Pub Date : 2023-12-29DOI: 10.12797/cc.26.2023.26.08
Edyta Gryksa-Pająk
The aim of the article is to analyze selected ways of sound presentation in Eclogues, written by Calpurnius Siculus, a Latin poet who lived and created in the time of Nero’s rule. Most attention will be drawn to songs performed by shepherds in their agons along with the sounds that are composed by surrounding nature, like rustling trees, murmuring streams and singing birds. What is more, an essential part is played by onomatopoeic effects realized by means of neatly chosen expressions. The correlation of accurate sounds has an impact on the sense of hearing and on the readers’ imagination, as they can be moved into the bosom of nature and almost ‘hear’ the sounds that accompany the scenes.
{"title":"Between Sound and Silence – The Sonic World of Calpurnius Siculus’ Eclogues","authors":"Edyta Gryksa-Pająk","doi":"10.12797/cc.26.2023.26.08","DOIUrl":"https://doi.org/10.12797/cc.26.2023.26.08","url":null,"abstract":"The aim of the article is to analyze selected ways of sound presentation in Eclogues, written by Calpurnius Siculus, a Latin poet who lived and created in the time of Nero’s rule. Most attention will be drawn to songs performed by shepherds in their agons along with the sounds that are composed by surrounding nature, like rustling trees, murmuring streams and singing birds. What is more, an essential part is played by onomatopoeic effects realized by means of neatly chosen expressions. The correlation of accurate sounds has an impact on the sense of hearing and on the readers’ imagination, as they can be moved into the bosom of nature and almost ‘hear’ the sounds that accompany the scenes.","PeriodicalId":143511,"journal":{"name":"Classica Cracoviensia","volume":"184 2","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139145602","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-12-29DOI: 10.12797/cc.26.2023.26.06
Antoni Bobrowski
In Propertius’ Elegy 1.18, the speaker arrives at an empty, desolate grove so that he may complain loud about being an abandoned lover in solitude. The work is positioned in the mainstream of the Augustan love elegy, but apart from elegiac concepts, it contains numerous topoi and intertextual references to the tradition of bucolic poetry. This article discusses the functioning of the motif of loneliness, which in 1.18 combines various elements that make up the image of the depicted world and enables the selection and modification of interpretative clues.
{"title":"Faces of Loneliness in Propertius 1.18","authors":"Antoni Bobrowski","doi":"10.12797/cc.26.2023.26.06","DOIUrl":"https://doi.org/10.12797/cc.26.2023.26.06","url":null,"abstract":"In Propertius’ Elegy 1.18, the speaker arrives at an empty, desolate grove so that he may complain loud about being an abandoned lover in solitude. The work is positioned in the mainstream of the Augustan love elegy, but apart from elegiac concepts, it contains numerous topoi and intertextual references to the tradition of bucolic poetry. This article discusses the functioning of the motif of loneliness, which in 1.18 combines various elements that make up the image of the depicted world and enables the selection and modification of interpretative clues.","PeriodicalId":143511,"journal":{"name":"Classica Cracoviensia","volume":" 4","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139143058","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-12-30DOI: 10.12797/cc.25.2022.25.05
Cezary Namirski
The aim of the paper is to discuss the phenomenon of the re-use of Nuragic sacred wells (pozzi sacri) during the Punic period (c. 500–238 BC) in Sardinia. Although the Nuragic settlement system and power structures ceased to exist by the Late Iron Age, the sanctuaries – built primarily in the Final Bronze Age (c. 1200/1150–900 BC) and the Early Iron Age (c. 900–750 BC) – were still used for ritual purposes, as demonstrated by finds from the sacred wells of Orri (Arborea), San Salvatore (Gonnosno) and Cuccuru Is Arrius (Cabras). This phenomenon is analyzed in the context of cultural changes which took place in Sardinia during the period of Carthaginian domination, such as the emergence of hybridized culture with indigenous and Punic elements.
