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George Herbert and the Mystery of the Word: Poetry and Scripture in Seventeenth-Century England by Gary Kuchar (review) 《乔治·赫伯特与世界之谜:17世纪英国的诗歌与经文》作者:加里·库查尔(书评)
Pub Date : 2019-02-08 DOI: 10.1353/ghj.2016.0020
H. Hamlin
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引用次数: 0
George Herbert and Post-Phenomenology: A Gift for Our Times by Malgorzata Grzegorzewska (review) 乔治·赫伯特与后现象学:给我们时代的礼物
Pub Date : 2019-02-08 DOI: 10.1353/ghj.2016.0019
George B. Zornow
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引用次数: 0
The Bible and the Printed Image in Early Modern England: Little Gidding and the Pursuit of Scriptural Harmony by Michael Gaudio (review) 《圣经》与近代早期英国的印刷图像:小吉丁与对圣经和谐的追求》作者:迈克尔·高迪奥(书评)
Pub Date : 2019-02-08 DOI: 10.1353/ghj.2016.0018
P. Dyck
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引用次数: 0
The Johannine Renaissance in Early Modern English Literature and Theology by Paul Cefalu (review) 《近代早期英国文学与神学中的约翰文艺复兴》作者:保罗·切法鲁(书评)
Pub Date : 2019-02-08 DOI: 10.1353/GHJ.2016.0017
Russell M. Hillier
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引用次数: 0
The Multiple Temporalities of George Herbert's The Temple 乔治·赫伯特《圣殿》的多重时间性
Pub Date : 2019-02-08 DOI: 10.1353/GHJ.2016.0014
Jacob Murel
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引用次数: 0
Scribal Copies of George Herbert's "Lent" and Easter" in Certaine Carolls, or Divine Hymnes for Christmas Day 乔治·赫伯特的“四旬斋”和“复活节”抄写副本在某些颂歌,或神圣的赞美诗为圣诞节
Pub Date : 2019-02-08 DOI: 10.1353/GHJ.2016.0016
A. Bowles
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引用次数: 0
Sacrifices of Thanksgiving: The Eucharist in The Temple 感恩的牺牲:圣殿里的圣餐
Pub Date : 2019-02-08 DOI: 10.1353/GHJ.2016.0013
S. Ross
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引用次数: 0
The Givenness of Being and Language in the Poetry of George Herbert 乔治·赫伯特诗歌中存在与语言的给予性
Pub Date : 2019-02-08 DOI: 10.1353/GHJ.2016.0015
M. Grzegorzewska
In March 2017, the Polish Academy of Sciences hosted Professor Jean-Luc Marion, who has long been engaged in a dialogue with Jacques Derrida over the aporias of the gift and the relationship between the Judeo-Christian God and the multiple gods of postmodern thought. In the title of his Warsaw lecture Marion posed a question: “Qu’attend la théologie de la phénoménologie?” [What does theology expect from phenomenology?]. The audience did not have to wait long for an answer; nor, when it came, was it elaborately long. The lecture opened like a gun-shot with one simple and most straightforward monosyllabe: “Rien.” But given Marion’s propensity for apophasis and negative theology, the audience knew that what was to follow would be as potent and pregnant with consequence as Cordelia’s “nothing” in Shakespeare’s great tragedy, King Lear. In this paper I wish to echo Marion’s question in a slightly modified form and reflect briefly on the ways in which literary studies can profit from intercourse with contemporary phenomenology (and also theology). I shall try to take advantage of contemporary phenomenology in order to redefine, perhaps also recover the concept of the lyrical “I” who responds to the call of being and language, and in this way may become a “gifted subject” of George Herbert’s poetry.
