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Between Sound and Silence – The Sonic World of Calpurnius Siculus’ Eclogues 在有声与无声之间--卡尔普尼乌斯-西库罗斯《黯然销魂曲》的声波世界
Pub Date : 2023-12-29 DOI: 10.12797/cc.26.2023.26.08
Edyta Gryksa-Pająk
The aim of the article is to analyze selected ways of sound presentation in Eclogues, written by Calpurnius Siculus, a Latin poet who lived and created in the time of Nero’s rule. Most attention will be drawn to songs performed by shepherds in their agons along with the sounds that are composed by surrounding nature, like rustling trees, murmuring streams and singing birds. What is more, an essential part is played by onomatopoeic effects realized by means of neatly chosen expressions. The correlation of accurate sounds has an impact on the sense of hearing and on the readers’ imagination, as they can be moved into the bosom of nature and almost ‘hear’ the sounds that accompany the scenes.
本文旨在分析卡尔普尼乌斯-西库卢斯(Calpurnius Siculus)所写的《黯然销魂曲》中的声音表现形式。卡尔普尼乌斯-西库卢斯是一位生活和创作于尼禄统治时期的拉丁诗人。其中最引人注意的是牧羊人在吟唱时的歌声,以及周围大自然发出的声音,如沙沙作响的树木、淙淙流淌的溪水和歌唱的鸟儿。此外,通过精心选择的表达方式实现的拟声效果也发挥了重要作用。准确声音的关联对读者的听觉和想象力都有影响,因为读者可以进入大自然的怀抱,几乎 "听到 "伴随场景的声音。
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引用次数: 0
Faces of Loneliness in Propertius 1.18 普罗佩提乌斯的孤独面孔 1.18
Pub Date : 2023-12-29 DOI: 10.12797/cc.26.2023.26.06
Antoni Bobrowski
In Propertius’ Elegy 1.18, the speaker arrives at an empty, desolate grove so that he may complain loud about being an abandoned lover in solitude. The work is positioned in the mainstream of the Augustan love elegy, but apart from elegiac concepts, it contains numerous topoi and intertextual references to the tradition of bucolic poetry. This article discusses the functioning of the motif of loneliness, which in 1.18 combines various elements that make up the image of the depicted world and enables the selection and modification of interpretative clues.
在普罗佩提乌斯的《挽歌》1.18 中,作者来到一片空旷荒凉的小树林,大声控诉自己是被遗弃的孤独情人。这部作品被定位为奥古斯都时期爱情挽歌的主流,但除了挽歌的概念外,它还包含了大量与田园诗传统相关的主题和互文。本文讨论了 "孤独 "这一主题的作用,它在《1.18》中结合了构成所描绘世界形象的各种因素,并使解释线索的选择和修改成为可能。
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引用次数: 0
Re-use of Nuragic Sacred Wells (Pozzi Sacri) in Punic Sardinia 布尼基撒丁岛努拉吉圣井(Pozzi Sacri)的再利用
Pub Date : 2022-12-30 DOI: 10.12797/cc.25.2022.25.05
Cezary Namirski
The aim of the paper is to discuss the phenomenon of the re-use of Nuragic sacred wells (pozzi sacri) during the Punic period (c. 500–238 BC) in Sardinia. Although the Nuragic settlement system and power structures ceased to exist by the Late Iron Age, the sanctuaries – built primarily in the Final Bronze Age (c. 1200/1150–900 BC) and the Early Iron Age (c. 900–750 BC) – were still used for ritual purposes, as demonstrated by finds from the sacred wells of Orri (Arborea), San Salvatore (Gonnosno) and Cuccuru Is Arrius (Cabras). This phenomenon is analyzed in the context of cultural changes which took place in Sardinia during the period of Carthaginian domination, such as the emergence of hybridized culture with indigenous and Punic elements.
