This article examines the brief flowering of spaces for children in British museums in the first half of the twentieth century. It argues that managing museum space for both adults and children became an important issue for curators, merging with and to an extent replacing nineteenth-century concerns with managing space to accommodate different class groups. It investigates the children's galleries, 'corners' and museums which emerged between 1900 and 1950, comparing them with fuller provision in the USA. In the UK, children's museum spaces were constrained by a lack of space, expertise and money, and a concern not to make the museum childish; and by an association of children's provisions with slum areas and women experts. Curators were unsure how far to adopt a child-focused approach, or for which age groups they should provide. For a few commentators, children's presence was seen as incompatible with adult use of museums, to the point where they should be totally barred. Thus, children's spaces were partly a way of separating children and adults in museums, and reinforced a sense of difference between adult and child visitors. Most children's spaces disappeared after the Second World War, as slums and unaccompanied child visitors declined, and a focus on more 'professional' curating emerged. Fewer children seem to have visited, a trend accelerated by the wider context of familial and leisure change. The development of more engaging displays for all, not just children, served to narrow the apparent intellectual gulf between adult and child.
{"title":"'Perhaps only Children's Corners': spaces for children in British museums from c. 1900 to 1939†.","authors":"Kate Hill","doi":"10.1093/tcbh/hwaf024","DOIUrl":"https://doi.org/10.1093/tcbh/hwaf024","url":null,"abstract":"<p><p>This article examines the brief flowering of spaces for children in British museums in the first half of the twentieth century. It argues that managing museum space for both adults and children became an important issue for curators, merging with and to an extent replacing nineteenth-century concerns with managing space to accommodate different class groups. It investigates the children's galleries, 'corners' and museums which emerged between 1900 and 1950, comparing them with fuller provision in the USA. In the UK, children's museum spaces were constrained by a lack of space, expertise and money, and a concern not to make the museum childish; and by an association of children's provisions with slum areas and women experts. Curators were unsure how far to adopt a child-focused approach, or for which age groups they should provide. For a few commentators, children's presence was seen as incompatible with adult use of museums, to the point where they should be totally barred. Thus, children's spaces were partly a way of separating children and adults in museums, and reinforced a sense of difference between adult and child visitors. Most children's spaces disappeared after the Second World War, as slums and unaccompanied child visitors declined, and a focus on more 'professional' curating emerged. Fewer children seem to have visited, a trend accelerated by the wider context of familial and leisure change. The development of more engaging displays for all, not just children, served to narrow the apparent intellectual gulf between adult and child.</p>","PeriodicalId":520090,"journal":{"name":"Modern British history","volume":"37 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2026-01-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"145937263","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This article analyses anxieties surrounding glue-sniffing in 1980s Britain and their entanglement with the era's accelerated deindustrialization. A vibrant 'New Drug History' has overlooked glue-sniffing, despite its prevalence and prominent media coverage during the 1980s, which placed it at the vanguard of a renewed concern about drugs. Concurrently, scholarship on deindustrialization has largely neglected related anxieties surrounding drug use. This article addresses these lacunae by arguing that glue-sniffing offers a potent lens through which to examine the emotional dimensions of accelerated industrial decline during the early 1980s. Drawing upon popular media, expert discourse, and subcultural artefacts, it contends that the figure of the glue-sniffer became emblematic of broader societal fears regarding diminished opportunities for youth amidst unprecedented unemployment. This perceived crisis of youth futurity saw glue-sniffing become entwined with concerns surrounding not only joblessness, but also dereliction, juvenile crime, and youth subcultures. As such, this article helps take the notion of foreclosed futurity beyond the realm of theory through historicizing it as an everyday structure of feeling intensified by Thatcherite political decision-making.
