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A hagyomány klasszikus és kortárs diskurzusai 传统的古典与现代论述
Pub Date : 2023-12-05 DOI: 10.61901/kellek.2023.69.01
Ferenc Horkay Hörcher
This thematic compilation contains the proceedings of the conference organised by the Practical Philosophy and the Classical Tradition Research Group within the Institute of Philosophy at the Centre for the Humanities (Hun-Ren). The aim of the event was to examine contemporary and classical approaches to tradition. The selected texts seek to illuminate some aspects of the topic.
本专题汇编收录了人文科学中心(Hun-Ren)哲学研究所实践哲学与古典传统研究小组组织的会议记录。会议的目的是研究当代和古典的传统方法。所选文章旨在阐明该主题的某些方面。
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引用次数: 0
Új klasszicizálás vagy „másik modern”? Az átmenet narratívája Kotsis Iván városépítészetében és Balaton-parti munkásságában 新古典主义还是 "另一种现代"?伊万-科奇斯的城市建筑及其巴拉顿湖畔作品中的转型叙事
Pub Date : 2023-12-05 DOI: 10.61901/kellek.2023.69.05
Domonkos Wettstein
The tendencies in 20th century architecture were determined by the relationship between the classical tradition of architecture and modernity. In the 1930s, modern architecture came to the fore more and more, but at the same time, both in international architecture and in Hungary, alternative efforts appeared that sought a dialogue between modern architecture, historical traditions and local specificities. This search for an alternative was present in modern architecture throughout the 20th century and is still effective today. The trends with different colors are characterized by the modern concept of the other in the written history of architectural theory. The purpose of this study is to present the interactions between the international and domestic tendencies of the “other modern” through the work of Iván Kotsis. Iván Kotsis was a significant figure in architecture between the two world wars, and in addition to his creative career, he was also a decisive character in the architectural education of the University of Applied Sciences. His views became guidelines for later generations. His work is illustrative to the transition between historicizing and modern architecture, while experimentation with local, regional character was also a decisive inspiration for him in this transition. He established close international relations with the dominant European architects of the era, including the Stuttgart School, classified as an alternative school, and the German architects Paul Schmitthenner and Paul Bonatz. In order to bring a contribution to the field of the history of architectural ideas, the study examines his creative concepts and the relationship between classical and modern architecture on the basis of his autobiography, archival publications and contemporary literature.
20 世纪建筑的发展趋势取决于古典建筑传统与现代性之间的关系。20 世纪 30 年代,现代建筑越来越受到重视,但与此同时,在国际建筑界和匈牙利,也出现了寻求现代建筑、历史传统和地方特色之间对话的另类努力。在整个 20 世纪的现代建筑中,这种另辟蹊径的探索一直存在,直到今天依然有效。在书面的建筑理论史中,"他者 "这一现代概念体现了不同色彩趋势的特点。本研究的目的是通过 Iván Kotsis 的作品来展示 "另一种现代 "的国际和国内趋势之间的互动。伊万-科奇斯是两次世界大战期间建筑界的重要人物,除了他的创作生涯,他还是应用科学大学建筑教育的决定性人物。他的观点成为后世的准则。他的作品体现了历史化建筑与现代建筑之间的过渡,而在这一过渡过程中,对地方和区域特色的尝试也给了他决定性的启发。他与当时欧洲的主流建筑师建立了密切的国际关系,包括被列为另类流派的斯图加特学派,以及德国建筑师保罗-施密特亨纳(Paul Schmitthenner)和保罗-博纳茨(Paul Bonatz)。为了在建筑思想史领域做出贡献,本研究以他的自传、档案出版物和当代文献为基础,探讨了他的创作理念以及古典建筑与现代建筑之间的关系。
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引用次数: 0
A kultúripartól a tudatiparig – és azon túl 从文化产业到知识产业--及其他
Pub Date : 2023-12-05 DOI: 10.61901/kellek.2023.69.12
István Csabay
"In this paper, I will focus primarily on the cultural criticism of Theodor W. Adorno. Based on the works On the Fetish Character in Music and the Regression of Listening and The Culture Industry, a chapter of the Dialectic of Enlightenment, I outline Adorno’s aesthetic views and the social-critical conclusions that emerge from them. In the second part of my paper, I examine an essay by Hans Magnus Enzensberger titled The Consciousness Industry, which essentially seeks to develop Adorno’s concept of the “culture industry” employing various shifts of emphasis and conceptual innovations. Finally, the conclusion points out that the shaping of social consciousness should be understood as a critical-aesthetic practice that, through the denial of the established, the expansion of the limits of the imaginable, the suspension of the evidences of the present, and the perception of everyday, natural experiences as peculiar or outstanding phenomena, is capable of the cultural-political emancipation of the individual."
