Pub Date : 2023-01-01DOI: 10.17721/ucs.2023.1(12).09
Anastasiia Stepanenko
The War between the Russian Federation and Ukraine is one of the most devastating conflicts in history, with an unprecedented scale in Europe since World War II. It has a profound impact on Ukrainian society, resulting in complex changes on multiple levels, including economic, political, cultural, and social aspects. The cultural landscape of Kyiv undergoes transformations of varying intensity and nature throughout the year 2022. These processes can be caused by changes in the functions of sociocultural institutions and architectural structures, alterations in the names of urban toponyms, the placement of military posts, and defensive structures, as well as shifts in the perception of public space and associations related to the city. It has a significant impact on the identity of the city and its residents, as well as on the perception of events and public activism. Creative communities, artistic associations, and cultural and artistic-oriented civic organizations that continue their activities have adapted their work and become part of an active volunteer movement. This article aims to explore the comprehensive effects of the war on the general trends of cultural landscape transformation in Ukrainian cities. It examines various aspects of how the war has influenced Kyiv, such as its impact on the creative sector, changes in media hierarchy, the transformation of urban cultural practices, and changes in the supply and demand of cultural products and services at the local level. The article attempts to investigate and systematize the processes of cultural landscape transformation in Ukrainian cities that have not been directly involved in active combat during the ongoing war of Russia against Ukraine. By adopting a comprehensive approach, this research seeks to encompass various facets of the war's influence on cities and urban communities and facilitate an understanding of their interconnectedness with the broader trends of cultural landscape transformation
{"title":"TRANSFORMATION OF THE CULTURAL LANDSCAPES OF UKRAINIAN CITIES IN THE REAR IN THE CONTEXT OF THE FULL-SCALE WAR","authors":"Anastasiia Stepanenko","doi":"10.17721/ucs.2023.1(12).09","DOIUrl":"https://doi.org/10.17721/ucs.2023.1(12).09","url":null,"abstract":"The War between the Russian Federation and Ukraine is one of the most devastating conflicts in history, with an unprecedented scale in Europe since World War II. It has a profound impact on Ukrainian society, resulting in complex changes on multiple levels, including economic, political, cultural, and social aspects. The cultural landscape of Kyiv undergoes transformations of varying intensity and nature throughout the year 2022. These processes can be caused by changes in the functions of sociocultural institutions and architectural structures, alterations in the names of urban toponyms, the placement of military posts, and defensive structures, as well as shifts in the perception of public space and associations related to the city. It has a significant impact on the identity of the city and its residents, as well as on the perception of events and public activism. Creative communities, artistic associations, and cultural and artistic-oriented civic organizations that continue their activities have adapted their work and become part of an active volunteer movement. This article aims to explore the comprehensive effects of the war on the general trends of cultural landscape transformation in Ukrainian cities. It examines various aspects of how the war has influenced Kyiv, such as its impact on the creative sector, changes in media hierarchy, the transformation of urban cultural practices, and changes in the supply and demand of cultural products and services at the local level. The article attempts to investigate and systematize the processes of cultural landscape transformation in Ukrainian cities that have not been directly involved in active combat during the ongoing war of Russia against Ukraine. By adopting a comprehensive approach, this research seeks to encompass various facets of the war's influence on cities and urban communities and facilitate an understanding of their interconnectedness with the broader trends of cultural landscape transformation","PeriodicalId":52653,"journal":{"name":"Ukrayins''ki kul''turologichni studiyi","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"136258646","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.17721/ucs.2022.1(10).02
I. V. Zhyvohliadova, S. V. Puzyrko
The article analyses the specifics of the formation of the American publishing system in the context of the incipience of na- tional culture and statehood. It highlights the importance of print production as an important component of the overall system for the formation and maintenance of the original face of the United States – both in the early stages of the formation of the state and culture, as well as in modern realities, complicated by the Covid pandemic situation. The US publishing system is at the forefront of technological changes that affect both American and world reading and book culture: not only the diversity and democratisa- tion of the form of consumer culture, but also the quality of the media sphere as a special space for the life of a modern person. The experience of the American book market, the US publishing industry is considered, demonstrating the importance of pub- lishing as a meaningful tool for socialisation and inculturation, its significant influence on the formation of national traditions of "bookishness", reading culture, and on the level of the general cultural education of the nation.