{"title":"'All the Kids Wanna Sniff Some Glue': glue-sniffing, deindustrialization, and moral panic in 1980s Britain.","authors":"Malcolm Russell","doi":"10.1093/tcbh/hwaf025","DOIUrl":"https://doi.org/10.1093/tcbh/hwaf025","url":null,"abstract":"<p><p>This article analyses anxieties surrounding glue-sniffing in 1980s Britain and their entanglement with the era's accelerated deindustrialization. A vibrant 'New Drug History' has overlooked glue-sniffing, despite its prevalence and prominent media coverage during the 1980s, which placed it at the vanguard of a renewed concern about drugs. Concurrently, scholarship on deindustrialization has largely neglected related anxieties surrounding drug use. This article addresses these lacunae by arguing that glue-sniffing offers a potent lens through which to examine the emotional dimensions of accelerated industrial decline during the early 1980s. Drawing upon popular media, expert discourse, and subcultural artefacts, it contends that the figure of the glue-sniffer became emblematic of broader societal fears regarding diminished opportunities for youth amidst unprecedented unemployment. This perceived crisis of youth futurity saw glue-sniffing become entwined with concerns surrounding not only joblessness, but also dereliction, juvenile crime, and youth subcultures. As such, this article helps take the notion of foreclosed futurity beyond the realm of theory through historicizing it as an everyday structure of feeling intensified by Thatcherite political decision-making.</p>","PeriodicalId":520090,"journal":{"name":"Modern British history","volume":"37 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2026-01-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"145937331","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This article reinterprets contemporary forms of economization in UK government by recovering their emergence in the early nationalized transport industry. I show that two prominent practices of present-day governing-the rule of efficiency in allocative decision-making, and the monetization of non-marketed goods by way of consumer observation-were first developed in the UK between 1948-1959 by a public research institution called the Road Research Laboratory. The Laboratory sought to design an appropriate basis on which to make decisions about the post-war development of motorways 'on behalf of the public', within the broader frame of a planned economy. Through a landmark appraisal of the M1 investment, it reached the proposition that government should generally select the transport projects with the greatest 'social return on capital', a figure which included the monetized value of saved lives and leisure time. Reconstructing the Laboratory's arrival at this destination, I argue for seeing it as the product of social democratic aspirations for statecraft. I conclude that British public officials developed a 'social democratic governmentality' in the mid-twentieth century, challenging arguments that such a phenomenon was either marginal or non-existent. Economization was integral to it, however, of the kind that historians have commonly characterized as neoliberal.
{"title":"Roads to Economization: Valuing Life, Limb, and Leisure in the Social Democratic State.","authors":"Charles Troup","doi":"10.1093/tcbh/hwaf016","DOIUrl":"https://doi.org/10.1093/tcbh/hwaf016","url":null,"abstract":"<p><p>This article reinterprets contemporary forms of economization in UK government by recovering their emergence in the early nationalized transport industry. I show that two prominent practices of present-day governing-the rule of efficiency in allocative decision-making, and the monetization of non-marketed goods by way of consumer observation-were first developed in the UK between 1948-1959 by a public research institution called the Road Research Laboratory. The Laboratory sought to design an appropriate basis on which to make decisions about the post-war development of motorways 'on behalf of the public', within the broader frame of a planned economy. Through a landmark appraisal of the M1 investment, it reached the proposition that government should generally select the transport projects with the greatest 'social return on capital', a figure which included the monetized value of saved lives and leisure time. Reconstructing the Laboratory's arrival at this destination, I argue for seeing it as the product of social democratic aspirations for statecraft. I conclude that British public officials developed a 'social democratic governmentality' in the mid-twentieth century, challenging arguments that such a phenomenon was either marginal or non-existent. Economization was integral to it, however, of the kind that historians have commonly characterized as neoliberal.</p>","PeriodicalId":520090,"journal":{"name":"Modern British history","volume":"36 4","pages":""},"PeriodicalIF":0.0,"publicationDate":"2025-10-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"145380695","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This article examines the South African intellectual Nontando Jabavu's broadcasting career at the BBC and how she established herself as an authoritative and accessible voice on race relations, African affairs, and culture as a roving freelance broadcaster for the Corporation. Jabavu came from a renowned family with deep roots in education and journalism, and with extensive connections with the rapidly eroding world of Cape liberalism in the Union of South Africa. This article argues that Jabavu's BBC programmes marked her as a burgeoning Black intellectual thinker and a consummate transnational mediator of African affairs and diasporic cultural practice for the Corporation in the post-war years. It shows how she played a leading role in challenging prevailing perceptions about race and empire, with her broadcasts not only anticipating but contributing to broader shifts in British attitudes about racial inequality and imperial legacies. By foregrounding a voice situated within elite cultural institutions while persistently challenging the racial and imperial foundations that governed them, this article advances a broader reframing of Black British intellectual history and contributes to emerging scholarship that re-evaluates the BBC's entanglements with empire and the role of colonial African intellectuals and broadcasters in shaping post-war British culture.
