{"title":"More \"Drawings as Intermediary Stages\": Dirk Vellert's \"History of Abra- ham\"","authors":"Ellen Konowitz","doi":"10.5092/JHNA.2013.5.2.2","DOIUrl":"https://doi.org/10.5092/JHNA.2013.5.2.2","url":null,"abstract":"","PeriodicalId":104162,"journal":{"name":"Journal of Historians of Netherlandish Art","volume":"92 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2013-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126162719","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Catalyst for Rembrandt's Satire on Art Criticism","authors":"P. Crenshaw","doi":"10.5092/JHNA.2013.5.2.9","DOIUrl":"https://doi.org/10.5092/JHNA.2013.5.2.9","url":null,"abstract":"","PeriodicalId":104162,"journal":{"name":"Journal of Historians of Netherlandish Art","volume":"32 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2013-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126035366","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Hans Memling's Scenes from the Advent and Triumph of Christ and the Discourse of Revelation","authors":"S. Coleman","doi":"10.5092/JHNA.2013.5.1.1","DOIUrl":"https://doi.org/10.5092/JHNA.2013.5.1.1","url":null,"abstract":"","PeriodicalId":104162,"journal":{"name":"Journal of Historians of Netherlandish Art","volume":"15 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2013-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121871411","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Recommended Citation: Louisa Wood Ruby, “Drawings Connoisseurship and the Problem of Multiple Originals” JHNA 5:2 (Summer 2013), DOI:10.5092/jhna.2013.5.2.4 Available at http://www.jhna.org/index.php/past-issues/volume-5-issue-2-2013/204-drawingsconnoisseurship-and-the-problem-of-multiple-originals Published by Historians of Netherlandish Art: http://www.hnanews.org/ Terms of Use: http://www.jhna.org/index.php/terms-of-use Notes: This PDF is provided for reference purposes only and may not contain all the functionality or features of the original, online publication. This is a revised PDF that may contain different page numbers from the previous version. Use electronic searching to locate passages. This PDF provides paragraph numbers as well as page numbers for citation purposes. ISSN: 1949-9833 Journal of Historians of Netherlandish Art
{"title":"Drawings Connoisseurship and the Problem of Multiple Originals","authors":"Louisa Wood Ruby","doi":"10.5092/JHNA.2013.5.2.4","DOIUrl":"https://doi.org/10.5092/JHNA.2013.5.2.4","url":null,"abstract":"Recommended Citation: Louisa Wood Ruby, “Drawings Connoisseurship and the Problem of Multiple Originals” JHNA 5:2 (Summer 2013), DOI:10.5092/jhna.2013.5.2.4 Available at http://www.jhna.org/index.php/past-issues/volume-5-issue-2-2013/204-drawingsconnoisseurship-and-the-problem-of-multiple-originals Published by Historians of Netherlandish Art: http://www.hnanews.org/ Terms of Use: http://www.jhna.org/index.php/terms-of-use Notes: This PDF is provided for reference purposes only and may not contain all the functionality or features of the original, online publication. This is a revised PDF that may contain different page numbers from the previous version. Use electronic searching to locate passages. This PDF provides paragraph numbers as well as page numbers for citation purposes. ISSN: 1949-9833 Journal of Historians of Netherlandish Art","PeriodicalId":104162,"journal":{"name":"Journal of Historians of Netherlandish Art","volume":"30 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2013-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134044767","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Paintings in the Three Civic Guard Halls in Amsterdam, Written by G. Schaep, 1653","authors":"Gerrit Pietersz Schaep, T. V. D. Molen","doi":"10.5092/JHNA.2013.5.1.7","DOIUrl":"https://doi.org/10.5092/JHNA.2013.5.1.7","url":null,"abstract":"","PeriodicalId":104162,"journal":{"name":"Journal of Historians of Netherlandish Art","volume":"84 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2013-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124637258","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Drawing → Underdrawing → Painting: Compositional Evolution in the Working Process of Joachim Beuckelaer","authors":"M. Wolters","doi":"10.5092/JHNA.2012.4.2.2","DOIUrl":"https://doi.org/10.5092/JHNA.2012.4.2.2","url":null,"abstract":"","PeriodicalId":104162,"journal":{"name":"Journal of Historians of Netherlandish Art","volume":"61 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2012-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130621223","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The prints of Sebald Beham and his brother Barthel were the subject of a recent exhibition titled Gottlosen Maler at the AlbrechtDűrer-Haus in Nuremberg (March 3–July 3, 2011), where this essay was included in the exhibition catalogue in German. Revised and expanded for publication in this journal in English, the essay addresses Beham’s biography and historiography and argues that Beham should be viewed as a highly creative and productive entrepreneur and as one of the first “painters” (to use terminology of the time) to specialize in prints. Between 1520 and 1550, he produced a prodigious number of prints. 10.5092/jhna.2012.4.2.3