{"title":"US PUBLISHING AS A CULTURAL PHENOMENON: HISTORY, CURRENT REALITIES AND PROSPECTS","authors":"I. V. Zhyvohliadova, S. V. Puzyrko","doi":"10.17721/ucs.2022.1(10).02","DOIUrl":"https://doi.org/10.17721/ucs.2022.1(10).02","url":null,"abstract":"The article analyses the specifics of the formation of the American publishing system in the context of the incipience of na- tional culture and statehood. It highlights the importance of print production as an important component of the overall system for the formation and maintenance of the original face of the United States – both in the early stages of the formation of the state and culture, as well as in modern realities, complicated by the Covid pandemic situation. The US publishing system is at the forefront of technological changes that affect both American and world reading and book culture: not only the diversity and democratisa- tion of the form of consumer culture, but also the quality of the media sphere as a special space for the life of a modern person. The experience of the American book market, the US publishing industry is considered, demonstrating the importance of pub- lishing as a meaningful tool for socialisation and inculturation, its significant influence on the formation of national traditions of \"bookishness\", reading culture, and on the level of the general cultural education of the nation.","PeriodicalId":52653,"journal":{"name":"Ukrayins''ki kul''turologichni studiyi","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67444105","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.17721/ucs.2022.1(10).05
M. Rohozha
Axiological transformations of the epoch of Modernity are in the sight of researchers from different fields of social sciences and humanities. They are key for understanding of different processes in the contemporary world. Simultaneously, shaping circumstances of the epoch which made those spiritual transformations possible usually remain beyond scholars' concern. The main attention of the current article is focused on research of Modernity immediate social practice, which generated specific spiritual mood of the age, accumulated in the Enlightenment programs and simul- taneously was influenced and corrected by those programs. John Rawls's concept of the background culture became the theoretical ground for the article. The background culture of the epoch of Modernity is comprehended as immediate immanent social experience of the civil society caused by social institutions created in that period. The involving of the individual in that experience allowed him / her to comprehend basic socio-moral val- ues as directed on optimization of public interaction. Components of the background culture are: great geographical discoveries, the development of the industrial economy, Reformation and religious wars, early bourgeois revolutions, forming of national constitutional governments. Basic so- cio-moral values of the background culture are: frontier as Zeitgeist when expansivity and the habit to live in conditions of the stable instability in permanent changeable world were incorporated; individualism as the result of synthesis of free economic activity and the protestant enthusiasm with its internal religiosity of the believer; compelled (mechanic) solidarity, conditioned by the rational economy; tolerance as the derivative from the modus vivendi principle in conditions of competing the good life strategies based on religious believes; law-abiding as the unity of traditional medieval and Anglo-Saxon law with the comprehension of necessity to follow legal norms for civil peace and economic prosperity.
{"title":"THE BACKGROUND CULTURE OF MODERNITY AS THE FACTOR OF MORAL TRANSFORMATIONS OF THE AGE","authors":"M. Rohozha","doi":"10.17721/ucs.2022.1(10).05","DOIUrl":"https://doi.org/10.17721/ucs.2022.1(10).05","url":null,"abstract":"Axiological transformations of the epoch of Modernity are in the sight of researchers from different fields of social sciences and humanities. They are key for understanding of different processes in the contemporary world. Simultaneously, shaping circumstances of the epoch which made those spiritual transformations possible usually remain beyond scholars' concern. The main attention of the current article is focused on research of Modernity immediate social practice, which generated specific spiritual mood of the age, accumulated in the Enlightenment programs and simul- taneously was influenced