{"title":"'A first class broadcaster with something to say': Nontando Jabavu, the BBC, and the cultural politics of African broadcasting in post-war Britain.","authors":"Siyabonga Njica","doi":"10.1093/tcbh/hwaf015","DOIUrl":"10.1093/tcbh/hwaf015","url":null,"abstract":"<p><p>This article examines the South African intellectual Nontando Jabavu's broadcasting career at the BBC and how she established herself as an authoritative and accessible voice on race relations, African affairs, and culture as a roving freelance broadcaster for the Corporation. Jabavu came from a renowned family with deep roots in education and journalism, and with extensive connections with the rapidly eroding world of Cape liberalism in the Union of South Africa. This article argues that Jabavu's BBC programmes marked her as a burgeoning Black intellectual thinker and a consummate transnational mediator of African affairs and diasporic cultural practice for the Corporation in the post-war years. It shows how she played a leading role in challenging prevailing perceptions about race and empire, with her broadcasts not only anticipating but contributing to broader shifts in British attitudes about racial inequality and imperial legacies. By foregrounding a voice situated within elite cultural institutions while persistently challenging the racial and imperial foundations that governed them, this article advances a broader reframing of Black British intellectual history and contributes to emerging scholarship that re-evaluates the BBC's entanglements with empire and the role of colonial African intellectuals and broadcasters in shaping post-war British culture.</p>","PeriodicalId":520090,"journal":{"name":"Modern British history","volume":"36 4","pages":""},"PeriodicalIF":0.0,"publicationDate":"2025-10-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"145656681","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
In the 1950s, Southall became home to a Punjabi Sikh community, largely due to Sikh men arriving for work in local factories. Their migration from Punjab followed the Partition of India and Pakistan. In Southall, these men faced significant hostility, often framed in exclusionary and racialized terms tied to the Second World War, to define who belonged in post-war Britain. A local mythology developed around the first employer to hire Punjabi men in the area: Woolfe's Rubber Factory. This article argues that Sikh male identity in Southall drew on their military service to link their imperial past to their British present. Imperial connections and identities travelled from India to gain new meaning as expressions of political belonging in Britain.
{"title":"'A tall and broad fellow with a very graceful, military personality': Punjabi Sikh men, military service and belonging in Southall 1947-67.","authors":"Satya Gunput","doi":"10.1093/tcbh/hwaf020","DOIUrl":"https://doi.org/10.1093/tcbh/hwaf020","url":null,"abstract":"<p><p>In the 1950s, Southall became home to a Punjabi Sikh community, largely due to Sikh men arriving for work in local factories. Their migration from Punjab followed the Partition of India and Pakistan. In Southall, these men faced significant hostility, often framed in exclusionary and racialized terms tied to the Second World War, to define who belonged in post-war Britain. A local mythology developed around the first employer to hire Punjabi men in the area: Woolfe's Rubber Factory. This article argues that Sikh male identity in Southall drew on their military service to link their imperial past to their British present. Imperial connections and identities travelled from India to gain new meaning as expressions of political belonging in Britain.</p>","PeriodicalId":520090,"journal":{"name":"Modern British history","volume":"36 4","pages":""},"PeriodicalIF":0.0,"publicationDate":"2025-10-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"145717107","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
In the 1920s and 1930s, British mass-manufacturers opened their factories to hundreds of thousands of ordinary consumers. As the market for branded household commodities became increasingly competitive, visitors were offered a day out of mechanical wonderment and informative entertainment in hopeful exchange for loyalty at the grocers. Such tours were also a significant riposte to the radical consumerist movement and popular discomfort at the rise of monopoly combines. Organized factory tours worked hard to present capitalist mass production as a form of social-democratic progress, positioning mass production and mass consumption as the twin engines of a more equitable, abundant, and democratic society. This essay provides the first systematic critical engagement with inter-war mass factory tourism and explores four of the most popular destinations: Lever Brothers at Port Sunlight; Cadbury at Bournville; Rowntree at York; and Fry at Somerdale. It unpicks the contradictions within the attempt to turn monotonous factory work into a source of spectacular pleasure and examines the common techniques used to construct hegemonic visitor experiences.
