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Introduction to AMSJ Blog Essays: "What's in a Name?" AMSJ博客文章简介:“一个名字意味着什么?”
Pub Date : 2023-03-01 DOI: 10.1353/ams.2023.a910891
Nishani Frazier
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引用次数: 0
Queering the Library: Naming the Subject Is an Act of Power 图书馆的古怪:命名主题是一种权力行为
Pub Date : 2023-03-01 DOI: 10.1353/ams.2023.a910893
Margaret Breidenbaugh
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引用次数: 0
The End of Burnout: Why Work Drains Us and How to Build Better Lives by Jonathan Malesic (review) 《职业倦怠的终结:为什么工作让我们精疲力竭,以及如何创造更好的生活》作者:乔纳森·马莱斯克
Pub Date : 2023-03-01 DOI: 10.1353/ams.2023.a910898
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引用次数: 1
The Racialization of the Student-Athlete 学生运动员的种族化
Pub Date : 2023-03-01 DOI: 10.1353/ams.2023.a910890
Joseph Darda
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引用次数: 0
The Long Catalog of Horrors: Racial Capitalism from Slavery to Mass Incarceration 恐怖的长目录:种族资本主义从奴隶制到大规模监禁
Pub Date : 2023-03-01 DOI: 10.1353/ams.2023.a910896
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引用次数: 0
Confronting Uncomfortable History: Contested Memorials on the American Landscape 面对令人不安的历史:美国风景上有争议的纪念碑
Pub Date : 2023-03-01 DOI: 10.1353/ams.2023.a910892
Adrienne Chudzinski
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引用次数: 0
Myth America: Historians Take On the Biggest Legends and Lies About Our Past ed. by Kevin M. Kruse and Julian E. Zelizer (review) 《美国神话:历史学家对我们过去最大的传说和谎言的研究》,作者:凯文·m·克鲁斯和朱利安·e·泽利泽
Pub Date : 2023-03-01 DOI: 10.1353/ams.2023.a910900
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引用次数: 0
Cruelty and Violence in the Borderlands: Alejandro González Iñárritu's The Revenant 边境地带的残酷与暴力:亚历杭德罗González Iñárritu的《荒野猎人》
Pub Date : 2023-03-01 DOI: 10.1353/ams.2023.a910889
Cara Anne Kinnally
Mexican director Alejandro González Iñárritu’s (2015) Oscar-winning film The Revenant fictionalizes the true-life story of frontiersman Hugh Glass and his struggle to survive after being severely mauled by a grizzly bear and left for dead, without a gun or any other weapons, in the wilderness of U.S.-controlled northern Louisiana Territory (present-day South Dakota) in 1823. 1 Like other westerns, the film builds up the myth of the self-sufficient, resourceful, and bold mountain man of U.S. folklore, here instantiated by the character of Glass. 2 Glass is unequivocally the hero and the focus of the film. But The Revenant differs from more paradigmatic western films, which often celebrated westward expansion as a civilizing force that opposed the “savage” wilderness of the frontier, by instead critiquing many parts of this process. 3 When compared to the historical archive of documents related to Glass’s life and Michael Punke’s novel The Revenant: A Novel of Revenge (2002), on which the film is loosely based, Iñárritu’s version of Glass’s life story deviates in important ways. Only in the film, for example, does Glass marry a Pawnee woman and have a son with her. Only in the film does Glass murder a military officer in order to defend his son during an attack on the Pawnee village in which they live. And only in the film do we see the kidnapping and rape of a Sahnish (Arikara) 4 woman, which provokes the Sahnish to violently resist the incursion of white men into the region. 5 These changes highlight the violence involved in modern nation-building,
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引用次数: 0
The Rise of Corporate Feminism: Women in the American Office, 1960-1990 by Allison Elias (review) 《企业女权主义的兴起:1960-1990年美国办公室女性》艾莉森·埃利亚斯著(书评)
Pub Date : 2023-03-01 DOI: 10.1353/ams.2023.a910897
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引用次数: 0
Relationality, Mutuality, Collaboration: Relational Approaches to Race and Empire 关系、互惠、合作:种族与帝国的关系方法
Pub Date : 2023-03-01 DOI: 10.1353/ams.2023.a910895
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引用次数: 0
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American studies (Lawrence, Kan.)
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