本文的目的是讨论撒丁岛布尼基时期(公元前500-238年)努拉吉圣井(pozzi sacri)的再利用现象。虽然努拉吉人的定居系统和权力结构在铁器时代晚期就已经不存在了,但这些主要建于青铜时代末期(公元前1200/1150-900年)和铁器时代早期(公元前900-750年)的圣殿仍然被用于仪式目的,从Orri (Arborea)、San Salvatore (Gonnosno)和Cuccuru Is Arrius (Cabras)的圣井中发现的文物就可以证明这一点。这一现象是在迦太基统治时期撒丁岛发生的文化变化的背景下进行分析的,例如具有土著和布匿元素的杂交文化的出现。
{"title":"Re-use of Nuragic Sacred Wells (Pozzi Sacri) in Punic Sardinia","authors":"Cezary Namirski","doi":"10.12797/cc.25.2022.25.05","DOIUrl":"https://doi.org/10.12797/cc.25.2022.25.05","url":null,"abstract":"The aim of the paper is to discuss the phenomenon of the re-use of Nuragic sacred wells (pozzi sacri) during the Punic period (c. 500–238 BC) in Sardinia. Although the Nuragic settlement system and power structures ceased to exist by the Late Iron Age, the sanctuaries – built primarily in the Final Bronze Age (c. 1200/1150–900 BC) and the Early Iron Age (c. 900–750 BC) – were still used for ritual purposes, as demonstrated by finds from the sacred wells of Orri (Arborea), San Salvatore (Gonnosno) and Cuccuru Is Arrius (Cabras). This phenomenon is analyzed in the context of cultural changes which took place in Sardinia during the period of Carthaginian domination, such as the emergence of hybridized culture with indigenous and Punic elements.","PeriodicalId":143511,"journal":{"name":"Classica Cracoviensia","volume":"10 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127645949","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-12-30DOI: 10.12797/cc.25.2022.25.06
Kaja Osobik
Jerome wrote Epistula prima probably during the decade of 366–376. Little is known about this stage in his life, but it was apparently then that as a young man he became interested in asceticism and at the end of this period of time finally decided to become a monk. However, the ascetic ideas are not the main theme of Ep. 1. The letter tells the story of a falsely accused woman who was subjected to torture and survived seven strokes of the executioner’s sword. The way in which Jerome interprets and presents these events reflects his spiritual profile and aesthetic preferences. The text can be interpreted both as a letter (a ‘real’ or a ‘fictional’ one) with an embedded narrative and as a non-epistolary work with a dedicatory preface. This affects the way in which the reader responds to the introduction (where Jerome’s anxiety concerning the imperfection of his style is expressed) as well as his or her right to assess the subsequent narrative. None of these approaches eliminates the duality in the text’s structure. Therefore, it should be interpreted on the two following levels: as an epistolary speculum animi, which shows Jerome in the situation of undertaking the task of writing the narrative, and as another, literary speculum, which reflects the author’s soul by means of artistic expression.
{"title":"Jerome's Epistula Prima","authors":"Kaja Osobik","doi":"10.12797/cc.25.2022.25.06","DOIUrl":"https://doi.org/10.12797/cc.25.2022.25.06","url":null,"abstract":"Jerome wrote Epistula prima probably during the decade of 366–376. Little is known about this stage in his life, but it was apparently then that as a young man he became interested in asceticism and at the end of this period of time finally decided to become a monk. However, the ascetic ideas are not the main theme of Ep. 1. The letter tells the story of a falsely accused woman who was subjected to torture and survived seven strokes of the executioner’s sword. The way in which Jerome interprets and presents these events reflects his spiritual profile and aesthetic preferences. The text can be interpreted both as a letter (a ‘real’ or a ‘fictional’ one) with an embedded narrative and as a non-epistolary work with a dedicatory preface. This affects the way in which the reader responds to the introduction (where Jerome’s anxiety concerning the imperfection of his style is expressed) as well as his or her right to assess the subsequent narrative. None of these approaches eliminates the duality in the text’s structure. Therefore, it should be interpreted on the two following levels: as an epistolary speculum animi, which shows Jerome in the situation of undertaking the task of writing the narrative, and as another, literary speculum, which reflects the author’s soul by means of artistic expression.","PeriodicalId":143511,"journal":{"name":"Classica Cracoviensia","volume":"17 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121612075","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-12-30DOI: 10.12797/cc.25.2022.25.07
Malte Speich
Ethnography from the 4th century BCE after the Peloponnesian War and up to Alexander’s campaign has so far been underrepresented in ancient historical research. This article attempts to fill in the gap by examining the multi-layered functions of ethnographic writing, using the Thracians in the Xenophontic Anabasis as an example. Thereby, it will be shown that expert knowledge of the 4th century in particular played a formative role in describing foreign ethnic groups. Finally, ethnographic information about the Thracians significantly supports Xenophon’s self-representation as ideal military leader and philosopher.
