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FEATURES OF THE GERMAN LANGUAGE POLICY: PREVIOUSLY AND CURRENTLY 德国语言政策的特点:过去和现在
Z. V. Gumenyuk
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引用次数: 0
THE PECULIARITIES OF THE PREPARATION OF JOURNALISTIC PUBLICATIONS IN THE GENRE “RATING” “评级”体裁下新闻出版物编写的特点
O. V. Parkhitko
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引用次数: 0
PHONETIC EXPRESSIVE MEANS AS A FEATURE OF YURGIS BALTRUSHAITIS’ POETIC WORLD IN THE CONTEXT OF RUSSIAN SYMBOLIST POETRY 在俄罗斯象征主义诗歌语境下,语音表达手段是尤里吉斯诗歌世界的一个特征
V. Shcherbina
The article is devoted to the analysis of the phonetic expressive means in Yurgis Baltrushaitis’ poetic world. The tendency to abstract and disperse semantic meaning of a word defined the originality of expressive means usage in symbolist poetry. The themes, motifs, images and stylistic devices, varying in Baltrushaitis’ poems, reflect Baltrushaitis’ philosophic and aesthetic views. The purpose of the article is to reveal the features of phonetic expressive means usage in Baltrushaitis’ lyrics and define their role in poet’s artistic world. The same emotions and moods can be seen in all poet’s works. It is proved that important role in creating specific emotional colouring belongs to the original sound instrumentation. The enormous images, surrounding man in Baltrushaitis’ poetic world, require specific sound images. The instrumentation of early poems is characterized by frequent use of alliteration and sound imitative words. The alliteration may have form of phonetic anaphora and phonetic epiphora. It is shown that phonetic anaphora is used to create the common poetic key and emphasize the psychological conflict between nature and man. In Baltrushaitis’ lyrics phonetic epiphora is aimed at emphasizing distinct and clear rhythm. The repeated final consonants take part in the developing lyrical plot, creating lyrical mood and tone of the poem. Such sound instrumentation can change rhythmical pattern of the lyrical narration as well as add some energy and hasten the pace of the narration. The analysis of Baltrushaitis’ artistic world shows that such kinds of sound repetitions as rondo and zeugma are used to perform aesthetic function as well as create the symmetry of the poem. More complicated forms of alliteration and its decomposition take part in forming and developing the lyrical plot of most poems It is proved that in Baltrushaitis’ lyrics the sound gamut is used for creating images of nature. The motifs and themes of poetry are in strict balance with phonetic expressive means which are often neutralized by clear and simple composition. The rhythmic pattern and the instrumentation of the poems are subordinated to the logics of poetic narration.
本文分析了巴尔特鲁沙蒂斯诗歌世界中的语音表达方式。词语语义的抽象和分散倾向决定了象征主义诗歌表现手法的独创性。巴尔特鲁沙蒂斯诗歌的主题、母旨、意象和文体手段各不相同,反映了巴尔特鲁沙蒂斯的哲学和审美观点。本文旨在揭示巴尔特鲁沙蒂斯歌词中语音表达手段的使用特点,并明确其在诗人艺术世界中的作用。在所有诗人的作品中都可以看到同样的情感和情绪。证明了原声乐器在创造特定情感色彩方面的重要作用。在Baltrushaitis的诗意世界中,围绕人类的巨大图像需要特定的声音图像。早期诗歌的特点是经常使用头韵和模仿声音的词。头韵可以有语音回指和语音显指的形式。结果表明,语音回指是营造共同的诗歌基调,强调人与自然的心理冲突。在Baltrushaitis的歌词中,语音的顿悟是为了强调清晰清晰的节奏。尾辅音的重复参与了抒情情节的发展,创造了诗歌的抒情情绪和基调。这样的声音工具可以改变抒情叙事的节奏模式,也可以增加一些能量,加快叙事的节奏。通过对巴尔特鲁沙蒂斯艺术世界的分析,发现回旋曲、齐格玛等声音重复在创造诗歌对称性的同时,也起到了发挥美学功能的作用。更复杂的头韵形式及其分解参与了大多数诗歌抒情情节的形成和发展。事实证明,在Baltrushaitis的歌词中,音域是用来创造自然形象的。诗歌的母题和主题与语音表达方式保持着严格的平衡,而语音表达方式往往被简洁明了的构图所中和。诗歌的节奏模式和配器服从于诗歌叙事的逻辑。
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引用次数: 0
USE OF TRANSLATION IN FOREIGN LANGUAGE LEARNING FOR STUDENTS AT NON-LANGUAGE HIGHER EDUCATION INSTITUTIONS 非语言高等院校学生外语学习中翻译的运用
I. Dovzhenko, L. Diachuk
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引用次数: 0
THE MORPHOLOGICAL SYSTEM OF OLD PERSIAN NOUN 古波斯语名词的形态系统
K. Pozdniakov
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引用次数: 0
SPELLING OF CONSONANT SOUNDS IN SYNCHRONY AND DIACHRONY: MODERN AND HISTORICAL UKRAINIAN SOCIOPHONETIC SPEECH 共时性和历时性的辅音拼写:现代和历史的乌克兰社会语音
M. Druzhynets
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引用次数: 0
SEMANTIC REALIZATION OF PRESENCE WITH VERB STRUCTURES 动词结构在场的语义实现
T. V. P’yatnychka
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引用次数: 0
STYLISTIC PECULIARITIES OF BREXIT-DISCOURSE 英国脱欧话语的文体特点
I. Kobyakova, D. Nestorenko
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引用次数: 0
PECULIARITIES OF STUDY OF PHRASEOLOGISM IN TEACHING THE UKRAINIAN LANGUAGE AS FOREIGN 乌克兰语对外教学中语法学研究的特点
L. Azarova, L. V. Gorchinska, T. Pustovit
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引用次数: 0
WORDFORMATION SEMANTICS OF THE PREFIXAL VERBS - THE TERMS OF THE HUMANITARIAN SPHERE: ATHEORETICAL ASPECT 前缀动词的构词语义——人文领域术语:一个理论方面
A. Dudok
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引用次数: 0
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Scientific notes of Taurida National V.I. Vernadsky University, series Philology. Social Communications
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