Pub Date : 2022-04-25DOI: 10.1080/20551940.2022.2064262
Marlene Eberhart
Chion, Michel. 2012. “The Three Listening Modes.” In The Sound Studies Reader, edited by Jonathan Sterne, 48–53. New York: Routledge. Dillon, Emma. 2012. The Sense of Sound: Musical Meaning in France, 1260-1330. New Cultural History of Music. New York: Oxford University Press. Leach, Elizabeth Eva. 2007. Sung Birds: Music, Nature, and Poetry in the Later Middle Ages. Ithaca, NY: Cornell University Press.
{"title":"Musical sound in the intellectual history of early modern England","authors":"Marlene Eberhart","doi":"10.1080/20551940.2022.2064262","DOIUrl":"https://doi.org/10.1080/20551940.2022.2064262","url":null,"abstract":"Chion, Michel. 2012. “The Three Listening Modes.” In The Sound Studies Reader, edited by Jonathan Sterne, 48–53. New York: Routledge. Dillon, Emma. 2012. The Sense of Sound: Musical Meaning in France, 1260-1330. New Cultural History of Music. New York: Oxford University Press. Leach, Elizabeth Eva. 2007. Sung Birds: Music, Nature, and Poetry in the Later Middle Ages. Ithaca, NY: Cornell University Press.","PeriodicalId":53207,"journal":{"name":"Sound Studies","volume":"87 1","pages":"257 - 260"},"PeriodicalIF":0.5,"publicationDate":"2022-04-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90056867","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-04-09DOI: 10.1080/20551940.2022.2058765
T. B. Evans
ABSTRACT This paper explores the notion of infrapolitics as the political dimension of reverberation and architectural acoustics. This aim is approached through a media-archaeological counterreading of the history of poor acoustics in the former chamber of the US House of Representatives supplied by historian Emily Thompson, as well as through juxtaposition of other cases of reverberation envelopes from the history of architectural acoustics. A media archaeological approach to reverberation and architectural acoustics, it is argued, approaches infrapolitics as a speculative understanding of the effect of architectural acoustics on early American democracy, and of architectural acoustics on discourse in general.
{"title":"Echoes in the capitol, echoes in history: architectural acoustics, media archaeology, and the infrapolitics of reverberation","authors":"T. B. Evans","doi":"10.1080/20551940.2022.2058765","DOIUrl":"https://doi.org/10.1080/20551940.2022.2058765","url":null,"abstract":"ABSTRACT This paper explores the notion of infrapolitics as the political dimension of reverberation and architectural acoustics. This aim is approached through a media-archaeological counterreading of the history of poor acoustics in the former chamber of the US House of Representatives supplied by historian Emily Thompson, as well as through juxtaposition of other cases of reverberation envelopes from the history of architectural acoustics. A media archaeological approach to reverberation and architectural acoustics, it is argued, approaches infrapolitics as a speculative understanding of the effect of architectural acoustics on early American democracy, and of architectural acoustics on discourse in general.","PeriodicalId":53207,"journal":{"name":"Sound Studies","volume":"97 1","pages":"181 - 195"},"PeriodicalIF":0.5,"publicationDate":"2022-04-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82869456","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-04-09DOI: 10.1080/20551940.2022.2062821
Peter Krapp
Sound Studies, might well wish for more elaboration in this direction since what is often missing in the discussion of music in Sensory Studies more generally is the specific connection of ideas about music to particular musical extracts analysed by a knowledgeable musician. It is hoped that she will expand this discussion elsewhere. The volume also benefits from wonderful illustrations courtesy of institutions like the Newberry, Huntington, and Folger Shakespeare libraries, among others.
{"title":"Justifications of attention","authors":"Peter Krapp","doi":"10.1080/20551940.2022.2062821","DOIUrl":"https://doi.org/10.1080/20551940.2022.2062821","url":null,"abstract":"Sound Studies, might well wish for more elaboration in this direction since what is often missing in the discussion of music in Sensory Studies more generally is the specific connection of ideas about music to particular musical extracts analysed by a knowledgeable musician. It is hoped that she will expand this discussion elsewhere. The volume also benefits from wonderful illustrations courtesy of institutions like the Newberry, Huntington, and Folger Shakespeare libraries, among others.","PeriodicalId":53207,"journal":{"name":"Sound Studies","volume":"35 1","pages":"260 - 263"},"PeriodicalIF":0.5,"publicationDate":"2022-04-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79863594","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-03-29DOI: 10.1080/20551940.2022.2054075
H. Johnson
{"title":"Sounding China through Western ears","authors":"H. Johnson","doi":"10.1080/20551940.2022.2054075","DOIUrl":"https://doi.org/10.1080/20551940.2022.2054075","url":null,"abstract":"","PeriodicalId":53207,"journal":{"name":"Sound Studies","volume":"9 1","pages":"269 - 272"},"PeriodicalIF":0.5,"publicationDate":"2022-03-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"72896159","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-27DOI: 10.1080/20551940.2022.2033598
M. Smith
{"title":"Media, migration and technological possibilities: mapping sound in Cold War East Asia","authors":"M. Smith","doi":"10.1080/20551940.2022.2033598","DOIUrl":"https://doi.org/10.1080/20551940.2022.2033598","url":null,"abstract":"","PeriodicalId":53207,"journal":{"name":"Sound Studies","volume":"25 1","pages":"272 - 275"},"PeriodicalIF":0.5,"publicationDate":"2022-01-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73320582","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-02DOI: 10.1080/20551940.2022.2025679
Maren Haffke
{"title":"The last ocean you will ever need to buy","authors":"Maren Haffke","doi":"10.1080/20551940.2022.2025679","DOIUrl":"https://doi.org/10.1080/20551940.2022.2025679","url":null,"abstract":"","PeriodicalId":53207,"journal":{"name":"Sound Studies","volume":"68 1","pages":"133 - 138"},"PeriodicalIF":0.5,"publicationDate":"2022-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90884319","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-02DOI: 10.1080/20551940.2020.1776922
Karen M. Cook
Counterpublics (2005) analyzes the kinds of communities brought into existence by the circulation of texts. This scholarship theorises human subjects as active agents in alleviating the intermittent dissatisfaction with scenes and publics. Coupled with Music as Atmosphere at its best, these earlier discussions provide an excellent model for taking vague phenomena and twisting them towards concrete, politically progressive ends.