"在本文中,我将主要关注西奥多-阿多诺(Theodor W. Adorno)的文化批评。根据《论音乐中的恋物癖和听觉的倒退》和《启蒙辩证法》中的一章《文化工业》,我概述了阿多诺的美学观点以及由此得出的社会批判性结论。在论文的第二部分,我研究了汉斯-马格努斯-恩曾斯贝格(Hans Magnus Enzensberger)的一篇题为《意识工业》(The Consciousness Industry)的文章,这篇文章主要试图通过各种重点转移和概念创新来发展阿多诺的 "文化工业 "概念。最后,文章的结论指出,社会意识的塑造应被理解为一种批判性的审美实践,它通过否定既有事物、扩大可想象的限度、悬置当下的证据以及将日常的自然经验视为特殊或突出的现象,能够实现个人的文化-政治解放"。
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引用次数: 0
Egy Adorno-összeállítás elé 在阿多诺作品集前
Pub Date : 2023-12-05 DOI: 10.61901/kellek.2023.69.09
János Weiss
By this compilation we celebrate Adorno’s 120th birthday. Adorno’s lecture points to the importance of criticism for a future theory of aesthetics, while Gorsen questions the narrowing of the object of aesthetics to the analysis of canonized works, stressing that art thereby loses the subversive potential to which it was attributed for the student movements. In their interpretations, the authors reconstruct Adorno’s concept of “late work” and his analysis of the culture industry, and carry out a comparative analysis of Adorno and Deleuze.
我们通过这本合集庆祝阿多诺诞辰 120 周年。阿多诺的演讲指出了批评对于未来美学理论的重要性,而戈森则质疑将美学的对象缩小到对经典作品的分析,强调艺术因此失去了学生运动赋予它的颠覆性潜力。在阐释中,作者重构了阿多诺的 "晚期作品 "概念及其对文化产业的分析,并对阿多诺和德勒兹进行了比较分析。
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引用次数: 0
Az irodalomkritika válságáról 论文学批评的危机
Pub Date : 2023-12-05 DOI: 10.61901/kellek.2023.69.10
Theodor Adorno W.
Gesammelte Schriften, Band 11, 661–664.
Gesammelte Schriften》,第 11 卷,661-664 页。
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引用次数: 0
A kései (mű)alkotás fogalma Adornónál 阿多诺的晚期(艺术)创作概念
Pub Date : 2023-12-05 DOI: 10.61901/kellek.2023.69.11
Margaréta Horváth
My study attempts to outline the possible definitions of the concept of the late work of art in the thinking of Theodor W. Adorno. I present the main characteristics of the concept mainly with the help of the works entitled Moments musicaux and Ästhetische Theorie. At the end of my paper, I try to draw parallels between this concept and another theory of Adorno’s, which is related to Arthur Rimbaud’s position in literature.
我的研究试图概述西奥多-W-阿多诺思想中关于晚期艺术作品概念的可能定义。我主要借助《音乐瞬间》和《美学理论》这两部著作来阐述这一概念的主要特征。在论文的最后,我试图将这一概念与阿多诺的另一种理论相提并论,后者与阿瑟-兰波在文学中的地位有关。
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引用次数: 0
"Transzformált mindennapiság, avagy a művészet transzcendenciája? (A kulturális forradalom két egymásnak ellentmondó stratégiája a késő kapitalizmusban)" "日常生活的变革,还是艺术的超越?(晚期资本主义文化革命的两种矛盾策略)"
Pub Date : 2023-12-05 DOI: 10.61901/kellek.2023.69.14
Peter Gorsen
In Peter Brückner et al.: Das Unvermögen der Realität. Beiträge zu einer anderen materialistischen Ästhetik. Klaus Wagenbach Verlag, Berlin, 1974, 129–154.
彼得-布吕克纳等人:现实的无能。对不同唯物主义美学的贡献。克劳斯-瓦根巴赫出版社,柏林,1974 年,129-154 页。
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引用次数: 0
Filozófiai észrevételek a nyugati világ alapértékeiről 对西方世界基本价值观的哲学思考
Pub Date : 2023-12-05 DOI: 10.61901/kellek.2023.69.03
Attila Szombath
The study investigates so-called European values, which are seen as both essential values of Western culture and universal values. Given that Neo-Darwinist materialism is the prevailing worldview of our time, it is difficult to defend these principles with arguments. The study attempts to uncover the underlying basis of these values and to demonstrate how knowing and taking them seriously would alter contemporary social practice.
