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Howie Tsui, From swelling shadows, we draw our bows, curated by Justine Kohleal, The Power Plant, Toronto, September 26, 2020 - January 3, 2021 徐豪,《从膨胀的阴影中,我们拉起弓》,贾斯汀·科勒尔策展,发电厂,多伦多,2020年9月26日- 2021年1月3日
Pub Date : 2022-01-02 DOI: 10.1080/17458927.2022.2025654
Kalina Nedelcheva
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引用次数: 0
Connoisseurs of the senses: tobacco smoking, poetic pleasures, and homoerotic masculinity in Ottoman Damascus 感官鉴赏家:吸烟,诗歌的乐趣,以及奥斯曼大马士革的同性恋男子气概
Pub Date : 2022-01-02 DOI: 10.1080/17458927.2021.2020616
Simon Leese
ABSTRACT In seventeenth-century Damascus and other Ottoman cities, a number of Arabic poets wrote about tobacco smoking, suggesting that this relatively new habit was not only a question of law and social mores for scholarly communities but also pleasure and connoisseurship. Focussing on The Wafting Scent of Fragrant Herbs and a Splash of Liquor in the Tavern, an anthology by the Damascene Muḥammad al-Muḥibbī (d. 1699 CE), this article examines how these poets incorporated tobacco into their poetic world through intertextuality, drawing analogies with other desirable sensory experiences such as wine drinking, and putting tobacco pipes center stage in poetic scenes of homoerotic love. More broadly, it argues that multisensorial perception provided metaphors for literary connoisseurship and sociability in the Ottoman period. This “sensory connoisseurship” – and the incorporation of tobacco as an object of its attention – contributed to articulations of masculinity among poets and audiences who shared poetic and sensory pleasures.
在17世纪的大马士革和其他奥斯曼帝国城市,许多阿拉伯诗人写过关于吸烟的文章,表明这种相对较新的习惯不仅是学术团体的法律和社会习俗问题,而且是娱乐和鉴赏的问题。本文以大马士革作家Muḥammad al-Muḥibbī(公元1699年)的选集《香草的飘香和酒馆里的一杯酒》为中心,考察了这些诗人如何通过互文性将烟草融入他们的诗歌世界,将烟草与其他令人渴望的感官体验(如饮酒)进行类比,并将烟斗置于同性恋爱情的诗歌场景的中心位置。更广泛地说,它认为多感官知觉为奥斯曼时期的文学鉴赏力和社交能力提供了隐喻。这种“感官鉴赏力”——以及烟草作为其关注对象的结合——有助于诗人和观众对男性气概的表达,他们分享诗歌和感官乐趣。
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引用次数: 2
Scenting the imperial residence: objects from the Topkapı Palace Museum collections 嗅嗅皇宫:托普卡比宫博物馆藏品
Pub Date : 2022-01-02 DOI: 10.1080/17458927.2021.2020613
Beyza Uzun, Nina Macaraig
ABSTRACT Following every major meal in the Topkapı Palace, Istanbul, the sultan was incensed with amber and aloewood, and every evening, an amber-and-aloewood-scented candle perfumed his bedroom, according to page-boy Albert Bobovi’s seventeenth-century account of everyday life. Talikizade’s Şehname (ca. 1596–1600) shows Süleyman the Magnificent seated with his son in his library, next to a censer emitting tendrils of smoke. Approximately sixty such censers are preserved in the Topkapı Palace Museum today. Taking as a vantage point this rich textual, pictorial and material evidence, this essay examines olfactory practices and objects employed in the imperial residence. Against the background of the Topkapı Palace’s sensescape and Islamic and Ottoman traditions in general, we discuss the prominent examples of five incense burners and three rosewater sprinklers of varying material and date, in order to arrive at conclusions about the objects’ form, function, and symbolic role in contributing to cleanliness, sacrality, as well as imperial and elite culture.
