{"title":"Dirck van Baburen and the “Self-Taught” Master, Angelo Caroselli","authors":"Wayne E. Franits","doi":"10.5092/JHNA.2013.5.2.5","DOIUrl":"https://doi.org/10.5092/JHNA.2013.5.2.5","url":null,"abstract":"","PeriodicalId":104162,"journal":{"name":"Journal of Historians of Netherlandish Art","volume":"30 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2013-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131853642","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Two figural motifs recur frequently in Rembrandt's etchings of the 1630s: ragged peasants and the artist’s own startlingly expressive face. On a copperplate that he treated like a page from a sketchbook, these disparate subjects are juxtaposed.1 And in an etching of 1630, they merge, as Rembrandt himself takes on the role of a hunched figure seated on a rocky hillock (fig. 1). Early cataloguers such as Edme-Francois Gersaint (1751) and Adam Bartsch (1797) failed to notice the resemblance and classified the print with other studies of beggars rather than with self-portraits.2 Ignace-Joseph de Claussin (1824) was apparently the first to observe that "the physiognomy has a great deal of resemblance to Rembrandt."3 This discovery was overlooked by later cataloguers more concerned with distinguishing states of the print and separating it from deceptive copies.4 It was taken up again by Arthur Hind (1912), who drew a convincing connection to Rembrandt's Self-Portrait Open-Mouthed as if Shouting, also dated 1630 (fig. 2).5 Nevertheless, in most modern sources it has retained the title Beggar Seated on a Bank.6 Gersaint described the beggar's frizzled hair and ruined garments, but Daniel Daulby (1796) was the first to remark on the emotional intensity of this figure "asking alms with a countenance full of distress." Bartsch described him as groaning in misery.7
伦勃朗在17世纪30年代的蚀刻画中经常出现两个人物主题:衣衫褴褛的农民和艺术家自己惊人的表情。在一个铜版上，他把这些不同的主题放在一起，就像速写本上的一页一样在1630年的一幅蚀刻画中，两者融合在一起，伦勃朗自己扮演了一个坐在岩石山丘上的弓着身子的人物(图1)。早期的编目者，如Edme-Francois Gersaint(1751)和Adam Bartsch(1797)没有注意到这种相似之处，并将这幅版画与其他乞丐的研究分类，而不是与自画像分类伊格纳斯-约瑟夫·德·克劳森(Ignace-Joseph de Claussin, 1824年)显然是第一个观察到“他的相貌与伦勃朗有很多相似之处”的人。这一发现被后来的编目员忽视了，他们更关心的是区分印刷品的状态，并将其与伪造的复制品区分开来1912年，阿瑟·欣德(Arthur Hind)再次使用了这幅画，他将其与伦勃朗的自画像《张着嘴，好像在大喊大叫》(同样是1630年的作品)联系起来(图2)然而，在大多数现代资料中，它保留了“坐在银行上的乞丐”的标题。格桑特描述了这个乞丐的卷发和破烂的衣服，但丹尼尔·道比(1796)是第一个评论这个人物的情感强烈的人，“带着一副充满痛苦的表情乞求施舍。”Bartsch形容他痛苦地呻吟着
{"title":"Begging for Attention: The Artful Context of Rembrandt's Etching \"Beggar Seated on a Bank\"","authors":"S. Dickey","doi":"10.5092/JHNA.2013.5.2.8","DOIUrl":"https://doi.org/10.5092/JHNA.2013.5.2.8","url":null,"abstract":"Two figural motifs recur frequently in Rembrandt's etchings of the 1630s: ragged peasants and the artist’s own startlingly expressive face. On a copperplate that he treated like a page from a sketchbook, these disparate subjects are juxtaposed.1 And in an etching of 1630, they merge, as Rembrandt himself takes on the role of a hunched figure seated on a rocky hillock (fig. 1). Early cataloguers such as Edme-Francois Gersaint (1751) and Adam Bartsch (1797) failed to notice the resemblance and classified the print with other studies of beggars rather than with self-portraits.2 Ignace-Joseph de Claussin (1824) was apparently the first to observe that \"the physiognomy has a great deal of resemblance to Rembrandt.\"3 This discovery was overlooked by later cataloguers more concerned with distinguishing states of the print and separating it from deceptive copies.4 It was taken up again by Arthur Hind (1912), who drew a convincing connection to Rembrandt's Self-Portrait Open-Mouthed as if Shouting, also dated 1630 (fig. 2).5 Nevertheless, in most modern sources it has retained the title Beggar Seated on a Bank.6 Gersaint described the beggar's frizzled hair and ruined garments, but Daniel Daulby (1796) was the first to remark on the emotional intensity of this figure \"asking alms with a countenance full of distress.\" Bartsch described him as groaning in misery.7","PeriodicalId":104162,"journal":{"name":"Journal of Historians of Netherlandish Art","volume":"414 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2013-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123718496","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Two documents in the Amsterdam City Archives, recently made accessible through databases, augment our knowledge of Italian paintings in the Netherlands around 1630. The 1633 inventory of Samuel Godijn and the 1638 list of paintings owned by Lucas van Uffelen and Jacomo Noirot include works by Palma Giovane, Guido Reni, and Giuseppe Ribera. While these paintings have not yet been identified with extant works, their visual character may be suggested by analogy with other pieces.
