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Bridges: A Jewish Feminist Journal最新文献

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My Father's Leica 我爸爸的徕卡
Pub Date : 2010-04-01 DOI: 10.2979/bri.2010.15.1.46
Ellen Sazzman
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引用次数: 0
When "Things Go Wrong": The Gardens of Italy 当“事情出错”:意大利的花园
Pub Date : 2010-04-01 DOI: 10.2979/bri.2010.15.1.64
Henri/etta Marian Bensussen
In this essay, the author reports on a tour of Italian gardens, guided both by Sir George Sitwell's 1909 book On the Making of Gardens, and the laconic tour guide, Tom, whose comments on "the Jewish problem" and esoteric view of European Jewish history lend an off-kilter air to the experience and give rise to a flower of reflection.
在这篇文章中,作者报告了一次意大利花园之旅,在乔治·西特韦尔爵士1909年出版的《花园的制作》一书的指导下,以及简明扼要的导游汤姆的指导下,他对“犹太人问题”的评论和对欧洲犹太人历史的深奥观点给这次经历增添了一种不平衡的气氛,并引发了一场反思。
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引用次数: 0
I Waken to Hear My Brother Say He Wants to Die 我醒来听到我哥哥说他想死
Pub Date : 2010-04-01 DOI: 10.2979/BRI.2010.15.1.112
Sandra H. Tarlin
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引用次数: 0
Female in Nature: Diptychs by Berenice D'Vorzon 自然界中的女性:贝蕾妮丝·德沃松的双联画
Pub Date : 2010-04-01 DOI: 10.2979/BRI.2010.15.1.54
Darlene Miller-Lanning
In this essay, the author uses interviews and many other sources to review three large-scale diptychs by the artist Berenice D'Vorzon in terms of personal experience, environmental awareness, and Judaic thought. In her discussion of Tick Island Genesis, Lilith Swamp Diptych, and Two Aspects of Shekhinah, the author explores D'Vorzon's creative dialogue with Hudson River School landscapists, Second Wave feminists, and Abstract Expressionist painters.
在这篇文章中,作者使用采访和许多其他来源来回顾艺术家Berenice D'Vorzon在个人经历,环境意识和犹太思想方面的三幅大型双联画。在她对Tick Island Genesis, Lilith Swamp Diptych和Shekhinah的两个方面的讨论中,作者探讨了D’vorzon与哈德逊河学派风景画家,第二波女权主义者和抽象表现主义画家的创造性对话。
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引用次数: 0
By Force of Wanton Will Cease-Fire Sabbath Cutting a Path Looking for Merrill 以肆意的武力停火安息日开辟寻找美林的道路
Pub Date : 2010-04-01 DOI: 10.2979/BRI.2010.15.1.82
M. F. Cooper
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引用次数: 0
Transforming Divinity, Transforming Ourselves 改变神性,改变我们自己
Pub Date : 2010-04-01 DOI: 10.2979/BRI.2010.15.1.50
H. Mendel
In this essay, the author beckons the reader to explore the biblical Garden of Eden story beyond the literal level, in Hebrew called P'shat, into the levels of Remez the metaphor concealed within the surface reading, the allegorical Drash and into the fourth layer, Sod, the concealed mystery embedded in the tale. Mendel teaches that the biblical Eve represents the innate and necessary curiosity that we, women and men alike, need in our lives of choice and free-will, in order to experience the miracle of life, to discover who we are in our totality, why we are here and where we are going as we journey forward.
在这篇文章中,作者号召读者超越字面层面,在希伯来语中称为P'shat,探索圣经中的伊甸园故事,进入表层阅读中隐藏的隐喻Remez的层面,寓言的Drash和第四层,Sod,故事中隐藏的神秘。孟德尔教导说,圣经中的夏娃代表了我们,无论男女,在我们的选择和自由意志的生活中所需要的与生俱来的、必要的好奇心,为了体验生命的奇迹,为了发现我们整体上是谁,为什么我们在这里,在我们前进的旅程中我们要去哪里。
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引用次数: 0
Miriam in India 米里亚姆在印度报道
Pub Date : 2010-04-01 DOI: 10.2979/BRI.2010.15.1.104
Wendy Dickstein
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引用次数: 0
Overnight 在一夜之间
Pub Date : 2009-11-04 DOI: 10.32388/zem7m2
M. Ulinover, S. Moskovitz
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引用次数: 0
Between Mountains 山之间
Pub Date : 2009-11-04 DOI: 10.2979/bri.2009.14.2.129
Shira Faith Gorshman, Faith Jones
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引用次数: 1
Dreams 梦想
Pub Date : 2009-11-04 DOI: 10.2307/j.ctv17kw97w.7
M. Ulinover, S. Moskovitz
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引用次数: 0
期刊
Bridges: A Jewish Feminist Journal
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