Pub Date : 2023-01-02DOI: 10.1080/08905762.2023.2195323
Jason Weiss
In his ambitious proposals for a fundamental realignment in American perspectives on language and literature
在他雄心勃勃的建议中，从根本上调整美国人对语言和文学的看法
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Pub Date : 2023-01-02DOI: 10.1080/08905762.2023.2195281
Frank Báez, A. Seidman
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Pub Date : 2023-01-02DOI: 10.1080/08905762.2023.2195279
E. Russ
. Her book The Plantation in the Postslavery Imagination (2009) examines the plantation as a trans-American literary trope. Her article “ Telling Other Stories: Dominican Black Cosmopolitanism in Aída Cartagena Portalatín ’ s Tablero ” is forthcoming in PMLA . She is currently working on a book that analyzes representations of nation, race, and gender by twentieth-century women writers of the Dominican Republic, including Cartagena Portalatín and Jeannette Miller .
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Pub Date : 2023-01-02DOI: 10.1080/08905762.2023.2195289
Miguel Yarull
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Pub Date : 2023-01-02DOI: 10.1080/08905762.2023.2195262
Néstor E. Rodríguez
By the turn of the century, scholarship on Dominican literature was starting to become less of a rarity in North American academic circuits. There were fierce efforts coming from the pioneers of Dominican studies before that time, namely Silvio Torres-Saillant and Daisy Cocco de Filippis. And one cannot forget the tenacious work of Rei Berroa, who edited a dossier on Twentieth-Century Dominican Literature for the Revista Iberoamericana (Pittsburgh) in 1988; Lizabeth Paravisini-Gebert and Consuelo López-Springfield as guest editors of the special issue of Callaloo on Dominican Literature and Culture published in 2000; and Ramona Hernández and Anthony Stevens-Acevedo’s monograph issue of Camino Real, a journal of the Franklin Institute (University of Alcalá, Spain), in 2011. These important anthological projects showcased the vibrant literary production from the Dominican Republic, which had been inexplicably overshadowed by the prevalence of scholarship on Cuban and Puerto Rican literatures. Certainly, if we consider the context of the North American academy before and in the first years of the new millennium, an examination of the curricula of the departments of Hispanic Studies in the major universities of the United States and Canada in that period would reveal a minuscule percentage devoted to the study of Dominican literary production. Likewise, a quick glance at the main academic publications in the field of Latin American literature up to that point uncovers a Review: Literature and Arts of the Americas, Issue 106, Vol. 56, No. 1, 2023, 3–6
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Pub Date : 2023-01-02DOI: 10.1080/08905762.2023.2195311
M. Agosín
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Pub Date : 2023-01-02DOI: 10.1080/08905762.2023.2195286
Sorayda Peguero Isaac
January 2018. El Prat Airport, Barcelona. “Where are you coming from?” “From Santo Domingo.” “Follow me. We’re going to pass the suitcases through the scanner. Are you carrying any substance?” “Substance?” “Yes, something we should keep in mind before opening your luggage.” “You’re going to open it too?” (It’s the first time that’s happened to me. But I’ve seen how it works. The police put on their gloves, they ask the passenger to open the suitcases, and begin to take things out at random as if they were digging around at a stall in the flea market.) “Does it bother you?” (After ten hours flying and four waiting, on no sleep?) “Help yourself. No problem.” “In this suitcase you’re carrying a lot of notebooks.” “I’m not carrying notebooks.” “Looked like that to me on the monitor.” “They’re not notebooks.” Review: Literature and Arts of the Americas, Issue 106, Vol. 56, No. 1, 2023, 55–56
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Pub Date : 2023-01-02DOI: 10.1080/08905762.2023.2195303
José Mármol
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Pub Date : 2023-01-02DOI: 10.1080/08905762.2023.2195309
A. Weiss
its circulatory system. It is then that another end of the century is forged, one much more lustful and transvestite, one more appealing and complex. 3
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Pub Date : 2023-01-02DOI: 10.1080/08905762.2023.2195283
Josefina Báez
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