{"title":"Sebald Beham: Entrepreneur, Printmaker, Painter","authors":"Alison G. Stewart","doi":"10.5092/JHNA.2012.4.2.3","DOIUrl":"https://doi.org/10.5092/JHNA.2012.4.2.3","url":null,"abstract":"The prints of Sebald Beham and his brother Barthel were the subject of a recent exhibition titled Gottlosen Maler at the AlbrechtDűrer-Haus in Nuremberg (March 3–July 3, 2011), where this essay was included in the exhibition catalogue in German. Revised and expanded for publication in this journal in English, the essay addresses Beham’s biography and historiography and argues that Beham should be viewed as a highly creative and productive entrepreneur and as one of the first “painters” (to use terminology of the time) to specialize in prints. Between 1520 and 1550, he produced a prodigious number of prints. 10.5092/jhna.2012.4.2.3","PeriodicalId":104162,"journal":{"name":"Journal of Historians of Netherlandish Art","volume":"277 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2012-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132817818","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Amsterdam Guild of Saint Luke in the 17th Century","authors":"I. V. Eeghen","doi":"10.5092/JHNA.2012.4.2.4","DOIUrl":"https://doi.org/10.5092/JHNA.2012.4.2.4","url":null,"abstract":"","PeriodicalId":104162,"journal":{"name":"Journal of Historians of Netherlandish Art","volume":"301 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2012-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116378623","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Recommended Citation: Amy Orrock, “Homo ludens: Pieter Bruegel’s Children’s Games and the Humanist Educators,” JHNA 4:2 (Summer 2012), DOI:10.5092/jhna.2012.4.2.1 Available at http://www.jhna.org/index.php/past-issues/volume-4-issue-2/157-homo-ludens Published by Historians of Netherlandish Art: http://www.hnanews.org/ Terms of Use: http://www.jhna.org/index.php/terms-of-use Notes: This PDF is provided for reference purposes only and may not contain all the functionality or features of the original, online publication. This is a revised PDF that may contain different page numbers from the previous version. Use electronic searching to locate passages. This PDF provides paragraph numbers as well as page numbers for citation purposes. ISSN: 1949-9833 Journal of Historians of Netherlandish Art
{"title":"Homo ludens: Pieter Bruegel's Children's Games and the Humanist Educators","authors":"A. Orrock","doi":"10.5092/JHNA.2012.4.2.1","DOIUrl":"https://doi.org/10.5092/JHNA.2012.4.2.1","url":null,"abstract":"Recommended Citation: Amy Orrock, “Homo ludens: Pieter Bruegel’s Children’s Games and the Humanist Educators,” JHNA 4:2 (Summer 2012), DOI:10.5092/jhna.2012.4.2.1 Available at http://www.jhna.org/index.php/past-issues/volume-4-issue-2/157-homo-ludens Published by Historians of Netherlandish Art: http://www.hnanews.org/ Terms of Use: http://www.jhna.org/index.php/terms-of-use Notes: This PDF is provided for reference purposes only and may not contain all the functionality or features of the original, online publication. This is a revised PDF that may contain different page numbers from the previous version. Use electronic searching to locate passages. This PDF provides paragraph numbers as well as page numbers for citation purposes. ISSN: 1949-9833 Journal of Historians of Netherlandish Art","PeriodicalId":104162,"journal":{"name":"Journal of Historians of Netherlandish Art","volume":"3 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2012-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"117160043","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This essay presents observations on the distinctiveness of Protestant and Catholic literary practices and identities in the seventeenth-century Dutch Republic. Inspired by Catholic emblematists from the Southern Netherlands, Dutch Catholics as well as Protestants employed the religious emblem as a means of bolstering their faith and shaping their identity – but never at the same time, and never in the same manner. The religious emblem was at first claimed by Protestants such as Jacob Cats. After 1635, it was appropriated by Catholic authors such as Jan Harmensz. Krul and Everard Meyster. As the genre was reappropriated by Protestants such as Jan Luyken in the 1680s, Dutch Catholics moved away from the emblem to express their identity in new and exclusively Catholic genres such as soberly illustrated prayer books. Production of Dutch emblem books occurred in the same social and cultural isolation as clandestine Catholic church art, indicating that no sharing of visual practices and media took place among denominations in the Republic.
{"title":"Never to Coincide: the Identities of Dutch Protestants and Dutch Catholics in Religious Emblematics","authors":"E. Stronks","doi":"10.5092/JHNA.2011.3.2.1","DOIUrl":"https://doi.org/10.5092/JHNA.2011.3.2.1","url":null,"abstract":"This essay presents observations on the distinctiveness of Protestant and Catholic literary practices and identities in the seventeenth-century Dutch Republic. Inspired by Catholic emblematists from the Southern Netherlands, Dutch Catholics as well as Protestants employed the religious emblem as a means of bolstering their faith and shaping their identity – but never at the same time, and never in the same manner. The religious emblem was at first claimed by Protestants such as Jacob Cats. After 1635, it was appropriated by Catholic authors such as Jan Harmensz. Krul and Everard Meyster. As the genre was reappropriated by Protestants such as Jan Luyken in the 1680s, Dutch Catholics moved away from the emblem to express their identity in new and exclusively Catholic genres such as soberly illustrated prayer books. Production of Dutch emblem books occurred in the same social and cultural isolation as clandestine Catholic church art, indicating that no sharing of visual practices and media took place among denominations in the Republic.","PeriodicalId":104162,"journal":{"name":"Journal of Historians of Netherlandish Art","volume":"36 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2011-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130914109","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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