{"title":"Nathalie Op de Beeck (red.), Literary Cultures and Twenty-First-Century Childhoods","authors":"L. Källström","doi":"10.14811/clr.v44.609","DOIUrl":"https://doi.org/10.14811/clr.v44.609","url":null,"abstract":"Review/Recension","PeriodicalId":52259,"journal":{"name":"Barnboken","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-11-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80425047","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Derritt Mason, Queer Anxieties of Young Adult Literature and Culture","authors":"Hilda Jakobsson","doi":"10.14811/clr.v44.589","DOIUrl":"https://doi.org/10.14811/clr.v44.589","url":null,"abstract":"Review/Recension","PeriodicalId":52259,"journal":{"name":"Barnboken","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-11-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76273381","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Stijn Praet & Anna Kérchy (red.), The Fairy-Tale Vanguard: Literary Self-Consciousness in a Marvelous Genre","authors":"O. Widhe","doi":"10.14811/clr.v44.587","DOIUrl":"https://doi.org/10.14811/clr.v44.587","url":null,"abstract":"Review/Recension","PeriodicalId":52259,"journal":{"name":"Barnboken","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-11-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90547879","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This article investigates how the covers of two novels, Vaffelhjarte (Waffle Hearts, 2005) and Tonje Glimmerdal (Astrid the Unstoppable, 2009) by the Norwegian children’s fiction author Maria Parr, are visually and verbally translated into German, French, and English. The central question of this study is how representations of characters, theme, and geographical context are rendered in the target text paratexts. Methodologically, the study is inspired by Gunther Kress and Theo Van Leeuwen’s grammar of visual design. The results show that the target paratexts to a large extent reflect the novel, but in different ways and not necessarily by staying close to the source paratexts. Previous research on paratexts and translation shows that exotic source text elements tend to be foregrounded in translation. This is something that we also see regarding the French and the British Parr translations, but not the German. Drawing on previous research by Kathryn Batchelor and Maria Pujol-Valls, we would like to put forward the hypothesis that verbal text – that is, the narrative in the novel – and paratexts behave differently in translation. As verbal text, according to previous research, often is more adapted to the target culture when migrating from a peripheral system (Norway) to more central ones (France and Great Britain), the opposite seems to be the case for translated paratexts, where exotic source culture elements are reinforced in central systems. Concerning the German cover, where there was no foregrounding of exotic source culture elements, we raise the possibility that such foregrounding is not needed, since German readers are already familiar with Scandinavian children’s literature.
本文研究了挪威儿童小说作家玛丽亚·帕尔的两本小说《华夫饼之心》(2005年)和《不可阻挡的阿斯特丽德》(2009年)的封面是如何被翻译成德语、法语和英语的。本研究的核心问题是人物、主题和地理环境的表征如何在目标文本意涵中呈现。在方法上，这项研究的灵感来自于Gunther Kress和Theo Van Leeuwen的视觉设计语法。结果表明，目标语元在很大程度上反映了小说，但以不同的方式反映，并不一定与源语元保持接近。以往对仿文本和翻译的研究表明，外来的源文本元素往往会在翻译中占据突出地位。我们在法语和英国的Parr译本中也看到了这一点，但在德语译本中却没有。根据凯瑟琳·巴切勒和玛丽亚·普约尔-瓦尔斯之前的研究，我们想提出一个假设，即口头文本-即小说中的叙述-和副文本在翻译中的表现不同。根据先前的研究，口头文本从外围系统(挪威)迁移到更中心的系统(法国和英国)时，往往更适应目标文化，而翻译的准文本似乎正好相反，外来源文化元素在中心系统中得到加强。关于德文封面，没有突出外来源文化元素，我们提出这样的可能性是不需要的，因为德国读者已经熟悉斯堪的纳维亚儿童文学。
{"title":"Paratexts and Translation of the Exotic","authors":"M. Axelsson, R. Næsje","doi":"10.14811/clr.v44.579","DOIUrl":"https://doi.org/10.14811/clr.v44.579","url":null,"abstract":"This article investigates how the covers of two novels, Vaffelhjarte (Waffle Hearts, 2005) and Tonje Glimmerdal (Astrid the Unstoppable, 2009) by the Norwegian children’s fiction author Maria Parr, are visually and verbally translated into German, French, and English. The central question of this study is how representations of characters, theme, and geographical context are rendered in the target text paratexts. Methodologically, the study is inspired by Gunther Kress and Theo Van Leeuwen’s grammar of visual design. The results show that the target paratexts to a large extent reflect the novel, but in different ways and not necessarily by staying close to the source paratexts. Previous research on paratexts and translation shows that exotic source text elements tend to be foregrounded in translation. This is something that we also see regarding the French and the British Parr translations, but not the German. Drawing on previous research by Kathryn Batchelor and Maria Pujol-Valls, we would like to put forward the hypothesis that verbal text – that is, the narrative in the novel – and paratexts behave differently in translation. As verbal text, according to previous research, often is more adapted to the target culture when migrating from a peripheral system (Norway) to more central ones (France and Great Britain), the opposite seems to be the case for