and corrected by those programs. John Rawls's concept of the background culture became the theoretical ground for the article. The background culture of the epoch of Modernity is comprehended as immediate immanent social experience of the civil society caused by social institutions created in that period. The involving of the individual in that experience allowed him / her to comprehend basic socio-moral val- ues as directed on optimization of public interaction. Components of the background culture are: great geographical discoveries, the development of the industrial economy, Reformation and religious wars, early bourgeois revolutions, forming of national constitutional governments. Basic so- cio-moral values of the background culture are: frontier as Zeitgeist when expansivity and the habit to live in conditions of the stable instability in permanent changeable world were incorporated; individualism as the result of synthesis of free economic activity and the protestant enthusiasm with its internal religiosity of the believer; compelled (mechanic) solidarity, conditioned by the rational economy; tolerance as the derivative from the modus vivendi principle in conditions of competing the good life strategies based on religious believes; law-abiding as the unity of traditional medieval and Anglo-Saxon law with the comprehension of necessity to follow legal norms for civil peace and economic prosperity.","PeriodicalId":52653,"journal":{"name":"Ukrayins''ki kul''turologichni studiyi","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67444260","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.17721/ucs.2022.1(10).18
M. Rohozha
{"title":"IN AXIOLOGICAL SEARCH OF GOOD AND EVIL (book review on Andrii Morozov evil: Metaphysical and theological dimensions)","authors":"M. Rohozha","doi":"10.17721/ucs.2022.1(10).18","DOIUrl":"https://doi.org/10.17721/ucs.2022.1(10).18","url":null,"abstract":"","PeriodicalId":52653,"journal":{"name":"Ukrayins''ki kul''turologichni studiyi","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67444990","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.17721/ucs.2022.1(10).04
N. S. Nikolaeva, A. Maksymenko
The article aims to analyze jokes in Ukrainian laughter culture context. It stresses on the chosen topic relevance and researchers' growing in- terest to Ukrainian national identity, national character, spiritual culture specific features and various phenomena associated with Ukrainian humor, satire, and picture of the laughter world. The article attempts to determine the place and peculiarities of a separate series of modern Ukrainian jokes, i.e. jokes about godfathers. Special attention is paid to joke as a cultural phenomenon which is due to laughter folk culture signs presence in it: various manifestations of human life parody when its ideals and values are humiliated, moral standards are devalued to affirm opposite positive ones, the absurd way of life realities presentation. The authors analyze the mechanism of comic effect occurrence in jokes which becomes possible under certain conditions when person's everyday countless little things of life generate a comic situation which is the result of the inconsistency of the expected and true communication of man and society. The discrepancy between what has already gone but keeps on pretending to be alive creates a comic effect. The study notes that the Ukrainian laughter culture has its own peculiarities. They are the lack of devastating reflection, good-naturedness, life- affirming nature, benevolence, and self-irony. The special place of jokes about godfathers among Ukrainian jokes is emphasized. Those jokes are united in one series by their main participants of events and filled with mental humor and Ukrainian flavor. The concept 'godfather' in Ukrainian mentality and Ukrainian jokes is revealed. The article demonstrates on concrete examples the comedy mechanism, national Ukrainian character traits embodiment in godfather's image, ways, and technics of comic effect. The analysis of the selected material shows that jokes about best men are an important component of the laughter culture of Ukrainians. Jokes about godfathers as examples of Ukrainian laughter culture require further in-depth research, generalization and systematization. Investigations can have different directions, including the analysis of the means of creating a comic, be dedicated to the detection of the functions of the joke, its genre features.
