This essay explores the notion of Mitsprechen or “with-speaking” in Paul Celan’s poetry. “With-speaking” supposes that voices in the poems actively participate and engage in a dialogue that goes beyond traditional hermeneutic frameworks. Celan’s notion of col-loquy, distinct from the conventional sense of dialogue, challenges the separation between author and interpreter, rendering the traditional concept of intertextuality inadequate. The poems, according to Celan, give voice to human destinies, making texts audible as the voices of others. This vocal dimension of Celan’s poetry has prompted extensive discussion among philosophers, particularly in France. Levinas, Blanchot, and Derrida, influenced by German phenomenology and hermeneutics, critically examine the ethical implications of speaking “about” the other. They challenge traditional hermeneutical practices, emphasizing the responsibility of interpreters to respect the unique and untranslatable character of individual voices. This critique extends to Protestant categories of interpretation, drawing on alternative Jewish perspectives on being-in-the-world and alterity. The text explores the tensions inherent in speaking “for” or “in the name of” others, especially in the context of interpreting Celan’s work, raising questions about maintaining the fundamental difference and distance that otherness implies. The discussion concludes by highlighting Werner Hamacher’s formulation of a new philology that disrupts hermeneutical violence, influenced by the critiques of Blanchot, Levinas, and Derrida, and offering an alternative way of addressing the particular challenges posed by Celan’s poetry.
{"title":"To Speak with the Other—To Let the Other Speak: Paul Celan’s Poetry and the Hermeneutical Challenge of Mitsprechen","authors":"Alexandra Richter","doi":"10.3390/h13030066","DOIUrl":"https://doi.org/10.3390/h13030066","url":null,"abstract":"This essay explores the notion of Mitsprechen or “with-speaking” in Paul Celan’s poetry. “With-speaking” supposes that voices in the poems actively participate and engage in a dialogue that goes beyond traditional hermeneutic frameworks. Celan’s notion of col-loquy, distinct from the conventional sense of dialogue, challenges the separation between author and interpreter, rendering the traditional concept of intertextuality inadequate. The poems, according to Celan, give voice to human destinies, making texts audible as the voices of others. This vocal dimension of Celan’s poetry has prompted extensive discussion among philosophers, particularly in France. Levinas, Blanchot, and Derrida, influenced by German phenomenology and hermeneutics, critically examine the ethical implications of speaking “about” the other. They challenge traditional hermeneutical practices, emphasizing the responsibility of interpreters to respect the unique and untranslatable character of individual voices. This critique extends to Protestant categories of interpretation, drawing on alternative Jewish perspectives on being-in-the-world and alterity. The text explores the tensions inherent in speaking “for” or “in the name of” others, especially in the context of interpreting Celan’s work, raising questions about maintaining the fundamental difference and distance that otherness implies. The discussion concludes by highlighting Werner Hamacher’s formulation of a new philology that disrupts hermeneutical violence, influenced by the critiques of Blanchot, Levinas, and Derrida, and offering an alternative way of addressing the particular challenges posed by Celan’s poetry.","PeriodicalId":509613,"journal":{"name":"Humanities","volume":"23 2","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-04-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140661464","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Ford Madox Ford famously intended his First World War tetralogy Parade’s End to have “for its purpose the obviating of all future wars”. But why do we engage in war to begin with? Modernist literature provides some provocative explanations. Ford’s Sylvia Tietjens, for example, proclaims that “You went to war when you desired to rape innumerable women. It was what war was for”. And in the very same year, Virginia Woolf’s shell-shocked Septimus Smith “went to France to save an England which consisted almost entirely of Shakespeare…” I argue that Ford’s understanding of the causality of war involves a strange combination of these two explanations in Parade’s End’s triangulation of seventeenth-century English literary tradition along with sexual and imperial conquest. While countless modernist novels exhibit a sensibility to the power of early modern poetry amidst battle, Parade’s End displays a particularly emphatic and extended focus on the relationship between poetic tradition and war. Soldiers of various ranks “talk…in intimate undertones about the resemblances between the Petrarchan and the Shakespearean sonnet form”, host timed sonnet competitions in the trenches, recurringly quote the seduction poetry of Marvell, and fantasize about George Herbert’s lifespan being “the only satisfactory age in England…yet what chance had it today? Or, still more, to-morrow?”. To answer this question, my own transtemporal study will use early modern scholarship to investigate seventeenth-century metaphysical poetry’s dual power to inspire and potentially obviate war. Much has been written on this tetralogy’s anti-linear plot but less on the broader temporality of its politico-literary vision. I contend that the metaphysical allusions of this text help Ford to show us the complexities of nationalism in the imperial conquest and imperial damnation that (early) modern aesthetics can catalyse.
