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45. Obligation of confidence 45. 保密义务
Pub Date : 2014-09-01 DOI: 10.1093/HE/9780198769958.003.0045
L. Bently, B. Sherman, D. Gangjee, Phillip Johnson
This chapter considers one requirement in a breach of confidence action: that the defendant was under a legal (as opposed merely to a moral) obligation of confidentiality. It first looks at the basic test for a confidence arising that is ‘knowledge’ or ‘notice’. More specifically, it examines the duties that arise where the parties are in a direct relationship, where there is an indirect relationship, and where no relationship exists. It also describes the duties that arise when the parties are in an employment relationship and tackles the question as to whether (and if so, when) strangers come under an obligation of confidentiality.
本章考虑违反保密诉讼的一个要求:被告负有法律上(而不仅仅是道德上)的保密义务。它首先着眼于对信心产生的基本测试,即“知识”或“注意”。更具体地说,它审查了在当事人有直接关系、有间接关系和不存在关系的情况下产生的义务。它还描述了双方在雇佣关系中出现的义务,并解决了陌生人是否(如果有,何时)有保密义务的问题。
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引用次数: 0
29. Copyright protection for designs 29. 外观设计的版权保护
Pub Date : 2014-09-01 DOI: 10.1093/he/9780198769958.003.0029
L. Bently, B. Sherman, D. Gangjee, Phillip Johnson
This chapter deals with the conditions under which copyright law might protect designs as well as the limitations on the term of design protection. It first considers the subsistence of copyright in designs via two routes: either directly, by protecting the form and decoration of articles as artistic works (particularly sculptures, engravings, or works of artistic craftsmanship), or indirectly, by protecting the author of a preliminary document on which a design is based. It then discusses section 52 of the UK Copyright, Designs and Patents Act 1988, which limited the term of protection of copyright for mass-produced designs to twenty-five years, and its demise.
本章讨论版权法保护外观设计的条件以及对外观设计保护期限的限制。它首先考虑通过两种途径保护外观设计的版权:一种是直接的,通过保护作为艺术作品的物品的形式和装饰(特别是雕塑、雕刻或艺术工艺作品);另一种是间接的,通过保护设计所依据的初步文件的作者。然后讨论了1988年英国版权、设计和专利法第52条,该条款将批量生产的设计的版权保护期限限制在25年,以及它的消亡。
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引用次数: 0
19. Inventive step 19. 的步骤
Pub Date : 2014-09-01 DOI: 10.1093/he/9780198769958.003.0019
L. Bently, B. Sherman, D. Gangjee, Phillip Johnson
This chapter examines the requirement that an invention is patentable if it involves an ‘inventive step’ or ‘non-obviousness’, that is, the invention is not obvious to a person skilled in the art, and the difficulty of deciding whether an invention is obvious (non-inventive) or non-obvious (inventive). It first considers the approach used by the European Patent Office to deal with the obviousness of a patent and compares it with that in the UK. It then explains the concept of the state of the art in an obviousness examination before concluding with an assessment of the way in which the inventive step has been addressed in a number of different circumstances.
本章研究了一项发明是否可专利的要求,如果它涉及“创造性步骤”或“非显而易见性”,即该发明对本领域技术人员来说不是显而易见的,以及决定一项发明是显而易见(非创造性)还是非显而易见(创造性)的困难。它首先考虑了欧洲专利局用来处理专利显而易见性的方法,并将其与英国的方法进行了比较。然后,在对在许多不同情况下处理发明步骤的方式进行评估之前,通过显而易见的检查来解释现有技术的概念。
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引用次数: 0
3. Subject matter 3.主题
Pub Date : 2014-09-01 DOI: 10.1093/he/9780198769958.003.0003
L. Bently, B. Sherman, D. Gangjee, Phillip Johnson
This chapter is concerned with the subject matter, or types of creation, protected by copyright law as stipulated by the Copyright, Designs and Patents Act 1988. Eight categories of work are examined: literary works, dramatic works, musical works, artistic works, films, sound recordings, broadcasts, and published editions (or typographical works). The chapter considers the definitions of these categories of work in the case law and through the jurisprudence of the European Court of Justice. It also discusses three important issues. First, that legal categories do not necessarily correspond to the objects usually associated with copyright law. Second, that all types of subject matter that are protected by copyright are referred to as ‘works’. The third issue, and the most problematic, is whether the list of works must be treated as an exhaustive list.