{"title":"JOKES ABOUT GODFATHERS IN UKRAINIAN LAUGHTER CULTURE CONTEXT","authors":"N. S. Nikolaeva, A. Maksymenko","doi":"10.17721/ucs.2022.1(10).04","DOIUrl":"https://doi.org/10.17721/ucs.2022.1(10).04","url":null,"abstract":"The article aims to analyze jokes in Ukrainian laughter culture context. It stresses on the chosen topic relevance and researchers' growing in- terest to Ukrainian national identity, national character, spiritual culture specific features and various phenomena associated with Ukrainian humor, satire, and picture of the laughter world. The article attempts to determine the place and peculiarities of a separate series of modern Ukrainian jokes, i.e. jokes about godfathers. Special attention is paid to joke as a cultural phenomenon which is due to laughter folk culture signs presence in it: various manifestations of human life parody when its ideals and values are humiliated, moral standards are devalued to affirm opposite positive ones, the absurd way of life realities presentation. The authors analyze the mechanism of comic effect occurrence in jokes which becomes possible under certain conditions when person's everyday countless little things of life generate a comic situation which is the result of the inconsistency of the expected and true communication of man and society. The discrepancy between what has already gone but keeps on pretending to be alive creates a comic effect. The study notes that the Ukrainian laughter culture has its own peculiarities. They are the lack of devastating reflection, good-naturedness, life- affirming nature, benevolence, and self-irony. The special place of jokes about godfathers among Ukrainian jokes is emphasized. Those jokes are united in one series by their main participants of events and filled with mental humor and Ukrainian flavor. The concept 'godfather' in Ukrainian mentality and Ukrainian jokes is revealed. The article demonstrates on concrete examples the comedy mechanism, national Ukrainian character traits embodiment in godfather's image, ways, and technics of comic effect. The analysis of the selected material shows that jokes about best men are an important component of the laughter culture of Ukrainians. Jokes about godfathers as examples of Ukrainian laughter culture require further in-depth research, generalization and systematization. Investigations can have different directions, including the analysis of the means of creating a comic, be dedicated to the detection of the functions of the joke, its genre features.","PeriodicalId":52653,"journal":{"name":"Ukrayins''ki kul''turologichni studiyi","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67443960","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.17721/ucs.2022.1(10).06
A. Tormakhova
The historical and cultural development of mankind is a time not only of progress and peace. Throughout human history, there have been many wars in which weapons, protective equipment, and so on have been developed. Transformation of military equipment is taking place in the direction of increasing range, the strength of the enemy's defeat. The "evolution" of weapons is inextricably linked with the development of science and technology. The development of weapons is closely linked to the formation of military groups. This type of activity, which is carried out throughout life, contributes to the development of specific skills and abilities in the use of weapons, fighting, which is virtually inaccessible to ordinary citi- zens. Professionalization of military activity is aimed at forming the physical and psychological readiness to destroy the enemy, the ability to bear the losses of allies and more. Often, inventions discovered for peaceful purposes become the basis for the creation of means of destruction. The formation of various weapons involves the creation of opportunities to exceed the possibilities of protection against them. In this way, the dominant principle is to achieve the most remote nature of the fighting. This process is accompanied by the creation of weapons of mass destruction, the use of which is easier for the consciousness of the soldier than a form of contact. An integral part of active hostilities are the means of psychological influence on the enemy. Military action is not limited to the use of weapons, which are carried out for a specific strategic purpose, which is realized through combat tactics. All wars included the permanent practice of psychological influence on the enemy. It could be related to the appearance of the enemy, his behavior on the battlefield. At the same time, the introduction of forms of struggle related to the spread of misinformation, undermin- ing the belief in ideals, etc., was equally important. Such forms of struggle have become especially relevant at a time when access to information has become much easier. Due to the promotion of certain content in the priority media channels, the recipient has a significant impact.
{"title":"WEAPONS AND TECHNOLOGIES OF WAR IN THE CONTEXT OF CULTURAL AND HISTORICAL DEVELOPMENT OF HUMANITY","authors":"A. Tormakhova","doi":"10.17721/ucs.2022.1(10).06","DOIUrl":"https://doi.org/10.17721/ucs.2022.1(10).06","url":null,"abstract":"The historical and cultural development of mankind is a time not only of progress and peace. Throughout human history, there have been many wars in which weapons, protective equipment, and so on have been developed. Transformation of military equipment is taking place in the direction of increasing range, the strength of the enemy's defeat. The \"evolution\" of weapons is inextricably linked with the development of science and technology. The development of weapons is closely linked to the formation of military groups. This type of activity, which is carried out throughout life, contributes to the development of specific skills and abilities in the use of weapons, fighting, which is virtually