{"title":"“Damn the Empire!”: Imperial Excess, National Nostalgia, and Metaphysical Modernism in the Poetics of Parade’s End","authors":"Molly Elizabeth Porter","doi":"10.3390/h13020065","DOIUrl":"https://doi.org/10.3390/h13020065","url":null,"abstract":"Ford Madox Ford famously intended his First World War tetralogy Parade’s End to have “for its purpose the obviating of all future wars”. But why do we engage in war to begin with? Modernist literature provides some provocative explanations. Ford’s Sylvia Tietjens, for example, proclaims that “You went to war when you desired to rape innumerable women. It was what war was for”. And in the very same year, Virginia Woolf’s shell-shocked Septimus Smith “went to France to save an England which consisted almost entirely of Shakespeare…” I argue that Ford’s understanding of the causality of war involves a strange combination of these two explanations in Parade’s End’s triangulation of seventeenth-century English literary tradition along with sexual and imperial conquest. While countless modernist novels exhibit a sensibility to the power of early modern poetry amidst battle, Parade’s End displays a particularly emphatic and extended focus on the relationship between poetic tradition and war. Soldiers of various ranks “talk…in intimate undertones about the resemblances between the Petrarchan and the Shakespearean sonnet form”, host timed sonnet competitions in the trenches, recurringly quote the seduction poetry of Marvell, and fantasize about George Herbert’s lifespan being “the only satisfactory age in England…yet what chance had it today? Or, still more, to-morrow?”. To answer this question, my own transtemporal study will use early modern scholarship to investigate seventeenth-century metaphysical poetry’s dual power to inspire and potentially obviate war. Much has been written on this tetralogy’s anti-linear plot but less on the broader temporality of its politico-literary vision. I contend that the metaphysical allusions of this text help Ford to show us the complexities of nationalism in the imperial conquest and imperial damnation that (early) modern aesthetics can catalyse.","PeriodicalId":509613,"journal":{"name":"Humanities","volume":"25 3","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-04-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140674571","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This paper is an exploration of play in tourism. It is situated in an approach to play and toys informed by phenomenological perspectives and theoretical insights drawn from existential anthropology. It argues that tourism and play are intimately linked and outlines the ways in which connections between the two have been made. This paper focuses on a particular practice of play in travel—one that involves the use of a toy. Using the notion of ‘toy tourism’, I examine the ways in which touristic practices associated with play are brought into being in the moment of doing. The research is located in the resorts of Palmanova and Magaluf on the Mediterranean island of Mallorca. I conducted the research using a doll from the Barbie Fashionista range, who I named Mordaith. I outline how and why Mordaith became my travel companion and the experience and events associated with my time with her in the resorts. This paper recounts the story of what happened when I brought about the play of toy tourism in Mallorca. It is an experimental approach that unfolds in the writing as much as in the gathering of information during fieldwork. I argue that what play is, and what a toy is, are neither fixed nor graspable objectivities. Rather, both toy and play, and, thus, toy tourism, emerge in my embodied imaginative understanding of what touristic and toy tourism practices are, as well as the actual embodied and emotional movements of employing a toy in practice.