translated paratexts, where exotic source culture elements are reinforced in central systems. Concerning the German cover, where there was no foregrounding of exotic source culture elements, we raise the possibility that such foregrounding is not needed, since German readers are already familiar with Scandinavian children’s literature.","PeriodicalId":52259,"journal":{"name":"Barnboken","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-06-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78415543","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Justyna Deszcz-Tryhubczak & Irena Barbara Kalla (red.), Rulers of Literary Playgrounds: Politics of Intergenerational Play in Children’s Literature","authors":"Lindsey Geybels","doi":"10.14811/clr.v44.567","DOIUrl":"https://doi.org/10.14811/clr.v44.567","url":null,"abstract":"Review/Recension","PeriodicalId":52259,"journal":{"name":"Barnboken","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-06-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"72905871","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
”How about a drink together, before the ship sinks?” Fact and Fiction in Erik Pallin’s Kaparkaptenen på Emden The First World War gave rise to a surge of war novels, many of which were aimed at a young audience. These novels can be characterized as adventure stories with boys as their main target group. Swedish author Erik Pallin’s Kaparkaptenen på Emden: Romantiserad skildring från det stora världskriget 1914 (The Privateer Captain of Emden: Romanticized Depiction from the Great World War in 1914) was published in December 1914. It is not only one of the first Swedish youth novels about the war, but also one of the most intriguing as the tension between reality and fiction is particularly strong in Pallin’s novel. It tells the story of the German cruiser Emden whose raids in the Indian Ocean attracted much attention from journalists and authors. The article investigates how Pallin depicted the war for his young readers, focusing on the relationship between fact and fiction. The analysis shows that Pallin, much like the journalists reporting on Emden, transforms Emden’s warfare into heroic adventure tales and portrays Emden’s captain as a charismatic hero who symbolizes the male ideal of the time. The analysis concludes that Kaparkaptenen på Emden to some extent can be considered a “newsreel novel” (Paris), but that Pallin also romanticizes Emden’s warfare to appeal to his young readers. Rather than depicting the atrocities of real-life war, Pallin presents the war as an adventure with idyllic, romantic, and comical elements. The novel’s happy ending, with the war coming to an end, suggests that Pallin wished to take a stance against the war, but it can also be read as a strategy used to appeal to his young audience by offering them a story of hope.
“在船沉没之前，我们一起喝一杯怎么样?”第一次世界大战掀起了战争小说的热潮，其中许多是针对年轻读者的。这些小说可以被描述为以男孩为主要目标群体的冒险故事。瑞典作家Erik Pallin的Kaparkaptenen pemden: Romantiserad skiling framatn det stora världskriget 1914 (Emden的私人船长:1914年世界大战的浪漫化描述)于1914年12月出版。它不仅是瑞典最早的关于战争的青年小说之一，也是最引人入胜的小说之一，因为帕林的小说中现实与虚构之间的张力特别强烈。它讲述了德国巡洋舰埃姆登号在印度洋的袭击事件，引起了记者和作家的广泛关注。这篇文章调查了帕林是如何为他的年轻读者描绘战争的，重点是事实与虚构之间的关系。分析表明，帕林与报道《埃姆登》的记者一样，将埃姆登的战争转变为英雄冒险故事，并将埃姆登的船长描绘成一个具有超凡魅力的英雄，象征着当时的男性理想。分析的结论是，在某种程度上可以认为是一部“新闻片小说”(《巴黎》)，但帕林也将埃姆登的战争浪漫化，以吸引年轻读者。帕林没有描绘现实生活中战争的暴行，而是把战争描绘成一场充满田园诗般的、浪漫的和滑稽元素的冒险。随着战争的结束，小说的圆满结局表明，帕林希望采取反对战争的立场，但这也可以被解读为一种策略，通过给年轻读者提供一个充满希望的故事来吸引他们。
{"title":"”Hinner vi inte ta en grogg tillsammans, innan ångaren sjunker?”","authors":"Ulf Boëthius","doi":"10.14811/clr.v44.581","DOIUrl":"https://doi.org/10.14811/clr.v44.581","url":null,"abstract":"”How about a drink together, before the ship sinks?” Fact and Fiction in Erik Pallin’s Kaparkaptenen på Emden \u0000The First World War gave rise to a surge of war novels, many of which were aimed at a young audience. These novels can be characterized as adventure stories with boys as their main target group. Swedish author Erik Pallin’s Kaparkaptenen på Emden: Romantiserad skildring från det stora världskriget 1914 (The Privateer Captain of Emden: Romanticized Depiction from the Great World War in 1914) was published in December 1914. It is not only one of the first Swedish youth novels about the war, but also one of the most intriguing as the tension between reality and fiction is particularly strong in Pallin’s novel. It tells the story of the German cruiser Emden whose raids in the Indian Ocean attracted much attention from journalists and authors. The article investigates how Pallin depicted the war for his young readers, focusing on the relationship between fact and fiction. The analysis shows that Pallin, much like the journalists reporting on Emden, transforms Emden’s warfare into heroic adventure tales and portrays Emden’s captain as a charismatic hero who symbolizes the male ideal of the time. The analysis concludes that Kaparkaptenen på Emden to some extent can be considered a “newsreel novel” (Paris), but that Pallin also romanticizes Emden’s warfare to appeal to his young readers. Rather than depicting the atrocities of real-life war, Pallin