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The Things of Life最新文献

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Ordinary and Paranormal 普通和超常
Pub Date : 2020-12-15 DOI: 10.7591/CORNELL/9781501752889.003.0007
A. Golubev
This chapter investigates how the television set as a material object changed the Soviet domestic space and Soviet selfhood. The chapter brings together most of the topics discussed in the book. It looks at the social conflict between the educated class and marginalized groups in Soviet society, which found its manifestation in public debates over the presumably healing or harmful effects of the television set. The chapter focuses on the material form in addition to the content of television to argue that its inclusion in the Soviet home instigated new forms of identity performances that cannot be reduced to the content of television programs but can rather be traced to the physical nature of television as a medium of mass communication. Focusing on the phenomenon of paranormal seances broadcast on Soviet television in 1989, the chapter explores the various ways in which Soviet television audiences discovered that the television set had power over their bodies and selves, as well as looks at different forms of social reaction that this discovery caused in late Soviet culture.
这一章考察了电视机作为一种物质对象如何改变了苏联的家庭空间和苏联的自我。这一章汇集了书中讨论的大部分主题。它关注的是苏联社会中受过教育的阶级和边缘群体之间的社会冲突,这种冲突在关于电视机可能是有益的还是有害的影响的公开辩论中得到了体现。这一章的重点是除了电视内容之外的物质形式,认为它在苏联家庭中的包含引发了新的身份表演形式,这些形式不能简化为电视节目的内容,而是可以追溯到电视作为大众传播媒介的物理性质。本章以1989年苏联电视播出的超自然降神现象为重点,探讨了苏联电视观众发现电视机对他们的身体和自我具有控制能力的各种方式,并探讨了这一发现在苏联晚期文化中引起的不同形式的社会反应。
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引用次数: 0
When Spaces of Transit Fail Their Designers 当交通空间辜负了他们的设计师
Pub Date : 2020-12-15 DOI: 10.7591/CORNELL/9781501752889.003.0005
A. Golubev
This chapter looks at the mass housing program launched by the Soviet leadership in the late 1950s from the perspective of urban planning and management. It looks into the transit spaces of new socialist neighborhoods, focusing on the stairwells of Soviet apartment blocks. Designed as utilitarian spaces for the fast passage of people from home to work to leisure activities, they revealed an ability to accumulate people and connect them in various ways, which Soviet authorities and intellectuals often interpreted as threatening to the public good. The Soviet stairwell established different affective regimes of Soviet people's interactions with urban space and provoked some of the hidden social conflicts of late socialism that became reflected in socially dominant structures of the Soviet self. The communities discussed in the chapter are predominantly male. The material and social conditions of late socialism provoked different regimes and forms of masculinity, which is another important topic of this book.
本章从城市规划和管理的角度考察苏联领导层在20世纪50年代末发起的大规模住房计划。它着眼于新社会主义社区的交通空间,重点关注苏联公寓楼的楼梯间。它们被设计成实用的空间,供人们从家到工作到休闲活动的快速通道,显示出一种聚集人群并以各种方式将他们联系起来的能力,苏联当局和知识分子经常将其解释为对公共利益的威胁。苏联楼梯井建立了苏联人民与城市空间互动的不同情感机制,并引发了后期社会主义的一些隐藏的社会冲突,这些冲突反映在苏联自身的社会主导结构中。本章讨论的社区主要是男性。晚期社会主义的物质和社会条件催生了不同的制度和形式的男子气概,这是本书的另一个重要主题。
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引用次数: 0
History in Wood 木材的历史
Pub Date : 2020-12-15 DOI: 10.7591/CORNELL/9781501752889.003.0004
A. Golubev
This chapter turns to other types of material objects that were capable of performing history: timber buildings associated with cultural heritage and historical ship replicas. The last three decades of the Soviet Union evidenced a fast growth in the number of heritage sites related to traditional wooden architecture. The chapter examines the museumification of old architecture as a process that was similar to the scale modeling hobby in its politics, but stimulated the nationalist understanding of Soviet history in its Romantic, rather than Techno-Utopian, interpretation. In particular, the chapter shows how wood, a traditional building material, became a symbol that objectified the “deep cultural roots” of Soviet society and served, because of its texture, as a living witness of its authentic history.
本章转向其他类型的能够表现历史的物质对象:与文化遗产有关的木结构建筑和历史船舶复制品。苏联的最后三十年证明了与传统木结构建筑有关的遗产数量的快速增长。本章考察了旧建筑的博物馆化过程,这一过程类似于其政治中的比例建模爱好,但刺激了民族主义者对苏联历史的浪漫主义理解,而不是技术乌托邦式的解释。特别是,这一章展示了木材,一种传统的建筑材料,如何成为一种象征,客观化了苏联社会的“深厚的文化根源”,并因其质地而成为其真实历史的活生生的见证。
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引用次数: 0
Conclusions 结论
Pub Date : 2020-12-15 DOI: 10.7591/cornell/9781501752889.003.0008
A. Golubev
This chapter summarizes the observations pointed out in the book about the materiality of Soviet objects such as stairwells, weightlifting equipment, and television sets. It concludes that these were created by hybrid social creatures whose practices were influenced not only by ideology and language but also by things around them, and as a result, Soviet artifacts have their politics. The chapter describes elemental materialism as a part of the cultural logic of late socialism. It supplied officials and intellectuals with persistent and routinely reproduced metaphors that assessed people through their mastery of professional equipment, consumption practices, and hobbies. It also influenced the social topography of late socialism. The chapter talks about soviet objects and spaces, and how they interfered in the processes of subjectivation by suggesting forms of selfhood that fell out of the civilizing frameworks of the Soviet enlightenment project. It discusses soviet materiality and how it acquired its historical agency through the bodies of people who were fascinated with various material objects of late socialism and for whom these objects were instrumental in suggesting and objectifying their individual and collective selves. Material objects of late socialism encapsulated different and often conflicting visions of the past, present, and future, structured the social landscape, and suggested various forms of navigating through it. Examining the ways they did so makes it possible to better understand Soviet society as a complex historical phenomenon.