{"title":"Mordaith in Mallorca: Playing with Toy Tourism","authors":"Hazel Andrews","doi":"10.3390/h13020064","DOIUrl":"https://doi.org/10.3390/h13020064","url":null,"abstract":"This paper is an exploration of play in tourism. It is situated in an approach to play and toys informed by phenomenological perspectives and theoretical insights drawn from existential anthropology. It argues that tourism and play are intimately linked and outlines the ways in which connections between the two have been made. This paper focuses on a particular practice of play in travel—one that involves the use of a toy. Using the notion of ‘toy tourism’, I examine the ways in which touristic practices associated with play are brought into being in the moment of doing. The research is located in the resorts of Palmanova and Magaluf on the Mediterranean island of Mallorca. I conducted the research using a doll from the Barbie Fashionista range, who I named Mordaith. I outline how and why Mordaith became my travel companion and the experience and events associated with my time with her in the resorts. This paper recounts the story of what happened when I brought about the play of toy tourism in Mallorca. It is an experimental approach that unfolds in the writing as much as in the gathering of information during fieldwork. I argue that what play is, and what a toy is, are neither fixed nor graspable objectivities. Rather, both toy and play, and, thus, toy tourism, emerge in my embodied imaginative understanding of what touristic and toy tourism practices are, as well as the actual embodied and emotional movements of employing a toy in practice.","PeriodicalId":509613,"journal":{"name":"Humanities","volume":" 17","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-04-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140684102","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Dorsal Practices is a process-based, interdisciplinary artistic collaboration between choreographer Katrina Brown and writer–artist Emma Cocker. This research enquiry explores the notion of dorsality and the cultivation of a back-oriented awareness in relation to how we as sentient bodies orientate to the self, others (human, more-than-human), and interconnected world. Since 2021, Dorsal Practices has unfolded through the interrelation of three fields of experimental, embodied research practice: movement-based practices, conversation practices, and experimental reading practices. Dorsal Practices explores how the tilt or inclination towards dorsal (dis)orientation might enable new modes of thinking–perceiving and being–with, and more connected, sustainable ways of living and aliveness based on the reciprocal, entangled relationship between self/environment. We ask: How does the cultivation of a back-oriented awareness and attitude shape and inform our embodied, affective, and relational experience of being-in-the-world? Rather than a mode of withdrawal, of turning one’s back, how might a back-leaning orientation support an open, receptive ethics of relation? Central to this enquiry is an attempt to explore how different linguistic practices might be developed in fidelity to the embodied experiences of dorsality: how the experiences of listening, languaging, even thinking, might be shaped differently through this embodied tilt of awareness and attention towards the back.
{"title":"Dorsal Practices—Towards a Back-Oriented Being-in-the-World","authors":"Katrina Brown, E. Cocker","doi":"10.3390/h13020063","DOIUrl":"https://doi.org/10.3390/h13020063","url":null,"abstract":"Dorsal Practices is a process-based, interdisciplinary artistic collaboration between choreographer Katrina Brown and writer–artist Emma Cocker. This research enquiry explores the notion of dorsality and the cultivation of a back-oriented awareness in relation to how we as sentient bodies orientate to the self, others (human, more-than-human), and interconnected world. Since 2021, Dorsal Practices has unfolded through the interrelation of three fields of experimental, embodied research practice: movement-based practices, conversation practices, and experimental reading practices. Dorsal Practices explores how the tilt or inclination towards dorsal (dis)orientation might enable new modes of thinking–perceiving and being–with, and more connected, sustainable ways of living and aliveness based on the reciprocal, entangled relationship between self/environment. We ask: How does the cultivation of a back-oriented awareness and attitude shape and inform our embodied, affective, and relational experience of being-in-the-world? Rather than a mode of withdrawal, of turning one’s back, how might a back-leaning orientation support an open, receptive ethics of relation? Central to this enquiry is an attempt to explore how different linguistic practices might be developed in fidelity to the embodied experiences of dorsality: how the experiences of listening, languaging, even thinking, might be shaped differently through this embodied tilt of awareness and attention towards the back.","PeriodicalId":509613,"journal":{"name":"Humanities","volume":"63 4","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-04-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140733002","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Borders and frontiers are often problematized in Agnieszka Dale’s Fox Season and Other Short Stories (2017), where mental borders seem to be more divisive than spatial boundaries. Many of these narratives feature Polish immigrants in Britain who struggle with their displaced condition in various ways. As some of the stories in the collection reveal, the scenario of post-Brexit Britain compromises conviviality amongst different groups, including the Polish community. Special attention is placed upon how several narratives in the volume underscore the prevalence in British society of Polish stereotypes as the crystallisation of the still widespread animosity against non-Europeans. Homi Bhabha’s notions regarding the formation and dynamics of stereotypes will be helpful in understanding the mechanisms beneath such constructions. Likewise, some of the major tenets of social theory, as well as Edward Said’s notion of ‘Orientalism’, will contribute to shedding light upon this resentment towards the Polish minority, occasionally adopted too by already established immigrants against their former compatriots. This article will ultimately intend to draw attention to the cautionary nature of Dale’s collection as a call for harmony and the appreciation of difference among nations, thus preventing the gloomy perspectives the dystopian futures of some of these stories forecast upon Europe.
