Revisión del libro Cosas confusas. Comprender las tecnologías y la comunicación por D. H. Cabrera (Coord.)
《困惑的东西》一书的评论。D. H. Cabrera的《理解技术和通信》(Coord.)
{"title":"Daniel H. Cabrera (coord.), Cosas confusas. Comprender las tecnologías y la comunicación. Valencia, Tirant Humanidades, 2019, Plural, 316 páginas","authors":"Gabriel Calarco","doi":"10.24215/18517811e204","DOIUrl":"https://doi.org/10.24215/18517811e204","url":null,"abstract":"Revisión del libro Cosas confusas. Comprender las tecnologías y la comunicación por D. H. Cabrera (Coord.)","PeriodicalId":53760,"journal":{"name":"Orbis Tertius","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2021-05-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81416017","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Inspirados en la obra de Vicente Huidobro, y especialmente en Altazor, poema paracaidista, Estefanía Calderón y el poeta dominicano Frank Báez examinan en esta entrevista las relaciones e influencias de los movimientos vanguardistas históricos en la actualidad poética de Latinoamérica y el Caribe, y se preguntan si se refleja en ella aún un espíritu aviador. Simultáneamente, abordan temas tan urgentes como la migración y la exploración de nuevos territorios digitales en los espacios de difusión cultural y literaria.
{"title":"“Las nubes y todo eso” o “lo más vanguardista sigue siendo un libro” — un diálogo (a un siglo del vuelo de Altazor)","authors":"Estefanía Calderón Potes","doi":"10.24215/18517811e201","DOIUrl":"https://doi.org/10.24215/18517811e201","url":null,"abstract":"Inspirados en la obra de Vicente Huidobro, y especialmente en Altazor, poema paracaidista, Estefanía Calderón y el poeta dominicano Frank Báez examinan en esta entrevista las relaciones e influencias de los movimientos vanguardistas históricos en la actualidad poética de Latinoamérica y el Caribe, y se preguntan si se refleja en ella aún un espíritu aviador. Simultáneamente, abordan temas tan urgentes como la migración y la exploración de nuevos territorios digitales en los espacios de difusión cultural y literaria.","PeriodicalId":53760,"journal":{"name":"Orbis Tertius","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2021-05-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87432670","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
El ensayo se propone analizar la recepción del “mito de Ícaro y Dédalo” en la América colonial. A partir de la función moralizadora del Ícaro ovidiano como exemplum ex contrario en el discurso festivo y político de inicios del siglo XVIII, el artículo analiza su específica relectura en el debate ilustrado del Perú, mediante el aporte del Cosmógrafo real Cosme Bueno con su “Disertación sobre el arte de Volar” (1790) y el “Nuevo sistema de navegar por los aires” (1762) del limeño Santiago de Cárdenas.
{"title":"El vuelo icario en la América colonial: relecturas de un mito durante el siglo XVIII en el Perú","authors":"M. R. Carrasco","doi":"10.24215/18517811e196","DOIUrl":"https://doi.org/10.24215/18517811e196","url":null,"abstract":"El ensayo se propone analizar la recepción del “mito de Ícaro y Dédalo” en la América colonial. A partir de la función moralizadora del Ícaro ovidiano como exemplum ex contrario en el discurso festivo y político de inicios del siglo XVIII, el artículo analiza su específica relectura en el debate ilustrado del Perú, mediante el aporte del Cosmógrafo real Cosme Bueno con su “Disertación sobre el arte de Volar” (1790) y el “Nuevo sistema de navegar por los aires” (1762) del limeño Santiago de Cárdenas.","PeriodicalId":53760,"journal":{"name":"Orbis Tertius","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2021-05-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73956352","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
En 1965, gracias a la adquisición de una nueva flota de jets, Braniff Airways –una aerolínea mediana con sede en Texas– anhelaba estar a la altura de sus competidores y conseguir así mejorar su participación de mercado, en especial, en las rutas internacionales que unían a los EE. UU. con varias ciudades de México y América del Sur. Este artículo examina cómo la apremiante situación financiera generada por esta millonaria adquisición daría lugar a una audaz campaña publicitaria y de mercadeo que finalmente sería responsable de la estilizada reinterpretación del viaje aéreo, que abandonaría los decorados serios pero sofisticados, y se adentraría en la nueva, colorida, glamorosa y ultramoderna “era del jet”. Dicha transformación estilística implicó el trabajo conjunto entre tres grandes creativos de la década de 1960: la publicista Mary Wells, el diseñador de modas Emilio Pucci y el diseñador de interiores Alexander Girard. Tanto Pucci como Girard serían particularmente vitales en la creación de la colorida, pero sofisticada nueva imagen de Braniff, que definiría el carácter único y vanguardista de la “modernidad” en la era del jet. Asimismo, de forma intencionada estos diseñadores atribuirían su estética a la acogida del "primitivismo", en particular, empleando llamativas inspiraciones geométricas extraídas del arte de la América precolombina y otras civilizaciones del sur global.
