Pub Date : 2019-11-01DOI: 10.15751/cofis.2019.15.4.145
T. Chung
{"title":"Korean Films in the 1970s(1972~1979) -Youth Culture, Yongsang Sidae(The Visual Age), New Interpretation on Sexuality, and Romantic Resistance-","authors":"T. Chung","doi":"10.15751/cofis.2019.15.4.145","DOIUrl":"https://doi.org/10.15751/cofis.2019.15.4.145","url":null,"abstract":"","PeriodicalId":123012,"journal":{"name":"Contemporary Film Studies","volume":"13 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"120947543","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-11-01DOI: 10.15751/cofis.2019.15.4.195
한영현
{"title":"Pure-Salvational Women in Secular -Gender Representation of Korean Movies in 1970’s-","authors":"한영현","doi":"10.15751/cofis.2019.15.4.195","DOIUrl":"https://doi.org/10.15751/cofis.2019.15.4.195","url":null,"abstract":"","PeriodicalId":123012,"journal":{"name":"Contemporary Film Studies","volume":"34 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132158175","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-11-01DOI: 10.15751/cofis.2019.15.4.45
Chungbeom Ham
1960s Korean SF Monster Movies and the Aspects of Film Exchange and Relationship in Northeast Asia Ham, Chung Beom Research Professor / Contemporary Cinema Research Institute, Hanyang University This article examines the aspects of Korean SF monster films and cinematic exchange and Relationship in Northeast Asia during the 1960s through three movies titled The Iron-eating Monster: Bulgasari (1962), Big Monster Wangmagwi (1967) and Yongary, Monster from the Deep (1967). The movies above feature a monster with a strange animal appearance, so all of them may be categorized as “monster movie”. And, the fact that its unusual attempt to introduce special effects during its planning and production in 1960s was influenced by a Japanese movie Godzilla (1954) cannot be ignored. On the other hand, “historical” monster films represented by The Iron-eating Monster: Bulgasari converged on SF monster films including Big Monster Wangmagwi and Yongary, Monster from the Deep, cinematic relationship and exchange between Korea and Japan got heated up. Moreover, the stories behind these films indicate the character of Korean society in the 1960s when the state-led anticommunist jingoism and nationalism were strengthened. In addition, in the case of The Iron-eating Monster: Bulgasari, after more than 20 years, again reveals international exchange and relationship.
{"title":"1960s Korean SF Monster Movies and the Aspects of Film Exchange and Relationship in Northeast Asia","authors":"Chungbeom Ham","doi":"10.15751/cofis.2019.15.4.45","DOIUrl":"https://doi.org/10.15751/cofis.2019.15.4.45","url":null,"abstract":"1960s Korean SF Monster Movies and the Aspects of Film Exchange and Relationship in Northeast Asia Ham, Chung Beom Research Professor / Contemporary Cinema Research Institute, Hanyang University This article examines the aspects of Korean SF monster films and cinematic exchange and Relationship in Northeast Asia during the 1960s through three movies titled The Iron-eating Monster: Bulgasari (1962), Big Monster Wangmagwi (1967) and Yongary, Monster from the Deep (1967). The movies above feature a monster with a strange animal appearance, so all of them may be categorized as “monster movie”. And, the fact that its unusual attempt to introduce special effects during its planning and production in 1960s was influenced by a Japanese movie Godzilla (1954) cannot be ignored. On the other hand, “historical” monster films represented by The Iron-eating Monster: Bulgasari converged on SF monster films including Big Monster Wangmagwi and Yongary, Monster from the Deep, cinematic relationship and exchange between Korea and Japan got heated up. Moreover, the stories behind these films indicate the character of Korean society in the 1960s when the state-led anticommunist jingoism and nationalism were strengthened. In addition, in the case of The Iron-eating Monster: Bulgasari, after more than 20 years, again reveals international exchange and relationship.","PeriodicalId":123012,"journal":{"name":"Contemporary Film Studies","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129731713","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-11-01DOI: 10.15751/cofis.2019.15.4.9
김금동, 남기웅
{"title":"Images that Accompany Human -A Study on the Mobility of Digital Cinema-","authors":"김금동, 남기웅","doi":"10.15751/cofis.2019.15.4.9","DOIUrl":"https://doi.org/10.15751/cofis.2019.15.4.9","url":null,"abstract":"","PeriodicalId":123012,"journal":{"name":"Contemporary Film Studies","volume":"3 3","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"120992163","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-11-01DOI: 10.15751/cofis.2019.15.4.29
정헌
{"title":"An Aesthetic Study on the Material Traits of Digital Cinema","authors":"정헌","doi":"10.15751/cofis.2019.15.4.29","DOIUrl":"https://doi.org/10.15751/cofis.2019.15.4.29","url":null,"abstract":"","PeriodicalId":123012,"journal":{"name":"Contemporary Film Studies","volume":"54 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125488500","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-11-01DOI: 10.15751/cofis.2019.15.4.71
J. Park, Dae-Geun Lim
{"title":"‘The Metonymic Expansion of Thought’ in the Visual Image of the Movie -Focused on the Film Snowpiercer-","authors":"J. Park, Dae-Geun Lim","doi":"10.15751/cofis.2019.15.4.71","DOIUrl":"https://doi.org/10.15751/cofis.2019.15.4.71","url":null,"abstract":"","PeriodicalId":123012,"journal":{"name":"Contemporary Film Studies","volume":"184 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126076117","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-08-01DOI: 10.15751/cofis.2019.15.3.81
Jong-Ho Pih
{"title":"The Rhetoric of the Cold War and Fear of Nuclear War in German Films of the 1950s","authors":"Jong-Ho Pih","doi":"10.15751/cofis.2019.15.3.81","DOIUrl":"https://doi.org/10.15751/cofis.2019.15.3.81","url":null,"abstract":"","PeriodicalId":123012,"journal":{"name":"Contemporary Film Studies","volume":"20 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115184305","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-08-01DOI: 10.15751/cofis.2019.15.3.55
Il-dong Joe
{"title":"Ethnographic Films and Simplification of Visual Technology -The History and Possibility of Participatory Media-","authors":"Il-dong Joe","doi":"10.15751/cofis.2019.15.3.55","DOIUrl":"https://doi.org/10.15751/cofis.2019.15.3.55","url":null,"abstract":"","PeriodicalId":123012,"journal":{"name":"Contemporary Film Studies","volume":"39 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132441492","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-08-01DOI: 10.15751/cofis.2019.15.3.27
Ju-Bong Lee
{"title":"A Study on the Movie Theater and the Cinematic Experience in The Early Cinema Era -Focussed on the Birth and the Development of Movie Theater in Germany-","authors":"Ju-Bong Lee","doi":"10.15751/cofis.2019.15.3.27","DOIUrl":"https://doi.org/10.15751/cofis.2019.15.3.27","url":null,"abstract":"","PeriodicalId":123012,"journal":{"name":"Contemporary Film Studies","volume":"26 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127166045","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-08-01DOI: 10.15751/cofis.2019.15.3.137
호미
{"title":"The Implication of Traditional Culture and Transculturation Image Analysis in Jia Zhangke’s \"Still Life\" (2006)","authors":"호미","doi":"10.15751/cofis.2019.15.3.137","DOIUrl":"https://doi.org/10.15751/cofis.2019.15.3.137","url":null,"abstract":"","PeriodicalId":123012,"journal":{"name":"Contemporary Film Studies","volume":"41 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126120349","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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