{"title":"Professionalisierung und Ethnographie – Xenophon Über die Thraker","authors":"Malte Speich","doi":"10.12797/cc.25.2022.25.07","DOIUrl":"https://doi.org/10.12797/cc.25.2022.25.07","url":null,"abstract":"Ethnography from the 4th century BCE after the Peloponnesian War and up to Alexander’s campaign has so far been underrepresented in ancient historical research. This article attempts to fill in the gap by examining the multi-layered functions of ethnographic writing, using the Thracians in the Xenophontic Anabasis as an example. Thereby, it will be shown that expert knowledge of the 4th century in particular played a formative role in describing foreign ethnic groups. Finally, ethnographic information about the Thracians significantly supports Xenophon’s self-representation as ideal military leader and philosopher.","PeriodicalId":143511,"journal":{"name":"Classica Cracoviensia","volume":"114 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122643314","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-12-30DOI: 10.12797/cc.25.2022.25.02
Estelle Clements
Explored through a pedagogical lens, Plato’s Theuth and Thamus anecdote reveals an educational intervention designed to examine and apply the teachings of Socrates through a ‘real-world’ philosophical conundrum: how to wisely contend with the introduction of new technology. This work suggests that Theuth and Thamus can be viewed as the black and white horses of Plato’s chariot metaphor, and that this chariot driving lesson helps student-philosophers understand the role of wisdom in governing both their personal lives and the state. Serving as an examination, the anecdote draws together the ideas student philosophers have explored throughout the earlier portions of the dialogue.
通过教学的视角,柏拉图的Theuth and Thamus轶事揭示了一种教育干预,旨在通过“现实世界”的哲学难题来检验和应用苏格拉底的教导:如何明智地应对新技术的引入。这项工作表明,Theuth和Thamus可以被视为柏拉图的战车比喻中的黑白马,这节战车驾驶课帮助学生哲学家理解智慧在管理他们的个人生活和国家方面的作用。作为一种考察,这个轶事汇集了学生哲学家在对话的早期部分所探索的思想。
{"title":"Phaedrus' Exam","authors":"Estelle Clements","doi":"10.12797/cc.25.2022.25.02","DOIUrl":"https://doi.org/10.12797/cc.25.2022.25.02","url":null,"abstract":"Explored through a pedagogical lens, Plato’s Theuth and Thamus anecdote reveals an educational intervention designed to examine and apply the teachings of Socrates through a ‘real-world’ philosophical conundrum: how to wisely contend with the introduction of new technology. This work suggests that Theuth and Thamus can be viewed as the black and white horses of Plato’s chariot metaphor, and that this chariot driving lesson helps student-philosophers understand the role of wisdom in governing both their personal lives and the state. Serving as an examination, the anecdote draws together the ideas student philosophers have explored throughout the earlier portions of the dialogue.","PeriodicalId":143511,"journal":{"name":"Classica Cracoviensia","volume":"96 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125401213","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-12-30DOI: 10.12797/cc.25.2022.25.01
Marthe Becker
A different dating of the columbarium inscription AE 1979, 33 is proposed. The various possibilities of interpreting the inscription are discussed and the connection of Idumaeus, a slave belonging to Livia and Tiberius, to Herod the Great and/or his sister Salome, as stated by Heinrich Chantraine, is questioned.
{"title":"Erneut zu AE 1979,33","authors":"Marthe Becker","doi":"10.12797/cc.25.2022.25.01","DOIUrl":"https://doi.org/10.12797/cc.25.2022.25.01","url":null,"abstract":"A different dating of the columbarium inscription AE 1979, 33 is proposed. The various possibilities of interpreting the inscription are discussed and the connection of Idumaeus, a slave belonging to Livia and Tiberius, to Herod the Great and/or his sister Salome, as stated by Heinrich Chantraine, is questioned.","PeriodicalId":143511,"journal":{"name":"Classica Cracoviensia","volume":"93 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121889123","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-12-31DOI: 10.12797/cc.24.2021.24.05
P. Mini
This article examines two of Nikos Kazantzakis’ unshot screenplays of the early 1930s: his adaptations of Cervantes’ Don Quixote and Boccaccio’s Decameron, kept in typed manuscripts at the Nikos Kazantzakis Museum Foundation in Iraklion, Crete. The article analyses Kazantzakis’ Don Quixote and Decameron in the contexts of early talking cinema and his ideas of the image-language relationship. Written at a time when the artistic value of talking cinema was still debated, Kazantzakis’ adaptations demonstrate that he sought to express ideas with images rather than dialogue (Don Quixote) and use sound as a creative element (Decameron) in ways alluding to Eisenstein’s 1928-1929 writings, with which, as evidence suggests, the Greek author was familiar. Thus, Kazantzakis’ Don Quixote and Decameron show how a technological development in film history – the coming of sound – and the Soviet film theory influenced this author’s adaptation techniques, while also enhancing our understanding of his creative career as well as the worldwide resonance of Cervantes’ and Boccaccio’s literary milestones.
