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Monstrosity 怪物
Pub Date : 1855-05-01 DOI: 10.1056/nejm183310300091202
Y. Vanderhaeghen
From the 12th-century representations of the ‘‘Monstrous Races’’ to the serial killer Ted Bundy and the mass murderer Anders Breivik, Alexa Wright explores the transition from morphological to behavioral monstrosity in human history. In this she follows Michel Foucault’s thinking in The Abnormal series of lectures of 1974–75 and his exploration of Otherness in his 1978 lecture ‘‘The Dangerous Individual.’’ Wright’s concern is with how a narrative of monstrosity is imposed on certain appearances and behaviors, and how it changes over time and social contexts. She bases her understanding of her subject on the etymological root of ‘‘monster,’’ ‘‘monstrosity’’ and ‘‘monstrousness’’ (whose meanings are not interchangeable) as the Latin monstrare, which means both ‘‘to show’’ and ‘‘to warn.’’ The monstrous is seen as the inverse of what is human, the warning sign at the edge of human identity before it transgresses the boundary of the amoral and unhuman. Monstrosity is the narrative imposed on a corporeal irregularity, and the monster is the subject in which these two come together. Monstrosity is not therefore a history of monsters, but an engagement with monstrosity as a visual phenomenon. In the case of the Monstrous Races and the 16th-century Monster of Ravenna, the monsters were deemed to be of this world, their representations constructed out of imagined unknown beings that were part human, part animal, the product of crossing natural boundaries, and so both warnings and indicators of social norms and disruptions. Wright takes issue with Georges Canguilhem’s proposal that the monstrous started being dismantled in the 18th century by science, and that it became tamed as a curiosity in, for example, the spectacle of freak shows [cf. Visual Anthropology, 7(2): 163–165]. It is in this period, after all, that physiognomy developed as a science that aimed to prove that there was such a thing as a criminal character and that this was manifest in the features of an individual. Against this, Wright juxtaposes the case of the ‘‘Elephant Man,’’ Joseph Merrick, whose repulsive physical deformity cloaked a figure of romance in popular society, suggesting that the transition away from equating moral monstrosity with morphological deviation was well underway. Too narrow a reading of this would not be able to account for the later flowering of eugenics, Nazism, or indeed apartheid. Visual Anthropology, 28: 458–459, 2015 Copyright # Taylor & Francis Group, LLC ISSN: 0894-9468 print=1545-5920 online DOI: 10.1080/08949468.2015.1086219
从12世纪的“怪物种族”到连环杀手泰德·邦迪和大屠杀凶手安德斯·布雷维克,亚历克萨·赖特探索了人类历史上从形态到行为的怪物转变。在这一点上,她遵循了米歇尔·福柯在1974 - 1975年的《变态》系列讲座中的思想,以及他在1978年的演讲《危险的个体》中对他者的探索。赖特关注的是如何将怪物的叙述强加于某些外表和行为,以及它如何随着时间和社会背景而变化。她对她的主题的理解基于“怪物”、“怪物”和“怪物”(它们的意思是不可互换的)的词源,就像拉丁语中的monstrare,意思是“显示”和“警告”。“怪物被视为人性的反面,是人类身份边缘的警告标志,在它超越不道德和非人类的界限之前。”怪物是一种强加于不规则物质上的叙事,怪物是这两者结合的主题。因此,《怪物》并不是一部关于怪物的历史,而是将怪物作为一种视觉现象进行探讨。在怪物种族和16世纪拉文纳怪物的例子中,怪物被认为是这个世界的,他们的代表是想象中的未知生物,一部分是人,一部分是动物,是跨越自然边界的产物,既是社会规范和混乱的警告和指示。george Canguilhem认为,怪物在18世纪开始被科学所摧毁,并且在怪异表演的奇观中被驯服为一种好奇心[参见视觉人类学,7(2):163-165]。毕竟,正是在这一时期,相面学发展成为一门科学,旨在证明存在着犯罪的性格,这在个人的特征中是显而易见的。与此相反,赖特将“象人”约瑟夫·梅里克(Joseph Merrick)的例子放在一起,他令人厌恶的身体畸形掩盖了大众社会中的浪漫形象,这表明,将道德怪物等同于形态偏差的转变正在顺利进行。过于狭隘的解读将无法解释后来优生学、纳粹主义或种族隔离的盛行。视觉人类学,28:458-459,2015版权所有# Taylor & Francis Group, LLC ISSN: 0894-9468 print=1545-5920 online DOI: 10.1080/08949468.2015.1086219
