, geographical, political and cultural facets, and that identities can be multiple, shifting and situational. After setting the historical background for the Danube Gorge, it discusses local customs in this area especially those during the pre-Lenten carnival, Easter celebrations and the regular contemporary cultural events organized in these villages. The final detailed section contextualizes the contemporary dance practices in social settings where a local identity is portrayed versus the preference for performing Serbian dances as a way of representing Serbian identity in presentational contexts.
{"title":"Dance and Festivals in Serbian Villages along the Romanian Danube Gorge: Contextualizing Selena Rakočević’s Research","authors":"Liz Mellısh, Nick Green","doi":"10.26650/cons2023-1247270","DOIUrl":"https://doi.org/10.26650/cons2023-1247270","url":null,"abstract":"This paper aims to frame and contextualize Selena’s research between 2010 and 2019 in villages with a Serbian population situated in the Danube Gorge in Romania and in particular the village of Svinit , a (Svinica). Selena’s research focus was on the community dance practices and local customs and festivals, and especially interethnic/cross-cultural sharing between the Serbians and Romanians living in this area. In order to provide this contextualization this paper draws on the concept of positionality encompassing historical, geographical, political and cultural facets, and that identities can be multiple, shifting and situational. After setting the historical background for the Danube Gorge, it discusses local customs in this area especially those during the pre-Lenten carnival, Easter celebrations and the regular contemporary cultural events organized in these villages. The final detailed section contextualizes the contemporary dance practices in social settings where a local identity is portrayed versus the preference for performing Serbian dances as a way of representing Serbian identity in presentational contexts.","PeriodicalId":505212,"journal":{"name":"Conservatorium / Konservatoryum","volume":"64 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-11-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139197979","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-11-30DOI: 10.26650/cons2023-1266649
F. Oğul
Selena Rakočević was a distinguished scholar of ethnomusicology and eth-nochoreology, with a focus on traditional music and dance in Southeastern Europe, especially Serbia. Her extensive research has advanced understanding of the cultural practices and traditions of the region. Rakočević has conducted fieldwork in various parts of Southeastern Europe, including Vojvodina and Banat. Her research has included investigations into the mortuary ritual in the village of Sviniţa, dance movements in Southeastern Banat, and the musical practices of the Banat Bulgarians. In addition to her fieldwork, Rakočević has contributed to the field of ethnomusicology through her writing. This paper discusses Rakočević’s literature to reveal her contributions to the region of Southeastern Europe based on her ethnographic, practical, and theoretical knowledge of ethnochoreology and ethnomusicology. Her studies can be categorized under five topics: recent studies in ethnochoreology and ethno-musicology, the ethnochoreological and ethnomusicological approaches of SFRY, fieldwork studies in a theoretical framework, her fieldwork executed especially in the regions of Vojvodina and Banat, and kolo dancing as the cultural heritage of Serbia. Rakočević also reviewed books by ethnochoreologists and ethnomusicologists, some of which are included in this article. Her legacy continues to inspire new generations of scholars.
{"title":"Selena Rakočević’s Contributions to Southeastern Europe Dance and Music Studies","authors":"F. Oğul","doi":"10.26650/cons2023-1266649","DOIUrl":"https://doi.org/10.26650/cons2023-1266649","url":null,"abstract":"Selena Rakočević was a distinguished scholar of ethnomusicology and eth-nochoreology, with a focus on traditional music and dance in Southeastern Europe, especially Serbia. Her extensive research has advanced understanding of the cultural practices and traditions of the region. Rakočević has conducted fieldwork in various parts of Southeastern Europe, including Vojvodina and Banat. Her research has included investigations into the mortuary ritual in the village of Sviniţa, dance movements in Southeastern Banat, and the musical practices of the Banat Bulgarians. In addition to her fieldwork, Rakočević has contributed to the field of ethnomusicology through her writing. This paper discusses Rakočević’s literature to reveal her contributions to the region of Southeastern Europe based on her ethnographic, practical, and theoretical knowledge of ethnochoreology and ethnomusicology. Her studies can be categorized under five topics: recent studies in ethnochoreology and ethno-musicology, the ethnochoreological and ethnomusicological approaches of SFRY, fieldwork studies in a theoretical framework, her fieldwork executed especially in the regions of Vojvodina and Banat, and kolo dancing as the cultural heritage of Serbia. Rakočević also reviewed books by ethnochoreologists and ethnomusicologists, some of which are included in this article. Her legacy continues to inspire new generations of scholars.","PeriodicalId":505212,"journal":{"name":"Conservatorium / Konservatoryum","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-11-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139200162","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-11-30DOI: 10.26650/cons2023-1245746
Nathan Bernackı
The non-isochronous meters of the Balkan Peninsula are traditionally described in ethnomusicological literature through notation indicating a 2:3 beat ratio underlain by a series of isochronous subdivisions. Within the Balkans, this theory of meter can be traced back to early twentieth century Bulgarian musicology and possibly even before, yet has not been revised or amended until relatively recently. However, recent microtiming studies nuance representations of meter that surpass the capacities of traditional Western notation through IOI (interonset interval) analysis. Through an IOI analysis of two dance-songs from villages in the Pirin-Macedonia region of Bulgaria, I show that the presumptive fixed proportions of the 3-beat ‘long-short-short’ meter (7/8, 3+2+2 in musicological terminology) of both songs do not align with and cannot be described by a 2:3 beat ratio. These quantitative findings are then contextualized in the metric perspectives of both conservatory-trained musicians and village musicians in order to assess possible epistemological obfuscation, and theorize potential revisions to theories of Balkan non-isochronous meters.