本章涉及《1988年版权、外观设计和专利法》规定的受版权法保护的主题或创作类型。审查八类作品:文学作品、戏剧作品、音乐作品、艺术作品、电影、录音、广播和出版版本(或印刷作品)。本章考虑了判例法和欧洲法院判例中这些工作类别的定义。本文还讨论了三个重要问题。首先,法律范畴并不一定对应于通常与版权法相关的对象。其次,所有受版权保护的主题都被称为“作品”。第三个问题,也是最有问题的一个问题是,这个作品列表是否必须被视为一个详尽的列表。
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引用次数: 0
43. Geographical indications of origin 43. 原产地地理标志
Pub Date : 2014-09-01 DOI: 10.1093/HE/9780198769958.003.0043
L. Bently, B. Sherman, D. Gangjee, Phillip Johnson
This chapter examines three regimes that form part of the legal framework that governs the way agricultural products are described and labelled. It first considers the scheme developed by the European Union to regulate protected designations of origin (PDOs) and protected geographical indications (PGIs). It then discusses the traditional specialities guaranteed scheme that aims to protect the names of traditional foods and recipes, as well as the optional quality terms scheme that was introduced in 2013. It covers important international treaties that have an impact upon the legal regulation of geographical indications, including the 1994 Agreement on Trade Related Aspects of Intellectual Property Rights (TRIPS). The chapter concludes by looking at situations in which a registered name will be infringed (or misused), together with the scope of protection against infringement.
本章考察了三种制度,它们构成了管理农产品描述和标签方式的法律框架的一部分。它首先考虑了欧盟制定的计划,以规范受保护的原产地名称(PDOs)和受保护的地理标志(pgi)。然后讨论了旨在保护传统食品和食谱名称的传统特色保证计划,以及2013年引入的可选质量条款计划。它涵盖了对地理标志的法律规制有影响的重要国际条约,包括1994年的《与贸易有关的知识产权协定》。本章最后考察了注册名称被侵权(或被滥用)的情况,以及防止侵权的保护范围。
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引用次数: 0
4. Criteria for protection 4. 防护标准
Pub Date : 2014-09-01 DOI: 10.1093/he/9780198769958.003.0004
L. Bently, B. Sherman, D. Gangjee, Phillip Johnson
This chapter examines the criteria used to determine whether a work is to be protected by copyright. More specifically, it considers the requirements for copyright protection: the work must be recorded in a material form; must be ‘original’; should be sufficiently connected to the UK to qualify for protection under UK law; and should not be excluded from protection on public policy grounds. The originality requirement applies to literary, dramatic, musical, and artistic works (authorial works), not to entrepreneurial works (sound recordings, films, broadcasts, and typographical arrangements). The common characteristics of originality are also discussed, along with British conception of originality, harmonization of ‘originality’ in Europe, differences between British and European standards on originality, and the issue of whether the UK can-and does-protect non-original works. The chapter concludes by focusing on subject matter excluded from copyright protection.
本章探讨用于确定作品是否受版权保护的标准。更具体地说,它考虑了版权保护的要求:作品必须以物质形式记录;必须是“原创”;应与英国有充分联系,有资格获得英国法律的保护;不应以公共政策为由将其排除在保护之外。独创性要求适用于文学、戏剧、音乐和艺术作品(作者作品),而不适用于创业作品(录音、电影、广播和排版)。本文还讨论了原创性的共同特征,以及英国对原创性的概念、欧洲对“原创性”的统一、英国和欧洲在原创性标准上的差异,以及英国是否能够——而且确实——保护非原创性作品的问题。本章最后着重讨论了不受版权保护的主题。
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引用次数: 0
31. Introduction to passing off and trade marks 31. 介绍假冒及商标
Pub Date : 2014-09-01 DOI: 10.1093/HE/9780198769958.003.0031
L. Bently, B. Sherman, D. Gangjee, Phillip Johnson
This chapter introduces the common law of passing off and the statutory regime that protects registered trade marks found in the Trade Marks Act 1994. It commences with a brief history of trade marks and the development of their legal protection. This is followed by a discussion on the ways in which legal protection of signs and symbols are justified. It then considers the international and regional background that informs and constrains the law on trade marks in the UK, with particular reference to registration and the harmonization of standards. The chapter concludes by looking at challenges posed to trade marks by electronic commerce and the use of trade marks as domain names, as well as the phenomenon of supermarket lookalikes or own brands.