本研究调查了所谓的欧洲价值观,这些价值观既被视为西方文化的基本价值观,也被视为普世价值观。鉴于新达尔文主义唯物主义是当代流行的世界观,很难为这些原则辩护。本研究试图揭示这些价值观的根本基础,并说明了解和认真对待这些价值观将如何改变当代社会实践。
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引用次数: 0
"Mediatizált közösségek, identitásformáló narratívák és változó hagyományfogalom az információ korában" "信息时代的媒体化社区、身份塑造叙事和不断变化的传统观念"
Pub Date : 2023-12-05 DOI: 10.61901/kellek.2023.69.07
Gábor Szécsi
Through the everyday use of information technologies (internet, mobile phones, etc.), the logic of the media increasingly determines our life, affects all elements of society and culture, and changes social subsystems such as the economy, politics, science and education. In its essence, pervasive mediatization is a meta-process that, by transforming the entire conditions of socialization and social life, also creates new social forms and enriches our image of the community-forming role of communication with previously unknown nuances. In this article, I try to highlight how the interweaving of personal, community, social and mass communication narratives conveyed in the framework of electronically mediated communication contributes to the development of a new concept of community and tradition, and how this new concept makes our community and social roles related to our communication processes more complex. This study argues that in the context of the narratives transmitted and received in the medium of new media, for the individual who is entwined through his multiplying communication relationships, a community no longer appears as a set of direct interpersonal relationships that take place in a given place, but rather as relationships of trust born through the use of different communication technologies in constant interaction with each other as a whole.
通过信息技术(互联网、手机等)的日常使用,媒体的逻辑日益决定着我们的生活,影响着社会和文化的所有要素,并改变着经济、政治、科学和教育等社会子系统。从本质上讲,无处不在的媒介化是一个元过程,它改变了整个社会化和社会生活的条件,同时也创造了新的社会形态,并以前所未有的细微差别丰富了我们对传播的社区形成作用的印象。在本文中,我试图强调在电子媒介传播的框架下,个人、社区、社会和大众传播叙事的交织是如何促进社区和传统新概念的发展的,以及这种新概念是如何使我们的社区和社会角色与我们的传播过程更加复杂的。本研究认为,在以新媒体为媒介传播和接收叙事的背景下,对于通过多重传播关系纠缠在一起的个人而言,社群不再是在特定地点发生的一系列直接的人际关系,而是通过使用不同的传播技术,在相互之间不断互动的整体中产生的信任关系。
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引用次数: 0
Az identitás maga az üzenet. A tömegmédiumok szerepe a nemzeti nagycsoportok identitásának hagyományozásában 身份即信息。大众传媒在传播大型民族群体特性方面的作用
Pub Date : 2023-12-05 DOI: 10.61901/kellek.2023.69.08
Zsuzsanna Agora
Marshall McLuhan’s work in communication theory has drawn our attention to the fact that mass media, beyond transmitting knowledge, also shape our thinking. The same effect can be assumed for the way we think about our communities. Indeed, mass media have played and still play a crucial role in the birth and maintenance of historical large groups. Not only because our knowledge of the nation is fundamentally derived from the mass media, but also because these media have created a new language in which inter-group relations are inherently encoded. Media logic, not just the author, has a crucial role to play in shaping the representation of collective memory in history textbooks. As the most influential medium of mass communication, the textbook reconstructs and transmits the pattern of representation of national identity for future generations. In this way, identity becomes a message. The paper demonstrates this process through the example of the textbook transmission of a national trauma.
马歇尔-麦克卢汉(Marshall McLuhan)在传播理论方面的研究让我们注意到,大众传媒除了传播知识之外,还影响着我们的思维。我们对社区的思考方式也会受到同样的影响。事实上,大众传媒在历史大群体的诞生和维系过程中一直发挥着至关重要的作用,而且现在仍然如此。这不仅是因为我们对民族的认识从根本上源自大众传媒,还因为这些媒体创造了一种新的语言,群体间的关系在其中被固有地编码。在塑造历史教科书中集体记忆的表述方面,媒体逻辑,而不仅仅是作者,起着至关重要的作用。作为最有影响力的大众传播媒介,教科书为后代重构和传播了民族身份的表征模式。这样,身份认同就成了一种信息。本文通过教科书传播民族创伤的例子来展示这一过程。
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引用次数: 0
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Kellék. Filozófiai folyóirat
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