inaccessible to ordinary citi- zens. Professionalization of military activity is aimed at forming the physical and psychological readiness to destroy the enemy, the ability to bear the losses of allies and more. Often, inventions discovered for peaceful purposes become the basis for the creation of means of destruction. The formation of various weapons involves the creation of opportunities to exceed the possibilities of protection against them. In this way, the dominant principle is to achieve the most remote nature of the fighting. This process is accompanied by the creation of weapons of mass destruction, the use of which is easier for the consciousness of the soldier than a form of contact. An integral part of active hostilities are the means of psychological influence on the enemy. Military action is not limited to the use of weapons, which are carried out for a specific strategic purpose, which is realized through combat tactics. All wars included the permanent practice of psychological influence on the enemy. It could be related to the appearance of the enemy, his behavior on the battlefield. At the same time, the introduction of forms of struggle related to the spread of misinformation, undermin- ing the belief in ideals, etc., was equally important. Such forms of struggle have become especially relevant at a time when access to information has become much easier. Due to the promotion of certain content in the priority media channels, the recipient has a significant impact.","PeriodicalId":52653,"journal":{"name":"Ukrayins''ki kul''turologichni studiyi","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67444622","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.17721/ucs.2022.1(10).01
V. Yefimenko
The article examines the formation of the foundations of the humanist ideology of the Renaissance in the culture of the European Middle Ages. The main stages of the formation and development of the culture of the Middle Ages and their achievements are traced. We pay attention on the "The Autumn of the Middle Ages" (J. Huizinga) and on such an important component of the culture of that time as the court culture, the culture of castles. It was during this period of a long era that the most important changes took place in the social and spiritual worlds of Europeans, which ultimately enabled the formation of the ideology of humanism with the system-forming worldview principle of anthropocentrism. On the examples of the work of troubadours and trouvers, Ch. de Troyes, B. de Born, the so-called of "marginal" sources that are, as it were, on the periphery of the text of medieval culture, but significantly supplement it ("The Miracles of Notre Dame" by Gautier de Coinci), an analysis is given of the filling of traditional courtly virtues with a new universal meaning, the affirmation of the worldview principle of anthropocentrism in the practice of human relations. The impact on this process of the Albigensian Crusade, a kind of catalyst for the growth of the demand for humanity in a society full of suffering and death, is noted. To virtues with a traditional meaning, such as kindness, generosity, courage, virtues with a human- istic meaning are added – mercy, love and friendship with vassals, care for subjects, equality with them in everything. New dramatic and even tragic dimensions of courtly virtues discovered by the troubadours during and after the Albigensians crusade became synonymous with humanism, a prerequisite for the formulation of the humanistic ideology of the Renaissance. The obvious connection with inno- vations in the system of the European society moral values, in the interpretation of the concept of common law, recognition of the right to autono- my in the development of a secular state is indicated.
{"title":"THE UNIVERSAL CONTENT OF COURTLY VIRTUES AS A PREREQUISITE FOR RENAISSANCE HUMANISM","authors":"V. Yefimenko","doi":"10.17721/ucs.2022.1(10).01","DOIUrl":"https://doi.org/10.17721/ucs.2022.1(10).01","url":null,"abstract":"The article examines the formation of the foundations of the humanist ideology of the Renaissance in the culture of the European Middle Ages. The main stages of the formation and development of the culture of the Middle Ages and their achievements are traced. We pay attention on the \"The Autumn of the Middle Ages\" (J. Huizinga) and on such an important component of the culture of that time as the court culture, the culture of castles. It was during this period of a long era that the most important changes took place in the social and spiritual worlds of Europeans, which ultimately enabled the formation of the ideology of humanism with the system-forming worldview principle of anthropocentrism. On the examples of the work of troubadours and trouvers, Ch. de Troyes, B. de Born, the so-called of \"marginal\" sources that are, as it were, on the periphery of the text of medieval culture, but significantly supplement it (\"The Miracles of Notre Dame\" by Gautier de Coinci), an analysis is given of the filling of traditional courtly virtues with a new universal meaning, the affirmation of the worldview principle of anthropocentrism in the practice of human relations. The impact on this process of the Albigensian Crusade, a kind of catalyst for the growth of the demand for humanity in a society full of suffering and death, is noted. To virtues with a traditional meaning, such as kindness, generosity, courage, virtues with a human- istic meaning are added – mercy, love and friendship with vassals, care for subjects, equality with them in everything. New dramatic and even tragic dimensions of courtly virtues discovered by the troubadours during and after the Albigensians crusade became synonymous with humanism, a prerequisite for the formulation of the humanistic ideology of the Renaissance. The obvious connection with inno- vations in the system of the European society moral values, in the interpretation of the concept of common law, recognition of the right to autono- my in the development of a secular state is indicated.","PeriodicalId":52653,"journal":{"name":"Ukrayins''ki kul''turologichni studiyi","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67444030","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.17721/ucs.2022.1(10).12