presents the war as an adventure with idyllic, romantic, and comical elements. The novel’s happy ending, with the war coming to an end, suggests that Pallin wished to take a stance against the war, but it can also be read as a strategy used to appeal to his young audience by offering them a story of hope.","PeriodicalId":52259,"journal":{"name":"Barnboken","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-06-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86576728","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Maria Andersson, Framtidens kvinnor: Mognad och medborgarskap i svenska flickböcker 1832–1921","authors":"Eva Heggestad","doi":"10.14811/clr.v44.569","DOIUrl":"https://doi.org/10.14811/clr.v44.569","url":null,"abstract":"Review/Recension","PeriodicalId":52259,"journal":{"name":"Barnboken","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-06-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73874044","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Anne in Swedish. How the Spirit of the Age and Production Terms Influence the Protagonist’s Character Traits in Swedish Translations and Adaptations of Anne of Green Gables L.M. Montgomery’s Anne of Green Gables (1908) has received much academic interest. Drawing on related research on the novel and its Swedish editions, my article investigates how the variation in the Swedish versions influences the characterization of Anne 1909–2018. My study acknowledges the feminist view within translation studies as expressed by Sherry Simon, and uses Norman Fairclough’s linguistic model for contextualization. The primary material consists of Montgomery’s original text, the translations and adaptations by Karin Jensen, Aslög Davidson, Margareta Sjögren-Olsson, and Christina Westman as well as correspondence between the publishing houses and translators. Further, I have interviewed Westman and corresponded with her publisher. The texts are analysed regarding omissions and additions. On a micro-level, all active verbs where Anne is the grammatical subject are analysed. My results show that all editions give prominence to Anne’s academic ambition. A major finding is that the 1941 and 1962 versions increase Anne’s ambition by using more active verbs and stronger expressions. Westman’s 2018 edition, however, is a subtle revision of the first Swedish translation, with the result that Anne’s ambition is diminished again. Despite girls and women having gained more freedom over the last 100 years, the latest edition thereby interrupts the tendency to stress Anne’s ambition. This is understood as a result of clashing discursive and social norms. On the other hand, the emphasis on Anne’s ambition in the 1941 and 1962 editions comes with a cost of religious, moral, intellectual, and emotional aspects, creating a one-dimensional Anne.
{"title":"Anne på svenska","authors":"Anna Vogel","doi":"10.14811/clr.v44.577","DOIUrl":"https://doi.org/10.14811/clr.v44.577","url":null,"abstract":"Anne in Swedish. How the Spirit of the Age and Production Terms Influence the Protagonist’s Character Traits in Swedish Translations and Adaptations of Anne of Green Gables \u0000 L.M. Montgomery’s Anne of Green Gables (1908) has received much academic interest. Drawing on related research on the novel and its Swedish editions, my article investigates how the variation in the Swedish versions influences the characterization of Anne 1909–2018. My study acknowledges the feminist view within translation studies as expressed by Sherry Simon, and uses Norman Fairclough’s linguistic model for contextualization. The primary material consists of Montgomery’s original text, the translations and adaptations by Karin Jensen, Aslög Davidson, Margareta Sjögren-Olsson, and Christina Westman as well as correspondence between the publishing houses and translators. Further, I have interviewed Westman and corresponded with her publisher. The texts are analysed regarding omissions and additions. On a micro-level, all active verbs where Anne is the grammatical subject are analysed. My results show that all editions give prominence to Anne’s academic ambition. A major finding is that the 1941 and 1962 versions increase Anne’s ambition by using more active verbs and stronger expressions. Westman’s 2018 edition, however, is a subtle revision of the first Swedish translation, with the result that Anne’s ambition is diminished again. Despite girls and women having gained more freedom over the last 100 years, the latest edition thereby interrupts the tendency to stress Anne’s ambition. This is understood as a result of clashing discursive and social norms. On the other hand, the emphasis on Anne’s ambition in the 1941 and 1962 editions comes with a cost of religious, moral, intellectual, and emotional aspects, creating a one-dimensional Anne.","PeriodicalId":52259,"journal":{"name":"Barnboken","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-06-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90687032","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
京公网安备 11010802042870号
京ICP备2023020795号-1
扫码关注我们
求助内容：
应助结果提醒方式：