在伊斯坦布尔的托普卡比宫,每顿大餐之后,苏丹就会被琥珀和芦荟熏得浑身发香,每天晚上,他的卧室里都会点燃琥珀和芦荟香味的蜡烛,这是少年阿尔伯特·波波维在17世纪对日常生活的描述。塔利基扎德(Talikizade)的Şehname(约1596-1600年)画的是伟大的莱曼(sallyman the Magnificent)和他的儿子坐在书房里,旁边是一个散发着缕缕烟雾的香炉。今天,托普卡比耶故宫博物馆保存着大约60个这样的香炉。以这一丰富的文字、图像和物质证据为优势,本文考察了皇家住宅中使用的嗅觉实践和物体。在托普卡比皇宫的感官和伊斯兰和奥斯曼传统的背景下,我们讨论了五个香炉和三个不同材料和日期的玫瑰水喷射器的突出例子,以便得出关于物体的形式,功能和在促进清洁,神圣性以及帝国和精英文化中的象征作用的结论。
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引用次数: 1
The senses of cholera: transformations of gustation and olfaction in 19th-century Iran 霍乱的感觉:19世纪伊朗味觉和嗅觉的转变
Pub Date : 2022-01-02 DOI: 10.1080/17458927.2021.2020629
A. Ghajarjazi
ABSTRACT In this article, I examine how Greco-Islamic and clinical medicine competed in the context of cholera epidemics in 19th-century Iran. By close-reading medical texts in this period, I sketch out this competition by focusing on how ideas about cholera prevention and treatment centered on certain understandings of the sense of smell and taste. The main argument is that while in Greco-Islamic medicine, the gustatory and olfactory experiences involving cholera and its treatment received substantial attention, in the clinical approach these experiences were methodically avoided and contained.
在这篇文章中,我研究了希腊-伊斯兰和临床医学在19世纪伊朗霍乱流行的背景下是如何竞争的。通过仔细阅读这一时期的医学文献,我勾勒出这场竞赛的轮廓,重点关注霍乱预防和治疗的理念是如何以对嗅觉和味觉的某种理解为中心的。主要的论点是,在希腊-伊斯兰医学中,与霍乱及其治疗有关的味觉和嗅觉体验得到了大量关注,而在临床方法中,这些体验被有条不紊地避免和控制。
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引用次数: 1
Medieval islamicate aromatherapy: medical perspectives on aromatics and perfumes 中世纪伊斯兰芳香疗法:芳香剂和香水的医学观点
Pub Date : 2022-01-02 DOI: 10.1080/17458927.2021.2020606
Anya H. King
ABSTRACT In the medieval Islamic world perfume occupied an important place. Both men and women used scented preparations. Much of our information about perfumery comes from the writings of physicians who both prescribed scented compounds and described their manufacture in formularies. Individual aromatic ingredients and compound perfumes were prized for their purported medicinal properties, described in terms of humoral theory. This aspect of pharmacology is well described by the physicians in their works. But some writers go beyond these limits to explore the psychological dimensions of scent, linking specific aromas to certain mental states and associating them with gender. Rules of decorum also recommended different perfumes according to the identity of the user. The creation of perfumes in the medieval Islamic world was thus an art which combined medical, esthetic, and social considerations.
在中世纪的伊斯兰世界,香水占有重要的地位。男性和女性都使用有香味的制剂。我们关于香水的大部分信息来自医生的著作,他们既开有香味的化合物,也在处方中描述了它们的制造过程。单个芳香成分和复合香水因其据称的药用特性而受到重视,这是根据体液理论来描述的。药理学的这一方面在医生的著作中有很好的描述。但一些作家超越了这些限制,探索气味的心理维度,将特定的气味与某些心理状态联系起来,并将它们与性别联系起来。礼仪规则还根据用户的身份推荐不同的香水。因此,在中世纪的伊斯兰世界,香水的制作是一门结合了医学、美学和社会因素的艺术。
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引用次数: 2
Interrogating glamour: piercing visual pleasure, an antidote to passive spectatorship 质问的魅力:锐利的视觉快感,被动旁观的解药
Pub Date : 2022-01-02 DOI: 10.1080/17458927.2021.2020639
M. Eden
ABSTRACT This review explores art practice as an antidote, or counter force to stupefying and potentially depressing visual forces that like art act on us primarily through our ocular sense. These forces are accounted for here under the catch all weak-glamour, their sources are varied and multifarious: advertising, branding, social media and normative hegemonic patterns there-in that are also found in popular film, fashion and television.
