The study deals with the educational and artistic activities of the Music and Organ School of the Association of Education in Ostrava-Mariánské Hory / Masaryk Institute of Music and Singing from 1907 to 1939. The school was one of the first institutions established under the auspices of societies or associations in Ostrava and during the period under study its organ and music education departments were of fundamental importance, with a large number of artistic events taking place. The Music and Organ School of the Association of Education in Ostrava-Mariánské Hory / Masaryk Institute of Music and Singing can be considered a key institution in the history of music education not only in the region, but also in a broader context.
该研究涉及1907年至1939年在Ostrava-Mariánské Hory / Masaryk音乐和歌唱学院的教育协会音乐和管风琴学校的教育和艺术活动。这所学校是俄斯特拉发最早在社团或协会的赞助下建立的机构之一，在研究期间，它的管风琴和音乐教育部门非常重要，举办了大量的艺术活动。位于Ostrava-Mariánské Hory / Masaryk音乐和歌唱学院的教育协会音乐和管风琴学院可以被认为是音乐教育史上的一个重要机构，不仅在该地区，而且在更广泛的背景下。
{"title":"Music and Organ School of the Association of Education in Ostrava-Mariánské Hory / Masaryk Institute of Music and Singing in 1907–1939","authors":"Jiří Kusák","doi":"10.5817/mb2021-1-1","DOIUrl":"https://doi.org/10.5817/mb2021-1-1","url":null,"abstract":"The study deals with the educational and artistic activities of the Music and Organ School of the Association of Education in Ostrava-Mariánské Hory / Masaryk Institute of Music and Singing from 1907 to 1939. The school was one of the first institutions established under the auspices of societies or associations in Ostrava and during the period under study its organ and music education departments were of fundamental importance, with a large number of artistic events taking place. The Music and Organ School of the Association of Education in Ostrava-Mariánské Hory / Masaryk Institute of Music and Singing can be considered a key institution in the history of music education not only in the region, but also in a broader context.","PeriodicalId":53757,"journal":{"name":"Musicologica Brunensia","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71350292","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Od variací k polycentrismu : několik poznámek ke kompoziční technice Milana Kundery a Igora Stravinského","authors":"P. Sýkora","doi":"10.5817/mb2021-2-3","DOIUrl":"https://doi.org/10.5817/mb2021-2-3","url":null,"abstract":"","PeriodicalId":53757,"journal":{"name":"Musicologica Brunensia","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71350423","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Dynamika recepce Smetanovy tvůrčí osobnosti a jeho operního díla do roku 1924","authors":"Kateřina Viktorová","doi":"10.5817/mb2021-1-2","DOIUrl":"https://doi.org/10.5817/mb2021-1-2","url":null,"abstract":"","PeriodicalId":53757,"journal":{"name":"Musicologica Brunensia","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71350301","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Modalita u Janáčka z pohledu českých a slovenských muzikologů","authors":"Karel Steinmetz","doi":"10.5817/mb2021-2-4","DOIUrl":"https://doi.org/10.5817/mb2021-2-4","url":null,"abstract":"","PeriodicalId":53757,"journal":{"name":"Musicologica Brunensia","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71350433","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Music ensembles – bands, brass bands, or orchestras – are divided by genres by the public. But in the background of their success, fame and reproduction stands not only composing and musical art. We need to consider the amount of organisational, legal, managerial, and production work. This study focuses on these less discussed aspects in the functioning of several musical ensembles in the Czech Republic. Through qualitative questioning, the study aims to map current managerial and production management modus operandi as well as lay the foundation to further quantitative research. This article is an outcome of institutional support for long term conceptual development of scientific, research and development activities JAMU in the years 2018 to 2020.