阿姆斯特丹市档案馆的两份文件最近通过数据库得以访问，增加了我们对1630年左右荷兰意大利绘画的了解。1633年Samuel Godijn的目录和1638年Lucas van Uffelen和Jacomo Noirot拥有的绘画目录包括Palma Giovane, Guido Reni和Giuseppe Ribera的作品。虽然这些画还没有被确定为现存的作品，但它们的视觉特征可以通过与其他作品的类比来暗示。
{"title":"Italian Paintings in Amsterdam around 1635: Additions to the Familiar","authors":"A. Golahny","doi":"10.5092/JHNA.2013.5.2.6","DOIUrl":"https://doi.org/10.5092/JHNA.2013.5.2.6","url":null,"abstract":"Two documents in the Amsterdam City Archives, recently made accessible through databases, augment our knowledge of Italian paintings in the Netherlands around 1630. The 1633 inventory of Samuel Godijn and the 1638 list of paintings owned by Lucas van Uffelen and Jacomo Noirot include works by Palma Giovane, Guido Reni, and Giuseppe Ribera. While these paintings have not yet been identified with extant works, their visual character may be suggested by analogy with other pieces.","PeriodicalId":104162,"journal":{"name":"Journal of Historians of Netherlandish Art","volume":"8 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2013-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125430341","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Urban Planning and Politics in the City Center: Frederik Hendrik and The Hague Plein","authors":"Rebecca Tucker","doi":"10.5092/JHNA.2013.5.2.7","DOIUrl":"https://doi.org/10.5092/JHNA.2013.5.2.7","url":null,"abstract":"","PeriodicalId":104162,"journal":{"name":"Journal of Historians of Netherlandish Art","volume":"147 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2013-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115743013","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2013-07-01DOI: 10.5092/JHNA.2013.5.2.16
A. Chong
{"title":"Sri Lankan Ivories for the Dutch and Portuguese","authors":"A. Chong","doi":"10.5092/JHNA.2013.5.2.16","DOIUrl":"https://doi.org/10.5092/JHNA.2013.5.2.16","url":null,"abstract":"","PeriodicalId":104162,"journal":{"name":"Journal of Historians of Netherlandish Art","volume":"13 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2013-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126786188","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2013-07-01DOI: 10.5092/JHNA.2013.5.2.10
Nadine M. Orenstein
Recommended Citation: Nadine M. Orenstein, “Rembrandt Looks to Schongauer” JHNA 5:2 (Summer 2013), DOI:10.5092/jhna.2013.5.2.10 Available at http://www.jhna.org/index.php/past-issues/volume-5-issue-2-2013/194-rembrandtlooks-to-schongauer Published by Historians of Netherlandish Art: http://www.hnanews.org/ Terms of Use: http://www.jhna.org/index.php/terms-of-use Notes: This PDF is provided for reference purposes only and may not contain all the functionality or features of the original, online publication. This is a revised PDF that may contain different page numbers from the previous version. Use electronic searching to locate passages. This PDF provides paragraph numbers as well as page numbers for citation purposes. ISSN: 1949-9833 Journal of Historians of Netherlandish Art
推荐引文:Nadine M. Orenstein，“Rembrandt Looks to Schongauer”JHNA 5:2(2013年夏季)，DOI:10.5092/ JHNA .2013.5.2.10可在http://www.jhna.org/index.php/past-issues/volume-5-issue-2-2013/194-rembrandtlooks-to-schongauer由荷兰艺术史学家出版:http://www.hnanews.org/使用条款:http://www.jhna.org/index.php/terms-of-use说明:本PDF仅供参考之用，可能不包含原始在线出版物的所有功能或特征。这是一个修订后的PDF，可能包含与以前版本不同的页码。使用电子搜索来定位段落。这个PDF提供段落编号以及页码用于引用目的。荷兰艺术史家学报