2017年3月,波兰科学院主办的让-吕克·马里恩教授,曾长期从事与雅克·德里达的对话在礼物的难点和犹太教和基督教的神之间的关系和后现代思想的多神。在他华沙演讲的标题中,马里恩提出了一个问题:“Qu 'attend la thsamologie de la phsamnomsamnologie ?”“神学对现象学有什么期待?”听众不用等很长时间就能得到答案;当它来临时,它也不是精心设计的长。讲座像一声枪响一样,以一个简单而直接的单音节开始:“Rien”。但考虑到马里昂对阿法菲斯和消极神学的倾向,观众知道接下来会发生什么,就像莎士比亚的大悲剧《李尔王》中科迪莉亚的“什么都没有”一样有力和充满后果。在本文中,我希望以稍微修改的形式回应马里昂的问题,并简要地反思文学研究可以从与当代现象学(以及神学)的交流中获益的方式。我将尝试利用当代现象学来重新定义,或许也恢复抒情的“我”的概念,这个“我”回应了存在和语言的召唤,并以这种方式成为乔治·赫伯特诗歌的“天才主题”。
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引用次数: 0
God's Silence: On Herbert's Deniall 《上帝的沉默:论赫伯特的否认
Pub Date : 2016-10-05 DOI: 10.1353/ghj.1986.0000
Mario A. Di Cesare
As one of the richest poems in The Temple, "Deniell" hos ettrected ß fair share of critical attention, but it hes to some extent eluded even our best critics. Not unreesonebly; it is en unusuel poem which seems Almost too usuel. There ere several brood erees which hove not received sufficient ettention: the prosody, the conclusion, the theologicel context, end the narrative cherocter. My own study leeds me to believe that the prosody is intricete, subtle, demending, end remerkebly effective; that the conclusion needs to be delicately understood within the total poem; that the poem is fundementelly e textured nerretive of spiritual dryness, with contrapuntal structures and ambivalent conclusion.
作为《圣殿》中内容最丰富的诗歌之一,《丹尼尔》吸引了评论界相当多的关注,但在某种程度上,即使是最优秀的评论家也没有注意到它。不是unreesonebly;这是一首不寻常的诗,但似乎太寻常了。有几个方面没有得到足够的重视:韵律、结语、神学语境、叙事篇章的结束。我自己的研究使我相信,韵律是复杂的,微妙的,苛刻的,最终令人难忘的有效;结论需要在整首诗中被细致地理解;这首诗从根本上来说是一种精神上的干枯,有对位结构和矛盾的结论。
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引用次数: 2
Protestant Poetics and the Seventeenth-Century Religious Lyric (review) 新教诗学与17世纪宗教抒情诗(回顾)
Pub Date : 2016-10-05 DOI: 10.1353/GHJ.1979.0008
Mary Ellen Rickey
Barbara Lewa Is k is Protestant Poetics end the Seventeenth-Century Religious Lyric, like her earlier books, escorts her readers through vast and, for many, largely unfamiliar territories Her thesis bemuses, both by itsemphasis of statement and by the enormity of the materials which she undertakes to use "This study, then, will argue two propositions. First, that an extensive and widely accessible body of literary theory, chiefly pertaining to the Bible and to fundamental Protestant assumptions about the spiritual life and about art, can be extrapolated from such sixteenthand seventeenth-century materials as biblical commentaries, rhetorical handbooks, poetic paraphrases of scripture, emblem books, manuals on meditation and preaching. Second, that such theory, and the biblical models it identified, helped to shape contemporary attitudes about religious poetry, contributing directly to the remarkable flowering of the religious lyric in the seventeenth century, and especially to that major strain represented by Donne, Herbert, Vaughan, Traherne, and Taylor"(p. 5).
芭芭拉·莱瓦的《新教诗学》《十七世纪宗教抒情诗》和她早期的著作一样,带领她的读者穿越了广阔的,对许多人来说,基本上是陌生的领域。她的论文令人困惑,既因为它对陈述的强调,也因为她承诺使用的大量材料,“这项研究将论证两个命题。首先,一个广泛而广泛的文学理论体系,主要与圣经和新教关于精神生活和艺术的基本假设有关,可以从16世纪和17世纪的材料中推断出来,如圣经注释,修辞手册,圣经的诗歌释义,徽章书,冥想和讲道手册。其次,这样的理论,以及它所确定的圣经模式,帮助塑造了当代对宗教诗歌的态度,直接促进了17世纪宗教抒情的蓬勃发展,特别是以多恩、赫伯特、沃恩、特拉赫恩和泰勒为代表的主要流派。5).
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引用次数: 2
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