{"title":"Video games music studies","authors":"Karen M. Cook","doi":"10.1080/20551940.2020.1776922","DOIUrl":"https://doi.org/10.1080/20551940.2020.1776922","url":null,"abstract":"Counterpublics (2005) analyzes the kinds of communities brought into existence by the circulation of texts. This scholarship theorises human subjects as active agents in alleviating the intermittent dissatisfaction with scenes and publics. Coupled with Music as Atmosphere at its best, these earlier discussions provide an excellent model for taking vague phenomena and twisting them towards concrete, politically progressive ends.","PeriodicalId":53207,"journal":{"name":"Sound Studies","volume":"38 1","pages":"125 - 129"},"PeriodicalIF":0.5,"publicationDate":"2022-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74069685","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-02DOI: 10.1080/20551940.2021.2021367
Mhamad Safa
ABSTRACT This paper explores sound at the intersection between urban environments and conflict, specifically extracted from a particular case of aerial bombardment that occurred during the 2006 war on Lebanon. To formulate an argument on the long-lasting and traumatic sonic repercussions during military operations; sound studies and architectural environments would coalesce to unearth the unseen, yet extremely sensed assaults during this war. Here, I look at Reverberations as the product of both sound and the built surrounding, where it operates as a method to read the subtle, extended yet affective impacts of contemporary military conflict. I therefore argue that the initial impact’s sound is rather bypassed, and the auditory focus shifted on its tail as a sonic phenomenon that is amplified and channelled by the urban morphology. This research relies on multiple analytical, theoretical, and practical resources spanning from spectrograms to sonic mapping. Those means serve to illustrate the behaviour of sound during conflict in a compressed urban environment. Paired with its cognitive and visceral responses, this method offers greater accounts on the victims that weren’t directly targeted by aerial assaults.
{"title":"Reverberations and post-war trauma: the sustained aftermath of aerial strikes on Lebanon in 2006","authors":"Mhamad Safa","doi":"10.1080/20551940.2021.2021367","DOIUrl":"https://doi.org/10.1080/20551940.2021.2021367","url":null,"abstract":"ABSTRACT This paper explores sound at the intersection between urban environments and conflict, specifically extracted from a particular case of aerial bombardment that occurred during the 2006 war on Lebanon. To formulate an argument on the long-lasting and traumatic sonic repercussions during military operations; sound studies and architectural environments would coalesce to unearth the unseen, yet extremely sensed assaults during this war. Here, I look at Reverberations as the product of both sound and the built surrounding, where it operates as a method to read the subtle, extended yet affective impacts of contemporary military conflict. I therefore argue that the initial impact’s sound is rather bypassed, and the auditory focus shifted on its tail as a sonic phenomenon that is amplified and channelled by the urban morphology. This research relies on multiple analytical, theoretical, and practical resources spanning from spectrograms to sonic mapping. Those means serve to illustrate the behaviour of sound during conflict in a compressed urban environment. Paired with its cognitive and visceral responses, this method offers greater accounts on the victims that weren’t directly targeted by aerial assaults.","PeriodicalId":53207,"journal":{"name":"Sound Studies","volume":"127 1","pages":"73 - 99"},"PeriodicalIF":0.5,"publicationDate":"2022-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90713349","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-02DOI: 10.1080/20551940.2022.2029101
Elen Flügge
and music analysis and history. book Found: Free Jazz and Singing (2020 Routledge) examines the history of improvisational soundsinging and theorizes the social effects of human vocal sounds audiences hear as non-human. Other recent work includes articles on video game music and identity (for the Cambridge Companion of Video Game Music) and reception of scat singing (for a forthcoming edited volume also on Cambridge UP). Dr. Tonelli is also active as a community music practitioner and researcher through his conducting and organization of improvising choirs, like his virtual Transnational Vocal Exploration Choir project.
{"title":"Establishment listening, sonic idiosyncrasies, and Beethoven disrupted","authors":"Elen Flügge","doi":"10.1080/20551940.2022.2029101","DOIUrl":"https://doi.org/10.1080/20551940.2022.2029101","url":null,"abstract":"and music analysis and history. book Found: Free Jazz and Singing (2020 Routledge) examines the history of improvisational soundsinging and theorizes the social effects of human vocal sounds audiences hear as non-human. Other recent work includes articles on video game music and identity (for the Cambridge Companion of Video Game Music) and reception of scat singing (for a forthcoming edited volume also on Cambridge UP). Dr. Tonelli is also active as a community music practitioner and researcher through his conducting and organization of improvising choirs, like his virtual Transnational Vocal Exploration Choir project.","PeriodicalId":53207,"journal":{"name":"Sound Studies","volume":"14 1","pages":"141 - 145"},"PeriodicalIF":0.5,"publicationDate":"2022-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90768641","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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