{"title":"Heidegger without Heidegger: The Musical Thinking of Benjamin Boretz","authors":"Charles Stein","doi":"10.1353/pnm.2006.0009","DOIUrl":"https://doi.org/10.1353/pnm.2006.0009","url":null,"abstract":"","PeriodicalId":102986,"journal":{"name":"Perspectives of New Music","volume":"1149 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-06-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114468476","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Is There a Deleuzian Musical Work?","authors":"Michael Gallope","doi":"10.1353/pnm.2008.0000","DOIUrl":"https://doi.org/10.1353/pnm.2008.0000","url":null,"abstract":"","PeriodicalId":102986,"journal":{"name":"Perspectives of New Music","volume":"19 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-06-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128389937","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Editors' Notebook: Ben Boretz and Bob Morris Discuss Ian Quinn's \"General Equal-Tempered Harmony\"","authors":"Benjamin Boretz, Bob Morris","doi":"10.1353/pnm.2006.0034","DOIUrl":"https://doi.org/10.1353/pnm.2006.0034","url":null,"abstract":"","PeriodicalId":102986,"journal":{"name":"Perspectives of New Music","volume":"53 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-06-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129287760","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Finding Cage at Ryōan-ji Through a Re-Modelling of \"Variations II\"","authors":"","doi":"10.1353/pnm.2009.0020","DOIUrl":"https://doi.org/10.1353/pnm.2009.0020","url":null,"abstract":"","PeriodicalId":102986,"journal":{"name":"Perspectives of New Music","volume":"29 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-06-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121045517","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"We Were Online","authors":"F. E. Maus","doi":"10.1353/pnm.2006.0023","DOIUrl":"https://doi.org/10.1353/pnm.2006.0023","url":null,"abstract":"","PeriodicalId":102986,"journal":{"name":"Perspectives of New Music","volume":"11 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-06-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122779684","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"[Photograph]: Victoria Haven: Landscape Fragments (2004), Ink on Cut Paper; 11 by 9 by 1 Inches; Howard House Contemporary Art","authors":"","doi":"10.1353/pnm.2006.0014","DOIUrl":"https://doi.org/10.1353/pnm.2006.0014","url":null,"abstract":"","PeriodicalId":102986,"journal":{"name":"Perspectives of New Music","volume":"53 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-06-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132083221","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
G. Mazzola, W. Graeser, Milton Babbitt, I. Xenakis
We present the interpretation of Klumpenhouwer Networks as a special limit construction in the framework of the topos-theoretic denotator architecture developed in [19]. This approach at once offers (1) a vast generalization of the network concept, including networks of dodecaphonic series, for example, and (2) the formally closed recursive construction of iterated networks, i.e., networks of networks of networks, ..., without changing the construction principle.
{"title":"From a Categorical Point of View: K-Nets as Limit Denotators","authors":"G. Mazzola, W. Graeser, Milton Babbitt, I. Xenakis","doi":"10.1353/pnm.2006.0005","DOIUrl":"https://doi.org/10.1353/pnm.2006.0005","url":null,"abstract":"We present the interpretation of Klumpenhouwer Networks as a special limit construction in the framework of the topos-theoretic denotator architecture developed in [19]. This approach at once offers (1) a vast generalization of the network concept, including networks of dodecaphonic series, for example, and (2) the formally closed recursive construction of iterated networks, i.e., networks of networks of networks, ..., without changing the construction principle.","PeriodicalId":102986,"journal":{"name":"Perspectives of New Music","volume":"24 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-06-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131324888","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Beneath the Skin of Time: Alternative Temporalities in Grisey's \"Prologue for Solo Viola\"","authors":"","doi":"10.1353/pnm.2009.0005","DOIUrl":"https://doi.org/10.1353/pnm.2009.0005","url":null,"abstract":"","PeriodicalId":102986,"journal":{"name":"Perspectives of New Music","volume":"40 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-06-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127334624","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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