Pub Date : 2021-01-01DOI: 10.47297/wspctwsp2515-470202.20210502
Liyuan Zhu
{"title":"On the Philosophical Basis of Practical Ontological Aesthetics","authors":"Liyuan Zhu","doi":"10.47297/wspctwsp2515-470202.20210502","DOIUrl":"https://doi.org/10.47297/wspctwsp2515-470202.20210502","url":null,"abstract":"","PeriodicalId":53382,"journal":{"name":"The Bible and Critical Theory","volume":"44 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74957348","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-01-01DOI: 10.47297/wspctwsp2515-470202.20210501
Tan Xiaobing
{"title":"Listening to Yan’an: A Revelation on Listening Experience","authors":"Tan Xiaobing","doi":"10.47297/wspctwsp2515-470202.20210501","DOIUrl":"https://doi.org/10.47297/wspctwsp2515-470202.20210501","url":null,"abstract":"","PeriodicalId":53382,"journal":{"name":"The Bible and Critical Theory","volume":"57 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89047187","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-12-03DOI: 10.1093/wentk/9780199383047.003.0009
M. Coogan
What are the Bible’s highest values? When the early first-century CE rabbi Hillel was asked by a prospective convert to explain the whole Torah while the prospective convert was standing on one foot, Hillel reportedly replied: “What is hateful to you, do not do to...
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Pub Date : 2020-12-03DOI: 10.1093/wentk/9780199383047.003.0004
M. Coogan
Who wrote the Bible? The simple fact is that we don’t know who wrote much of the Bible. Although the names of apparent authors are found in many biblical books and parts of books, scholars have concluded that not all of those individuals wrote the...
{"title":"Authors and Authorship","authors":"M. Coogan","doi":"10.1093/wentk/9780199383047.003.0004","DOIUrl":"https://doi.org/10.1093/wentk/9780199383047.003.0004","url":null,"abstract":"Who wrote the Bible?\u0000 The simple fact is that we don’t know who wrote much of the Bible. Although the names of apparent authors are found in many biblical books and parts of books, scholars have concluded that not all of those individuals wrote the...","PeriodicalId":53382,"journal":{"name":"The Bible and Critical Theory","volume":"11 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-12-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86623134","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-12-03DOI: 10.1093/wentk/9780199383047.003.0006
M. Coogan
What are interpretive strategies? Interpretive strategies are methodologies of various types used in studying the Bible. Some of these, such as textual criticism and archaeology, we have discussed earlier, and some, such as reception history, we will discuss in subsequent chapters. Many of them overlap,...
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Pub Date : 2020-12-03DOI: 10.1093/wentk/9780199383047.003.0008
M. Coogan
What do I mean by “biblical concepts”? By biblical concepts I mean major ideas and themes that are often grouped under the rubric “biblical theology.” It is a mistake, I think, to speak of “the theology” of the Bible, or of the Hebrew...
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Pub Date : 2020-01-01DOI: 10.47297/WSPCTWSP2515-470208.20200401
Zhang Ting.QIU Wenshi. Edited by Yue Zhuo
An international colloquium, “French Theory in China”, was held at Shanghai University from October 11 to 13 , 2019 . The colloquium was jointly organized by the Department of Chinese Language and Literature, Center for French Thought and Culture, and Center for Critical Theory at Shanghai University. Thirty-one scholars from home and foreign institutions participated in the event. The colloquium focused on the retrospective definition and evaluation of French Theory, its new development in the world, its reception in China and its influence on contemporary Chinese social and cultural studies.
{"title":"A Summary of the International Colloquium “French Theory in China”","authors":"Zhang Ting.QIU Wenshi. Edited by Yue Zhuo","doi":"10.47297/WSPCTWSP2515-470208.20200401","DOIUrl":"https://doi.org/10.47297/WSPCTWSP2515-470208.20200401","url":null,"abstract":"An international colloquium, “French Theory in China”, was held at Shanghai University from October 11 to 13 , 2019 . The colloquium was jointly organized by the Department of Chinese Language and Literature, Center for French Thought and Culture, and Center for Critical Theory at Shanghai University. Thirty-one scholars from home and foreign institutions participated in the event. The colloquium focused on the retrospective definition and evaluation of French Theory, its new development in the world, its reception in China and its influence on contemporary Chinese social and cultural studies.","PeriodicalId":53382,"journal":{"name":"The Bible and Critical Theory","volume":"73 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74952986","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-01-01DOI: 10.47297/WSPCTWSP2515-470204.20200401
He Guangshun
The city is a place where “social power and culture are most centralized... and where issues related to civilization are focalized” . Exploring the nature and functions of the city in the transformation of time and space fields is conducive to studying civilization. In classical antiquity, the “city” existed more as a gathering place of nobility, and imperial, monarchical, and military power. Since the Renaissance, the political and military functions of the city have gradually weakened, while the civic culture fully developed. Thus, the city in the modern sense took shape. Modern cities are closely related to the life of citizens, and the modern perceptual art demonstrates the modern cities as well as the urban spirits to the full. Liu Xuguang’s new work The Origin of European Modern Art Spirit The Culture and Art of Florence in the Renaissance, against the background of the Renaissance and focusing on Florence a modern city, conducts a case study of the modern urban culture and art. It uncovers the significance of the renaissance of modern cities, the essence of the urban spirit, and the secrets of the internal relations between urban life and art.
