Pub Date : 2023-11-30DOI: 10.26650/cons2023-1252278
Mehmet Öcal Özbilgin
In this study, the socio-cultural interaction of Turkish–Serbian traditional dances will be analysed within the context of historical socio-political relations between the Anatolian and Balkan peninsula regions. Based on field research conducted in Serbia and Türkiye since 2008, morphological partnerships or dissociations in traditional dances will be identified. Our sources mainly come from the limited information acquired through samples from the Sandžak region in Serbia and from the migrant Sandžak Bosniaks living in the cities of Istanbul, Izmir and Bursa in Türkiye. In particular, the dance structure of the people who have migrated to Türkiye from Serbia in the last 50 years will be mentioned. In addition, the traditional dance structures of the Muslim people who live in Serbia’s Sandžak region (today in Serbia’s Raška District) will be examined.
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Pub Date : 2023-11-30DOI: 10.26650/cons2023-1245756
Katarina Nıkolıć
Kolo u tri is a dance genre characterized by a lateral symmetric eight-measure dance pattern movement and its four-measure phrase in the dichotomous organization. The appearance of this genre is recognized through numerous names, melodies, and sometimes specific kinetic contents (the most famous are moravac, užičko kolo, Žikino kolo ). One of the manifestations of the dance genre Kolo u tri is also a vocal-instrumental dance form – gara (pl.: gare). Gara includes simultaneous singing of improvisatory lyrics by the singer, instrumental accompaniment by an orchestra, and kinetic performance of an eight-measure dance pattern which are standard features that belong to the genre Kolo u tri. Based on empirical information documented at the wedding ritual in the village Stajićevo (Banat area, North Serbia) in 2016, this paper will illustrate and define the essential structural-formal features from a dance perspective. Moreover, the paper will do a poetic and musical analysis to show all characteristics of this syncretic form composed of words, music, and movements.
Kolo u tri 是一种舞蹈流派，其特点是横向对称的八拍子舞蹈模式动作及其二分组织中的四拍子乐句。这种体裁的出现通过许多名称、旋律，有时还有特定的动作内容（最著名的有《莫拉瓦茨》、《乌日科科洛》、《日基诺科洛》）而得到认可。Kolo u tri 舞蹈流派的表现形式之一也是一种声乐乐器舞蹈形式--嘎拉（pl.）Gara 包括歌手同时演唱即兴歌词、管弦乐队的乐器伴奏以及八拍舞蹈模式的动感表演，这些都是属于 Kolo u tri 流派的标准特征。根据 2016 年在 Stajićevo 村（塞尔维亚北部巴纳特地区）婚礼仪式上记录的经验信息，本文将从舞蹈的角度说明并定义其基本的结构形式特征。此外，本文还将进行诗歌和音乐分析，以展示这种由文字、音乐和动作组成的综合形式的所有特征。
{"title":"The Vocal-Instrumental Dance Form Gara: Vital Manifestation of Dance Genre Kolo u Tri within the Wedding Ritual in Serbia","authors":"Katarina Nıkolıć","doi":"10.26650/cons2023-1245756","DOIUrl":"https://doi.org/10.26650/cons2023-1245756","url":null,"abstract":"Kolo u tri is a dance genre characterized by a lateral symmetric eight-measure dance pattern movement and its four-measure phrase in the dichotomous organization. The appearance of this genre is recognized through numerous names, melodies, and sometimes specific kinetic contents (the most famous are moravac, užičko kolo, Žikino kolo ). One of the manifestations of the dance genre Kolo u tri is also a vocal-instrumental dance form – gara (pl.: gare). Gara includes simultaneous singing of improvisatory lyrics by the singer, instrumental accompaniment by an orchestra, and kinetic performance of an eight-measure dance pattern which are standard features that belong to the genre Kolo u tri. Based on empirical information documented at the wedding ritual in the village Stajićevo (Banat area, North Serbia) in 2016, this paper will illustrate and define the essential structural-formal features from a dance perspective. Moreover, the paper will do a poetic and musical analysis to show all characteristics of this syncretic form composed of words, music, and movements.","PeriodicalId":505212,"journal":{"name":"Conservatorium / Konservatoryum","volume":"88 ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-11-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139202816","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-11-30DOI: 10.26650/cons2023-1270492
Marija Dumnıć Vılotijevıć
This article presents initial observations from the fieldwork in Istanbul in 2022, where short-term research of immigrant communities from former Yugoslavia was conducted within the project of bilateral cooperation, Exploring the Tracks of Balkan Culture: Serbian–Turkish Connections in Music and Dance from Ottoman Period until Today (TRackeRS ). Nowadays, these communities are specific because of their atypical migration direction, from Serbia and former Yugoslavia – toward the East. They cherish their traditions through choirs, and nostalgically remember their homeland through two types of urban folk music related to Serbia (and former Yugoslavia) – sevdalinka (which evokes their Ottoman ancestry) and novokomponovana narodna muzika (‘newly-composed folk music’, which evokes their Yugoslav reality from the time of their youth). The article examines the role of these popular folk music practices, their potential in safeguarding the culture of origin (especially because of the threatening oblivion of the language), as well as the potential for social cohesion in choral singing.
