{"title":"... einem ersamen Rath verehrt : über Widmungen der Musikalien an mährische Städte ca. 1560–1620","authors":"Hana Studeničová","doi":"10.5817/MB2020-1-2","DOIUrl":"https://doi.org/10.5817/MB2020-1-2","url":null,"abstract":"","PeriodicalId":53757,"journal":{"name":"Musicologica Brunensia","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71350232","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Inventáře hudební sbírky v Blížkovicích na Moravě z 18. a 19. století a jejich srovnání se současným stavem pramenů","authors":"Michaela Ratolístková","doi":"10.5817/mb2019-2-7","DOIUrl":"https://doi.org/10.5817/mb2019-2-7","url":null,"abstract":"","PeriodicalId":53757,"journal":{"name":"Musicologica Brunensia","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71350167","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The Cathedral of St. Stephen in the 18th century was one of the most important music institutions in Vienna. Thanks to source research, it was possible to discover new insights into the music ensembles in St. Stephen’s Cathedral. The contribution also brings new information about the music during the liturgical year and special occasions. It focuses on the purchase of musical instruments and compositions for the cathedral, too.
{"title":"Die Dommusik zu St. Stephan im 18. Jahrhundert – Institutionsgeschichte","authors":"Helena Kramářová","doi":"10.5817/mb2019-1-10","DOIUrl":"https://doi.org/10.5817/mb2019-1-10","url":null,"abstract":"The Cathedral of St. Stephen in the 18th century was one of the most important music institutions in Vienna. Thanks to source research, it was possible to discover new insights into the music ensembles in St. Stephen’s Cathedral. The contribution also brings new information about the music during the liturgical year and special occasions. It focuses on the purchase of musical instruments and compositions for the cathedral, too.","PeriodicalId":53757,"journal":{"name":"Musicologica Brunensia","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71349658","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Adhan, also known as the Islamic call to prayer, is performed five times a day emanating from the spires of every mosque in the world, thus announcing to the faithful their obligation to praise Allah. Throughout the ages, Adhan has commonly been the subject of scholarly work; however, the majority of stated analysis had been performed predominantly in the sphere of theology and linguistics: Daud, 1997; Hilawi, 1984; Khalil and Hafez, 1984; Qadi, 1999; Sadani, 1996, Howting, 2006; Hirschkind, 2006. In Anglo-Saxon academia, the interest has been focused onto similar topics, barely touching on the musical context of the Islamic call to prayer: Choudhuru, 1957; Farmer, 1857; Faruqi, 1987; 1995; Nasr, 1987; Rasmussen, 2001; Waugh, 2005; Frishkopf, 2013. This study tries to establish a connection between different aspects of human culture, namely: Islamic religious tradition and music, presenting two vocal performances of the Adhan as Lahn (melody) in an attempt to show some unique features in the performance of Adhan within the territory of Jordan. Therefore, the first aim of the present study is to demonstrate the Adhan not merely as a part of the theological heritage of Islam, but rather as a cultural phenomenon, part of the Arabic musical heritage. Furthermore, the authors will analyze how the Adhan is taught and how it is performed as per Arabic ancient sources and performance practices. In conclusion, the paper shall analyze the musical characteristics of the two formally recognized Adhan performed within the Hashemite Kingdom of Jordan.
