Pub Date : 2021-01-01DOI: 10.18848/2325-1581/cgp/v15i02/57-66
Swaroop Panda, S. T. Roy
{"title":"Comparing Voter Electoral Preferences Using Visualizations","authors":"Swaroop Panda, S. T. Roy","doi":"10.18848/2325-1581/cgp/v15i02/57-66","DOIUrl":"https://doi.org/10.18848/2325-1581/cgp/v15i02/57-66","url":null,"abstract":"","PeriodicalId":52101,"journal":{"name":"International Journal of Visual Design","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67550223","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-01-01DOI: 10.18848/2325-1581/cgp/v14i03/15-28
Yesel Jun, Hyunju Lee
{"title":"Static and Animated Brand Logos: Interplay of Brand Logos and Brand Personality on Emotional and Cognitive Effects","authors":"Yesel Jun, Hyunju Lee","doi":"10.18848/2325-1581/cgp/v14i03/15-28","DOIUrl":"https://doi.org/10.18848/2325-1581/cgp/v14i03/15-28","url":null,"abstract":"","PeriodicalId":52101,"journal":{"name":"International Journal of Visual Design","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67550217","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-01-01DOI: 10.18848/2325-1581/cgp/v14i03/1-14
Melissa McMullen
{"title":"The Eastern/Western Cultural Divide: A Visual Content Analysis of Printed Graphic Design","authors":"Melissa McMullen","doi":"10.18848/2325-1581/cgp/v14i03/1-14","DOIUrl":"https://doi.org/10.18848/2325-1581/cgp/v14i03/1-14","url":null,"abstract":"","PeriodicalId":52101,"journal":{"name":"International Journal of Visual Design","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67550021","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-01-01DOI: 10.18848/2325-1581/cgp/v13i03/17-31
L. Winstanley
{"title":"Visually Documenting Dishonesty through the Dual Modalities of Distraction and Discomfort","authors":"L. Winstanley","doi":"10.18848/2325-1581/cgp/v13i03/17-31","DOIUrl":"https://doi.org/10.18848/2325-1581/cgp/v13i03/17-31","url":null,"abstract":"","PeriodicalId":52101,"journal":{"name":"International Journal of Visual Design","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67549885","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-01-01DOI: 10.18848/2325-1581/cgp/v13i03/1-16
Nilima Regina Topno, S. T. Roy, N. Anand
{"title":"Understanding Camouflage Design through the Theories of Cognitive Psychology","authors":"Nilima Regina Topno, S. T. Roy, N. Anand","doi":"10.18848/2325-1581/cgp/v13i03/1-16","DOIUrl":"https://doi.org/10.18848/2325-1581/cgp/v13i03/1-16","url":null,"abstract":"","PeriodicalId":52101,"journal":{"name":"International Journal of Visual Design","volume":"43 8 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67549686","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-01-01DOI: 10.18848/2325-1581/cgp/v13i04/23-43
Petra Cerne Oven, Marija Nabernik
{"title":"Development of Scientific Illustration in Slovenia through Historical, Political, and Technological Perspective","authors":"Petra Cerne Oven, Marija Nabernik","doi":"10.18848/2325-1581/cgp/v13i04/23-43","DOIUrl":"https://doi.org/10.18848/2325-1581/cgp/v13i04/23-43","url":null,"abstract":"","PeriodicalId":52101,"journal":{"name":"International Journal of Visual Design","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67549900","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-01-01DOI: 10.18848/2325-1581/cgp/v13i04/1-21
A. Mohammadi, T. Shahriar, S. Malaki
{"title":"A Comparative Study of the Rules and Objectives of Typeface in the Nastaliq","authors":"A. Mohammadi, T. Shahriar, S. Malaki","doi":"10.18848/2325-1581/cgp/v13i04/1-21","DOIUrl":"https://doi.org/10.18848/2325-1581/cgp/v13i04/1-21","url":null,"abstract":"","PeriodicalId":52101,"journal":{"name":"International Journal of Visual Design","volume":"30 11 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67550119","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-01-01DOI: 10.18848/2325-1581/cgp/v13i02/17-37
Vincenzo Maselli