{"title":"Pasarelas exóticas entre Latinoamérica y EE.UU.: Braniff Airways y “El fin del aeroplano plano”","authors":"Phil Tiemeyer","doi":"10.24215/18517811e200","DOIUrl":"https://doi.org/10.24215/18517811e200","url":null,"abstract":"En 1965, gracias a la adquisición de una nueva flota de jets, Braniff Airways –una aerolínea mediana con sede en Texas– anhelaba estar a la altura de sus competidores y conseguir así mejorar su participación de mercado, en especial, en las rutas internacionales que unían a los EE. UU. con varias ciudades de México y América del Sur. Este artículo examina cómo la apremiante situación financiera generada por esta millonaria adquisición daría lugar a una audaz campaña publicitaria y de mercadeo que finalmente sería responsable de la estilizada reinterpretación del viaje aéreo, que abandonaría los decorados serios pero sofisticados, y se adentraría en la nueva, colorida, glamorosa y ultramoderna “era del jet”. Dicha transformación estilística implicó el trabajo conjunto entre tres grandes creativos de la década de 1960: la publicista Mary Wells, el diseñador de modas Emilio Pucci y el diseñador de interiores Alexander Girard. Tanto Pucci como Girard serían particularmente vitales en la creación de la colorida, pero sofisticada nueva imagen de Braniff, que definiría el carácter único y vanguardista de la “modernidad” en la era del jet. Asimismo, de forma intencionada estos diseñadores atribuirían su estética a la acogida del \"primitivismo\", en particular, empleando llamativas inspiraciones geométricas extraídas del arte de la América precolombina y otras civilizaciones del sur global.","PeriodicalId":53760,"journal":{"name":"Orbis Tertius","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2021-05-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88129426","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The theater, a space where genres, formats and poetics intersect, is a remnant that seems to have always been in Puig's writing, and comes on stage as a corporeal sign of exile. We will read the didascalias in scripts and dramatic texts as a trace that condenses those displacements between cinema, theater and literatura; juncture that exposes the imminence of loss and transformation, as well as the intersection of materialities, expressive means and modes of representation, that run through Puig's entire production: a translation-transposition problem inscribed in a voice that rejoices in simultaneously its consistency and its fall.
{"title":"\"Sin yo haberlo buscado\": Manuel Puig y el Teatro","authors":"L. Conde","doi":"10.24215/18517811E176","DOIUrl":"https://doi.org/10.24215/18517811E176","url":null,"abstract":"The theater, a space where genres, formats and poetics intersect, is a remnant that seems to have always been in Puig's writing, and comes on stage as a corporeal sign of exile. We will read the didascalias in scripts and dramatic texts as a trace that condenses those displacements between cinema, theater and literatura; juncture that exposes the imminence of loss and transformation, as well as the intersection of materialities, expressive means and modes of representation, that run through Puig's entire production: a translation-transposition problem inscribed in a voice that rejoices in simultaneously its consistency and its fall.","PeriodicalId":53760,"journal":{"name":"Orbis Tertius","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2020-11-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79421201","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The question of voice and hearing in some texts and scenes in Latin American poetry from the nineteenth and, with more emphasis, the twentieth and twenty-first centuries will be addressed in this study. Certain delimitations and concomitances between the voice/logos and noise will also be analyzed. Several historical and cultural constitutions of the voice and the ear will also be focused on, from the very notion of resonance and critical hearing, as well as from the effect of punctuation upon the speech, proposing new links between orality and writing.