这篇综述探讨了艺术实践作为一种解毒剂,或对抗像艺术一样主要通过我们的视觉作用于我们的麻木和潜在压抑的视觉力量。这些力量在这里被解释为“捕捉所有的弱魅力”,它们的来源是多种多样的:广告、品牌、社交媒体和规范性的霸权模式——在流行的电影、时尚和电视中也能找到。
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引用次数: 0
Sense, sensibility, and psychophysics 理智,感性和心理物理学
Pub Date : 2022-01-02 DOI: 10.1080/17458927.2021.2020669
M. Rossi
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引用次数: 0
Regina José Galindo: Ríos de Gente , produced by Maiz de vida, for the festival Libertad para el Agua, various locations including Monte Olivo, Comunidad Nuevo Montecristo, Lanquín and San Juan Chamelco, Guatemala, April 15, 2021 Regina jose Galindo: rios de Gente,由Maiz de vida制作,为水的自由节,不同地点,包括Monte Olivo, Nuevo Montecristo社区,lanquin和San Juan Chamelco,危地马拉,2021年4月15日
Pub Date : 2022-01-02 DOI: 10.1080/17458927.2022.2025655
Cecily Ou
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引用次数: 0
Smell and the legacy of scientific racism 气味和科学种族主义的遗产
Pub Date : 2022-01-02 DOI: 10.1080/17458927.2021.2020661
Stephen J. Casmier
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引用次数: 0
Al-Jāḥiẓ on the senses: sensory moderation and Muslim synesthesia Al-Jāḥiẓ关于感官:感官节制和穆斯林联觉
Pub Date : 2022-01-02 DOI: 10.1080/17458927.2021.2020605
C. Lange
ABSTRACT The celebrated Iraqi littérateur, al-Jāḥiẓ (d. 255 AH/869 CE), devotes a long section of his opus magnum, The Book of the Living, to the topic of “sensation among the various classes of living things.” His observations about the wondrous qualities of the human and animal sensorium are also found elsewhere in The Book of Living and in other of his works. This article traces al-Jāḥiẓ’s sensory theory in its epistemological and ethical dimensions, by pulling together key passages on the five senses from al-Jāḥiẓ’s oeuvre. The article argues that al-Jāḥiẓ develops a characteristic sensory style that is marked not so much by his desire to elevate sight above hearing, or human rationalism over animal sensualism, but rather by his erudite conoisseurship of the natural world and by his deep and measured appreciation of the phenomenon of synesthesia. Given al-Jāḥiẓ’s exalted status in Arabic literary history, his moderate sensory style constitutes an important paradigm on which later thinkers active in the Islamic world could build.
著名的伊拉克人al-Jāḥiẓ(公元255年/公元869年),在他的巨著《生命之书》中,用了很长的篇幅来讨论“不同种类的生物之间的感觉”这个话题。在《生命之书》和他的其他作品中,也可以找到他对人类和动物感官奇妙品质的观察。本文通过汇集al-Jāḥiẓ作品中关于五种感官的关键段落,在认识论和伦理维度上追溯al-Jāḥiẓ的感官理论。文章认为al-Jāḥiẓ发展了一种独特的感觉风格,这种风格的特点不是他把视觉提升到听觉之上的愿望,也不是他把人类理性主义提升到动物感官主义之上的愿望,而是他对自然世界的渊博的洞察力,以及他对联觉现象的深刻而有节制的欣赏。鉴于al-Jāḥiẓ在阿拉伯文学史上的崇高地位,他温和的感官风格构成了一个重要的范式,活跃在伊斯兰世界的后来的思想家可以建立。
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引用次数: 1
期刊
The senses and society
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