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The Human Future: Artificial Humans and Evolution in Anglophone Science Fiction of the 20th Century, by Stefan Lampadius (Heidelberg: Universitätsverlag Winter, 2020) 人类的未来:20 世纪英语科幻小说中的人造人与进化》,Stefan Lampadius 著(海德堡:Universitätsverlag Winter 出版社,2020 年)。
Pub Date : 2023-12-19 DOI: 10.26754/ojs_misc/mj.20237153
María Torres Romero
Review of The Human Future: Artificial Humans and Evolution in Anglophone Science Fiction of the 20th Century by Stefan Lampadius.
评论《人类的未来》:Stefan Lampadius 所著的《人类的未来:20 世纪英语科幻小说中的人造人与进化》。
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引用次数: 0
The Royal Master and El villano en su rincón Revisited: More than the Motif of the Reluctance to see the King 重访《皇家大师》和《El villano en su rincón》:不只是不愿见国王的动机
Pub Date : 2023-12-19 DOI: 10.26754/ojs_misc/mj.20237234
Luciano Garcia García
In 1890, in an article titled “Die Nachhamung spanischer Komödien in England unter der ersten Stuarts”, the German scholar A.L. Stiefel solidly demonstrated the clear textual relationship between James Shirley’s The Opportunity and Tirso de Molina’s El castigo del penseque. In 2003, following an intriguing footnote in that article, which pointed to five more dramatic Spanish sources, I postulated another transtextual relationship concerning Shirley’s The Royal Master and Lope de Vega’s El villano en su rincón. My analysis focused on the specific motif that he named “the reluctance to see the king” in the character of the English fool Bombo and the Spanish farmer Juan Labrador. However, after a review of the two plays, it seems clear that there are more textual relationships than the one disclosed in my previous study. Relying on Gerald Genette’s category of transtextuality, this article widens further the scope of the motif, explores its relationship with the topic of court versus country life, unearths architextual transferences of elements of plot and characters, proposes affinities based on the palatine affiliation of both plays and the similarities in the use of the dramatic method of matchmaking, and, finally, reveals the creative use that the Caroline playwright made of his Spanish source.
1890 年,德国学者 A.L. Stiefel 在一篇题为 "Die Nachhamung spanischer Komödien in England unter der ersten Stuarts "的文章中,有力地证明了詹姆斯-雪莉的《机遇》与 Tirso de Molina 的《El castigo del penseque》之间清晰的文本关系。2003 年,我根据该文中一个耐人寻味的脚注(该脚注指出了另外五个戏剧性的西班牙资料来源),推测出雪莉的《皇家大师》与洛佩-德-维加的《El villano en su rincón》之间的另一种跨文本关系。我的分析集中在英国傻瓜邦博和西班牙农夫胡安-拉布拉多性格中的特定主题,他将其命名为 "不愿见国王"。然而,在对这两部剧作进行回顾之后,我发现其中的文本关系似乎比我之前的研究中揭示的更多。本文以杰拉尔德-热奈特(Gerald Genette)提出的 "跨文本性"(transstextuality)为基础,进一步拓宽了这一主题的范围,探讨了它与宫廷生活和乡村生活这一主题之间的关系,发现了情节和人物元素的古文本转移,根据两部戏剧的宫廷属性以及在使用媒人这一戏剧手法上的相似之处提出了亲缘关系,最后揭示了加洛林剧作家对其西班牙来源的创造性利用。
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引用次数: 0
A Look at the Nativization of Bangladeshi English through Corpus Data 通过语料库数据了解孟加拉国英语的本土化情况
Pub Date : 2023-12-19 DOI: 10.26754/ojs_misc/mj.20238760
Cristina Suárez‐Gómez, Elena Seoane
This paper explores Bangladeshi English, a relative newcomer to the family of world Englishes. First, we chart the evolution of English in Bangladesh across several phases of development. These show that a number of political and ideological factors make the evolution of English in Bangladesh unique in that it wavers between the status of an exonormative foreign language (English in Bangladesh) and the development of a local variety (Bangladeshi English). From a linguistic perspective, recent studies agree that the current level of proficiency is very low, with a dearth of teachers and an absence of quality education. Second, we examine the degree of nativization of Present-day Bangladeshi English on the basis of (i) its postcolonial evolution and the more recent effects of globalization, following the most popular models of analysis (the Dynamic Model and the Extra- and Intra-Territorial Forces Model), and (ii) linguistic evidence obtained through the analysis of a selection of linguistic features associated with this variety, as represented in the GloWbE corpus.