{"title":"Nikos Kazantzakis’ Unshot Adaptations of Don Quixote and Decameron","authors":"P. Mini","doi":"10.12797/cc.24.2021.24.05","DOIUrl":"https://doi.org/10.12797/cc.24.2021.24.05","url":null,"abstract":"This article examines two of Nikos Kazantzakis’ unshot screenplays of the early 1930s: his adaptations of Cervantes’ Don Quixote and Boccaccio’s Decameron, kept in typed manuscripts at the Nikos Kazantzakis Museum Foundation in Iraklion, Crete. The article analyses Kazantzakis’ Don Quixote and Decameron in the contexts of early talking cinema and his ideas of the image-language relationship. Written at a time when the artistic value of talking cinema was still debated, Kazantzakis’ adaptations demonstrate that he sought to express ideas with images rather than dialogue (Don Quixote) and use sound as a creative element (Decameron) in ways alluding to Eisenstein’s 1928-1929 writings, with which, as evidence suggests, the Greek author was familiar. Thus, Kazantzakis’ Don Quixote and Decameron show how a technological development in film history – the coming of sound – and the Soviet film theory influenced this author’s adaptation techniques, while also enhancing our understanding of his creative career as well as the worldwide resonance of Cervantes’ and Boccaccio’s literary milestones.","PeriodicalId":143511,"journal":{"name":"Classica Cracoviensia","volume":"125 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133940747","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-12-31DOI: 10.12797/cc.24.2021.24.02
Mieszek Jagiełło
The following paper deals with the mythological story about Apollo’s fight against a she-snake at Pytho, where he eventually builds a sanctuary – the Delphic Oracle. First, it is attempted to decipher the terms Pytho, Delphi and Omphalos. A symbolism revolving around an underlying theme of birth is considered. Then, the stories about Apollo and about Kadmos, as well as a motif in Pherecydes’ theogony, and the Anatolian Illuyanka Myth are being presented as subjects of a comparative analysis. This leads to the proposal that all four narratives have a common origin in Western Anatolia or Pre-Greek Hellas.
{"title":"Thoughts on the Symbolism and Origin of Apollo’s Fight Against the Pythian Snake","authors":"Mieszek Jagiełło","doi":"10.12797/cc.24.2021.24.02","DOIUrl":"https://doi.org/10.12797/cc.24.2021.24.02","url":null,"abstract":"The following paper deals with the mythological story about Apollo’s fight against a she-snake at Pytho, where he eventually builds a sanctuary – the Delphic Oracle. First, it is attempted to decipher the terms Pytho, Delphi and Omphalos. A symbolism revolving around an underlying theme of birth is considered. Then, the stories about Apollo and about Kadmos, as well as a motif in Pherecydes’ theogony, and the Anatolian Illuyanka Myth are being presented as subjects of a comparative analysis. This leads to the proposal that all four narratives have a common origin in Western Anatolia or Pre-Greek Hellas.","PeriodicalId":143511,"journal":{"name":"Classica Cracoviensia","volume":"57 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126276109","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-12-31DOI: 10.12797/cc.24.2021.24.06
Wojciech Duszyński
Modern breweries taking inspiration from ancient cultures appear as a quite interesting phenomenon, because beer is absent from the current imaginarium about the ancient Greeks and Romans. Yet it was not unknown to them, as demonstrated by the survey of sources in the first part of the text. Actually, some brewers today are aware of the beverage’s presence in ancient literature and use this knowledge in the naming of their products. Others decide on less direct references, to some historical or mythical characters. Some producers do not limit themselves to names of their brews, but also attempt to reconstruct the ancient drinks. In the second (main) part of the article several cases of each type are presented, together with an analysis of methods of the references’ presentation and explanation to the consumer. Also, some observations are made about the reasons why breweries decide to use ancient themes at all.
{"title":"Beer in Antiquity, Antiquity in Beer?","authors":"Wojciech Duszyński","doi":"10.12797/cc.24.2021.24.06","DOIUrl":"https://doi.org/10.12797/cc.24.2021.24.06","url":null,"abstract":"Modern breweries taking inspiration from ancient cultures appear as a quite interesting phenomenon, because beer is absent from the current imaginarium about the ancient Greeks and Romans. Yet it was not unknown to them, as demonstrated by the survey of sources in the first part of the text. Actually, some brewers today are aware of the beverage’s presence in ancient literature and use this knowledge in the naming of their products. Others decide on less direct references, to some historical or mythical characters. Some producers do not limit themselves to names of their brews, but also attempt to reconstruct the ancient drinks. In the second (main) part of the article several cases of each type are presented, together with an analysis of methods of the references’ presentation and explanation to the consumer. Also, some observations are made about the reasons why breweries decide to use ancient themes at all.","PeriodicalId":143511,"journal":{"name":"Classica Cracoviensia","volume":"15 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125566635","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}