{"title":"De Loughry Treasa, The Global Novel and Capitalism in Crisis–Contemporary Narratives","authors":"Cécile Girardin","doi":"10.4000/ebc.12193","DOIUrl":"https://doi.org/10.4000/ebc.12193","url":null,"abstract":"","PeriodicalId":53368,"journal":{"name":"Etudes Britanniques Contemporaines","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47524294","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Sherlocking One’s Way into Empathetic and Generic (Re)birth: (In)quests of Mourning in Penelope Lively’s The Photograph (2003)","authors":"Héloïse Lecomte","doi":"10.4000/ebc.11958","DOIUrl":"https://doi.org/10.4000/ebc.11958","url":null,"abstract":"","PeriodicalId":53368,"journal":{"name":"Etudes Britanniques Contemporaines","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70071110","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"‘All in all most of us are making good/recoveries’—Leaving Hospital and Recovering in Some British Contemporary Poems","authors":"Elise Brault-Dreux","doi":"10.4000/ebc.12010","DOIUrl":"https://doi.org/10.4000/ebc.12010","url":null,"abstract":"","PeriodicalId":53368,"journal":{"name":"Etudes Britanniques Contemporaines","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70071168","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Sexsation and the Neo-New Woman in Sarah Waters’s Fingersmith (2002)","authors":"Lilia Louati","doi":"10.4000/ebc.11819","DOIUrl":"https://doi.org/10.4000/ebc.11819","url":null,"abstract":"","PeriodicalId":53368,"journal":{"name":"Etudes Britanniques Contemporaines","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70071064","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"To be is to be perceived, not to be is not to be perceived","authors":"Guillaume Le Blanc","doi":"10.4000/ebc.10944","DOIUrl":"https://doi.org/10.4000/ebc.10944","url":null,"abstract":"","PeriodicalId":53368,"journal":{"name":"Etudes Britanniques Contemporaines","volume":"14 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70071129","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Silenced Voices in Sebastian Faulks’s Novel Paris Echo","authors":"B. Puschmann-Nalenz","doi":"10.4000/ebc.11178","DOIUrl":"https://doi.org/10.4000/ebc.11178","url":null,"abstract":"","PeriodicalId":53368,"journal":{"name":"Etudes Britanniques Contemporaines","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70071239","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Chantal Delourme, Et une phrase… Virginia Woolf, écrire dans l’entre-deux-guerres","authors":"Olivier Hercend","doi":"10.4000/ebc.11597","DOIUrl":"https://doi.org/10.4000/ebc.11597","url":null,"abstract":"","PeriodicalId":53368,"journal":{"name":"Etudes Britanniques Contemporaines","volume":"22 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70071468","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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