{"title":"Factory tourism in inter-war Britain: the spectacular construction of social-democratic mass production.","authors":"Richard Hornsey","doi":"10.1093/tcbh/hwaf014","DOIUrl":"https://doi.org/10.1093/tcbh/hwaf014","url":null,"abstract":"<p><p>In the 1920s and 1930s, British mass-manufacturers opened their factories to hundreds of thousands of ordinary consumers. As the market for branded household commodities became increasingly competitive, visitors were offered a day out of mechanical wonderment and informative entertainment in hopeful exchange for loyalty at the grocers. Such tours were also a significant riposte to the radical consumerist movement and popular discomfort at the rise of monopoly combines. Organized factory tours worked hard to present capitalist mass production as a form of social-democratic progress, positioning mass production and mass consumption as the twin engines of a more equitable, abundant, and democratic society. This essay provides the first systematic critical engagement with inter-war mass factory tourism and explores four of the most popular destinations: Lever Brothers at Port Sunlight; Cadbury at Bournville; Rowntree at York; and Fry at Somerdale. It unpicks the contradictions within the attempt to turn monotonous factory work into a source of spectacular pleasure and examines the common techniques used to construct hegemonic visitor experiences.</p>","PeriodicalId":520090,"journal":{"name":"Modern British history","volume":"36 4","pages":""},"PeriodicalIF":0.0,"publicationDate":"2025-10-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"145260413","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This article examines British public relations campaigns during decolonization by analysing the Ashanti Goldfields Corporation's (AGC) strategies between the 1940s and 1960s. As West Africa's largest gold mining firm, AGC hired leading British Public Relations (PR) firms to counter labour militancy, nationalist challenges, and threats of nationalization. Using business documents, personal correspondence, and campaign materials-particularly the 1962 'In Ghana-With Ghana' newspaper campaign-I demonstrate how PR consultants gathered intelligence, coached executives in engaging Ghanaian officials and workers, and promoted private enterprise. These efforts presented AGC as a champion of independence and multiracial partnership while characterizing capitalism as a humanitarian force. This study reveals how decolonization shaped British PR while PR consultants helped corporations maintain power without the empire.
{"title":"Ben Pimlott Memorial Lecture 2024-'Public relations as the remedy': mining, mis/information and decolonization in the Gold Coast/Ghana.","authors":"Erika Rappaport","doi":"10.1093/tcbh/hwaf023","DOIUrl":"https://doi.org/10.1093/tcbh/hwaf023","url":null,"abstract":"<p><p>This article examines British public relations campaigns during decolonization by analysing the Ashanti Goldfields Corporation's (AGC) strategies between the 1940s and 1960s. As West Africa's largest gold mining firm, AGC hired leading British Public Relations (PR) firms to counter labour militancy, nationalist challenges, and threats of nationalization. Using business documents, personal correspondence, and campaign materials-particularly the 1962 'In Ghana-With Ghana' newspaper campaign-I demonstrate how PR consultants gathered intelligence, coached executives in engaging Ghanaian officials and workers, and promoted private enterprise. These efforts presented AGC as a champion of independence and multiracial partnership while characterizing capitalism as a humanitarian force. This study reveals how decolonization shaped British PR while PR consultants helped corporations maintain power without the empire.</p>","PeriodicalId":520090,"journal":{"name":"Modern British history","volume":"36 4","pages":""},"PeriodicalIF":0.0,"publicationDate":"2025-10-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"145717118","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Income tax cuts of the 1979 Budget have been commonly considered as a starting point of the supply-side tax cuts that were the centrepiece of the Thatcher government's economic policy. Recent studies reveal how the policy was formed inside the Conservative Party in opposition. However, the budget-making process after the party came to power, which has been disregarded, demonstrates that these income tax cuts were far more complex. Conservatives' traditional incentive arguments were intensified by Labour's tax increases in 1974, and the Conservative Party in opposition stressed the importance of tax cuts for a free society. However, from 1977, Labour's Denis Healey cut income tax for lower-income earners, mostly influenced by the temporary economic recovery and the pressure from poverty lobbies and the Trades Union Congress (TUC). The income tax cuts package of the 1979 Budget not only included the Conservatives' package but also had to incorporate income tax cuts by Healey, and Geoffrey Howe significantly modified the scale of increases in personal allowances for a 'better balance' during the 1-month budget-making process. Income tax cuts under the first Thatcher government were a much more fluid policy than widely believed and were formed by various economic and political factors. This article examines how the different tax packages interplayed in forming income tax cuts during 1979-1980 and provides a different perspective on the Thatcherite tax policy.