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引用次数: 3
Table of Meteorological Conditions in the City of Buffalo for March, 1855. 1855年3月布法罗市的气象条件表。
Sanford B Hunt
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引用次数: 0
Croup 臀部
F. Gaillard
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引用次数: 0
Explanation 解释
Pub Date : 1855-03-01 DOI: 10.1093/oso/9780190678739.003.0005
Paul Thagard
Different styles of explanation employ different patterns. In narrative explanation, people tell a story concerning how events come about. Explanation by elimination occurs when a phenomenon is explained away as being nonexistent. Explanation by deduction is powerful in mathematical fields such as physics, but is rarely possible in more qualitative fields such as biology, psychology, and sociology. In these fields, the most useful approach is mechanistic, where events are explained by showing how they causally result from regular changes in systems of connected and interacting parts. Like explanation, causality cannot be captured by a simple analysis in terms of universal regularities, manipulations, probabilities, or causal networks. Rather, a three-analysis marks all of these as typical features of causal relations, on top of familiar exemplars such as pushes and pulls.
不同的解释风格采用不同的模式。在叙述解释中,人们讲述一个关于事件如何发生的故事。当一种现象被解释为不存在时,就会用消除法来解释。通过演绎来解释在数学领域如物理学中是很强大的,但在更多的定性领域如生物学、心理学和社会学中却很少有可能。在这些领域中,最有用的方法是机械论,其中通过展示它们是如何由连接和相互作用的部分组成的系统的规则变化因果关系来解释事件。就像解释一样,因果关系不能通过简单的分析来捕捉,比如普遍规律、操纵、概率或因果网络。相反,三分析将所有这些都标记为因果关系的典型特征,在熟悉的例子(如推和拉)之上。
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引用次数: 0
Case of Œsophagotomy Œsophagotomy的案例
Pub Date : 1855-02-01 DOI: 10.1136/JRAMC-06-05-09
F. Palmer
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引用次数: 0
Cholera 霍乱
Daniel Bell
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引用次数: 0
Camphor as an Antidote to Strychnia 樟脑作为马钱子属的解药
Pub Date : 1855-02-01 DOI: 10.1016/S0140-6736(02)20325-6
E. W. Pritchard
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引用次数: 0
Coroner’s Inquest
Pub Date : 1855-02-01 DOI: 10.1016/s0140-6736(02)99985-x
T. D. Marshall
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引用次数: 0
The Health of the City 城市的健康
Pub Date : 1854-12-01 DOI: 10.1016/s0140-6736(02)49497-4
H. Godfrey
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引用次数: 4
The Health of the City 城市的健康
Pub Date : 1854-11-01 DOI: 10.1093/nq/s2-vi.147.325d
J. Grand
The Health of the City; Past, Present, and Prospective. — The last case of cholera of the season has occurred. The weekly report of deaths has dwindled to one-fourth the proportions of six weeks ago; one case only appearing in last week’s record — a poor German, reported by his physician and fellow-countryman as “m collapsus — nothing extra f as if it were “ nothing extra ” to close the list of that long array who have fallen under the shadow of the cholera’s black wing.
城市的健康;过去、现在和未来。-本季度最后一例霍乱病例已经发生。每周报告的死亡人数已减少到六周前的四分之一;上个星期只出现了一个病例——一个可怜的德国人,他的医生和他的同胞报告说他“昏倒了”——没有什么特别的,就好像“没有什么特别的”结束了一长串在霍乱黑翅膀阴影下的人的名单。
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引用次数: 13
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The Buffalo medical journal and monthly review of medical and surgical science
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