{"title":"The Petrifying Gaze of Medusa: Ambivalence, Explexis, and the Sublime","authors":"C. V. Eck","doi":"10.5092/JHNA.2016.8.2.3","DOIUrl":"https://doi.org/10.5092/JHNA.2016.8.2.3","url":null,"abstract":"","PeriodicalId":104162,"journal":{"name":"Journal of Historians of Netherlandish Art","volume":"8 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2016-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129197202","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Sensible Natures: Allart Van Everdingen and the Tradition of Sublime Landscape in Seventeenth-Century Dutch Painting","authors":"J. Blanc","doi":"10.5092/JHNA.2016.8.2.4","DOIUrl":"https://doi.org/10.5092/JHNA.2016.8.2.4","url":null,"abstract":"","PeriodicalId":104162,"journal":{"name":"Journal of Historians of Netherlandish Art","volume":"9 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2016-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125329499","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"A voice from the past: Pieter Saenredam's The old town hall of Amsterdam, historical continuity, and the moral sublime","authors":"Lorne Darnell","doi":"10.5092/JHNA.2016.8.2.6","DOIUrl":"https://doi.org/10.5092/JHNA.2016.8.2.6","url":null,"abstract":"","PeriodicalId":104162,"journal":{"name":"Journal of Historians of Netherlandish Art","volume":"472 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2016-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116984441","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2016-07-01DOI: 10.5092/JHNA.2016.8.2.10
H. Grootenboer
This paper explores the ways in which Adriaen Coorte (1665–1707) in his still lifes presents philosophical reflections on sublimity. I argue that throughout his oeuvre Coorte, despite the unusually small size of his works (often not much larger than a postcard), can be seen searching for the limits of painting. Special attention is given to the unconventional way in which he animates his fruits and shells, presenting them as if they are actors in an indefinable place, and the rather extreme contradictions in dimension and scale he employs. I conclude by referring to another type of sublimity in painting in a truly genuine fusion of painting and collage in a forest piece by Elias van den Broeck.
本文探讨了阿德里安·库尔特(Adriaen Coorte, 1665-1707)在他的静物画中对崇高的哲学思考。我认为，在他的全部作品中，尽管他的作品尺寸异常小(通常比明信片大不了多少)，但可以看到他在寻找绘画的极限。特别注意的是他非传统的方式，在他的水果和贝壳动画，呈现他们好像他们是演员在一个不可定义的地方，和相当极端的矛盾在尺寸和规模，他所采用的。最后，我要提到绘画中的另一种崇高，在Elias van den Broeck的一幅森林作品中，绘画和拼贴的真正融合。
{"title":"Sublime still life: On Adriaen Coorte, Elias van den Broeck, and the Je ne sais quoi of painting","authors":"H. Grootenboer","doi":"10.5092/JHNA.2016.8.2.10","DOIUrl":"https://doi.org/10.5092/JHNA.2016.8.2.10","url":null,"abstract":"This paper explores the ways in which Adriaen Coorte (1665–1707) in his still lifes presents philosophical reflections on sublimity. I argue that throughout his oeuvre Coorte, despite the unusually small size of his works (often not much larger than a postcard), can be seen searching for the limits of painting. Special attention is given to the unconventional way in which he animates his fruits and shells, presenting them as if they are actors in an indefinable place, and the rather extreme contradictions in dimension and scale he employs. I conclude by referring to another type of sublimity in painting in a truly genuine fusion of painting and collage in a forest piece by Elias van den Broeck.","PeriodicalId":104162,"journal":{"name":"Journal of Historians of Netherlandish Art","volume":"99 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2016-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127266602","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Comedic Sublime: A Distinctly Dutch Baroque in the Work of Frans Hals","authors":"","doi":"10.5092/JHNA.2016.8.2.7","DOIUrl":"https://doi.org/10.5092/JHNA.2016.8.2.7","url":null,"abstract":"","PeriodicalId":104162,"journal":{"name":"Journal of Historians of Netherlandish Art","volume":"13 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2016-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121072831","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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{"title":"Introduction: The Sublime and Seventeenth-Century Netherlandish Art","authors":"B. V. Oostveldt, S. Bussels","doi":"10.5092/JHNA.2016.8.2.1","DOIUrl":"https://doi.org/10.5092/JHNA.2016.8.2.1","url":null,"abstract":"Disclaimer/Complaints regulations If you believe that digital publication of certain material infringes any of your rights or (privacy) interests, please let the Library know, stating your reasons. In case of a legitimate complaint, the Library will make the material inaccessible and/or remove