{"title":"Healey's legacy and Howe's concession: income tax cuts in 1979 and 1980.","authors":"Masa Yasunaga","doi":"10.1093/tcbh/hwaf021","DOIUrl":"https://doi.org/10.1093/tcbh/hwaf021","url":null,"abstract":"<p><p>Income tax cuts of the 1979 Budget have been commonly considered as a starting point of the supply-side tax cuts that were the centrepiece of the Thatcher government's economic policy. Recent studies reveal how the policy was formed inside the Conservative Party in opposition. However, the budget-making process after the party came to power, which has been disregarded, demonstrates that these income tax cuts were far more complex. Conservatives' traditional incentive arguments were intensified by Labour's tax increases in 1974, and the Conservative Party in opposition stressed the importance of tax cuts for a free society. However, from 1977, Labour's Denis Healey cut income tax for lower-income earners, mostly influenced by the temporary economic recovery and the pressure from poverty lobbies and the Trades Union Congress (TUC). The income tax cuts package of the 1979 Budget not only included the Conservatives' package but also had to incorporate income tax cuts by Healey, and Geoffrey Howe significantly modified the scale of increases in personal allowances for a 'better balance' during the 1-month budget-making process. Income tax cuts under the first Thatcher government were a much more fluid policy than widely believed and were formed by various economic and political factors. This article examines how the different tax packages interplayed in forming income tax cuts during 1979-1980 and provides a different perspective on the Thatcherite tax policy.</p>","PeriodicalId":520090,"journal":{"name":"Modern British history","volume":"36 4","pages":""},"PeriodicalIF":0.0,"publicationDate":"2025-10-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"145752408","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Histories of mass incarceration in Britain are normally structured around a moment of rupture in the early 1990s, when penal populism took off and prison numbers started to climb. But for Britain's black and Irish communities, expansive incarceration had been the norm since at least the 1970s. What then connects these two phenomena? How was the longer history of targeted incarceration related to this broader penal turn? Generations of activists answered this question by arguing that the state first trialled techniques of coercion on marginalized groups, before rolling them out to everyone else. But this simple, sequential logic cannot do justice to the messy web of connections between these two historical processes. Rather than trial-then-roll-out, hyper-incarceration and mass-incarceration appear as separate projects that intersect in various ways during the 1990s: in the imagery used to justify the penal turn, in the continued targeting of Britain's West Indian communities, and in the slow brutalization of the British state. The penal turn was not the inevitable sequel to earlier experiments. What this history instead reveals is the variegated and often contradictory ways that different projects of racialization and incarceration intersect at different historical moments.
