{"title":"An Interpretation of the Female Consciousness in Yuan Changying’s Spoken Drama","authors":"Qi Yunmeng","doi":"10.35534/fttr.0303006","DOIUrl":"https://doi.org/10.35534/fttr.0303006","url":null,"abstract":"袁昌英独特的女性观对其话剧创作产生了深远影响，在面对女性解放的重大议题时，她凭借女性特有的敏锐洞察力，理性地看待与思考女性内心深处的挣扎以及所面临的社会环境的压迫并在其话剧作品中有力地展现出来，这不仅罕见于中国现代话剧史，在中国女性书写史中也是别具一格的。同时在西方女性主义思潮和中华传统文化的双重熏陶下，她形成了一种平和而理智的女性意识，这使她能够正视两性之间的差异，发现并强调女性自身所具有的英雄品格进而呼吁有差别的男女相对平等。从我国女性主义发展的历史逻辑和现实实践来看，这种观念无论是在现代还是当代，对于妇女解放都具有重要的进步意义。","PeriodicalId":66055,"journal":{"name":"戏剧与影视评论","volume":"87 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135704329","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"An Analysis of the Postmodern Features in Mr. Donkey","authors":"Han Leng","doi":"10.35534/fttr.0303009","DOIUrl":"https://doi.org/10.35534/fttr.0303009","url":null,"abstract":"《驴得水》呈现出来的思想观念，是后现代的黑色幽默、荒诞不经、批判讽刺与异化焦虑，而不是如有些研究所指出的，表现的是民国时期的启蒙意识。电影对边缘化的知识分子所谓的远大理想进行了无情鞭挞，后现代艺术正是以批评“元话语”和反对“宏大叙事”为主要特征。剧中人物没有一个正面形象。男性角色与女性角色的数量相差无几，但牢牢掌握话语权的却始终是男性，正是他们最终决定了影片叙事情节的发展和人物命运的走向。张一曼生活的核心目标是追求性欲享乐，与“五四”新女性追求恋爱与婚姻的自主是完全不同的伦理目标。剧中女性仍然不具有真正的反抗意识，电影并没有体现出后现代女性主义的先锋思想。","PeriodicalId":66055,"journal":{"name":"戏剧与影视评论","volume":"33 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135704048","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Exploring the Creation Mode and Characteristics of South Korean Phenomenal Film and TV Drama","authors":"Zhou Shanqi","doi":"10.35534/fttr.0303013","DOIUrl":"https://doi.org/10.35534/fttr.0303013","url":null,"abstract":"在大众媒介“一统天下”的今天，韩国电视剧变换传播内容，更新表现形式，运用穿越手法，融偶像爱情故事、悬疑推理剧情、时尚流行元素等于一体，迅速占领中国市场并风靡东亚地区。韩剧在感官效果上重视配乐配色的协同性；创作定位上，以“情”为主，不落窠臼，从多个角度传达友情、亲情、爱情；角色塑造上，符合观众审美趣味；呈现方式上，发挥韩国美妆业的技术优势，为角色设计精美独特妆造；营销路径上，精准定位目标群体，注重后产品开发。探讨韩国影视剧的创作模式及其艺术特点对于中国电视剧制作具有一定的借鉴意义。","PeriodicalId":66055,"journal":{"name":"戏剧与影视评论","volume":"51 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135704631","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"An Preliminary Study of Film Editing of The Sacrifice","authors":"Liu Jun","doi":"10.35534/fttr.0303011","DOIUrl":"https://doi.org/10.35534/fttr.0303011","url":null,"abstract":"《金刚川》；电影剪辑；奇观化影像；影片败笔","PeriodicalId":66055,"journal":{"name":"戏剧与影视评论","volume":"168 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135704037","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"On Black Humor in Liao Yimei’s Opera: A Case Study of Amber","authors":"Huang Lanxin","doi":"10.35534/fttr.0303005","DOIUrl":"https://doi.org/10.35534/fttr.0303005","url":null,"abstract":"黑色幽默文学以直接呈现世界的荒诞及人性的异化为要义，通过人物的佯装无知，将痛苦和欢笑并置以达到反讽（Irony）的效果。廖一梅的先锋戏剧大量运用黑色幽默叙事手法，呈现出后现代的叙述特质，包括碎片化、拼贴式的结构、反英雄的人物等。本文尝试分析作为叙事手段的黑色幽默在戏剧《琥珀》中的表现形式及其所发挥的作用，探析黑色幽默所传达的作者对于消费社会中人的生存处境的反思，以及对于被商业裹挟的现代艺术的反抗和嘲弄，而其荒诞表征下的内核仍然是为爱情母题的叙述服务。","PeriodicalId":66055,"journal":{"name":"戏剧与影视评论","volume":"128 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135704810","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Intertextuality and Publication Forms of Blue Bridge and Jade Pestle of the Ming Edition","authors":"Xie Junyue","doi":"10.35534/fttr.0303002","DOIUrl":"https://doi.org/10.35534/fttr.0303002","url":null,"abstract":"明刊浣月轩本《蓝桥玉杵记》作为明代文人剧作且为案头之作的典型代表之一，在文本上因其乃明代唯一现存描写裴航、云英故事的剧本而颇为人瞩目，在文本表现上具有特殊的意义。