本文的目的是讨论撒丁岛布尼基时期(公元前500-238年)努拉吉圣井(pozzi sacri)的再利用现象。虽然努拉吉人的定居系统和权力结构在铁器时代晚期就已经不存在了,但这些主要建于青铜时代末期(公元前1200/1150-900年)和铁器时代早期(公元前900-750年)的圣殿仍然被用于仪式目的,从Orri (Arborea)、San Salvatore (Gonnosno)和Cuccuru Is Arrius (Cabras)的圣井中发现的文物就可以证明这一点。这一现象是在迦太基统治时期撒丁岛发生的文化变化的背景下进行分析的,例如具有土著和布匿元素的杂交文化的出现。
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引用次数: 0
Jerome's Epistula Prima
Pub Date : 2022-12-30 DOI: 10.12797/cc.25.2022.25.06
Kaja Osobik
Jerome wrote Epistula prima probably during the decade of 366–376. Little is known about this stage in his life, but it was apparently then that as a young man he became interested in asceticism and at the end of this period of time finally decided to become a monk. However, the ascetic ideas are not the main theme of Ep. 1. The letter tells the story of a falsely accused woman who was subjected to torture and survived seven strokes of the executioner’s sword. The way in which Jerome interprets and presents these events reflects his spiritual profile and aesthetic preferences. The text can be interpreted both as a letter (a ‘real’ or a ‘fictional’ one) with an embedded narrative and as a non-epistolary work with a dedicatory preface. This affects the way in which the reader responds to the introduction (where Jerome’s anxiety concerning the imperfection of his style is expressed) as well as his or her right to assess the subsequent narrative. None of these approaches eliminates the duality in the text’s structure. Therefore, it should be interpreted on the two following levels: as an epistolary speculum animi, which shows Jerome in the situation of undertaking the task of writing the narrative, and as another, literary speculum, which reflects the author’s soul by means of artistic expression.
杰罗姆大概在366-376年间写了《第一书信》。关于他生命中的这一阶段,我们所知甚少,但很明显,他年轻时就开始对苦行主义感兴趣,并在这段时间结束时最终决定成为一名僧侣。然而,苦行僧的思想并不是Ep. 1的主题。这封信讲述了一个被诬告的女人遭受酷刑,并在刽子手的剑下七下后幸存下来的故事。杰罗姆解释和呈现这些事件的方式反映了他的精神面貌和审美偏好。文本既可以被解释为具有嵌入式叙事的信件(“真实的”或“虚构的”),也可以被解释为具有奉献序言的非书信体作品。这影响了读者对引言的回应方式(在引言中,杰罗姆表达了他对自己风格不完美的焦虑),也影响了他或她对后续叙事的评价。这些方法都不能消除文本结构中的二元性。因此,它应该在以下两个层面上进行解释:作为书信体的窥镜,它显示了杰罗姆在承担叙事任务的情况下,另一个是文学的窥镜,它通过艺术表达反映了作者的灵魂。
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引用次数: 0
Professionalisierung und Ethnographie – Xenophon Über die Thraker 专家和异教语言学关于色雷斯人
Pub Date : 2022-12-30 DOI: 10.12797/cc.25.2022.25.07
Malte Speich
Ethnography from the 4th century BCE after the Peloponnesian War and up to Alexander’s campaign has so far been underrepresented in ancient historical research. This article attempts to fill in the gap by examining the multi-layered functions of ethnographic writing, using the Thracians in the Xenophontic Anabasis as an example. Thereby, it will be shown that expert knowledge of the 4th century in particular played a formative role in describing foreign ethnic groups. Finally, ethnographic information about the Thracians significantly supports Xenophon’s self-representation as ideal military leader and philosopher.