本文探讨了孟加拉国英语这一世界英语大家庭中的新成员。首先,我们描绘了孟加拉国英语在几个发展阶段的演变过程。这些研究表明,一些政治和意识形态因素使孟加拉国英语的演变独具特色,因为它在外来语(孟加拉国英语)和地方语种(孟加拉国英语)的发展之间徘徊。从语言学的角度看,最近的研究一致认为,由于师资匮乏和缺乏优质教育,目前的英语熟练程度非常低。其次,我们从以下两个方面考察了现今孟加拉国英语的本土化程度:(i) 根据最流行的分析模型(动态模型和域外及域内力量模型),考察其后殖民地时期的演变和最近全球化的影响;(ii) 通过分析 GloWbE 语料库中与该语种相关的部分语言特点获得的语言证据。
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引用次数: 0
European Migrants as "Strange" Figures in Ali Smith's Atumn 阿里-史密斯《秋天》中的 "奇怪 "人物--欧洲移民
Pub Date : 2023-12-19 DOI: 10.26754/ojs_misc/mj.20237443
Laura Aldeguer Pardo
This article examines the representation of the European protagonist in Autumn by Ali Smith from a gender, intersectional and cultural studies perspective. The novel is a pioneering work in Brexlit, an emergent literary movement which aims to reflect the current political and social landscape of the United Kingdom after the 2016 European Union referendum. Firstly, this article offers an overview of the political, social and literary phenomenon of Brexlit, followed by an outline of Sara Ahmed’s theorisation of the sociological concept of the stranger. Secondly, the article further contextualises Brexit fiction, presenting its crucial role in putting forward a fair portrayal of migrants, a collective largely misrepresented in the UK media. The article then considers the centrality of Ali Smith’s Seasonal Quartet to the reworking of the British social imaginary. The subsequent two sections explore the encounters in which Daniel’s strange(r)ness manifests itself through his heterogeneous and relational yet singular identity, owing to his connection to the migratory experience. Retaining his differences and from a position of agency, the solidary bonds he establishes with Elisabeth convey strange(r)ness as a label that must be overcome in order to ensure a better coexistence within the British nation.
本文从性别、跨界和文化研究的角度探讨了阿里-史密斯的《秋天》中对欧洲主人公的表现。该小说是英国脱欧文学(Brexlit)的开山之作,英国脱欧文学是一场新兴的文学运动,旨在反映2016年脱欧公投后英国当前的政治和社会面貌。首先,本文概述了 Brexlit 这一政治、社会和文学现象,随后概述了萨拉-艾哈迈德对陌生人这一社会学概念的理论化。其次,文章进一步分析了英国脱欧小说的背景,介绍了英国脱欧小说在公正描述移民形象方面所起的关键作用,而英国媒体在很大程度上歪曲了移民的形象。文章随后探讨了阿里-史密斯的《季节四重奏》(Seasonal Quartet)在重塑英国社会想象中的核心作用。随后的两部分探讨了丹尼尔的奇特之处,他的奇特之处体现在他与移民经历有关的异质性、关系性而又独特的身份上。丹尼尔保留了自己的差异,并从代理人的立场出发,与伊丽莎白建立了牢固的纽带,将 "奇怪 "作为一个必须克服的标签,以确保在英国国家内更好地共存。
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引用次数: 0
Jurassic World: Fallen Kingdom as a 21st-Century Gothic Tale 侏罗纪世界:堕落王国作为 21 世纪哥特故事的《侏罗纪世界:堕落王国
Pub Date : 2023-12-19 DOI: 10.26754/ojs_misc/mj.20237347
Xiana Vázquez Bouzó
This paper considers Juan Antonio Bayona’s 2018 film Jurassic World: Fallen Kingdom as a Gothic film which disrupts the archetypal conventions of monster films, especially in relation to the antispeciesist conception of monsters —in this case, the genetically-engineered dinosaurs which feature in the Jurassic Park and Jurassic World sagas. Through an analysis of its cinematography, character construction, scenarios and plot development in the light of Gothic Studies, I will argue that this film is not just Gothic in appearance, but also in the sense that itbreaks with contemporary anthropocentric conventions of normalcy, unity and species boundaries, and that it confirms the trend in filmic narratives that takes into account the monsters’ perspectives in order to challenge human exceptionalism.
