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10 Conclusion: Chaos and Culture: Postmodernism(s) and the Denaturing of Experience 10结语:混沌与文化:后现代主义与经验的变性
Pub Date : 2018-12-31 DOI: 10.7591/9781501722950-012
Wh a t in the present cultural moment has energized chaos as an important concept? Why does it appear as a pivotal concept for us here and now? I conjecture that disorder has become a focal point for contemporary theories because it offers the possibility of escaping from what are increasingly perceived as coercive structures of order. But in privileging disorder, theorists cannot extract themselves from the weight of their disciplinary traditions, even if they want to (and scientists, for the most part, do not want to). Thus there arise complex layerings in which traces of old paradigms are embedded within new, resistances to mastery are enfolded with impulses toward mastery, totalizing moves are made in the service of local knowledge. The convoluted ambiquity that arises from these layerings is the leitmotif of this chapter; it is deeply characteristic of what I shall call cultural postmodernism. For it to come into being, earlier paradigms first had to be understood as constructions rather than statements of fact. I define cultural postmodernism as the realization that what has always been thought of as the essential, unvarying components of human experience are not natural facts of life but social constructions.1 We can think of this as a denaturing process. To denature
在当今的文化时刻,是什么让混沌成为一个重要的概念?为什么它现在对我们来说是一个关键的概念?我猜想,失序之所以成为当代理论的焦点,是因为它提供了逃离日益被视为强制性秩序结构的可能性。但是,在给无序赋予特权的过程中,理论家无法将自己从学科传统的重压中解脱出来,即使他们想这么做(而科学家,在很大程度上,也不想这么做)。因此,出现了复杂的分层,其中旧范式的痕迹嵌入在新的范式中,对掌握的抵抗与掌握的冲动交织在一起,为当地知识服务的总体行动。从这些分层中产生的令人费解的模棱两可是本章的主题;这是我称之为文化后现代主义的深刻特征。为了使之形成,早期的范式首先必须被理解为结构而不是事实陈述。我把文化后现代主义定义为这样一种认识,即一直被认为是人类经验的基本的、不变的组成部分并不是生活的自然事实,而是社会建构我们可以把这看作是一个变性过程。改变
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引用次数: 0
Illustrations 插图
Pub Date : 2018-12-31 DOI: 10.7591/9781501722950-001
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引用次数: 0
Frontmatter
Pub Date : 2018-12-31 DOI: 10.7591/9781501722950-fm
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引用次数: 0
5 Chaos as Dialectic: Stanislaw Lem and the Space of Writing 作为辩证法的混沌:斯坦尼斯拉夫·莱姆与写作空间
Pub Date : 2018-12-31 DOI: 10.7591/9781501722950-007
St a n i s l a w Le m has a formidable range of interests. Trained as a physician, he is seriously interested in mathematics, has taught himself cybernetics, possesses a good working knowledge of biology, knows quite a lot about cosmology, has read extensively in critical theory and philosophy, and writes in Polish, German, and English. The one thing he seems not to know is chaos theory— at least not in the explicit forms discussed earlier, in which chaos is identified with a new set of paradigms. When Lem writes about chaos, he understands it in the older sense of chance, randomness, disorder. Through his reading in cybernetics, he has had ample opportunity to learn about the principle of self-organization that underlies Prigogine’s work. However, he has not published anything to date that would indicate he has read Prigogine or knows about applications of the idea of self-organization to chaotic systems. Yet chaos is a topic of almost obsessive interest for Lem. His writing suggests that he considers accounting for randomness and disorder perhaps the most important issue in twentieth-century thought. Influenced both by his scientific training and by poststructuralism, he is concerned with the interaction between something and nothing as they collaborate to form human meanings. His fascination with disorder, his wide reading in cybernetics, and the influence of post-
我的兴趣爱好非常广泛。作为一名医生,他对数学非常感兴趣,自学了控制论,拥有良好的生物学工作知识,对宇宙学有相当多的了解,广泛阅读了批判理论和哲学,并用波兰语、德语和英语写作。他似乎不知道的一件事是混沌理论——至少不是在前面讨论的明确形式中,其中混沌被认定为一套新的范式。当莱姆写混乱时,他理解的是旧意义上的机会、随机性和无序。通过阅读控制论,他有足够的机会了解自组织原理,这是普里高津工作的基础。然而,到目前为止,他还没有发表任何表明他读过Prigogine或了解自组织思想在混沌系统中的应用的文章。然而,混沌是莱姆近乎痴迷的一个话题。他的文章表明,他认为解释随机性和无序性可能是20世纪思想中最重要的问题。受他的科学训练和后结构主义的影响,他关注有与无之间的相互作用,因为它们共同形成了人类的意义。他对混乱的迷恋,他对控制论的广泛阅读,以及后
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引用次数: 0
7 Chaos and Poststructuralism 混乱与后结构主义
Pub Date : 2018-12-31 DOI: 10.7591/9781501722950-009
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引用次数: 0
2 Self-reflexive Metaphors in Maxwell’s Demon and Shannon’s Choice: Finding the Passages 麦克斯韦的《恶魔》和香农的《选择》中的自反隐喻:寻找通道
Pub Date : 2018-12-31 DOI: 10.7591/9781501722950-004
IN a sense, all language is metaphoric. When a carpenter says that a room is 7 yards long, he is comparing the length of the room with the length of an Anglo-Saxon girdle. When a scientist says that a molecule has a diameter of 2.5 angstroms, the standard has changed but the principle is the same; the object is still understood in terms of its relation to something else.1 A completely unique object, if such a thing were imaginable, could not be described. Lacking metaphoric connections, it would remain inexpressible.2 The question is thus not whether metaphors are used in science as well as literature, but rather how metaphors are constituted in the two disciplines, how they change through time, and how they are affected by the interpretive traditions in which they are embedded.
从某种意义上说,所有的语言都是隐喻。当一个木匠说一个房间有7码长时,他是在把房间的长度与盎格鲁-撒克逊腰带的长度进行比较。当一个科学家说一个分子的直径是2.5埃时,标准变了,但原理是一样的;对象仍然是根据它与别的东西的关系来理解的一个完全独特的物体,如果可以想象的话,是无法被描述的。如果没有隐喻的联系,它就无法表达因此,问题不在于隐喻是否在科学和文学中使用,而是隐喻在这两个学科中是如何构成的,它们如何随着时间的推移而变化,以及它们如何受到它们所嵌入的解释传统的影响。
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引用次数: 0
1 Introduction: The Evolution of Chaos 1引言:混沌的进化
Pub Date : 2018-12-31 DOI: 10.7591/9781501722950-003
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引用次数: 0
6 Strange Attractors: The Appeal of Chaos 奇怪的吸引力:混沌的吸引力
Pub Date : 2018-12-31 DOI: 10.7591/9781501722950-008
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引用次数: 0
3 The Necessary Gap: Chaos as Self in The Education of Henry Adams 必要的鸿沟:亨利·亚当斯教育中的混沌自我
Pub Date : 2018-12-31 DOI: 10.7591/9781501722950-005
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引用次数: 0
4 From Epilogue to Prologue: Chaos and the Arrow of Time 从尾声到序曲:混沌与时间之箭
Pub Date : 2018-12-31 DOI: 10.7591/9781501722950-006
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引用次数: 0
期刊
Chaos Bound
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