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Book Review: Shakespeare, Tragedy and Menopause: The Anxious Womb by McMahon Victoria L. 书评:莎士比亚、悲剧与更年期:麦克马洪-维多利亚-L.所著《焦虑的子宫》(The Anxious Womb by McMahon Victoria L.
Pub Date : 2024-03-08 DOI: 10.1177/01847678241235129
Sarah Carter
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引用次数: 0
‘Fairest show’: Dramatic entrapment in Macbeth and Measure for Measure 最美丽的表演麦克白》和《度量衡》中的戏剧陷阱
Pub Date : 2024-03-01 DOI: 10.1177/01847678241234608
Peter Malin
This article reconsiders metatheatre in Macbeth and Measure for Measure, examining how characters find themselves entrapped in scenarios not of their own making, and how the creators of such scenarios can lose control of them. It examines the plays’ metatheatrical language, with a particular focus on the word ‘show’; argues that Macbeth's cauldron scene and the final scene of Measure for Measure function as these plays’ equivalents of the familiar ‘play-within-the-play’; and tentatively suggests how the two plays’ engagement with dramatic entrapment might resonate with the manipulative control facilitated by twenty-first-century social media platforms.
本文重新审视了《麦克白》和《度量衡》中的元戏剧,探讨了剧中人物是如何发现自己被困在并非自己创造的场景中,以及这种场景的创造者是如何失去对场景的控制的。本文研究了这两部戏剧中的元戏剧语言,尤其关注 "show "一词;认为《麦克白》中的大锅场景和《度量衡》中的最后一幕相当于我们所熟悉的 "戏中戏";并初步提出了这两部戏剧中的戏剧困局如何与二十一世纪社交媒体平台上的操纵控制产生共鸣。
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引用次数: 0
‘A Pope Shut out of Heaven Gates (Thrice)’: Erasmus’ Julius as a tool of anti-Catholic propaganda in early modern England 教皇被拒于天门之外(三次)》:伊拉斯谟的《朱利叶斯》是近代早期英格兰反天主教的宣传工具
Pub Date : 2024-03-01 DOI: 10.1177/01847678241235132
Luca Baratta
The present article follows the editorial vicissitudes of Erasmus of Rotterdam's Julius within England's boundaries, where it was translated in 1533–34, in 1673, and in 1719. By interweaving the publishing history of these three English editions with their cultural milieu, it will appear evident that they were ideologically motivated products whose circulation directly coincided with an upheaval in Catholic matters in the country. The final purpose of this article is to demonstrate how Erasmus’ Julius, with its negative protagonist, was too compelling a weapon not to be used to stigmatise Catholicism and to prevent it from returning to the British Isles.
本文追溯了鹿特丹的伊拉斯谟的《朱利叶斯》在英格兰境内的编辑变迁,该书分别于 1533-34 年、1673 年和 1719 年在英格兰被翻译。通过将这三个英文版本的出版史与其文化环境交织在一起,我们可以明显看出,它们都是出于意识形态动机的产物,其发行与该国天主教事务的动荡直接吻合。本文的最终目的是要说明伊拉斯谟的《朱利叶斯》中的反面主角是如何成为一种令人信服的武器,不被用来丑化天主教并阻止其重返英伦三岛。
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引用次数: 0
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Cahiers Élisabéthains
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