: In his book “Narrative Discourse. An Essay in Method” (1980), Gerald Genette describes the relationship between narrative levels, and defines ‘meta-diegetic’ the level that occurs in parallel with the primary narrative. Genette does not specify who or what the narrator has to be in the meta-diegetic narrative level, it could be also something lifeless, like an object, or a material. This observation is particularly suitable if applied to stop-motion animation technique, and in this article I suggest that in stop-motion films the superficial qualities of the materials that compose the puppet perform a meta-diegetic narrative. Exploring the definitions of performance in both design and puppetry, and the qualities of material skin, I apply these theoretical assumptions to the analysis of animated puppets and formulate the concept of “performance of puppets’ skin material”. The analysed performer, therefore, is neither the actor/animator/puppeteer, nor the actant puppet itself, but the puppet’s material skin, and its performance is defined through qualities that the viewer can haptically experience through the screen. Approaching puppets’ skin from an interdisciplinary perspective, the article provides a definition of its performance based on qualities (“functional”, “processual”, “active”, “pervasive”, “ritual”, “evocative” and “multi-dimensional”) that describe puppets’ skin’s power to satisfy technical aspects of our experience of the object moving on screen, to engage our senses, allowing us to haptically experience the objects, and to stimulate our thoughts and memories. The article aims at providing a theoretical premise to the analytical approach that considers animation to be a powerful expressive material medium that opens up possibilities of analysis through design tools.
{"title":"Performance of Puppets’ Skin Material: The Metadiegetic Narrative Level of Animated Puppets’ Material Surface","authors":"Vincenzo Maselli","doi":"10.18848/2325-1581/cgp/v13i02/17-37","DOIUrl":"https://doi.org/10.18848/2325-1581/cgp/v13i02/17-37","url":null,"abstract":": In his book “Narrative Discourse. An Essay in Method” (1980), Gerald Genette describes the relationship between narrative levels, and defines ‘meta-diegetic’ the level that occurs in parallel with the primary narrative. Genette does not specify who or what the narrator has to be in the meta-diegetic narrative level, it could be also something lifeless, like an object, or a material. This observation is particularly suitable if applied to stop-motion animation technique, and in this article I suggest that in stop-motion films the superficial qualities of the materials that compose the puppet perform a meta-diegetic narrative. Exploring the definitions of performance in both design and puppetry, and the qualities of material skin, I apply these theoretical assumptions to the analysis of animated puppets and formulate the concept of “performance of puppets’ skin material”. The analysed performer, therefore, is neither the actor/animator/puppeteer, nor the actant puppet itself, but the puppet’s material skin, and its performance is defined through qualities that the viewer can haptically experience through the screen. Approaching puppets’ skin from an interdisciplinary perspective, the article provides a definition of its performance based on qualities (“functional”, “processual”, “active”, “pervasive”, “ritual”, “evocative” and “multi-dimensional”) that describe puppets’ skin’s power to satisfy technical aspects of our experience of the object moving on screen, to engage our senses, allowing us to haptically experience the objects, and to stimulate our thoughts and memories. The article aims at providing a theoretical premise to the analytical approach that considers animation to be a powerful expressive material medium that opens up possibilities of analysis through design tools.","PeriodicalId":52101,"journal":{"name":"International Journal of Visual Design","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67549414","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-01-01DOI: 10.18848/2325-1581/cgp/v13i02/39-55
Débora Andrade de Oliveira
{"title":"Reflection on the Development of Architecture Students’ Visual Capacities: The Interface between Textual and Pictorial Languages","authors":"Débora Andrade de Oliveira","doi":"10.18848/2325-1581/cgp/v13i02/39-55","DOIUrl":"https://doi.org/10.18848/2325-1581/cgp/v13i02/39-55","url":null,"abstract":"","PeriodicalId":52101,"journal":{"name":"International Journal of Visual Design","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67549625","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-01-01DOI: 10.18848/2325-1581/cgp/v13i01/27-40
Nikki Arnell
{"title":"Increasing Cultural Awareness for Effective Global Communication via Graphic Design Practice and Instruction","authors":"Nikki Arnell","doi":"10.18848/2325-1581/cgp/v13i01/27-40","DOIUrl":"https://doi.org/10.18848/2325-1581/cgp/v13i01/27-40","url":null,"abstract":"","PeriodicalId":52101,"journal":{"name":"International Journal of Visual Design","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67549603","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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