Pub Date : 2023-04-12DOI: 10.1017/s0265051723000086
John Mcelroy
An undergraduate music class was examined that incorporated the creation of students’ individual original raps. Research was conducted to understand the value of studying rap and its impact upon students’ education. This instrumental case study utilised students’ individual raps as an art-based research component to address three research questions: 1.) How, if at all, does studying hip-hop through the creation of a rap provide a transformative experience and growth in students? 2.) How are student experiences reflected in the use of music composition through the creation of an original rap? and 3.) How does the process of creating an original rap provide insight into students’ experiences?
{"title":"The power of rap in music education: a study of undergraduate students’ original rap creations","authors":"John Mcelroy","doi":"10.1017/s0265051723000086","DOIUrl":"https://doi.org/10.1017/s0265051723000086","url":null,"abstract":"\u0000 An undergraduate music class was examined that incorporated the creation of students’ individual original raps. Research was conducted to understand the value of studying rap and its impact upon students’ education. This instrumental case study utilised students’ individual raps as an art-based research component to address three research questions: 1.) How, if at all, does studying hip-hop through the creation of a rap provide a transformative experience and growth in students? 2.) How are student experiences reflected in the use of music composition through the creation of an original rap? and 3.) How does the process of creating an original rap provide insight into students’ experiences?","PeriodicalId":54192,"journal":{"name":"British Journal of Music Education","volume":" ","pages":""},"PeriodicalIF":2.0,"publicationDate":"2023-04-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44325965","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"教育学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-04-12DOI: 10.1017/S0265051723000074
Susan Young
Abstract Neoliberalism and neoconservatism are two political ideologies that currently shape state directives for education in many countries. In this article, I describe the confluence of neoliberal and neoconservative ideologies that led to the introduction, by the English state department for education, of a Model Music Curriculum for schools. I describe how neoliberalism has transformed the music education ‘ecology’ in England and created an environment that was receptive to the introduction of a curriculum on neoconservative principles. I consider the current position of progressive music education and why it seems unable to mount a sufficiently persuasive challenge. I make a case for the importance of analysis that explicitly focuses on political ideologies and their present-day rhetoric and discourses. Finally, I point to the general early years sector in England as an illustration for how to respond to state interventions in curriculum that might be emulated by the music education sector.
{"title":"Where neoliberalism and neoconservatism meet: the inception and reception of a Model Music Curriculum for English Schools","authors":"Susan Young","doi":"10.1017/S0265051723000074","DOIUrl":"https://doi.org/10.1017/S0265051723000074","url":null,"abstract":"Abstract Neoliberalism and neoconservatism are two political ideologies that currently shape state directives for education in many countries. In this article, I describe the confluence of neoliberal and neoconservative ideologies that led to the introduction, by the English state department for education, of a Model Music Curriculum for schools. I describe how neoliberalism has transformed the music education ‘ecology’ in England and created an environment that was receptive to the introduction of a curriculum on neoconservative principles. I consider the current position of progressive music education and why it seems unable to mount a sufficiently persuasive challenge. I make a case for the importance of analysis that explicitly focuses on political ideologies and their present-day rhetoric and discourses. Finally, I point to the general early years sector in England as an illustration for how to respond to state interventions in curriculum that might be emulated by the music education sector.","PeriodicalId":54192,"journal":{"name":"British Journal of Music Education","volume":"40 1","pages":"147 - 157"},"PeriodicalIF":2.0,"publicationDate":"2023-04-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42581876","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"教育学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-03-10DOI: 10.1017/s0265051723000025
Daniel Mateos-Moreno, Anders Hoglert
This study aims to shed light on the motivation governing instrument choice. To collect data, we designed, piloted and administered a survey to a population of students enrolled in a music teacher education programme in Sweden. In line with previous, Anglo-centred research, we identify the instrument’s timbre and parental influences as relevant motives for this decision. Uncommonly, however, taking part in a testing session is suggested to have a similarly influential effect. Accordingly, our study supports the value of offering free-to-all sessions where children may try different instruments and openly discuss them with music teachers. Further insights from our results include families exerting more influence than peers, genre preferences bearing little relevance and potential tendencies regarding the influence of gender and socio-economic background for instrument choice. In addition, we uncover several motives that counteract this decision, music provision being the main impediment to pursuing one’s original preference, thereby underscoring the urgency of reducing the Swedish communal schools’ waiting lists for specific instruments. Our results further suggest the presence of mediating factors, including the musician’s starting age, family environment (beyond parents/guardians) and the availability of the instrument at home. This finding opens a new path in the study of instrument choice and challenges the way this topic has been traditionally researched, given that such factors could function as confounding variables in the study of instrument choice.