本文探讨了胡安-安东尼奥-巴约纳(Juan Antonio Bayona)于 2018 年执导的电影《侏罗纪世界:堕落王国》(Jurassic World:堕落王国》是一部哥特式电影,它打破了怪兽电影的原型惯例,尤其是与怪兽的反种群主义概念有关--在本例中,怪兽是《侏罗纪公园》和《侏罗纪世界》传奇中的基因工程恐龙。通过从哥特式研究的角度对影片的摄影、人物塑造、场景和情节发展进行分析,我将论证本片不仅在外观上具有哥特式风格,而且在意义上打破了当代人类中心主义关于正常性、统一性和物种界限的传统,并证实了电影叙事中考虑怪物视角以挑战人类特殊性的趋势。
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引用次数: 0
Margaret More Roper: A Survey of Her Writings 玛格丽特-莫尔-罗珀玛格丽特-莫尔-罗珀:作品概览
Pub Date : 2023-12-19 DOI: 10.26754/ojs_misc/mj.20237353
Eugenio M. Olivares-Merino
As a contribution to the forthcoming 500th anniversary of the publication of Margaret Roper (née More)’s A Devout Treatise (1524-2024), the purpose of this article is to make a survey of her written production (public and private), including those works that were preserved as well as those others that were written but have been lost. The trial and death of Thomas More necessarily resulted in the loss of documents and writings, not only by More but by his daughter too. Sixteenth-century biographies of Thomas More are the main source of information about his daughter Margaret (1505-1544) and her written production. These early biographers were clearly concerned with the promotion of the figure of More, but they did not let pass the opportunity to ponder and testify to the scholarly excellence of his eldest daughter. This is particularly the case of Nicholas Harpsfield (1557) and, more especially, Thomas Stapleton (1588). Cresacre More’s biography of More (Douai, 1631), even though in general terms it offers no original information, has also been used in this study. Another important corpus of information is the epistolary writings of Margaret and her father, as well as of Erasmus. Various other documents subject to recent literary criticism are also consulted.
玛格丽特-罗珀(女,莫尔)的《虔诚论》(A Devout Treatise,1524-2024 年)出版 500 周年纪念即将到来,作为对这一纪念活动的贡献,本文旨在对玛格丽特-罗珀(女,莫尔)的文字作品(公开的和私人的)进行调查,包括那些保存下来的作品,以及那些曾经写过但已经遗失的作品。托马斯-莫尔的审判和死亡必然导致文件和著作的遗失,不仅是莫尔的文件和著作,还有他女儿的文件和著作。十六世纪的托马斯-莫尔传记是有关其女儿玛格丽特(1505-1544 年)及其著作的主要信息来源。这些早期的传记作者显然是为了宣传莫尔的形象,但他们也没有放过思考和见证其长女卓越学术成就的机会。尼古拉斯-哈普斯菲尔德(Nicholas Harpsfield,1557 年)和托马斯-斯特普尔顿(Thomas Stapleton,1588 年)的情况尤其如此。本研究还采用了克雷萨克-莫尔的《莫尔传》(杜埃,1631 年),尽管该书总体上没有提供任何原创信息。另一个重要的资料库是玛格丽特和她父亲以及伊拉斯谟的书信往来。本研究还参考了最近受到文学批评的其他各种文献。
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引用次数: 0
Diasporic Roots/Circular Routes: 
Kamin Mohammadi’s Search for Home in The Cypress Tree; A Love Letter to Iran (2011) 侨民之根/循环之路:卡明-穆罕默迪在《柏树》中寻找家园;写给伊朗的情书(2011 年)
Pub Date : 2023-12-19 DOI: 10.26754/ojs_misc/mj.20237383
Parisa Delshad
This paper explores Kamin Mohammadi’s position regarding the discourses of national belonging through the scrutiny of her circular route from England to Iran. Reflecting the interrelation between identity, home and the modern nation-state, The Cypress Tree: A Love Letter to Iran (2011) recounts the story of Mohammadi’s journey back to Iran in search of a singular self. It recounts her story of growing up in Iran and England and the reason behind her displacement from both of these countries in 1979 and 1997. Indebted to Stuart Hall’s take on the diaspora, Gaston Bachelard’s reading of home and Homi Bhabha’s notion of hybridity, this paper rejects the synonymy between home and home country as well as exclusive belonging intrinsic to nationalism. The aim of this paper is to read Mohammadi’s ultimate choice to settle down in England as a challenge to the homogenizing forces of nationalism that inhibited her sense of belonging to Britain and drew her toward Iran. As she embraces a hybrid identity by telling her circular story, beginning and ending in London, her literary contribution is a way to dismantle the link between belonging and the nation-state, as well as a challenge to the alleged homogeneity of the nation-states to which she belongs.