{"title":"Studie manažerského a produkčního prostředí a chování hudebních souborů v České republice \"Learning by doing\"","authors":"Vít Kouřil, Barbora Mikolášiková, Lucie Pešl Šilerová","doi":"10.5817/mb2021-1-5","DOIUrl":"https://doi.org/10.5817/mb2021-1-5","url":null,"abstract":"Music ensembles – bands, brass bands, or orchestras – are divided by genres by the public. But in the background of their success, fame and reproduction stands not only composing and musical art. We need to consider the amount of organisational, legal, managerial, and production work. This study focuses on these less discussed aspects in the functioning of several musical ensembles in the Czech Republic. Through qualitative questioning, the study aims to map current managerial and production management modus operandi as well as lay the foundation to further quantitative research. This article is an outcome of institutional support for long term conceptual development of scientific, research and development activities JAMU in the years 2018 to 2020.","PeriodicalId":53757,"journal":{"name":"Musicologica Brunensia","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71350347","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Tři novoříšské stopy Jana Nováka","authors":"Richard Novák, Stanislav Tesař","doi":"10.5817/mb2021-2-1","DOIUrl":"https://doi.org/10.5817/mb2021-2-1","url":null,"abstract":"","PeriodicalId":53757,"journal":{"name":"Musicologica Brunensia","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71350370","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
For about a decade in the early nineteenth century, the castle of Count Heinrich Wilhelm Haugwitz in Moravian Náměšť nad Oslavou hosted a large number of musical activities centered on Mozart’s operas. These activities are documented in orchestral scores, manuscript performing materials, and unusually meticulous and detailed financial records. An exploration of the Haugwitz materials associated with La finta giardiniera, Don Giovanni, and La clemenza di Tito shows that due to his historicist and literary interests the Count focused on unusual German adaptations of Mozart’s Italian works as well as operas that were not common in regular repertoire of the day. The Haugwitz documents also show that the Count obtained the performing materials not only from Prague and Vienna but probably also from a previously overlooked copyist workshop in Brno.
在19世纪早期大约十年的时间里，摩拉维亚Náměšť nad Oslavou的Heinrich Wilhelm Haugwitz伯爵的城堡举办了大量以莫扎特歌剧为中心的音乐活动。这些活动都记录在管弦乐乐谱、演奏材料手稿以及异常细致和详细的财务记录中。通过对豪格维茨与《家丁的finta》、《唐·乔凡尼》和《铁托的clemenza di Tito》有关的材料的探索，可以发现，由于他的历史主义和文学兴趣，伯爵专注于莫扎特意大利作品的不同寻常的德国改编，以及在当时的常规曲目中不常见的歌剧。豪格维茨的文件还显示，伯爵不仅从布拉格和维也纳获得了表演材料，而且可能还从布尔诺一个以前被忽视的抄写车间获得了这些材料。
{"title":"Heinrich Wilhelm Haugwitz and the reception of Mozart's operas in early nineteenth-century Moravia","authors":"Martin Nedbal","doi":"10.5817/mb2021-1-3","DOIUrl":"https://doi.org/10.5817/mb2021-1-3","url":null,"abstract":"For about a decade in the early nineteenth century, the castle of Count Heinrich Wilhelm Haugwitz in Moravian Náměšť nad Oslavou hosted a large number of musical activities centered on Mozart’s operas. These activities are documented in orchestral scores, manuscript performing materials, and unusually meticulous and detailed financial records. An exploration of the Haugwitz materials associated with La finta giardiniera, Don Giovanni, and La clemenza di Tito shows that due to his historicist and literary interests the Count focused on unusual German adaptations of Mozart’s Italian works as well as operas that were not common in regular repertoire of the day. The Haugwitz documents also show that the Count obtained the performing materials not only from Prague and Vienna but probably also from a previously overlooked copyist workshop in Brno.","PeriodicalId":53757,"journal":{"name":"Musicologica Brunensia","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71350474","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Das Libretto zur Oper Porsena von Agostino Piovene (Venedig 1712) als Vorläufer der Festa teatrale Costanza e Fortezza von Pietro Pariati (Prag 1723)","authors":"I. Veselá","doi":"10.5817/mb2021-1-4","DOIUrl":"https://doi.org/10.5817/mb2021-1-4","url":null,"abstract":"","PeriodicalId":53757,"journal":{"name":"Musicologica Brunensia","volume":"30 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71350493","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Proti historické amnézii: čeští exiloví skladatelé Jan Novák a Antonín Tučapský versus oficiální kulturní politika","authors":"Martin Flášar, P. Němcová","doi":"10.5817/mb2021-2-2","DOIUrl":"https://doi.org/10.5817/mb2021-2-2","url":null,"abstract":"","PeriodicalId":53757,"journal":{"name":"Musicologica Brunensia","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71350410","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Václav Jan Tomášeks Liederästhetik unter Berücksichtigung der Frage des Stils","authors":"Šťastná","doi":"10.5817/MB2020-2-6","DOIUrl":"https://doi.org/10.5817/MB2020-2-6","url":null,"abstract":"","PeriodicalId":53757,"journal":{"name":"Musicologica Brunensia","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71350247","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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