{"title":"“Quién hace tanta bulla”. Puntuaciones políticas de la voz y la escucha en la poesía latinoamericana","authors":"Ana Porrúa","doi":"10.24215/18517811E166","DOIUrl":"https://doi.org/10.24215/18517811E166","url":null,"abstract":"The question of voice and hearing in some texts and scenes in Latin American poetry from the nineteenth and, with more emphasis, the twentieth and twenty-first centuries will be addressed in this study. Certain delimitations and concomitances between the voice/logos and noise will also be analyzed. Several historical and cultural constitutions of the voice and the ear will also be focused on, from the very notion of resonance and critical hearing, as well as from the effect of punctuation upon the speech, proposing new links between orality and writing.","PeriodicalId":53760,"journal":{"name":"Orbis Tertius","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2020-11-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84587171","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
A corpus of texts by Osdany Morales and Jorge Enrique Lage is analyzed, recovering the political gesture of a writing that has been freed from the burden of representing any previous foundation. Far from referring to any profound truth, it is proposed that this political gesture occurs at the surface level of writing itself: as an inquiry on the act of writing, and as an affirmation of what writing can do, beyond the unfavorable production conditions in Cuba.
{"title":"Intervenciones desde la ligereza. Notas sobre escritura y política en Osdany Morales y Jorge Enrique Lage","authors":"Laura Maccioni","doi":"10.24215/18517811E165","DOIUrl":"https://doi.org/10.24215/18517811E165","url":null,"abstract":"A corpus of texts by Osdany Morales and Jorge Enrique Lage is analyzed, recovering the political gesture of a writing that has been freed from the burden of representing any previous foundation. Far from referring to any profound truth, it is proposed that this political gesture occurs at the surface level of writing itself: as an inquiry on the act of writing, and as an affirmation of what writing can do, beyond the unfavorable production conditions in Cuba.","PeriodicalId":53760,"journal":{"name":"Orbis Tertius","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2020-11-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86888945","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Isabel Lustosa, O jornalista que imaginou o Brasil. Tempo, vida e pensamento de Hipolito da Costa (1774-1823). Campinas, SP, Editora da Unicamp, 2019, 288 paginas
{"title":"Isabel Lustosa, O jornalista que imaginou o Brasil. Tempo, vida e pensamento de Hipólito da Costa (1774-1823). Campinas, SP, Editora da Unicamp, 2019, 288 páginas","authors":"Hernán Francisco Pas","doi":"10.24215/18517811E186","DOIUrl":"https://doi.org/10.24215/18517811E186","url":null,"abstract":"Isabel Lustosa, O jornalista que imaginou o Brasil. Tempo, vida e pensamento de Hipolito da Costa (1774-1823). \u0000Campinas, SP, Editora da Unicamp, 2019, 288 paginas","PeriodicalId":53760,"journal":{"name":"Orbis Tertius","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2020-11-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87198685","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Jens Andermann, Tierras en trance. Arte y naturaleza después del paisaje. Santiago de Chile, Metales Pesados, 2018, 462 páginas
延斯·安德曼，恍惚中的土地。风景之后的艺术和自然。智利圣地亚哥，重金属，2018,462页
{"title":"Jens Andermann, Tierras en trance. Arte y naturaleza después del paisaje. Santiago de Chile, Metales Pesados, 2018, 462 páginas","authors":"M. Benedetto","doi":"10.24215/18517811E185","DOIUrl":"https://doi.org/10.24215/18517811E185","url":null,"abstract":"Jens Andermann, Tierras en trance. Arte y naturaleza después del paisaje. Santiago de Chile, Metales Pesados, 2018, 462 páginas","PeriodicalId":53760,"journal":{"name":"Orbis Tertius","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2020-11-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86328818","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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