本文通过研究卡明-穆罕默迪从英国到伊朗的环形路线,探讨她对民族归属话语的立场。柏树》反映了身份、家园和现代民族国家之间的相互关系:致伊朗的情书》(2011 年)讲述了穆罕默迪为寻找独特自我而返回伊朗的故事。该书讲述了她在伊朗和英国的成长故事,以及她分别于 1979 年和 1997 年离开这两个国家的原因。本文借鉴了斯图尔特-霍尔(Stuart Hall)对散居地的看法、加斯东-巴切拉(Gaston Bachelard)对家园的解读以及霍米-巴巴(Homi Bhabha)的混杂性概念,摒弃了家园与母国之间的同义关系以及民族主义固有的排他性归属。本文旨在解读穆罕默迪最终选择定居英国,是对民族主义同质化力量的挑战,这种力量抑制了她对英国的归属感,并将她引向伊朗。她通过讲述以伦敦为起点和终点的循环故事,接受了一种混合身份,她的文学贡献是瓦解归属感与民族国家之间联系的一种方式,也是对她所属的民族国家所谓的同质性的挑战。
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引用次数: 0
Cultural Representations of Gender Vulnerability and Resistance: A Mediterranean Approach to the Anglosphere, edited by María Isabel Romero-Ruiz and Pilar Cuder-Domínguez (Cham: Palgrave Macmillan, 2022) 性别脆弱性和抵抗的文化表征:由 María Isabel Romero-Ruiz 和 Pilar Cuder-Domínguez 编辑的《从地中海到英国圈》(Cham:Palgrave Macmillan,2022 年)。
Pub Date : 2023-12-19 DOI: 10.26754/ojs_misc/mj.20239447
J. J. Torres-Fernández
Review of Cultural Representations of Gender Vulnerability and Resistance: A Mediterranean Approach to the Anglosphere (2022) edited by María Isabel Romero-Ruiz and Pilar Cuder-Domínguez.
评论《性别脆弱性和抵抗的文化表征》:玛丽亚-伊莎贝尔-罗梅罗-鲁伊斯和皮拉尔-库德尔-多明格斯主编的《英国圈的地中海方法》(2022 年)。
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引用次数: 0
Formative Performance Assessment in the Process of Developing Translation Sub-competences 培养翻译副能力过程中的形成性绩效评估
Pub Date : 2023-12-19 DOI: 10.26754/ojs_misc/mj.20238758
Malgorzata Godlewska
This research paper pertains to the method of student performance evaluation applied to the process of online collaborative learning. The model of evaluation is intended for the developing translation sub-competences and involves the analysis of the team members’ discourse in the process of negotiating meanings, in compliance with Gery Stahl’s claim that discourse constitutes interpretation (2004: 22). The devised individual assessment form encompasses the study of performance of collaborating team members in two dialogic spaces, the content space and the relational space of collaboration (Janssen and Bodemer 2013). The assessment procedure comprises the analysis of the students’ individual achievements as well as their contribution to the team expert knowledge building. The main goal of this research paper is to highlight the regulatory function of the formative performance assessment method for team learning and to indicate the interdependences between the collaborative learning, formative performance assessment as well as the communicative approach to learning, the latter constituting the theoretical framework for this research.
本研究论文涉及在线协作学习过程中的学生成绩评估方法。该评价模式旨在培养翻译方面的次级能力,涉及分析团队成员在协商意义过程中的话语,符合 Gery Stahl 的说法,即话语构成解释(2004: 22)。设计的个人评估表包括对合作团队成员在两个对话空间(内容空间和合作关系空间)中的表现进行研究(Janssen 和 Bodemer,2013 年)。评估程序包括分析学生的个人成就及其对团队专家知识建设的贡献。本研究论文的主要目的是强调形成性绩效评估方法对团队学习的调节功能,并指出协作学习、形成性绩效评估以及交流学习方法之间的相互依存关系,后者构成了本研究的理论框架。
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引用次数: 0
“Sluts” and “Slaves”: The Internet and the Evolution of Fantasy in Dennis Cooper's Online Work "荡妇 "与 "奴隶":互联网与丹尼斯-库珀网络作品中幻想的演变
Pub Date : 2023-12-19 DOI: 10.26754/ojs_misc/mj.20236878
Jaime García-Iglesias
This article explores a yet unresearched part of Dennis Cooper’s production: his blog posts and, in particular, his “Sluts” and “Slaves” monthly posts, where he compiles explicit and sometimes sordid texts and images of gay sex workers apparently found online. First, this paper will situate these blog posts in the fields of citational and online literature, arguing that they are an example of ‘flarf’. In sodoing, it also extends the notion of “flarf” from poetry to narrative. Then, this paper explores the continuities and differences between the blog posts and Cooper’s other work, most notably The Sluts (2005), to argue that —while similar in their focus on the internet and “the impossibility of truth”— the blog posts present a significant transformation that compels readers to confront their own desires.
本文探讨了丹尼斯-库珀作品中尚未被研究的部分:他的博客文章,尤其是他的 "荡妇 "和 "奴隶 "月刊,他在这些文章中汇编了显然是在网上找到的关于同性恋性工作者的露骨、有时甚至是肮脏的文字和图片。首先,本文将把这些博文归入引文和网络文学领域,认为它们是 "flarf "的典范。本文还将 "flarf "的概念从诗歌扩展到叙事。然后,本文探讨了博文与库珀其他作品(最著名的是《荡妇》(2005 年))之间的连续性和差异性,认为博文在关注网络和 "真相的不可能性 "方面具有相似性,但博文呈现了一种重大转变,迫使读者面对自己的欲望。
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引用次数: 0
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Miscelánea: A Journal of English and American Studies
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