{"title":"Microtiming Analysis of Two Dance-Songs from the Pirin-Macedonia Region of Bulgaria","authors":"Nathan Bernackı","doi":"10.26650/cons2023-1245746","DOIUrl":"https://doi.org/10.26650/cons2023-1245746","url":null,"abstract":"The non-isochronous meters of the Balkan Peninsula are traditionally described in ethnomusicological literature through notation indicating a 2:3 beat ratio underlain by a series of isochronous subdivisions. Within the Balkans, this theory of meter can be traced back to early twentieth century Bulgarian musicology and possibly even before, yet has not been revised or amended until relatively recently. However, recent microtiming studies nuance representations of meter that surpass the capacities of traditional Western notation through IOI (interonset interval) analysis. Through an IOI analysis of two dance-songs from villages in the Pirin-Macedonia region of Bulgaria, I show that the presumptive fixed proportions of the 3-beat ‘long-short-short’ meter (7/8, 3+2+2 in musicological terminology) of both songs do not align with and cannot be described by a 2:3 beat ratio. These quantitative findings are then contextualized in the metric perspectives of both conservatory-trained musicians and village musicians in order to assess possible epistemological obfuscation, and theorize potential revisions to theories of Balkan non-isochronous meters.","PeriodicalId":505212,"journal":{"name":"Conservatorium / Konservatoryum","volume":"42 3","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-11-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139206686","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-11-30DOI: 10.26650/cons2023-1281994
Ivana Medıć
{"title":"The Cicvarićs as Pioneers of Cultural Entrepreneurship in Serbia","authors":"Ivana Medıć","doi":"10.26650/cons2023-1281994","DOIUrl":"https://doi.org/10.26650/cons2023-1281994","url":null,"abstract":"","PeriodicalId":505212,"journal":{"name":"Conservatorium / Konservatoryum","volume":"245 ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-11-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139204417","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-11-30DOI: 10.26650/cons2023-1254303
Mehtap Demir Güven
This article focuses on the KUD Mladih Novi Pazar Youth Culture and Art Association and the FolklorDaire music group, which play an active role in culture and music in Novi Pazar, Serbia. The core question that I try to understand in the context of these two cases is as follows. As new cultural patterns are formed, how do they gain sources of spirit, intellectual basis, and enthusiasm for practice? At this point, when I consider the historical and geographical positions of Novi Pazar, I underline that cultural and musical behaviors refer to tradition. Basically, I argue that tradition plays a role in the musical and cultural behavior of the city of Novi Pazar as a useful tool in both cases. Theoretically, I prioritize the concept of cultural intimacy borrowed from ethnography and the concept of revitalization movements in order to be able to explain the new cultural patterns produced based on the concept of tradition. The first fieldwork in Serbia, Novi Pazar provided data on getting to know the region, observing musical practices, ongoing cultural structures, and conducting in-depth interviews with active musicians in cultural music movements. In the second stage, Netnography, an online research method, was used to study two refined samples.
本文的重点是 KUD Mladih Novi Pazar 青年文化艺术协会和 FolklorDaire 音乐小组，它们在塞尔维亚 Novi Pazar 的文化和音乐领域发挥着积极作用。在这两个案例中，我试图理解的核心问题如下。在新的文化模式形成的过程中，它们是如何获得精神源泉、思想基础和实践热情的？在这一点上，当我考虑到新帕扎尔的历史和地理位置时，我强调文化和音乐行为是指传统。从根本上说，我认为传统在新帕扎尔市的音乐和文化行为中扮演着有用工具的角色。从理论上讲，我优先考虑从人种学中借用的文化亲密关系概念和振兴运动概念，以便能够解释在传统概念基础上产生的新文化模式。在塞尔维亚新帕扎尔进行的第一次实地考察提供了了解该地区、观察音乐实践、持续的文化结构以及与活跃在文化音乐运动中的音乐家进行深入访谈的数据。在第二阶段，使用在线研究方法 Netnography 研究了两个细化样本。
{"title":"Tradition as a Useful Tool: New Patterns of Culture among the Bosniaks in Novi Pazar","authors":"Mehtap Demir Güven","doi":"10.26650/cons2023-1254303","DOIUrl":"https://doi.org/10.26650/cons2023-1254303","url":null,"abstract":"This article focuses on the KUD Mladih Novi Pazar Youth Culture and Art Association and the FolklorDaire music group, which play an active role in culture and music in Novi Pazar, Serbia. The core question that I try to understand in the context of these two cases is as follows. As new cultural patterns are formed, how do they gain sources of spirit, intellectual basis, and enthusiasm for practice? At this point, when I consider the historical and geographical positions of Novi Pazar, I underline that cultural and musical behaviors refer to tradition. Basically, I argue that tradition plays a role in the musical and cultural behavior of the city of Novi Pazar as a useful tool in both cases. Theoretically, I prioritize the concept of cultural intimacy borrowed from ethnography and the concept of revitalization movements in order to be able to explain the new cultural patterns produced based on the concept of tradition. The first fieldwork in Serbia, Novi Pazar provided data on getting to know the region, observing musical practices, ongoing cultural structures, and conducting in-depth interviews with active musicians in cultural music movements. In the second stage, Netnography, an online research method, was used to study two refined samples.","PeriodicalId":505212,"journal":{"name":"Conservatorium / Konservatoryum","volume":"37 7","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-11-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139206082","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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