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Beiträge zur Geschichte der deutschen Sprache und Literatur最新文献

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Stefan Matter: Tagzeitentexte des Mittelalters. Untersuchungen und Texte zur deutschen Gebetbuchliteratur, Berlin u. Boston: de Gruyter 2021, 356 S., 23 Abb. (Liturgie und Volkssprache 4) 斯特凡-马特:中世纪的日常文本。Untersuchungen und Texte zur deutschen Gebetbuchliteratur, Berlin u. Boston: de Gruyter 2021, 356 p., 23 ill. (Liturgy and Vernacular 4)
Pub Date : 2024-02-29 DOI: 10.1515/bgsl-2024-0013
Sabine Griese
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引用次数: 0
Christian Kiening: Fortunatus. Eine dichte Beschreibung. Mit Beiträgen von Pia Selmayr, Zürich: Chronos 2021, 297 S., 55 Abb. (Mediävistische Perspektiven 13) 克里斯蒂安-基宁:福图纳特斯。密集的描述。Pia Selmayr 撰文,苏黎世:Chronos 2021 年,297 页,55 幅插图(《中世纪视角 13》)。
Pub Date : 2024-02-29 DOI: 10.1515/bgsl-2024-0014
M. Braun
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引用次数: 0
Dies ist kein Liebeslied 这不是一首情歌
Pub Date : 2024-02-29 DOI: 10.1515/bgsl-2024-0003
M. Dahm
This paper examines the ›Eneasroman‹ of Heinrich von Veldeke within the context of its co-transmission. The different composite manuscripts, combining the ›Eneasroman‹ with various co-texts, raise the question of what conclusions can be drawn from them about the understanding and reception of the novel. It becomes obvious that the surviving compilations, all of them from the late Middle Ages, do not aim at highlighting the elaborate semantics of love. Instead, various historiographical and epistemological connections between the ›Eneasroman‹ and its accompanying texts are established, which emphasize the historical dimensions of the novel and the salvational significance of Eneas as the progenitor of the Romans.
本文在共同传播的背景下研究了海因里希-冯-维尔德克的《埃涅阿斯罗曼》。不同的综合手稿将 "Eneasroman "与不同的共同文本结合在一起,这就提出了一个问题:从这些手稿中可以得出哪些关于小说的理解和接受的结论。显而易见的是,现存的手稿汇编都是中世纪晚期的作品,其目的并不在于强调精心设计的爱情语义。相反,"埃涅阿斯长篇小说 "与其附带文本之间建立了各种历史学和认识论联系,这些联系强调了小说的历史维度以及埃涅阿斯作为罗马人始祖的救赎意义。
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引用次数: 0
Evidentialität in autochthonen altgermanischen Schriftdenkmälern im Vergleich zur deutschen Gegenwartssprache 自生古日耳曼文字古迹中的证据性与当代德语的比较
Pub Date : 2024-02-29 DOI: 10.1515/bgsl-2024-0002
M. Kotin
The paper presents a diachronically based concept of the evidential function in the language. It is argued for a specific discourse evidentiality of the oldest autochthonic German poetry which encoded not epistemic interpretations of outer sources of information, but rather a strong guarantee for the truth of reported events. The origins of this kind of evidentiality can be found both in ontogenesis of a given language, e. g. language acquisition, and in its phylogenesis.
本文提出了一种基于对时性的语言证据功能概念。本文论证了最古老的自语德语诗歌的特定话语证据性,这种证据性不是对外部信息来源的认识论解释,而是对所报道事件真实性的有力保证。这种证据性的起源可以在特定语言的本体生成(如语言习得)和系统生成中找到。
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引用次数: 0
Udo Friedrich, Christiane Krusenbaum-Verheugen u. Monika Schausten (Hgg.): Kunst und Konventionalität. Dynamiken sozialen Wissens und Handelns in der Literatur des Mittelalters, Berlin: E. Schmidt 2021, 397 S., 2 Abb. (Beiheft zur Zeitschrift für deutsche Philologie 20) Udo Friedrich, Christiane Krusenbaum-Verheugen and Monika Schausten (eds.): Art and Conventionality.Dynamiken sozialen Wissens und Handelns in der Literatur des Mittelalters, Berlin: E. Schmidt 2021, 397 p., 2 ill. (Supplement to the Journal of German Philology 20)
Pub Date : 2024-02-29 DOI: 10.1515/bgsl-2024-0006
Jan-Hinnerk Mohr
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引用次数: 0
Spiel, Minne, Schwur und Markt 游戏、音乐、誓言和市场
Pub Date : 2024-02-29 DOI: 10.1515/bgsl-2024-0004
A. Meyer
Hartmann von Aue’s ›Ereck‹ and ›Iwein‹, Wolfram von Eschenbach’s ›Parzival‹ and Heinrich von dem Türlin’s ›Crône‹ all include fighting scenes that link mutual physical exhaustion and elaborate metaphors to a spectrum of outcomes between winning and losing. The metaphors derive from quotidian social contexts of a courtly audience: games, love, oaths and markets connote constellations of equality or superiority. While the metaphors illuminate the hierarchy of the two fighters, I argue, they also mirror the cause of the fight on the discursive level. The scenes thus form an intertextual group featuring a poetological connection between exhaustion and the metaphorical visibility of the cause of the fight.
Hartmann von Aue 的《Ereck》和《Iwein》、Wolfram von Eschenbach 的《Parzival》和 Heinrich von dem Türlin 的《Crône》中都有打斗场面,这些场面将彼此的体力消耗和精心设计的隐喻与输赢之间的结果联系在一起。这些隐喻源于宫廷观众的日常社会背景:游戏、爱情、誓言和市场意味着平等或优越的关系。我认为,虽然这些隐喻揭示了两位格斗者的等级,但它们也在话语层面反映了格斗的起因。因此,这些场景构成了一个互文组,其特点是疲惫与战斗原因的隐喻可见性之间的诗学联系。
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引用次数: 0
Beate Kellner, Susanne Reichlin u. Alexander Rudolph (Hgg.): Handbuch Minnesang, Berlin u. Boston: de Gruyter 2021, XI, 845 S. Beate Kellner, Susanne Reichlin and Alexander Rudolph (eds.): Handbuch Minnesang, Berlin and Boston: de Gruyter 2021, XI, 845 pp.
Pub Date : 2024-02-29 DOI: 10.1515/bgsl-2024-0008
Kathrin Chlench-Priber
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引用次数: 0
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Beiträge zur Geschichte der deutschen Sprache und Literatur
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