{"title":"The Renaissance of Perceptual Art in the Transformation of Time and Space Fields: A Review of Liu Xuguang’s New Work The Origin of European Modern Art Spirit","authors":"He Guangshun","doi":"10.47297/WSPCTWSP2515-470204.20200401","DOIUrl":"https://doi.org/10.47297/WSPCTWSP2515-470204.20200401","url":null,"abstract":"The city is a place where “social power and culture are most centralized... and where issues related to civilization are focalized” . Exploring the nature and functions of the city in the transformation of time and space fields is conducive to studying civilization. In classical antiquity, the “city” existed more as a gathering place of nobility, and imperial, monarchical, and military power. Since the Renaissance, the political and military functions of the city have gradually weakened, while the civic culture fully developed. Thus, the city in the modern sense took shape. Modern cities are closely related to the life of citizens, and the modern perceptual art demonstrates the modern cities as well as the urban spirits to the full. Liu Xuguang’s new work The Origin of European Modern Art Spirit The Culture and Art of Florence in the Renaissance, against the background of the Renaissance and focusing on Florence a modern city, conducts a case study of the modern urban culture and art. It uncovers the significance of the renaissance of modern cities, the essence of the urban spirit, and the secrets of the internal relations between urban life and art.","PeriodicalId":53382,"journal":{"name":"The Bible and Critical Theory","volume":"23 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84435618","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-01-01DOI: 10.47297/WSPCTWSP2515-470207.20200401
W. Jiajun
The success of the reality show The Rap of China relies on a certain balance between the “real” and the “show”. The key to achieving this balance is hip-hop’s claim to “keep it real”, which catered to the public’s appeal for “personality”. Hip-hop culture has a long tradition of political resistance, and the “noise” it creates can also be regarded as a subculture’s resistance to mainstream culture. However, The Rap of China carried out a subtle depoliticization of hip-hop, making the show without resistance, and everything was presented as entertainment. Firstly, it passed a rigorous political review of the participants and performance; secondly, it especially emphasized the “technical” dimension of Rap and weakened its “expressive” dimension. After excluding the dimension of resistance, the rappers from The Rap of China even find it hard to resist the “pan-moralism” in online public opinion. This kind of compromise is the only way for China’s hiphop to move from “underground” to “mainstream”. However, it is unfair to criticize it only from a dualism of politics-capital, entertainment-personality. There is no fundamental conflict between the materialism of hip-hop and its commercialization. Commercialization is also the important pusher for the politicization of hip-hop, and hiphop itself has revolutionized the entertainment industry. Hip-hop itself contains plenty of paradoxes, so we need to jump out of the framework of dualism to analyze it. For today’s China, the greatest significance of hip-hop shows is to provide young people in an age
{"title":"The Rap of China and Hip-Hop's Cultural Politics","authors":"W. Jiajun","doi":"10.47297/WSPCTWSP2515-470207.20200401","DOIUrl":"https://doi.org/10.47297/WSPCTWSP2515-470207.20200401","url":null,"abstract":"The success of the reality show The Rap of China relies on a certain balance between the “real” and the “show”. The key to achieving this balance is hip-hop’s claim to “keep it real”, which catered to the public’s appeal for “personality”. Hip-hop culture has a long tradition of political resistance, and the “noise” it creates can also be regarded as a subculture’s resistance to mainstream culture. However, The Rap of China carried out a subtle depoliticization of hip-hop, making the show without resistance, and everything was presented as entertainment. Firstly, it passed a rigorous political review of the participants and performance; secondly, it especially emphasized the “technical” dimension of Rap and weakened its “expressive” dimension. After excluding the dimension of resistance, the rappers from The Rap of China even find it hard to resist the “pan-moralism” in online public opinion. This kind of compromise is the only way for China’s hiphop to move from “underground” to “mainstream”. However, it is unfair to criticize it only from a dualism of politics-capital, entertainment-personality. There is no fundamental conflict between the materialism of hip-hop and its commercialization. Commercialization is also the important pusher for the politicization of hip-hop, and hiphop itself has revolutionized the entertainment industry. Hip-hop itself contains plenty of paradoxes, so we need to jump out of the framework of dualism to analyze it. For today’s China, the greatest significance of hip-hop shows is to provide young people in an age","PeriodicalId":53382,"journal":{"name":"The Bible and Critical Theory","volume":"15 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87262595","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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