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DOMENICO TREZZINI E ALTRI MAESTRI TICINESI A PIETROBURGO E TALLINN ALL’INIZIO DEL SETTECENTO 多梅尼科·特雷齐尼和其他提提尼大师在18世纪初的圣彼得堡和塔林
IF 0.1 0 ART Pub Date : 2019-05-15 DOI: 10.12697/bjah.2019.17.02
S. Androsov
The activities and work of architect Domenico Trezzini (1670–1734),and the masters that arrived in Russia with him, have been researchedfor a long time, and many contentions have been concretised ordisproven at various times. This article focuses on the issue of howmasters from a single area – Ticino, Switzerland – ended up creatingimportant fortifications, palaces and churches in the Russian Empireduring the reign of Peter the Great at the beginning of 18th century.The author describes the movement of Trezzini and the Ticino mastersfrom Copenhagen to Moscow as reported in various historical sourcesand the works of Danish and Russian researchers.
建筑师Domenico Trezzini(1670-1734)的活动和工作,以及与他一起抵达俄罗斯的大师们,已经被研究了很长时间,许多争论在不同的时期被具体化或反驳。这篇文章关注的问题是,在18世纪初彼得大帝统治时期,来自瑞士提契诺州的大师们是如何在俄罗斯帝国建造重要的防御工事、宫殿和教堂的。作者描述了特雷齐尼和提契诺大师从哥本哈根到莫斯科的运动,这是在各种历史资料和丹麦和俄罗斯研究人员的作品中报道的。
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引用次数: 0
EINIGE KORREKTUREN BEZÜGLICH DER KIRCHEN ST. JACOBI IN RIGA UND DER ZU LUGGENHUSEN (LÜGANUSE) IN WIERLAND (VIRUMAA) 里加的圣雅各比教堂、威尔兰(乌尔兰)的吕根胡森教堂
IF 0.1 0 ART Pub Date : 2019-05-15 DOI: 10.12697/bjah.2019.17.07
Kaur Alttoa
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引用次数: 0
THE POSSIBILITY OF A BRIDGE. PERSPECTIVES AND LIMITATIONS OF NEUROAESTHETICS 一座桥的可能性。神经美学的视角与局限性
IF 0.1 0 ART Pub Date : 2019-05-15 DOI: 10.12697/bjah.2019.17.06
T. Tatar
In the traditional study of humanities non-humanitarian inputinto the study of culture has usually been rejected. According tohumanist theories, only the meanings and values derived fromhistory and culture can be attributed to art. Recently a disciplineknown as neuroaesthetics has risen to the fore from among thevarious disciplines that use non-humanitarian methods to approachthe subject of aesthetics. Triggered by the invention of varioustechnological devices (EEG, fMRI, PET), neuroaesthetics is nowbeing used to tackle the role of the brain in the processes of creation,reception and even thinking about arts.When introducing new perspectives, such as neuroaesthetics, it isimportant to acknowledge the limitations of the different methods.A narrow reductional approach to art and the brain clearly does notsuffice – a satisfactory explanation must also involve non-physicalfactors, such as knowledge about the history of art. On the otherhand, as with any theoretical approach, the explanatory capacityof neuroaesthetics varies when applied to different kinds of art.Neuroaesthetic theories tend to stress the visual, mimetic andemotional nature of art, often associating artistic features with theactivity of the visual brain as well as evolutionary psychology.Instead of stressing historic and local differences and culturalexceptions, researchers with a natural sciences background tend to search for the universal qualities of art. This appears to beirreconcilable with the institutional theory of art that implicitlyunderlies the entire contemporary paradigm of art. It can be assumedthat some of the reasoning behind the sceptical attitude shared bymost mainstream humanitarian discourse is hidden in this conflict.It can even be claimed that, under the banner of institutionalist ideas,the art of the modernist period constituted a systematic negation ofthe conditions of art prescribed by the universal qualities of art basedon the laws of the brain. Therefore, one of the challenges in this earlyphase of the biologically and psychologically based analysis of artshould be to shed light on this inherent and ideological bias that isdeeply rooted in the humanistic discourse of arts.