{"title":"From hyper-incarceration to mass-incarceration? Race and the prison boom of the 1990s.","authors":"Matteo Tiratelli","doi":"10.1093/tcbh/hwaf022","DOIUrl":"https://doi.org/10.1093/tcbh/hwaf022","url":null,"abstract":"<p><p>Histories of mass incarceration in Britain are normally structured around a moment of rupture in the early 1990s, when penal populism took off and prison numbers started to climb. But for Britain's black and Irish communities, expansive incarceration had been the norm since at least the 1970s. What then connects these two phenomena? How was the longer history of targeted incarceration related to this broader penal turn? Generations of activists answered this question by arguing that the state first trialled techniques of coercion on marginalized groups, before rolling them out to everyone else. But this simple, sequential logic cannot do justice to the messy web of connections between these two historical processes. Rather than trial-then-roll-out, hyper-incarceration and mass-incarceration appear as separate projects that intersect in various ways during the 1990s: in the imagery used to justify the penal turn, in the continued targeting of Britain's West Indian communities, and in the slow brutalization of the British state. The penal turn was not the inevitable sequel to earlier experiments. What this history instead reveals is the variegated and often contradictory ways that different projects of racialization and incarceration intersect at different historical moments.</p>","PeriodicalId":520090,"journal":{"name":"Modern British history","volume":"36 4","pages":""},"PeriodicalIF":0.0,"publicationDate":"2025-10-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"145717128","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
In January 1984, seven British and one US national were jailed in the 'independent' Bantustan of Bophuthatswana for their roles in a complex fraud at a Sun City casino. This article demonstrates how the Bophuthatswana 'government' tried to use the detainees as pawns in their efforts to gain recognition of the territory's independence, and the difficulties this created for British policymakers. While the Bophuthatswana authorities initially allowed British and US officials to visit the detainees, they soon became obstructive and demanded that permission be sought from their Ministry of Foreign Affairs. As neither the UK nor the USA recognized Bophuthatswana's independence, such formal contact was ruled out. However, as this article will demonstrate, a well-orchestrated campaign by the families of the detainees put pressure on the British government, which ultimately made concessions to Bophuthatswana regarding the visa process its ministers had to undertake prior to visiting the UK to allow contact with the prisoners. This article will also demonstrate the degree of sympathy that certain sections of the British elite had for Bophuthatswana's quest for international recognition. Indeed, the deal regarding the visa restrictions and access to the detainees was arranged through Sir Peter Emery, a Conservative member of the British parliament and chairperson of Shenley Trust, a firm hired by the Bophuthatswana government to facilitate its gold sales.
1984年1月,7名英国公民和1名美国公民因参与太阳城赌场的复杂欺诈而被关押在“独立”的博普塔茨瓦纳班图斯坦。本文展示了博普塔茨瓦纳“政府”如何试图利用被拘留者作为棋子,以获得对该领土独立的承认,以及这给英国政策制定者带来的困难。虽然博普塔茨瓦纳当局最初允许英国和美国官员探视被拘留者,但他们很快就开始阻挠,并要求获得其外交部的许可。由于英国和美国都不承认博普塔茨瓦纳的独立,这种正式接触被排除在外。然而,正如本文将展示的,被拘留者家属精心策划的运动对英国政府施加了压力,英国政府最终向博普塔茨瓦纳做出了让步,允许其部长在访问英国之前进行签证程序,以便与囚犯接触。本文还将展示英国精英中某些部分对博普塔茨瓦纳寻求国际承认的同情程度。事实上,有关签证限制和接触被拘留者的协议是由英国议会保守党议员彼得·埃默里爵士(Sir Peter Emery)安排的,他是申利信托(Shenley Trust)的主席,申利信托是博普塔茨瓦纳政府雇佣的一家公司,以促进其黄金销售。
{"title":"'A jigsaw puzzle which Britain finds difficult to solve': Britain, Bophuthatswana and the Sun City Eight.","authors":"Daniel J Feather","doi":"10.1093/tcbh/hwaf010","DOIUrl":"10.1093/tcbh/hwaf010","url":null,"abstract":"<p><p>In January 1984, seven British and one US national were jailed in the 'independent' Bantustan of Bophuthatswana for their roles in a complex fraud at a Sun City casino. This article demonstrates how the Bophuthatswana 'government' tried to use the detainees as pawns in their efforts to gain recognition of the territory's independence, and the difficulties this created for British policymakers. While the Bophuthatswana authorities initially allowed British and US officials to visit the detainees, they soon became obstructive and demanded that permission be sought from their Ministry of Foreign Affairs. As neither the UK nor the USA recognized Bophuthatswana's independence, such formal contact was ruled out. However, as this article will demonstrate, a well-orchestrated campaign by the families of the detainees put pressure on the British government, which ultimately made concessions to Bophuthatswana regarding the visa process its ministers had to undertake prior to visiting the UK to allow contact with the prisoners. This article will also demonstrate the degree of sympathy that certain sections of the British elite had for Bophuthatswana's quest for international recognition. Indeed, the deal regarding the visa restrictions and access to the detainees was arranged through Sir Peter Emery, a Conservative member of the British parliament and chairperson of Shenley Trust, a firm hired by the Bophuthatswana government to facilitate its gold sales.</p>","PeriodicalId":520090,"journal":{"name":"Modern British history","volume":"36 3","pages":""},"PeriodicalIF":0.0,"publicationDate":"2025-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"144736471","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}