{"title":"Rembrandt Looks to Schongauer","authors":"Nadine M. Orenstein","doi":"10.5092/JHNA.2013.5.2.10","DOIUrl":"https://doi.org/10.5092/JHNA.2013.5.2.10","url":null,"abstract":"Recommended Citation: Nadine M. Orenstein, “Rembrandt Looks to Schongauer” JHNA 5:2 (Summer 2013), DOI:10.5092/jhna.2013.5.2.10 Available at http://www.jhna.org/index.php/past-issues/volume-5-issue-2-2013/194-rembrandtlooks-to-schongauer Published by Historians of Netherlandish Art: http://www.hnanews.org/ Terms of Use: http://www.jhna.org/index.php/terms-of-use Notes: This PDF is provided for reference purposes only and may not contain all the functionality or features of the original, online publication. This is a revised PDF that may contain different page numbers from the previous version. Use electronic searching to locate passages. This PDF provides paragraph numbers as well as page numbers for citation purposes. ISSN: 1949-9833 Journal of Historians of Netherlandish Art","PeriodicalId":104162,"journal":{"name":"Journal of Historians of Netherlandish Art","volume":"23 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2013-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115001166","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2013-07-01DOI: 10.5092/JHNA.2013.5.2.12
Adriaan E. Waiboer
Recommended Citation: Adriaan Waiboer, “Willem de Poorter: Rembrandt/Not Rembrandt Pupil” JHNA 5:2 (Summer 2013), DOI:10.5092/jhna.2013.5.2.12 Available at http://www.jhna.org/index.php/past-issues/volume-5-issue-2-2013/193-willem-depoorter-rembrandtnot-rembrandt-pupil Published by Historians of Netherlandish Art: http://www.hnanews.org/ Terms of Use: http://www.jhna.org/index.php/terms-of-use Notes: This PDF is provided for reference purposes only and may not contain all the functionality or features of the original, online publication. This is a revised PDF that may contain different page numbers from the previous version. Use electronic searching to locate passages. This PDF provides paragraph numbers as well as page numbers for citation purposes. ISSN: 1949-9833 Journal of Historians of Netherlandish Art
推荐引用:Adriaan Waiboer，“Willem de Poorter:伦勃朗/不是伦勃朗的学生”JHNA 5:2(2013年夏季)，DOI:10.5092/ JHNA .2013.5.2.12可在http://www.jhna.org/index.php/past-issues/volume-5-issue-2-2013/193-willem-depoorter-rembrandtnot-rembrandt-pupil由荷兰艺术历史学家出版:http://www.hnanews.org/使用条款:http://www.jhna.org/index.php/terms-of-use说明:本PDF仅供参考之用，可能不包含原始在线出版物的所有功能或特征。这是一个修订后的PDF，可能包含与以前版本不同的页码。使用电子搜索来定位段落。这个PDF提供段落编号以及页码用于引用目的。荷兰艺术史家学报
{"title":"Willem de Poorter: Rembrandt/Not Rembrandt Pupil","authors":"Adriaan E. Waiboer","doi":"10.5092/JHNA.2013.5.2.12","DOIUrl":"https://doi.org/10.5092/JHNA.2013.5.2.12","url":null,"abstract":"Recommended Citation: Adriaan Waiboer, “Willem de Poorter: Rembrandt/Not Rembrandt Pupil” JHNA 5:2 (Summer 2013), DOI:10.5092/jhna.2013.5.2.12 Available at http://www.jhna.org/index.php/past-issues/volume-5-issue-2-2013/193-willem-depoorter-rembrandtnot-rembrandt-pupil Published by Historians of Netherlandish Art: http://www.hnanews.org/ Terms of Use: http://www.jhna.org/index.php/terms-of-use Notes: This PDF is provided for reference purposes only and may not contain all the functionality or features of the original, online publication. This is a revised PDF that may contain different page numbers from the previous version. Use electronic searching to locate passages. This PDF provides paragraph numbers as well as page numbers for citation purposes. ISSN: 1949-9833 Journal of Historians of Netherlandish Art","PeriodicalId":104162,"journal":{"name":"Journal of Historians of Netherlandish Art","volume":"5 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2013-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130075081","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2013-07-01DOI: 10.5092/JHNA.2013.5.2.13