{"title":"‘I Don’t Want to Be Other. I Want to Be Normal’: Mental Boundaries and the Polish Experience in the UK in Agnieszka Dale’s Fox Season and Other Short Stories","authors":"Isabel María Andrés-Cuevas","doi":"10.3390/h13020061","DOIUrl":"https://doi.org/10.3390/h13020061","url":null,"abstract":"Borders and frontiers are often problematized in Agnieszka Dale’s Fox Season and Other Short Stories (2017), where mental borders seem to be more divisive than spatial boundaries. Many of these narratives feature Polish immigrants in Britain who struggle with their displaced condition in various ways. As some of the stories in the collection reveal, the scenario of post-Brexit Britain compromises conviviality amongst different groups, including the Polish community. Special attention is placed upon how several narratives in the volume underscore the prevalence in British society of Polish stereotypes as the crystallisation of the still widespread animosity against non-Europeans. Homi Bhabha’s notions regarding the formation and dynamics of stereotypes will be helpful in understanding the mechanisms beneath such constructions. Likewise, some of the major tenets of social theory, as well as Edward Said’s notion of ‘Orientalism’, will contribute to shedding light upon this resentment towards the Polish minority, occasionally adopted too by already established immigrants against their former compatriots. This article will ultimately intend to draw attention to the cautionary nature of Dale’s collection as a call for harmony and the appreciation of difference among nations, thus preventing the gloomy perspectives the dystopian futures of some of these stories forecast upon Europe.","PeriodicalId":509613,"journal":{"name":"Humanities","volume":"43 12","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-04-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140734186","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This article investigates two recent novels that deal with environmental and pandemic disasters: Severance (2018) by Ling Ma and Under the Blue (2022) by Oana Aristide. The analysis is based on ecocritical and posthumanist perspectives and on a division made by Chakrabarty (Planetary Crises and the Difficulty of Being Modern), in two different understandings of the globe: one connected to the planetary-focused discourse on global warming and the other on human-centered globalization. The clashes of these discourses are highlighted in the novels. They illustrate a process of understanding that humans are not separate from the natural world, through the disease itself and through the sudden need to survive without modern healthcare and all the comfort we are used to being able to buy. The gradual insight of the depicted characters, and perhaps also the readers of the novels, is that we live on a planet of extreme complexity and interdependence.