《蓝桥玉杵记》正文本周边环绕了丰富的副文本，涉及的内容十分丰富，构成了小说、传奇、杂剧和散曲四种文体共存一体的互文关系。《蓝桥玉杵记》更利用改编原有的传说、故事等民众喜闻乐见的材料，以采取小说、散曲、杂剧等通俗生动的文学形式向大众进行宣教，从旧有素材中出新、出奇。此外，《蓝桥玉杵记》附录的形制相对于《西厢记》发生了较大改变，是一种特殊的出版形态。从附录位置、编排、内容等方面均经过书坊主与书籍编纂人巧妙的构思，不断地在进行版式上的改良与创新，使其达到良好的宣传效果。故以《蓝桥玉杵记》为研究对象，对其互文性视野下的特殊出版形态进行研究，从而以小见大，以个案研究呈现万历时期传奇剧本的出版形态与结构特征的演变脉络，深化对当时戏曲文学生态的理解。","PeriodicalId":66055,"journal":{"name":"戏剧与影视评论","volume":"34 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135704326","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Narratives of Apocalypse and Doomsday in Chinese Science Fiction Movies (2019-2023)","authors":"Wang Yuhan","doi":"10.35534/fttr.0303012","DOIUrl":"https://doi.org/10.35534/fttr.0303012","url":null,"abstract":"2019年被认为是中国科幻电影的元年，自此后，越来越多的科幻电影出现在大众视野。《流浪地球》《上海堡垒》《独行月球》以及《明日战记》的叙事层面都在科幻的基础上与灾难片进行了类型杂糅，并着重表达末日叙事。当下中国的科幻电影所面临的问题是，在好莱坞珠玉在前的环境下，如何探索出具有本国特色的奇观景象和叙事路径，完成市场成功与观念的构建和传递的双重任务，在中国的科幻电影中呈现出具有中国文化精神底蕴的人文气息。","PeriodicalId":66055,"journal":{"name":"戏剧与影视评论","volume":"21 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135704343","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Turn·Concentration·Breakthrough: On Cao Yu’s Anti-Japanese Propaganda Creation in Black Letter Twenty-eight","authors":"Tian Ye","doi":"10.35534/fttr.0303004","DOIUrl":"https://doi.org/10.35534/fttr.0303004","url":null,"abstract":"《黑字二十八》是曹禺与宋之的合作写于抗战初期，意在鼓舞全民参加抗战的政治宣传之作。通过对比两位作家不同剧幕、分析回环往复的文本架构，以及杨兴福和韦明两位主要角色，发现《黑字二十八》是曹禺从内向自我逐步转到外向战争现实的一次创作尝试。他将第三幕集中在“反间谍反汉奸”而非“全民总动员”的政治命题，在完成抗战宣传任务的同时坚守了正视人性的写作原则，尽力平衡剧本的艺术性和观赏性，对抗战宣传剧的创作有所突破。","PeriodicalId":66055,"journal":{"name":"戏剧与影视评论","volume":"187 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135704619","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Narrative Strategy of the Poverty Alleviation Drama Mining Town","authors":"Shen Yuting","doi":"10.35534/fttr.0303014","DOIUrl":"https://doi.org/10.35534/fttr.0303014","url":null,"abstract":"叙事策略；叙事研究；主旋律影视；脱贫攻坚；《山海情》","PeriodicalId":66055,"journal":{"name":"戏剧与影视评论","volume":"52 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135704042","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Artistic Creation in A Changeable Life: The Troupe of The Shaanxi Normal University","authors":"Huang Shizhi, Ren Meixuan","doi":"10.35534/fttr.0303003","DOIUrl":"https://doi.org/10.35534/fttr.0303003","url":null,"abstract":"陕师大剧团是陕西师范大学历史较长、实力最强、也是校团委管理下的唯一能代表学校到校外演出和作为校内大部分戏剧创作演出活动运作者及作品“作者”的戏剧社团。陕师大剧团虽然存在着组织松散、宣传工作不足和作品署名不合理等问题，但他们能做到艺术创作与专业学习相结合，原创剧目较多且大部分都是典型的小剧场戏剧。研究陕师大剧团存在的问题以及陕西师范大学校园戏剧中存在的问题，不仅有利于陕师大剧团以及陕西师范大学校园戏剧的建设与发展，也能为陕西，乃至国内其他地区校园戏剧的建设与发展提供一些值得借鉴的经验。","PeriodicalId":66055,"journal":{"name":"戏剧与影视评论","volume":"5 6 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135704318","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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