这一章总结了书中关于苏联物品物质性的观察,如楼梯井、举重设备和电视机。它的结论是,这些是由混合的社会生物创造的,这些生物的行为不仅受到意识形态和语言的影响,还受到周围事物的影响,因此,苏联的人工制品有它们的政治。这一章描述了元素唯物主义作为晚期社会主义文化逻辑的一部分。它为官员和知识分子提供了持久的、常规复制的隐喻,通过他们对专业设备的掌握、消费习惯和爱好来评估人们。它也影响了后期社会主义的社会形态。这一章讨论了苏联的物体和空间,以及它们如何通过暗示脱离苏联启蒙运动文明框架的自我形式来干预主体化的过程。它讨论了苏联的物质性,以及它是如何通过人们的身体获得其历史代理的,这些人着迷于晚期社会主义的各种物质对象,对他们来说,这些对象有助于暗示和物化他们的个人和集体自我。晚期社会主义的物质对象包含了对过去、现在和未来不同且经常相互冲突的愿景,构建了社会景观,并提出了各种形式的导航方式。研究他们这样做的方式,可以更好地理解苏联社会是一个复杂的历史现象。
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引用次数: 0
The Men of Steel 钢铁之躯
Pub Date : 2020-12-15 DOI: 10.7591/CORNELL/9781501752889.003.0006
A. Golubev
This chapter continues the exploration of the marginal urban spaces of late socialism from a slightly different perspective, as it examines the peculiar phenomenon of basement bodybuilding in the late USSR. Driven by the transnational imagery of the cultured male body as hypermuscular, many Soviet teenagers and men turned to weightlifting equipment with its power to help achieve muscle gain and transform their bodies into cultured bodies. At the same time, the failure of Soviet bodybuilding to become part of the official sports system led to its social marginalization, which became visible in social topography. The Soviet press repeatedly denounced basement bodybuilding as a criminal activity. But for most people who engaged in it, it was a form of acquiring strength, health, self-assurance, and — through it — social agency, which many of them interpreted as loyalty to the dominant symbolic and political order.
本章继续从一个稍微不同的角度探索社会主义晚期的边缘城市空间,因为它考察了苏联晚期地下室健身的特殊现象。在文化男性身体的跨国形象的驱动下,许多苏联青少年和男性转向举重设备,因为它可以帮助他们获得肌肉,并将他们的身体变成有文化的身体。与此同时,苏联健美运动未能成为官方体育系统的一部分,导致其社会边缘化,这在社会地形上是显而易见的。苏联媒体一再谴责地下健身是一种犯罪活动。但对于大多数参与其中的人来说,这是一种获得力量、健康、自信以及——通过它——社会代理的形式,他们中的许多人将其解释为对占主导地位的象征和政治秩序的忠诚。
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引用次数: 0
Time in 1:72 Scale 时间以1:72的比例表示
Pub Date : 2020-12-15 DOI: 10.7591/cornell/9781501752889.003.0003
A. Golubev
This chapter explores the scale model hobby in the USSR, focusing on models as objects that made manifest the historical imagination inherent in Soviet technopolitics. Models, especially when assembled in collections, challenged Marxist interpretations of history and helped organize the Soviet historical imagination along national lines. As with their prototypes, scale models were also affective but in a different way, because of their ability to showcase Soviet industrial and technological capabilities and to stand as a synecdoche for historical progress. The miniaturization of history in its particular technocentric and national understanding made models performative, as they organized history into a spectacle for the educated male gaze of Soviet model enthusiasts. The chapter also addresses the themes of the public space, performativity, and visuality.
本章探讨了苏联的比例模型爱好,重点是模型作为体现苏联技术政治中固有的历史想象力的对象。这些模型,尤其是当它们汇集在一起时,挑战了马克思主义对历史的解释,并帮助按照国家路线组织苏联的历史想象。和他们的原型一样,比例模型也有影响,但以不同的方式,因为它们能够展示苏联的工业和技术能力,并作为历史进步的喻喻。历史在其特殊的技术中心和民族理解中的小型化使模型具有表演性,因为它们将历史组织成苏联模型爱好者的受过教育的男性凝视的奇观。本章还讨论了公共空间、表演性和视觉性的主题。
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引用次数: 0
Acknowledgments 致谢
Pub Date : 2020-11-15 DOI: 10.1515/9781501752902-002
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引用次数: 0
Frontmatter
Pub Date : 2020-11-15 DOI: 10.1515/9781501752902-fm
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引用次数: 0
Conclusions: Soviet Objects and Socialist Modernity 结论:苏联目标与社会主义现代性
Pub Date : 2020-11-15 DOI: 10.1515/9781501752902-011
A. Golubev
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引用次数: 0
1. Techno-Utopian Visions of Soviet Intellectuals after Stalin 1. 斯大林后苏联知识分子的技术乌托邦愿景
Pub Date : 2020-11-15 DOI: 10.1515/9781501752902-005
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引用次数: 0
期刊
The Things of Life
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