I. Pokulyta, O. Mykhailenko
The article considers the social preconditions and socio-cultural context of the formation of art practices as a cultural phenomenon of the XX century and identifies the causes and features of sectoral influence on other forms of activity in modern conditions of digitalization of social space. It is noted that the process, which reflected the binary stratification of high culture and "one-dimensional" (according to H. Marcuse) civilization, accumulated protests of the last century and formed in the structure of society field of practice – art practice, appears in modern culture in a new capacity construction of socially demanded spheres of interaction. Hypertext, interaction, co-creation, as characteristic features of the culture of postmodernism determine the principles and approaches of modern Internet, virtual, media practices. Network art practices, art projects, virtual exhibitions – what became possible with the beginning of digitalization, was a few decades ago rather an aesthetic experiment, marking the con- tours of creativity. The development of digital technologies, with which various spheres of activity are fused today, has formed fundamentally dif- ferent conditions for the transit of practices, instant real implementation in various fields of human activity. The article provides examples of ap- peals to such areas of actualization of art technologies as education, psychology, social work and more. The article states that art practices, as a specific format of creativity of an experimental, interactive, dialogic nature, which absorbed various in- tentions of the culture of the XX century: protest moods, demarcation and at the same time borrowing of artistic traditions, acute presentation of social problems, etc., occupies a place in the development of information culture XXI century leading place in visualization of future prospects, new contours of digital civilization. However, the extent of their involvement was determined by factors of an individual, subjective nature. It is the in- formation processes, network interactive communication, and the singularity of the fields of practice in various spheres of activity that determined the new order of introducing art practices into a wide spectrum of the sectoral development of society.
{"title":"SOCIAL ORIGINS AND INDUSTRIAL TRENDS IN THE DEVELOPMENT OF TODAY'S ART PRACTICES","authors":"I. Pokulyta, O. Mykhailenko","doi":"10.17721/ucs.2022.1(10).12","DOIUrl":"https://doi.org/10.17721/ucs.2022.1(10).12","url":null,"abstract":"The article considers the social preconditions and socio-cultural context of the formation of art practices as a cultural phenomenon of the XX century and identifies the causes and features of sectoral influence on other forms of activity in modern conditions of digitalization of social space. It is noted that the process, which reflected the binary stratification of high culture and \"one-dimensional\" (according to H. Marcuse) civilization, accumulated protests of the last century and formed in the structure of society field of practice – art practice, appears in modern culture in a new capacity construction of socially demanded spheres of interaction. Hypertext, interaction, co-creation, as characteristic features of the culture of postmodernism determine the principles and approaches of modern Internet, virtual, media practices. Network art practices, art projects, virtual exhibitions – what became possible with the beginning of digitalization, was a few decades ago rather an aesthetic experiment, marking the con- tours of creativity. The development of digital technologies, with which various spheres of activity are fused today, has formed fundamentally dif- ferent conditions for the transit of practices, instant real implementation in various fields of human activity. The article provides examples of ap- peals to such areas of actualization of art technologies as education, psychology, social work and more. The article states that art practices, as a specific format of creativity of an experimental, interactive, dialogic nature, which absorbed various in- tentions of the culture of the XX century: protest moods, demarcation and at the same time borrowing of artistic traditions, acute presentation of social problems, etc., occupies a place in the development of information culture XXI century leading place in visualization of future prospects, new contours of digital civilization. However, the extent of their involvement was determined by factors of an individual, subjective nature. It is the in- formation processes, network interactive communication, and the singularity of the fields of practice in various spheres of activity that determined the new order of introducing art practices into a wide spectrum of the sectoral development of society.","PeriodicalId":52653,"journal":{"name":"Ukrayins''ki kul''turologichni studiyi","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67444824","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.17721/ucs.2022.1(10).15
M.-M. Lyubivaya
{"title":"THE PROBLEM OF INTEGRATING GENDER STUDIES AND BUSINESS ETHICS FIELDS REFERENCES","authors":"M.-M. Lyubivaya","doi":"10.17721/ucs.2022.1(10).15","DOIUrl":"https://doi.org/10.17721/ucs.2022.1(10).15","url":null,"abstract":"","PeriodicalId":52653,"journal":{"name":"Ukrayins''ki kul''turologichni studiyi","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67445287","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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