从公元前4世纪的伯罗奔尼撒战争(Peloponnesian War)到亚历山大战役(Alexander’s campaign),迄今为止,在古代历史研究中,人种学的代表性不足。本文试图通过考察民族志写作的多层次功能来填补这一空白,并以色雷斯人在《异音复写》中为例。因此,这将表明,特别是4世纪的专家知识在描述外国民族方面发挥了形成性作用。最后,关于色雷斯人的民族志信息有力地支持色诺芬作为理想的军事领袖和哲学家的自我表现。
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引用次数: 0
Phaedrus' Exam 菲德拉斯的考试
Pub Date : 2022-12-30 DOI: 10.12797/cc.25.2022.25.02
Estelle Clements
Explored through a pedagogical lens, Plato’s Theuth and Thamus anecdote reveals an educational intervention designed to examine and apply the teachings of Socrates through a ‘real-world’ philosophical conundrum: how to wisely contend with the introduction of new technology. This work suggests that Theuth and Thamus can be viewed as the black and white horses of Plato’s chariot metaphor, and that this chariot driving lesson helps student-philosophers understand the role of wisdom in governing both their personal lives and the state. Serving as an examination, the anecdote draws together the ideas student philosophers have explored throughout the earlier portions of the dialogue.
通过教学的视角,柏拉图的Theuth and Thamus轶事揭示了一种教育干预,旨在通过“现实世界”的哲学难题来检验和应用苏格拉底的教导:如何明智地应对新技术的引入。这项工作表明,Theuth和Thamus可以被视为柏拉图的战车比喻中的黑白马,这节战车驾驶课帮助学生哲学家理解智慧在管理他们的个人生活和国家方面的作用。作为一种考察,这个轶事汇集了学生哲学家在对话的早期部分所探索的思想。
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引用次数: 0
Erneut zu AE 1979,33 又回到1977年33年
Pub Date : 2022-12-30 DOI: 10.12797/cc.25.2022.25.01
Marthe Becker
A different dating of the columbarium inscription AE 1979, 33 is proposed. The various possibilities of interpreting the inscription are discussed and the connection of Idumaeus, a slave belonging to Livia and Tiberius, to Herod the Great and/or his sister Salome, as stated by Heinrich Chantraine, is questioned.
对骨灰龛铭文AE 1979,33提出了不同的年代。讨论了解释铭文的各种可能性,并质疑了海因里希·钱纳(Heinrich Chantraine)所说的伊杜梅(Livia和Tiberius的奴隶)与希律大帝和/或他的妹妹莎乐美(Salome)的联系。
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引用次数: 0
Nikos Kazantzakis’ Unshot Adaptations of Don Quixote and Decameron 尼科斯·卡赞扎基斯的《堂吉诃德》和《十日谈》的未拍摄改编
Pub Date : 2021-12-31 DOI: 10.12797/cc.24.2021.24.05
P. Mini
This article examines two of Nikos Kazantzakis’ unshot screenplays of the early 1930s: his adaptations of Cervantes’ Don Quixote and Boccaccio’s Decameron, kept in typed manuscripts at the Nikos Kazantzakis Museum Foundation in Iraklion, Crete. The article analyses Kazantzakis’ Don Quixote and Decameron in the contexts of early talking cinema and his ideas of the image-language relationship. Written at a time when the artistic value of talking cinema was still debated, Kazantzakis’ adaptations demonstrate that he sought to express ideas with images rather than dialogue (Don Quixote) and use sound as a creative element (Decameron) in ways alluding to Eisenstein’s 1928-1929 writings, with which, as evidence suggests, the Greek author was familiar. Thus, Kazantzakis’ Don Quixote and Decameron show how a technological development in film history – the coming of sound – and the Soviet film theory influenced this author’s adaptation techniques, while also enhancing our understanding of his creative career as well as the worldwide resonance of Cervantes’ and Boccaccio’s literary milestones.