本文研究了近期两部涉及环境和大流行病灾难的小说：Severance》（2018年），作者马玲；《Under the Blue》（2022年），作者Oana Aristide。分析基于生态批评和后人文主义的视角，以及查克拉巴蒂（《行星危机与现代人的困境》）对全球两种不同理解的划分：一种是以行星为中心的全球变暖话语，另一种是以人为中心的全球化话语。这些论述的冲突在小说中得到了凸显。它们通过疾病本身，通过在没有现代医疗保健和我们习惯于购买的所有舒适生活的情况下突然需要生存，说明了人类与自然世界并不分离的认识过程。小说中的人物，或许也包括读者，逐渐认识到我们生活在一个极其复杂和相互依存的星球上。
{"title":"“Until It Suddenly Isn’t”: Two Novels on Life after a Pandemic Disaster","authors":"Åsa Nilsson Skåve","doi":"10.3390/h13020060","DOIUrl":"https://doi.org/10.3390/h13020060","url":null,"abstract":"This article investigates two recent novels that deal with environmental and pandemic disasters: Severance (2018) by Ling Ma and Under the Blue (2022) by Oana Aristide. The analysis is based on ecocritical and posthumanist perspectives and on a division made by Chakrabarty (Planetary Crises and the Difficulty of Being Modern), in two different understandings of the globe: one connected to the planetary-focused discourse on global warming and the other on human-centered globalization. The clashes of these discourses are highlighted in the novels. They illustrate a process of understanding that humans are not separate from the natural world, through the disease itself and through the sudden need to survive without modern healthcare and all the comfort we are used to being able to buy. The gradual insight of the depicted characters, and perhaps also the readers of the novels, is that we live on a planet of extreme complexity and interdependence.","PeriodicalId":509613,"journal":{"name":"Humanities","volume":"2 3","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-04-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140746280","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This article investigates Dante’s engagement with one of the key and most controversial academic questions of the late Middle Ages: the beatific vision after the general resurrection. This essay focuses on Paradiso 14, where the character of King Solomon explains that the souls’ vision of God will increase after reuniting with their resurrected bodies. After briefly reconstructing the theological debate engaged by Dante’s treatment of the general resurrection, and discussing the prevailing tendencies in the scholarship on Paradiso 14 and the body–soul relationship in the Commedia, this essay provides a new interpretation of this canto from a social and political perspective. It argues that in Dante’s eschatological vision, the resurrected body appears to be essential for the ultimate fulfillment of humanity’s social nature.
{"title":"Dante’s Political Eschatology: Resurrecting the Social Body in Paradiso 14","authors":"Filippo Gianferrari","doi":"10.3390/h13020059","DOIUrl":"https://doi.org/10.3390/h13020059","url":null,"abstract":"This article investigates Dante’s engagement with one of the key and most controversial academic questions of the late Middle Ages: the beatific vision after the general resurrection. This essay focuses on Paradiso 14, where the character of King Solomon explains that the souls’ vision of God will increase after reuniting with their resurrected bodies. After briefly reconstructing the theological debate engaged by Dante’s treatment of the general resurrection, and discussing the prevailing tendencies in the scholarship on Paradiso 14 and the body–soul relationship in the Commedia, this essay provides a new interpretation of this canto from a social and political perspective. It argues that in Dante’s eschatological vision, the resurrected body appears to be essential for the ultimate fulfillment of humanity’s social nature.","PeriodicalId":509613,"journal":{"name":"Humanities","volume":"35 ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-04-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140752664","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
With a focus on refugees’ written personal narratives on refugee NGO websites, this paper examines ongoing transculturalism in Britain and its interplay with globalization and current international migration. Conceiving such personal narratives as cultural texts pertaining to refugee narratives as a broad genre that encompasses different storytelling modalities, those personal stories on refugee NGO websites are explored from a cultural studies perspective. CDA is employed as a methodology for this cultural studies-oriented piece. A qualitatively oriented case study is accordingly presented based on the detailed examination of an example of such written narratives on the website of one such refugee NGO in the UK so as to instantiate and contribute to disentangling the articulation of this characteristic form of ongoing transculturalism. Special emphasis is laid on the discursive construction of refugees’ transcultural identities in such narratives through their participation in those global border-crossing processes characteristic of the contemporary landscape.