{"title":"Al Adhan : documenting historical background, practice rules, and musicological features of the muslim call for prayer in Hashemite Kingdom of Jordan","authors":"T. Bakri, M. Mallah, Nedal Nuserat","doi":"10.5817/mb2019-1-12","DOIUrl":"https://doi.org/10.5817/mb2019-1-12","url":null,"abstract":"Adhan, also known as the Islamic call to prayer, is performed five times a day emanating from the spires of every mosque in the world, thus announcing to the faithful their obligation to praise Allah. Throughout the ages, Adhan has commonly been the subject of scholarly work; however, the majority of stated analysis had been performed predominantly in the sphere of theology and linguistics: Daud, 1997; Hilawi, 1984; Khalil and Hafez, 1984; Qadi, 1999; Sadani, 1996, Howting, 2006; Hirschkind, 2006. In Anglo-Saxon academia, the interest has been focused onto similar topics, barely touching on the musical context of the Islamic call to prayer: Choudhuru, 1957; Farmer, 1857; Faruqi, 1987; 1995; Nasr, 1987; Rasmussen, 2001; Waugh, 2005; Frishkopf, 2013. This study tries to establish a connection between different aspects of human culture, namely: Islamic religious tradition and music, presenting two vocal performances of the Adhan as Lahn (melody) in an attempt to show some unique features in the performance of Adhan within the territory of Jordan. Therefore, the first aim of the present study is to demonstrate the Adhan not merely as a part of the theological heritage of Islam, but rather as a cultural phenomenon, part of the Arabic musical heritage. Furthermore, the authors will analyze how the Adhan is taught and how it is performed as per Arabic ancient sources and performance practices. In conclusion, the paper shall analyze the musical characteristics of the two formally recognized Adhan performed within the Hashemite Kingdom of Jordan.","PeriodicalId":53757,"journal":{"name":"Musicologica Brunensia","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71349708","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Slavko Osterc und Karl Reiner im Briefwechsel","authors":"Matjaž Barbo","doi":"10.5817/mb2019-1-3","DOIUrl":"https://doi.org/10.5817/mb2019-1-3","url":null,"abstract":"","PeriodicalId":53757,"journal":{"name":"Musicologica Brunensia","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71350263","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Český heldentenor Joseph Aloys Tichatscheck a jeho první spolupráce s Richardem Wagnerem","authors":"Martin Kajzar","doi":"10.5817/mb2019-2-10","DOIUrl":"https://doi.org/10.5817/mb2019-2-10","url":null,"abstract":"","PeriodicalId":53757,"journal":{"name":"Musicologica Brunensia","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71350333","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Percepční hodnocení vlastností pěveckého provedení koloraturní árie","authors":"Marek Frič, A. Berti, Jan Otčenášek","doi":"10.5817/mb2019-1-13","DOIUrl":"https://doi.org/10.5817/mb2019-1-13","url":null,"abstract":"","PeriodicalId":53757,"journal":{"name":"Musicologica Brunensia","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71349716","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"K některým aspektům ztvárnění unisona a jeho metamorfizacím ve vybrané operní literatuře 2. pol. 19. a 1. pol. 20. století","authors":"Karel Dichtl","doi":"10.5817/mb2019-2-9","DOIUrl":"https://doi.org/10.5817/mb2019-2-9","url":null,"abstract":"","PeriodicalId":53757,"journal":{"name":"Musicologica Brunensia","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71350192","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Civilist tendencies in the inter-war Czech music : at the beginning of a research","authors":"M. Zapletal","doi":"10.5817/mb2019-1-15","DOIUrl":"https://doi.org/10.5817/mb2019-1-15","url":null,"abstract":"","PeriodicalId":53757,"journal":{"name":"Musicologica Brunensia","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71350214","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This study looks at three related „snapshots“ from, respectively, Janáček‘s Zápisník zmizelého, Pavel Haas‘ Chinese Songs, and Hugo Haas‘ film, The Girl on the Bridge. All three invoke the agonizing tension between movement and stasis, raise questions of freedom and imprisonment, and they all involve delicate and painful connections between the groups mentioned in the title above. It is my argument that together these thickly packed snippets can be considered a kind of continuous art work, providing a micro-history of the period between 1919 and 1951.
{"title":"How desperate he must feel sitting there helplessly : Jews, Gypsies, Czechs... and the Chinese... from Zápisník to Terezín and Beyond","authors":"M. Beckerman","doi":"10.5817/mb2019-2-1","DOIUrl":"https://doi.org/10.5817/mb2019-2-1","url":null,"abstract":"This study looks at three related „snapshots“ from, respectively, Janáček‘s Zápisník zmizelého, Pavel Haas‘ Chinese Songs, and Hugo Haas‘ film, The Girl on the Bridge. All three invoke the agonizing tension between movement and stasis, raise questions of freedom and imprisonment, and they all involve delicate and painful connections between the groups mentioned in the title above. It is my argument that together these thickly packed snippets can be considered a kind of continuous art work, providing a micro-history of the period between 1919 and 1951.","PeriodicalId":53757,"journal":{"name":"Musicologica Brunensia","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71350324","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
京公网安备 11010802042870号
京ICP备2023020795号-1
扫码关注我们
求助内容：
应助结果提醒方式：