it from the website. Please Ask the Library: http://uba.uva.nl/en/contact, or a letter to: Library of the University of Amsterdam, Secretariat, Singel 425, 1012 WP Amsterdam, The Netherlands. You will be contacted as soon as possible.","PeriodicalId":104162,"journal":{"name":"Journal of Historians of Netherlandish Art","volume":"21 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2016-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123754789","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Grace, Genius, and the Longinian Sublime in Rembrandt’s Aristotle with a Bust of Homer","authors":"Joanna Sheers Seidenstein","doi":"10.5092/JHNA.2016.8.2.5","DOIUrl":"https://doi.org/10.5092/JHNA.2016.8.2.5","url":null,"abstract":"","PeriodicalId":104162,"journal":{"name":"Journal of Historians of Netherlandish Art","volume":"48 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2016-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125761274","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
One of the innovative elements in Franciscus Junius’s treatise The Painting of the Ancients (four editions, 1637–94) was the first discussion of Longinus’s concept of the sublime in the context of the figurative arts. Junius’s translation of his own treatise into English (1639) prepared the ground for the importance of the sublime in British aesthetics. Yet scrutiny of the underlying conceptions of The Painting of the Ancients reveals that his interpretation of this ancient concept was idiosyncratic. His interest in Longinus was not motivated by philosophy but rather by the painterly illusionism perfected in Netherlandish studios. This essay explores how Junius used the sublime to explain the “beholder’s share” in the artist’s evocation of a virtual reality. It points out the practical context in which his theory arose and how it relates to extant works, focusing on Rubens’s The Andrians and Rembrandt’s The Blinding of Samson.
弗朗西斯·朱尼乌斯(francis Junius)的著作《古人之画》(the Painting of the Ancients)(四版，1637-94)的创新元素之一是首次讨论了朗吉努斯在具象艺术背景下的崇高概念。朱尼厄斯将自己的论文翻译成英文(1639年)，为崇高在英国美学中的重要性奠定了基础。然而，仔细审视《上古画》的潜在概念，就会发现他对这一古老概念的诠释是独特的。他对朗吉纳斯的兴趣并非源于哲学，而是源于荷兰画室中完美的绘画幻觉主义。这篇文章探讨了朱尼厄斯如何用崇高来解释艺术家对虚拟现实的唤起中的“旁观者的份额”。它指出了他的理论产生的实际背景，以及它与现存作品的关系，重点是鲁本斯的《安德里亚人》和伦勃朗的《参孙的失明》。
{"title":"The Sublime and the 'Beholder’s Share': Junius, Rubens, Rembrandt","authors":"M. A. Weststeijn","doi":"10.5092/JHNA.2016.8.2.2","DOIUrl":"https://doi.org/10.5092/JHNA.2016.8.2.2","url":null,"abstract":"One of the innovative elements in Franciscus Junius’s treatise The Painting of the Ancients (four editions, 1637–94) was the first discussion of Longinus’s concept of the sublime in the context of the figurative arts. Junius’s translation of his own treatise into English (1639) prepared the ground for the importance of the sublime in British aesthetics. Yet scrutiny of the underlying conceptions of The Painting of the Ancients reveals that his interpretation of this ancient concept was idiosyncratic. His interest in Longinus was not motivated by philosophy but rather by the painterly illusionism perfected in Netherlandish studios. This essay explores how Junius used the sublime to explain the “beholder’s share” in the artist’s evocation of a virtual reality. It points out the practical context in which his theory arose and how it relates to extant works, focusing on Rubens’s The Andrians and Rembrandt’s The Blinding of Samson.","PeriodicalId":104162,"journal":{"name":"Journal of Historians of Netherlandish Art","volume":"23 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2016-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134524707","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Sewing the Body of Christ : Eucharist wafer souvenirs stitched into fifteenth-century manuscripts, primarily in the Netherlands","authors":"K. Rudy","doi":"10.5092/JHNA.2016.8.1.1","DOIUrl":"https://doi.org/10.5092/JHNA.2016.8.1.1","url":null,"abstract":"","PeriodicalId":104162,"journal":{"name":"Journal of Historians of Netherlandish Art","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2016-01-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134282406","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Amsterdam Civic Guard Pieces within and outside the New Rijksmuseum Part 5: Govert Flinck","authors":"D. Meijer, T. V. D. Molen","doi":"10.5092/jhna.2015.7.2.5","DOIUrl":"https://doi.org/10.5092/jhna.2015.7.2.5","url":null,"abstract":"","PeriodicalId":104162,"journal":{"name":"Journal of Historians of Netherlandish Art","volume":"7 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2015-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128814590","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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