在传统的人文研究中,对文化研究的非人道主义投入通常被拒绝。根据人文主义理论,只有源自历史和文化的意义和价值才能归属于艺术。最近,在使用非人道主义方法来接近美学主题的各种学科中,一个被称为神经美学的学科脱颖而出。由于各种技术设备(脑电图、功能磁共振成像、PET)的发明,神经美学现在被用来解决大脑在创造、接受甚至思考艺术过程中的作用。在引入新的视角时,如神经美学,重要的是要认识到不同方法的局限性。对艺术和大脑的狭隘还原方法显然是不够的——一个令人满意的解释还必须涉及非物理因素,例如艺术史知识。另一方面,与任何理论方法一样,神经美学的解释能力在应用于不同类型的艺术时都会有所不同,艺术的模仿性和运动性,通常将艺术特征与视觉大脑的活动以及进化心理学联系起来。具有自然科学背景的研究人员不强调历史和地方差异以及文化差异,而是倾向于寻找艺术的普遍性。这似乎与隐含着整个当代艺术范式的艺术制度理论相一致。可以肯定的是,大多数主流人道主义话语所持的怀疑态度背后的一些原因隐藏在这场冲突中。甚至可以说,在制度主义思想的旗帜下,现代主义时期的艺术构成了对基于大脑规律的艺术普遍性所规定的艺术条件的系统否定。因此,在对艺术进行生物学和心理学分析的早期阶段,挑战之一应该是阐明这种深深植根于艺术人文话语中的固有和意识形态偏见。
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引用次数: 1
The Disciplinary Development of University Buildings: Medicine and Manchester 大学建筑学科发展:医学与曼彻斯特
IF 0.1 0 ART Pub Date : 2018-11-18 DOI: 10.12697/bjah.2018.16.08
James R. Hopkins
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引用次数: 0
Landscapes of Learning: Gardens and Grounds at England’s Older Universities 1550–1800 学术景观:1550–1800年英国老牌大学的花园和场地
IF 0.1 0 ART Pub Date : 2018-11-18 DOI: 10.12697/bjah.2018.16.02
R. Bowdler
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引用次数: 0
From Campus Landscapes to Knowledge Quarters: How Learning Returned to Its Urban Roots 从校园景观到知识园区:学习如何回归城市根源
IF 0.1 0 ART Pub Date : 2018-11-18 DOI: 10.12697/bjah.2018.16.09
M. Hebbert
Two things are clear from the abundant literature on the design of universities. Firstly, it is rash to generalise. The world’s regions operate on differing trajectories. Their universities vary enormously in size, shape and content. Each has its own narrative and geographical context. They are individuals. But, secondly, they are also historical actors, susceptible to social trends and the cultural Zeitgeist. University architecture embodies historical change. Nowhere is this more evident than in the relationship between town and gown, campus and city.1 Historically, the nexus between
从大量关于大学设计的文献中可以清楚地看到两件事。首先,一概而论是轻率的。世界各地区在不同的轨道上运行。他们的大学在规模、形状和内容上都有很大的不同。每一个都有自己的故事和地理背景。他们是个体。其次,他们也是历史角色,容易受到社会潮流和文化时代精神的影响。大学建筑体现了历史变迁。这一点在城镇与学院、校园与城市的关系中表现得最为明显从历史上看,两者之间的联系
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引用次数: 1
University of Tartu Professor in the University Landscape (in the First Third of the 19th Century) 塔尔图大学景观学教授(19世纪前30年)
IF 0.1 0 ART Pub Date : 2018-11-18 DOI: 10.12697/bjah.2018.16.03
Lea Leppik
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引用次数: 0
The Architectural Image of Moscow University: A Temple of the Enlightenment or a City Manor? 莫斯科大学的建筑形象:启蒙圣殿还是城市庄园?