{"title":"Why did you (not) choose your main musical instrument? Exploring the motivation behind the choice","authors":"Daniel Mateos-Moreno, Anders Hoglert","doi":"10.1017/s0265051723000025","DOIUrl":"https://doi.org/10.1017/s0265051723000025","url":null,"abstract":"\u0000 This study aims to shed light on the motivation governing instrument choice. To collect data, we designed, piloted and administered a survey to a population of students enrolled in a music teacher education programme in Sweden. In line with previous, Anglo-centred research, we identify the instrument’s timbre and parental influences as relevant motives for this decision. Uncommonly, however, taking part in a testing session is suggested to have a similarly influential effect. Accordingly, our study supports the value of offering free-to-all sessions where children may try different instruments and openly discuss them with music teachers. Further insights from our results include families exerting more influence than peers, genre preferences bearing little relevance and potential tendencies regarding the influence of gender and socio-economic background for instrument choice. In addition, we uncover several motives that counteract this decision, music provision being the main impediment to pursuing one’s original preference, thereby underscoring the urgency of reducing the Swedish communal schools’ waiting lists for specific instruments. Our results further suggest the presence of mediating factors, including the musician’s starting age, family environment (beyond parents/guardians) and the availability of the instrument at home. This finding opens a new path in the study of instrument choice and challenges the way this topic has been traditionally researched, given that such factors could function as confounding variables in the study of instrument choice.","PeriodicalId":54192,"journal":{"name":"British Journal of Music Education","volume":" ","pages":""},"PeriodicalIF":2.0,"publicationDate":"2023-03-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46580857","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"教育学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-03-03DOI: 10.1017/S0265051723000049
I. Knutsson
Abstract Group teaching is rapidly spreading across the world, but little research has been conducted to investigate its impact on students’ musical abilities in comparison to inclusion in group tuition contexts. This article investigates how music teachers from the classical orchestra instrumental tradition discuss group tuition. Three focus group interviews were conducted with participants from one Art and Music School in Sweden. The results show a tension field between progression and inclusion as well as different views on the definition of these concepts. These differing views on teaching quality imply a balancing act for the different agents within the profession.
{"title":"Challenges and tension fields in classical instrumental group tuition: interviews with Swedish Art and Music School teachers","authors":"I. Knutsson","doi":"10.1017/S0265051723000049","DOIUrl":"https://doi.org/10.1017/S0265051723000049","url":null,"abstract":"Abstract Group teaching is rapidly spreading across the world, but little research has been conducted to investigate its impact on students’ musical abilities in comparison to inclusion in group tuition contexts. This article investigates how music teachers from the classical orchestra instrumental tradition discuss group tuition. Three focus group interviews were conducted with participants from one Art and Music School in Sweden. The results show a tension field between progression and inclusion as well as different views on the definition of these concepts. These differing views on teaching quality imply a balancing act for the different agents within the profession.","PeriodicalId":54192,"journal":{"name":"British Journal of Music Education","volume":"40 1","pages":"168 - 180"},"PeriodicalIF":2.0,"publicationDate":"2023-03-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45757905","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"教育学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-03-02DOI: 10.1017/S0265051723000037
Vesna Svalina
Abstract This paper presents the results of a study conducted to determine the importance of listening to music in relation to other music activities in teaching music in Croatian primary schools, and whether teachers’ listening habits affect how much listening activity is used in music lessons. The results showed that in the teaching of music at the primary level of education, singing is most often performed and that this activity is the most important for the classroom teachers, while listening to music is second in terms of frequency and importance. Listening to music is more important to teachers who often listen to classical music in their leisure time than teachers who listen to this music occasionally, rarely or not at all. This difference in attitudes is also statistically significant.
{"title":"The impact of teachers’ listening habits on how much listening activity is used in music lessons","authors":"Vesna Svalina","doi":"10.1017/S0265051723000037","DOIUrl":"https://doi.org/10.1017/S0265051723000037","url":null,"abstract":"Abstract This paper presents the results of a study conducted to determine the importance of listening to music in relation to other music activities in teaching music in Croatian primary schools, and whether teachers’ listening habits affect how much listening activity is used in music lessons. The results showed that in the teaching of music at the primary level of education, singing is most often performed and that this activity is the most important for the classroom teachers, while listening to music is second in terms of frequency and importance. Listening to music is more important to teachers who often listen to classical music in their leisure time than teachers who listen to this music occasionally, rarely or not at all. This difference in attitudes is also statistically significant.","PeriodicalId":54192,"journal":{"name":"British Journal of Music Education","volume":"40 1","pages":"193 - 203"},"PeriodicalIF":2.0,"publicationDate":"2023-03-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43866801","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"教育学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-02-13DOI: 10.1017/s0265051722000390
{"title":"BME volume 40 issue 1 Cover and Back matter","authors":"","doi":"10.1017/s0265051722000390","DOIUrl":"https://doi.org/10.1017/s0265051722000390","url":null,"abstract":"","PeriodicalId":54192,"journal":{"name":"British Journal of Music Education","volume":" ","pages":"b1 - b2"},"PeriodicalIF":2.0,"publicationDate":"2023-02-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46741545","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"教育学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-02-13DOI: 10.1017/s0265051723000013
Alison Daubney, Martin Fautley
An abstract is not available for this content. As you have access to this content, full HTML content is provided on this page. A PDF of this content is also available in through the ‘Save PDF’ action button.