{"title":"A Snapshot of Ongoing Transculturalism in Britain: Refugee NGO Website Personal Narratives and Global Border Crossing—A Case Study","authors":"Eduardo de Gregorio-Godeo","doi":"10.3390/h13020058","DOIUrl":"https://doi.org/10.3390/h13020058","url":null,"abstract":"With a focus on refugees’ written personal narratives on refugee NGO websites, this paper examines ongoing transculturalism in Britain and its interplay with globalization and current international migration. Conceiving such personal narratives as cultural texts pertaining to refugee narratives as a broad genre that encompasses different storytelling modalities, those personal stories on refugee NGO websites are explored from a cultural studies perspective. CDA is employed as a methodology for this cultural studies-oriented piece. A qualitatively oriented case study is accordingly presented based on the detailed examination of an example of such written narratives on the website of one such refugee NGO in the UK so as to instantiate and contribute to disentangling the articulation of this characteristic form of ongoing transculturalism. Special emphasis is laid on the discursive construction of refugees’ transcultural identities in such narratives through their participation in those global border-crossing processes characteristic of the contemporary landscape.","PeriodicalId":509613,"journal":{"name":"Humanities","volume":"20 8","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-03-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140371945","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
At the turn of the twentieth century, British women were able to qualify as medical doctors and enter professional practice for the first time. However, they often remained excluded from the specialist journals which were crucial for knowledge exchange during this period. As a result, they formed several of their own periodicals, including the Magazine of the London School of Medicine for Women (1895–1947), which this paper discusses. Significantly, the Magazine not only provided female doctors with the opportunity for intellectual communication, but social interaction too. This paper will explore how the periodical regularly published community-building content, which emphasised friendship as a key component of female doctors’ relationships. The Magazine encouraged the sharing of humour, stories, and intimate news which both articulated and generated companionship amongst subscribers. Through this content, the Magazine wove professional connections into personal bonds, telling a story of medical sisterhood and offering a welcoming textual meeting place to a disparate network of female doctors.
{"title":"A Place to Meet: Community and Companionship in the Magazine of the London School of Medicine for Women, 1895–1905","authors":"Mary Chapman","doi":"10.3390/h13020057","DOIUrl":"https://doi.org/10.3390/h13020057","url":null,"abstract":"At the turn of the twentieth century, British women were able to qualify as medical doctors and enter professional practice for the first time. However, they often remained excluded from the specialist journals which were crucial for knowledge exchange during this period. As a result, they formed several of their own periodicals, including the Magazine of the London School of Medicine for Women (1895–1947), which this paper discusses. Significantly, the Magazine not only provided female doctors with the opportunity for intellectual communication, but social interaction too. This paper will explore how the periodical regularly published community-building content, which emphasised friendship as a key component of female doctors’ relationships. The Magazine encouraged the sharing of humour, stories, and intimate news which both articulated and generated companionship amongst subscribers. Through this content, the Magazine wove professional connections into personal bonds, telling a story of medical sisterhood and offering a welcoming textual meeting place to a disparate network of female doctors.","PeriodicalId":509613,"journal":{"name":"Humanities","volume":"37 23","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-03-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140375032","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
In keeping with the title we have chosen for this follow-up volume to the Special Issue “Ethics and Literary Practice I”, we frame our introduction and summary of the essays collected here with a brief archaeology of modern literary realism at its conjoined genesis in classical Greece and the ancient Near East; such contextualization serves as a prescient backdrop for the varied focus, across a compilation of thirteen articles, on refugees and their representation [...]
为了与 "伦理与文学实践 I "特刊后续卷的标题保持一致，我们在介绍和总结本卷收录的文章时，简要介绍了现代文学现实主义在古典希腊和古代近东的共同起源；这种背景介绍为十三篇文章汇集的不同焦点--难民及其代表性--提供了先见之明的背景[......]。
{"title":"Refugees and Representation: Introduction—The Mimesis of Diaspora","authors":"Adam Zachary Newton","doi":"10.3390/h13020056","DOIUrl":"https://doi.org/10.3390/h13020056","url":null,"abstract":"In keeping with the title we have chosen for this follow-up volume to the Special Issue “Ethics and Literary Practice I”, we frame our introduction and summary of the essays collected here with a brief archaeology of modern literary realism at its conjoined genesis in classical Greece and the ancient Near East; such contextualization serves as a prescient backdrop for the varied focus, across a compilation of thirteen articles, on refugees and their representation [...]","PeriodicalId":509613,"journal":{"name":"Humanities","volume":" 4","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-03-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140219908","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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