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International Journal of the Inclusive Museum最新文献

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Collections from the Asylum: Past Lives, Present Tense 收容所的收藏品:前世今生
IF 0.4 Q4 HOSPITALITY, LEISURE, SPORT & TOURISM Pub Date : 2020-09-05 DOI: 10.18848/1835-2014/cgp/v16i01/53-73
Jennifer Munday, E. Clark, A. Watts
Social history museums strive to present exhibitions that will connect to their local audience and provoke conversation as well as provide information. The aim of this article is to describe an exhibition about a decommissioned former mental hospital that is still significant for many in the local community. The exhibition consisted of various "collections” of objects and artworks assembled by the researchers in collaboration with museum staff, along with stories collected during our research into the asylum. Some "collections” included historical images and stories from the past alongside others of creative work and technology responding to the present. Community members were keenly interested in the exhibition, but the COVID-19 pandemic and consequent border closures in Australia meant that visitors needed to attend online presentations and virtual tours rather than see the exhibits in person. The use of digital presentations along with physical artefacts brought about a new way of thinking about presenting social history to future audiences.
社会历史博物馆努力举办展览,与当地观众建立联系,引发对话,并提供信息。这篇文章的目的是描述一个关于一家退役的前精神病院的展览,它对当地社区的许多人来说仍然很重要。展览包括研究人员与博物馆工作人员合作收集的各种物品和艺术品的“藏品”,以及我们在研究庇护期间收集的故事。一些“藏品”包括过去的历史图像和故事,以及应对现在的创造性工作和技术。社区成员对展览非常感兴趣,但新冠肺炎疫情以及随之而来的澳大利亚边境关闭意味着游客需要参加在线演示和虚拟参观,而不是亲自观看展览。数字演示和实物的使用为向未来观众展示社会历史带来了一种新的思维方式。
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引用次数: 0
The Contribution of Participatory Projects in Promoting the Inclusive Museum: Are Visitors’ Artistic Creations Welcomed in an International Exhibition of Contemporary Art? 参与式项目对促进包容性博物馆的贡献:国际当代艺术展是否欢迎参观者的艺术创作?
IF 0.4 Q4 HOSPITALITY, LEISURE, SPORT & TOURISM Pub Date : 2020-01-01 DOI: 10.18848/1835-2014/cgp/v13i01/1-11
Niki Nikonanou, Evi Papavergou, Katerina Paraskeva
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引用次数: 1
Beyond Structural Preservation: The Case of Restoring the Sarai Building as a Museum 超越结构保护:将撒莱建筑恢复为博物馆的案例
IF 0.4 Q4 HOSPITALITY, LEISURE, SPORT & TOURISM Pub Date : 2020-01-01 DOI: 10.18848/1835-2014/cgp/v13i02/1-20
R. Mohammed-Amin, Alan Faraydoon Ali
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引用次数: 0
Visitor Behavior and Circulation in the National Archaeological Museum of Taranto (Italy) 意大利塔兰托国家考古博物馆的游客行为与流动
IF 0.4 Q4 HOSPITALITY, LEISURE, SPORT & TOURISM Pub Date : 2020-01-01 DOI: 10.18848/1835-2014/cgp/v13i02/21-41
Selene Frascella
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引用次数: 1
Blind and Visually Impaired Visitors’ Experiences in Museums: Increasing Accessibility through Assistive Technologies 盲人和视障游客在博物馆的体验:通过辅助技术增加无障碍
IF 0.4 Q4 HOSPITALITY, LEISURE, SPORT & TOURISM Pub Date : 2020-01-01 DOI: 10.18848/1835-2014/cgp/v13i02/57-80
Roberto Vaz, D. Freitas, António Coelho
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引用次数: 16
Rahmi M. Koc Museum’s “Here Comes the Sun” Exhibition: Diplomacy, Cross-Cultural Exchange, and Collaboration Rahmi M. Koc博物馆“太阳来了”展览:外交、跨文化交流与合作
IF 0.4 Q4 HOSPITALITY, LEISURE, SPORT & TOURISM Pub Date : 2020-01-01 DOI: 10.18848/1835-2014/cgp/v13i04/47-62
Simge Erdogan
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引用次数: 0
Museums and Art Galleries in Saudi Arabia: What Not to Show 沙特阿拉伯的博物馆和美术馆:哪些不能展示
IF 0.4 Q4 HOSPITALITY, LEISURE, SPORT & TOURISM Pub Date : 2020-01-01 DOI: 10.18848/1835-2014/cgp/v13i01/55-73
Maha al-Senan, Nouf Alajmi, Hanan Alahmad, Manal M Alharbi
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引用次数: 0
The Importance and Potential Value of a Regional Midsize Arthropod Collection: An Example of IBULC 区域性中型节肢动物馆藏的重要性和潜在价值:以IBULC为例
IF 0.4 Q4 HOSPITALITY, LEISURE, SPORT & TOURISM Pub Date : 2020-01-01 DOI: 10.18848/1835-2014/cgp/v13i03/45-77
U. Kagainis, Inese Cera, Edīte Juceviča, A. Karpa, I. Salmane, Jānis Saulītis, V. Spuņģis, D. Telnov, Viesturs Melecis, L. Jankevica
Some Rights Reserved. Public Licensed Material: Available under the terms and conditions of the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International Public License (CC BY-NC-ND 4.0). The use of this material is permitted for non-commercial use provided the creator(s) and publisher receive attribution. No derivatives of this version are permitted. Official terms of this public license apply as indicated here: https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode
版权所有。公共许可材料:根据知识共享署名-非商业性-非衍生品4.0国际公共许可协议(CC BY-NC-ND 4.0)的条款和条件提供。本材料的使用允许用于非商业用途,前提是创作者和出版商接受署名。本版本不允许衍生。本公共许可协议的官方条款如下所示:https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode
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引用次数: 1
Liberté, Egalité, Fraternité: A Black Feminist Analysis of Beyoncé Performing “APESHIT” in the Louvre 自由主义、平等主义、博爱主义:黑人女权主义者对毕昂在卢浮宫表演《APESHIT》的分析
IF 0.4 Q4 HOSPITALITY, LEISURE, SPORT & TOURISM Pub Date : 2020-01-01 DOI: 10.18848/1835-2014/cgp/v13i01/13-36
J. Acuff, D. Kletchka
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引用次数: 1
Evaluating the Effectiveness of Existing Experiences and Educational Programs in a Children’s Museum: Learnings from Extensive Stakeholder Feedback 评估儿童博物馆现有经验和教育计划的有效性:来自广泛利益相关者反馈的学习
IF 0.4 Q4 HOSPITALITY, LEISURE, SPORT & TOURISM Pub Date : 2020-01-01 DOI: 10.18848/1835-2014/cgp/v13i03/15-29
L. Cronin, Michele Peden, Ellie K. Taylor, A. Okely, Martha Johnson
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引用次数: 1
期刊
International Journal of the Inclusive Museum
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