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Beauvoir and Sartre as Public Intellectuals in 2022 2022年波伏娃和萨特作为公共知识分子
Pub Date : 2022-12-01 DOI: 10.1353/mln.2022.0066
W. McBride
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引用次数: 0
Keeping Company: Phenomenologies of Perception 陪伴:知觉现象学
Pub Date : 2022-12-01 DOI: 10.1353/mln.2022.0076
J. Bennett
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引用次数: 0
Kant, Existentialism, and the Anthropic Principle 康德,存在主义与人择原理
Pub Date : 2022-12-01 DOI: 10.1353/mln.2022.0068
William Egginton
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引用次数: 0
On Authenticity and the Concept of the Public in Kierkegaard and Heidegger 论克尔凯郭尔与海德格尔的真实性与公众概念
Pub Date : 2022-12-01 DOI: 10.1353/mln.2022.0065
Yi-Ping Ong
commentaries
评论
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引用次数: 0
Special Dossier: The New Politics of Existence 特别档案:生存的新政治
Pub Date : 2022-12-01 DOI: 10.1353/mln.2022.0063
William Egginton, Yi-Ping Ong
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引用次数: 0
“Wait a Minute”: Reflections on [the] Pause “等一下”:关于停顿的思考
Pub Date : 2022-12-01 DOI: 10.1353/mln.2022.0074
B. Herzogenrath
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引用次数: 0
Unknotted, Derailed, Realigned 解开,脱轨,重新组合
Pub Date : 2022-12-01 DOI: 10.1353/mln.2022.0073
Rita Felski
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引用次数: 0
The Night Itself: Blanchot, Descartes 夜本身:布朗肖,笛卡尔
Pub Date : 2022-09-01 DOI: 10.1353/mln.2022.0058
W. S. Allen
Abstract:Maurice Blanchot’s first novel, Thomas l’Obscur , contains a very intense episode in which the protagonist encounters the night. Close attention to the language and development of this episode indicates a proximity to Descartes’ method of scepticism. However, Blanchot significantly extends and suspends Descartes’ method, which leads to a reconfiguration of thought itself in such a way that it places in question the notions of sameness and difference as well as the relation of thought to literature and existence.
摘要:莫里斯·布朗肖的第一部小说《黑暗的托马斯》包含了主人公与黑夜相遇的一个非常激烈的情节。对这一情节的语言和发展的密切关注表明,它接近于笛卡尔的怀疑主义方法。然而,布朗肖极大地扩展和悬置了笛卡尔的方法,这导致了思想本身的重构,从而质疑了同一性和差异性的概念,以及思想与文学和存在的关系。
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引用次数: 0
Pleasure Unthought in Translation 翻译中无意识的快乐
Pub Date : 2022-09-01 DOI: 10.1353/mln.2022.0054
C. Shread
Abstract:Building on fifteen years translating Catherine Malabou’s thought from French to English, this article pursues my exploration of her signature plasticity within translation studies. It reflects on the ways Malabou draws on art to name plasticity, as a new thought that emerged for her in philosophy. Her recent book Le Plaisir effacé. Clitoris et pensée (2020) considers what to do with that which remains unthought precisely because it is unseen. Now that contemporary art is at last making the clitoris visible, offering it representation, I ask, does Malabou’s philosophical analysis offer a new art of clitoridean translation?
摘要:本文以Catherine Malabou的法文翻译思想为基础,从翻译研究的角度探讨她的签名可塑性。它反映了马拉布利用艺术来命名可塑性的方式,这是她在哲学中出现的一种新思想。她最近的书《和平》(Le Plaisir effacess)。《阴蒂与郁闷》(2020)考虑了如何处理那些未被思考的东西,正是因为它是看不见的。现在,当代艺术终于使阴蒂可见,并为它提供了表现,我问,马拉布的哲学分析是否提供了一种新的阴蒂翻译艺术?
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引用次数: 0
The Deadly Time of Capitalism: Suicide and Plasticity in the French Workplace 资本主义的致命时代:法国工作场所的自杀和可塑性
Pub Date : 2022-09-01 DOI: 10.1353/mln.2022.0056
Anne M. Mulhall
Abstract:Over the past twenty-five years, structural changes within French corporate life have given rise to an increase in workplace suicide. Waves of scholarly work, as well as novels and films, have emerged in response. Catherine Malabou, with her focus on work, time, and death, has so far been absent from these conversations. While exploring these problems in Malabou’s writing, this article considers their resonance in the worker-suicide film Corporate (2017). In doing so, it situates the crisis of workplace suicide, and its aestheticization in film, against emerging positions on the plasticity of the brain and the logic of human value.
摘要:在过去的25年里,法国企业生活的结构性变化导致了工作场所自杀率的上升。作为回应,一波又一波的学术著作、小说和电影应运而生。专注于工作、时间和死亡的凯瑟琳·马拉布(Catherine Malabou)到目前为止还没有出现在这些对话中。在探索马拉布作品中的这些问题的同时,本文考虑了它们在工人自杀电影《企业》(2017)中的共鸣。在这样做的过程中,它将工作场所自杀的危机及其在电影中的审美化置于对大脑可塑性和人类价值逻辑的新兴立场之上。
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引用次数: 0
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