本章介绍假冒商标的普通法以及1994年《商标法》中保护注册商标的法定制度。本文首先简要介绍了商标的历史及其法律保护的发展。随后讨论了对标志和符号的法律保护是合理的。然后,它考虑了通知和限制英国商标法律的国际和地区背景,特别是关于注册和标准的协调。最后,本章探讨了电子商务、商标作为域名的使用对商标构成的挑战,以及类似超市或自有品牌的现象。
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引用次数: 0
44. Is the information capable of being protected? 44. 信息是否能够得到保护?
Pub Date : 2014-09-01 DOI: 10.1093/HE/9780198769958.003.0044
L. Bently, B. Sherman, D. Gangjee, Phillip Johnson
This chapter looks at the type of information that is capable of being protected by the action for breach of confidence. More specifically, it examines four limitations placed on the type of information that may be protected under the action: where the information is trivial, immoral, vague, or in the public domain. It also considers the notion of ‘relative secrecy’ around which the breach of confidence, along with encrypted information and the so-called ‘springboard’ doctrine.
本章探讨了可受失信行为保护的信息类型。更具体地说,它检查了可能在该行动下受到保护的信息类型的四个限制:信息是微不足道的,不道德的,模糊的,或在公共领域。它还考虑了“相对保密”的概念,以及加密信息和所谓的“跳板”原则。
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引用次数: 0
17. Patentable subject matter 17. 可申请专利的主题
Pub Date : 2014-09-01 DOI: 10.1093/he/9780198769958.003.0017
L. Bently, B. Sherman, D. Gangjee, Phillip Johnson
This chapter deals with patentable subject matter and the ways in which it is regulated under the Patents Act 1977 and the 2000 European Patents Convention (EPC). More specifically, it discusses five criteria that an invention must satisfy to be patentable, including the requirement that it must be capable of ‘industrial application’, and that patents are not granted for immoral inventions. The chapter also considers two different approaches that are used when deciding whether an invention falls within the scope of section 1(2)/Article 52(2): the ‘technical effect’ approach in the UK and the ‘any hardware’ approach applied by the European Patent Office. Finally, it examines how the law deals with a number of specific types of invention and looks at possible reforms, particularly in relation to computer programs and computer-related inventions.
本章涉及可获得专利的主题以及1977年《专利法》和2000年《欧洲专利公约》(EPC)对其进行监管的方式。更具体地说,它讨论了发明必须满足的可专利性的五个标准,包括它必须能够“工业应用”的要求,以及不为不道德的发明授予专利。本章还考虑了在决定一项发明是否属于第1(2)条/第52(2)条范围时使用的两种不同方法:英国的“技术效果”方法和欧洲专利局采用的“任何硬件”方法。最后,它考察了法律如何处理一些特定类型的发明,并着眼于可能的改革,特别是与计算机程序和计算机相关的发明。
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引用次数: 0
11. Exploitation and use of copyright 11. 版权的开发和使用
Pub Date : 2014-09-01 DOI: 10.1093/he/9780198769958.003.0011
L. Bently, B. Sherman, D. Gangjee, Phillip Johnson
This chapter examines the ways in which copyright can be exploited or transferred, with emphasis on the two most important forms of exploitation: assignment and licensing. It also discusses the transfer of copyright in the case of mortgages, bankruptcy, or death, as well as situations in which compulsory licences and voluntary licences are used to exploit copyright. In addition, the chapter considers testamentary dispositions, techniques for exploiting works that rely on the use of technological protection measures, and the role of collecting societies in copyright exploitation. Finally, it looks at the hub platform for copyright licensing transactions which will eventually be integrated with the digital copyright exchanges.
本章探讨了版权利用或转让的方式,重点是两种最重要的利用形式:转让和许可。它还讨论了抵押、破产或死亡情况下的版权转让问题,以及使用强制许可和自愿许可利用版权的情况。此外,本章还考虑了遗嘱处分、依赖于使用技术保护措施的作品的利用技术以及版权利用中的收集协会的作用。最后,它着眼于版权许可交易的中心平台,该平台最终将与数字版权交易所集成。
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Marquette intellectual property law review
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