IF 0.1 0 ART Pub Date : 2018-11-18 DOI: 10.12697/bjah.2018.16.05
G. Smirnov
The first ideas for creating a university in Russia came from Tsar Peter the Great, who discussed this with Leibniz. The great German philosopher suggested that the Tsar open universities in several cities, that is, in Moscow, St Petersburg, Astrakhan and Kiev, to include the important regions of the vast territory of Russian Empire1. One year before his death, on the 12 January 1724, Peter the Great founded the Academy of Sciences in St Petersburg, which should have included a university. But, actually, the latter did not operate properly. It was not until the mid-18th century, at the very beginning of the Enlightenment in Russia, that the first university was founded in Moscow. It was established at the initiative of, and according to the programme of, two prominent figures in Russian history – the scientist Mikhail Lomonosov and statesman Count Ivan Shuvalov, who both undoubtedly had the models of European universities in mind. Lomonosov had spent three years in Germany at Marburg University, where he studied under the guidance of the famous Christian Wolf. Count Shuvalov had A Description of Oxford University in his library, which had been published in 1675 and included 65
在俄罗斯创建大学的最初想法来自沙皇彼得大帝,他与莱布尼茨讨论过这一问题。这位伟大的德国哲学家建议沙皇在几个城市开设大学,即莫斯科、圣彼得堡、阿斯特拉罕和基辅,以包括俄罗斯帝国广阔领土的重要地区1。1724年1月12日,彼得大帝去世前一年,在圣彼得堡成立了科学院,该院本应包括一所大学。但事实上,后者并没有正常运作。直到18世纪中期,俄罗斯启蒙运动刚刚开始,第一所大学才在莫斯科成立。它是由俄罗斯历史上两位杰出人物——科学家米哈伊尔·罗蒙诺索夫和政治家伊万·舒瓦洛夫伯爵——倡议并根据他们的计划建立的,他们无疑都考虑到了欧洲大学的模式。罗蒙诺索夫在德国马尔堡大学待了三年,师从著名的克里斯蒂安·沃尔夫。舒瓦洛夫伯爵的图书馆里有一本《牛津大学简介》,出版于1675年,收录了65篇
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引用次数: 0
Kazan University: Western Concepts, Imperial Power and Urban Transformations in a 19th Century Russian Provincial City Introduction 喀山大学:19世纪俄罗斯省级城市的西方观念、皇权和城市转型
IF 0.1 0 ART Pub Date : 2018-11-18 DOI: 10.12697/bjah.2018.16.06
Gulchachak Nugmanova
The first university in Russia ‘based on the example of the European universities’ was opened in 1755 in Moscow. Between 1802 and 1804, a system of universities covered the entire country and six imperial universities became the centres of educational districts. The emergence of the universities in Russia is related to the country’s cultural orientation on the values of European civilisation. Established by the supreme power, the university concept was first seen as an instrument for the Europeanisation of the population. It was an educational project supported entirely by the state and aimed at the upbringing of a new type of imperial subject who would think in the European way. In the 19th century, German universities served as the model for Russian schools of higher education after the reform of the University of Göttingen, and thereafter based on the development of the so-called classic university modelled on Humboldt’s concept.1 Russian universities should ‘do their best to make sure Russian science is on a par with the science in other
俄罗斯第一所以欧洲大学为蓝本的大学于1755年在莫斯科成立。1802年至1804年间,大学系统覆盖了整个国家,六所皇家大学成为教育区的中心。俄罗斯大学的出现与该国对欧洲文明价值观的文化取向有关。由最高权力建立的大学概念最初被视为人口欧洲化的工具。这是一个完全由国家支持的教育项目,旨在培养一种新型的帝国臣民,他们将以欧洲的方式思考。19世纪,在Göttingen大学改革之后,德国大学成为俄罗斯高等教育学校的典范,此后以洪堡概念为模型的所谓经典大学发展为基础俄罗斯的大学应该尽最大努力确保俄罗斯的科学与其他国家的科学处于同等水平
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引用次数: 0
Architecture for Teaching, Learning and Research: Academic Architecture at German Universities in the European Context from the Middle Ages to the Enlightenment 教学、学习和研究的建筑:从中世纪到启蒙运动时期欧洲背景下德国大学的学术建筑
IF 0.1 0 ART Pub Date : 2018-10-28 DOI: 10.12697/bjah.2018.15.07
G. Vogel
Architecture for Teaching, Learning and Research: Academic Architectureat German Universities in the European Context from the Middle Ages to the Enlightenment
教学、学习和研究用建筑:中世纪至启蒙时期欧洲背景下的德国大学学术建筑
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Baltic Journal of Art History
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