本文考察了尼科斯·卡赞扎基斯在20世纪30年代早期的两部未拍摄的剧本:他改编的塞万提斯的《堂吉诃德》和薄伽丘的《十日谈》,这两部剧本以打字手稿的形式保存在克里特岛伊拉克利翁的尼科斯·卡赞扎基斯博物馆基金会。本文将卡赞扎基斯的《堂吉诃德》和《十日谈》放在早期有声电影的语境中进行分析,并分析他对图像-语言关系的看法。卡赞扎基斯的改编作品创作于有声电影的艺术价值仍有争议的时代,他试图用图像而不是对话来表达思想(《堂吉诃德》),并以暗示爱森斯坦1928-1929年作品的方式将声音作为一种创造性元素(《十日谈》),有证据表明,这位希腊作家对这些作品很熟悉。因此,卡赞扎基斯的《堂吉诃德》和《十日谈》展示了电影史上的技术发展——声音的到来——和苏联电影理论如何影响了这位作者的改编技巧,同时也加深了我们对他的创作生涯的理解,以及塞万提斯和卜伽丘文学里程碑在世界范围内的共鸣。
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引用次数: 0
Thoughts on the Symbolism and Origin of Apollo’s Fight Against the Pythian Snake 阿波罗与皮提安蛇之战的象征意义与起源思考
Pub Date : 2021-12-31 DOI: 10.12797/cc.24.2021.24.02
Mieszek Jagiełło
The following paper deals with the mythological story about Apollo’s fight against a she-snake at Pytho, where he eventually builds a sanctuary – the Delphic Oracle. First, it is attempted to decipher the terms Pytho, Delphi and Omphalos. A symbolism revolving around an underlying theme of birth is considered. Then, the stories about Apollo and about Kadmos, as well as a motif in Pherecydes’ theogony, and the Anatolian Illuyanka Myth are being presented as subjects of a comparative analysis. This leads to the proposal that all four narratives have a common origin in Western Anatolia or Pre-Greek Hellas.
下面的文章是关于阿波罗在毕陀与一条母蛇战斗的神话故事,他最终在那里建立了一个避难所——德尔菲神谕。首先,它试图破译术语Pytho, Delphi和Omphalos。围绕着一个潜在的主题出生的象征主义被考虑。然后,关于阿波罗和卡德莫斯的故事,以及费雷赛得斯神权中的一个主题,以及安纳托利亚的伊卢扬卡神话被作为比较分析的主题呈现出来。这导致了这四种叙事在西安纳托利亚或前希腊希腊都有共同起源的提议。
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引用次数: 0
Beer in Antiquity, Antiquity in Beer? 啤酒在古代,啤酒在古代?
Pub Date : 2021-12-31 DOI: 10.12797/cc.24.2021.24.06
Wojciech Duszyński
Modern breweries taking inspiration from ancient cultures appear as a quite interesting phenomenon, because beer is absent from the current imaginarium about the ancient Greeks and Romans. Yet it was not unknown to them, as demonstrated by the survey of sources in the first part of the text. Actually, some brewers today are aware of the beverage’s presence in ancient literature and use this knowledge in the naming of their products. Others decide on less direct references, to some historical or mythical characters. Some producers do not limit themselves to names of their brews, but also attempt to reconstruct the ancient drinks. In the second (main) part of the article several cases of each type are presented, together with an analysis of methods of the references’ presentation and explanation to the consumer. Also, some observations are made about the reasons why breweries decide to use ancient themes at all.
从古代文化中汲取灵感的现代酿酒厂是一个相当有趣的现象,因为啤酒在目前关于古希腊和古罗马的想象中是不存在的。然而,他们并非不知道这一点,正如本文第一部分对资料来源的调查所表明的那样。事实上,今天的一些酿酒商已经意识到这种饮料在古代文献中的存在,并利用这一知识来命名他们的产品。其他人则选择不那么直接的参考,比如一些历史或神话人物。一些生产商不仅局限于自己酿造的啤酒的名称,而且还试图重建古老的饮料。在文章的第二(主要)部分,介绍了每种类型的几个案例,并分析了参考文献的呈现和向消费者解释的方法。此外,还对啤酒厂决定使用古代主题的原因进行了一些观察。
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引用次数: 0
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Classica Cracoviensia
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