{"title":"Geschreven, gestempeld of geplakt","authors":"Yvette Bruijnen, Michel Van de Laar","doi":"10.52476/trb.18830","DOIUrl":"https://doi.org/10.52476/trb.18830","url":null,"abstract":"","PeriodicalId":507028,"journal":{"name":"The Rijksmuseum Bulletin","volume":"37 1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-02-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140415357","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Sophia Anna van Pipenpoy geschilderd door Wybrand de Geest","authors":"Yvette Bruijnen","doi":"10.52476/trb.18825","DOIUrl":"https://doi.org/10.52476/trb.18825","url":null,"abstract":"","PeriodicalId":507028,"journal":{"name":"The Rijksmuseum Bulletin","volume":"18 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-02-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140412789","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"De ondertekening van Adam Willaerts’ Schepen voor een rotsachtige kust","authors":"Everhard Korthals Altes, Willem De Ridder","doi":"10.52476/trb.18827","DOIUrl":"https://doi.org/10.52476/trb.18827","url":null,"abstract":"","PeriodicalId":507028,"journal":{"name":"The Rijksmuseum Bulletin","volume":"2018 41","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-02-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140416042","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Twee helden van het vaderland","authors":"A. Wallert","doi":"10.52476/trb.18583","DOIUrl":"https://doi.org/10.52476/trb.18583","url":null,"abstract":"","PeriodicalId":507028,"journal":{"name":"The Rijksmuseum Bulletin","volume":"31 9","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139529730","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"De inrichting van het atelier van de beeldhouwer Bart van Hove","authors":"Mayken Jonkman","doi":"10.52476/trb.18563","DOIUrl":"https://doi.org/10.52476/trb.18563","url":null,"abstract":"","PeriodicalId":507028,"journal":{"name":"The Rijksmuseum Bulletin","volume":"20 5","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139529425","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"‘Wij hebben gezien’","authors":"R. J. Te Rijdt","doi":"10.52476/trb.18562","DOIUrl":"https://doi.org/10.52476/trb.18562","url":null,"abstract":"","PeriodicalId":507028,"journal":{"name":"The Rijksmuseum Bulletin","volume":"87 13","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139538666","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The Rijksmuseum’s collection contains a number of X-rays, part of a series entitled Das Arteriensystem des Menschen im stereoskopischen Röntgenbild: ten stereoscopic X-rays that show the blood vessels and arteries in different parts of the body in adults and children. They were taken by three doctors, Otto Hildebrand, Wilhelm Scholz and Julius Wieting, from Hamburg-Eppendorf Hospital, and published by the scientific publishing house of J.F. Bergmann in Wiesbaden between 1901 and 1917. This article tries to nuance the view of stereoscopic photographs as merely a cheap source of entertainment; physicians deliberately opted for stereoscopic photographs to show the plasticity and depth of the human body.
奈杰尔博物馆收藏了一些 X 光片，它们是名为 "Das Arteriensystem des Menschen im stereoskopischen Röntgenbild "系列的一部分：十张立体 X 光片展示了成人和儿童身体不同部位的血管和动脉。这些照片由汉堡-埃彭多夫医院的三位医生奥托-希尔德布兰德（Otto Hildebrand）、威廉-肖尔茨（Wilhelm Scholz）和朱利叶斯-维廷（Julius Wieting）拍摄，并于 1901 年至 1917 年间由威斯巴登的 J.F. Bergmann 科学出版社出版。这篇文章试图对立体照片仅仅是一种廉价娱乐来源的观点进行细微的解释；医生们有意选择立体照片来展示人体的可塑性和深度。
{"title":"Body Double","authors":"Daniel Hendrikse","doi":"10.52476/trb.18497","DOIUrl":"https://doi.org/10.52476/trb.18497","url":null,"abstract":"The Rijksmuseum’s collection contains a number of X-rays, part of a series entitled Das Arteriensystem des Menschen im stereoskopischen Röntgenbild: ten stereoscopic X-rays that show the blood vessels and arteries in different parts of the body in adults and children. They were taken by three doctors, Otto Hildebrand, Wilhelm Scholz and Julius Wieting, from Hamburg-Eppendorf Hospital, and published by the scientific publishing house of J.F. Bergmann in Wiesbaden between 1901 and 1917. This article tries to nuance the view of stereoscopic photographs as merely a cheap source of entertainment; physicians deliberately opted for stereoscopic photographs to show the plasticity and depth of the human body.","PeriodicalId":507028,"journal":{"name":"The Rijksmuseum Bulletin","volume":"73 ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139174735","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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