{"title":"Urban Folk Music Legacy from Former Yugoslavia in Contemporary Istanbul","authors":"Marija Dumnıć Vılotijevıć","doi":"10.26650/cons2023-1270492","DOIUrl":"https://doi.org/10.26650/cons2023-1270492","url":null,"abstract":"This article presents initial observations from the fieldwork in Istanbul in 2022, where short-term research of immigrant communities from former Yugoslavia was conducted within the project of bilateral cooperation, Exploring the Tracks of Balkan Culture: Serbian–Turkish Connections in Music and Dance from Ottoman Period until Today (TRackeRS ). Nowadays, these communities are specific because of their atypical migration direction, from Serbia and former Yugoslavia – toward the East. They cherish their traditions through choirs, and nostalgically remember their homeland through two types of urban folk music related to Serbia (and former Yugoslavia) – sevdalinka (which evokes their Ottoman ancestry) and novokomponovana narodna muzika (‘newly-composed folk music’, which evokes their Yugoslav reality from the time of their youth). The article examines the role of these popular folk music practices, their potential in safeguarding the culture of origin (especially because of the threatening oblivion of the language), as well as the potential for social cohesion in choral singing.","PeriodicalId":505212,"journal":{"name":"Conservatorium / Konservatoryum","volume":" 62","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-11-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139207326","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-11-30DOI: 10.26650/cons2023-1264925
İdris Küçük
{"title":"Dance Research Report: Trabzon & Artvin 2018","authors":"İdris Küçük","doi":"10.26650/cons2023-1264925","DOIUrl":"https://doi.org/10.26650/cons2023-1264925","url":null,"abstract":"","PeriodicalId":505212,"journal":{"name":"Conservatorium / Konservatoryum","volume":"15 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-11-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139208375","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-11-30DOI: 10.26650/cons2023-1264302
Zdravko Ranısavljevıć
This paper focuses on the current presentational dance practices of Bosniaks in Istanbul. In May 2022, field research was carried out in two Bosniak associations in Türkiye’s metropolis of Istanbul with the aim of determining the dance and music repertoire practiced by the members of these associations. The research collects basic information about the aforementioned community in relation to the interpretations of the (re)creation of the Bosniak ethnic identity in Türkiye. In a broader sense, this process should be understood in light of the complex historical, sociocultural, and sociopolitical relations between the country regions of Türkiye and the Balkans. This paper presents basic information and theoretical interpretations about the Bosniak associations’ presentational dance repertoire in Istanbul.
{"title":"The Role of Traditional Dances in the Creation of the Bosniak Ethnic Identity in Istanbul","authors":"Zdravko Ranısavljevıć","doi":"10.26650/cons2023-1264302","DOIUrl":"https://doi.org/10.26650/cons2023-1264302","url":null,"abstract":"This paper focuses on the current presentational dance practices of Bosniaks in Istanbul. In May 2022, field research was carried out in two Bosniak associations in Türkiye’s metropolis of Istanbul with the aim of determining the dance and music repertoire practiced by the members of these associations. The research collects basic information about the aforementioned community in relation to the interpretations of the (re)creation of the Bosniak ethnic identity in Türkiye. In a broader sense, this process should be understood in light of the complex historical, sociocultural, and sociopolitical relations between the country regions of Türkiye and the Balkans. This paper presents basic information and theoretical interpretations about the Bosniak associations’ presentational dance repertoire in Istanbul.","PeriodicalId":505212,"journal":{"name":"Conservatorium / Konservatoryum","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-11-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139208433","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-11-28DOI: 10.26650/cons2023-1365545
S. Kürkçüoğlu, N. Turgay, M. Kılıç, M. Özelkan
{"title":"Doctorvox Aleti ile Uygulanan Temel Ses Egzersizlerinin Performansa Katkısı","authors":"S. Kürkçüoğlu, N. Turgay, M. Kılıç, M. Özelkan","doi":"10.26650/cons2023-1365545","DOIUrl":"https://doi.org/10.26650/cons2023-1365545","url":null,"abstract":"","PeriodicalId":505212,"journal":{"name":"Conservatorium / Konservatoryum","volume":"118 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-11-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139224133","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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