J. Leja
{"title":"Abraham Meeting the Lord and Two Angels: Making the Case for Ferdinand Bol and Workshop","authors":"J. Leja","doi":"10.5092/JHNA.2013.5.2.13","DOIUrl":"https://doi.org/10.5092/JHNA.2013.5.2.13","url":null,"abstract":"","PeriodicalId":104162,"journal":{"name":"Journal of Historians of Netherlandish Art","volume":"23 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2013-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125005563","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Boschian Bruegel, Brugelian Bosch: Hieronymus Cock’s Production of “Bosch” Prints","authors":"K. Barrett","doi":"10.5092/JHNA.2013.5.2.3","DOIUrl":"https://doi.org/10.5092/JHNA.2013.5.2.3","url":null,"abstract":"","PeriodicalId":104162,"journal":{"name":"Journal of Historians of Netherlandish Art","volume":"213 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2013-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132535784","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2013-07-01DOI: 10.5092/JHNA.2013.5.2.17
Johanna Ruth Epstein
Recommended Citation: Johanna Ruth Epstein, “Incapable of That Sort of Thing: Millet’s Dutch Sources,” JHNA 5:2 (Summer 2013), DOI:10.5092/jhna.2013.5.2.17 Available at http://www.jhna.org/index.php/past-issues/volume-5-issue-2-2013/199-incapable-ofthat-sort-of-thing-millets-dutch-sources Published by Historians of Netherlandish Art: http://www.hnanews.org/ Terms of Use: http://www.jhna.org/index.php/terms-of-use Notes: This PDF is provided for reference purposes only and may not contain all the functionality or features of the original, online publication. This is a revised PDF that may contain different page numbers from the previous version. Use electronic searching to locate passages. This PDF provides paragraph numbers as well as page numbers for citation purposes. ISSN: 1949-9833 Journal of Historians of Netherlandish Art
{"title":"Incapable of That Sort of Thing: Millet's Dutch Sources","authors":"Johanna Ruth Epstein","doi":"10.5092/JHNA.2013.5.2.17","DOIUrl":"https://doi.org/10.5092/JHNA.2013.5.2.17","url":null,"abstract":"Recommended Citation: Johanna Ruth Epstein, “Incapable of That Sort of Thing: Millet’s Dutch Sources,” JHNA 5:2 (Summer 2013), DOI:10.5092/jhna.2013.5.2.17 Available at http://www.jhna.org/index.php/past-issues/volume-5-issue-2-2013/199-incapable-ofthat-sort-of-thing-millets-dutch-sources Published by Historians of Netherlandish Art: http://www.hnanews.org/ Terms of Use: http://www.jhna.org/index.php/terms-of-use Notes: This PDF is provided for reference purposes only and may not contain all the functionality or features of the original, online publication. This is a revised PDF that may contain different page numbers from the previous version. Use electronic searching to locate passages. This PDF provides paragraph numbers as well as page numbers for citation purposes. ISSN: 1949-9833 Journal of Historians of Netherlandish Art","PeriodicalId":104162,"journal":{"name":"Journal of Historians of Netherlandish Art","volume":"243 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2013-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115254914","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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