{"title":"Editorial 2023","authors":"Alison Daubney, Martin Fautley","doi":"10.1017/s0265051723000013","DOIUrl":"https://doi.org/10.1017/s0265051723000013","url":null,"abstract":"An abstract is not available for this content. As you have access to this content, full HTML content is provided on this page. A PDF of this content is also available in through the ‘Save PDF’ action button.","PeriodicalId":54192,"journal":{"name":"British Journal of Music Education","volume":"518 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-02-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135907040","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"教育学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-02-13DOI: 10.1017/s0265051722000389
{"title":"BME volume 40 issue 1 Cover and Front matter","authors":"","doi":"10.1017/s0265051722000389","DOIUrl":"https://doi.org/10.1017/s0265051722000389","url":null,"abstract":"","PeriodicalId":54192,"journal":{"name":"British Journal of Music Education","volume":" ","pages":"f1 - f2"},"PeriodicalIF":2.0,"publicationDate":"2023-02-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46403868","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"教育学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-11-28DOI: 10.1017/S0265051722000353
Karendra Devroop
Abstract The impact of practical instrumental music instruction on students’ psychological and sociological well-being is well documented in research literature. The extent to which these findings hold true for disadvantaged populations is unknown. Previous studies focused on young students with little to no research on disadvantaged young adults at university level. This study investigated the impact of group practical instrumental music instruction on the psychological well-being of disadvantaged university students. It particularly investigated changes in students’ optimism, self-esteem and happiness after participation in a wind ensemble. The study further looked at possible relationships between optimism, self-esteem, happiness and participation in an instrumental music ensemble. Results revealed increases in participant’s optimism, self-esteem and happiness and moderate to strong positive correlations between variables.
{"title":"Impact of studying practical instrumental music on the psychological well-being of disadvantaged university students","authors":"Karendra Devroop","doi":"10.1017/S0265051722000353","DOIUrl":"https://doi.org/10.1017/S0265051722000353","url":null,"abstract":"Abstract The impact of practical instrumental music instruction on students’ psychological and sociological well-being is well documented in research literature. The extent to which these findings hold true for disadvantaged populations is unknown. Previous studies focused on young students with little to no research on disadvantaged young adults at university level. This study investigated the impact of group practical instrumental music instruction on the psychological well-being of disadvantaged university students. It particularly investigated changes in students’ optimism, self-esteem and happiness after participation in a wind ensemble. The study further looked at possible relationships between optimism, self-esteem, happiness and participation in an instrumental music ensemble. Results revealed increases in participant’s optimism, self-esteem and happiness and moderate to strong positive correlations between variables.","PeriodicalId":54192,"journal":{"name":"British Journal of Music Education","volume":"40 1","pages":"158 - 167"},"PeriodicalIF":2.0,"publicationDate":"2022-11-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43470832","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"教育学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-11-09DOI: 10.1017/S0265051722000365
N. Bannan
Abstract This article places in historical context the three operas written by Alan Ridout for the choir of Canterbury Cathedral during the 1960s. Analysis of these works and their gestation is presented as a microcosm representing wider developments in music education since then. The analysis weaves together personal recollections, authenticated through correspondence with teachers and other alumni involved, combined with the examination of archive material, and with musical and textual analysis. The works themselves remain fresh and worthy of performance today, while the intentions behind them represent a mirror through which the role of musical creativity in contemporary education will be considered.
{"title":"Signs of the times: the Canterbury children’s operas of Alan Ridout","authors":"N. Bannan","doi":"10.1017/S0265051722000365","DOIUrl":"https://doi.org/10.1017/S0265051722000365","url":null,"abstract":"Abstract This article places in historical context the three operas written by Alan Ridout for the choir of Canterbury Cathedral during the 1960s. Analysis of these works and their gestation is presented as a microcosm representing wider developments in music education since then. The analysis weaves together personal recollections, authenticated through correspondence with teachers and other alumni involved, combined with the examination of archive material, and with musical and textual analysis. The works themselves remain fresh and worthy of performance today, while the intentions behind them represent a mirror through which the role of musical creativity in contemporary education will be considered.","PeriodicalId":54192,"journal":{"name":"British Journal of Music Education","volume":"40 1","pages":"181 - 192"},"PeriodicalIF":2.0,"publicationDate":"2022-11-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46949306","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"教育学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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