Pub Date : 2023-06-29DOI: 10.1017/s0021875823000257
David C. Kirkpatrick
In the shadow of the Cuban Revolution, American Baptist preacher Billy Graham and US President John F. Kennedy barnstormed South America through overlapping tours in 1961 and 1962. Kennedy's presidency has often been presented as an intermission in the drama of evangelical political power, but grassroots activism provides new angles for analysis at the intersection of the US and Latin America. While claiming an apolitical stance, Graham worked alongside the US State Department, planting spiritual seeds on the tilled ground of foreign policy. Graham – and Protestant leaders orbiting him – curated acts of violence, painting a picture of persecution for a watching public. This narrative employed violence to draw lines of worldwide spiritual affiliation and political obligation. US evangelicals placed themselves as custodians of America's most sacred values at home and abroad, responsible for upholding democratic values, including religious tolerance, the rule of law, and anticommunism. Graham's tactics created an entangled relationship with Kennedy, where Graham arose as a metaphorical matador, fighting for persecuted Christians. Here, American evangelicals could flex their growing political muscle, while operating as an imagined religious minority community. Narratives, discourses, and representations of violence circulated transnationally and acquired differing meanings depending on the political interests of those mobilizing them.
{"title":"The Latin American Bullring: US Evangelicals and the Reception of Anti-Protestant Violence from Cold War Colombia","authors":"David C. Kirkpatrick","doi":"10.1017/s0021875823000257","DOIUrl":"https://doi.org/10.1017/s0021875823000257","url":null,"abstract":"In the shadow of the Cuban Revolution, American Baptist preacher Billy Graham and US President John F. Kennedy barnstormed South America through overlapping tours in 1961 and 1962. Kennedy's presidency has often been presented as an intermission in the drama of evangelical political power, but grassroots activism provides new angles for analysis at the intersection of the US and Latin America. While claiming an apolitical stance, Graham worked alongside the US State Department, planting spiritual seeds on the tilled ground of foreign policy. Graham – and Protestant leaders orbiting him – curated acts of violence, painting a picture of persecution for a watching public. This narrative employed violence to draw lines of worldwide spiritual affiliation and political obligation. US evangelicals placed themselves as custodians of America's most sacred values at home and abroad, responsible for upholding democratic values, including religious tolerance, the rule of law, and anticommunism. Graham's tactics created an entangled relationship with Kennedy, where Graham arose as a metaphorical matador, fighting for persecuted Christians. Here, American evangelicals could flex their growing political muscle, while operating as an imagined religious minority community. Narratives, discourses, and representations of violence circulated transnationally and acquired differing meanings depending on the political interests of those mobilizing them.","PeriodicalId":14966,"journal":{"name":"Journal of American Studies","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2023-06-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85085110","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-06-16DOI: 10.1017/s0021875823000221
Cara Rodway
{"title":"Chair's Address, BAAS 2022","authors":"Cara Rodway","doi":"10.1017/s0021875823000221","DOIUrl":"https://doi.org/10.1017/s0021875823000221","url":null,"abstract":"","PeriodicalId":14966,"journal":{"name":"Journal of American Studies","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2023-06-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86987149","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-06-08DOI: 10.1017/s0021875823000233
K. Schreiber
This article examines Leonard Freed's 1980 Police Work, a photobook that documents the activities of the New York City Police Department from 1973 to 1979. It contextualizes the photobook within this liminal decade after the fullness of the civil rights movement and before the rise of austerity politics. The photobook, I argue, produces a visual repertoire of policing that resolves the crisis of legitimacy faced by the NYPD during this decade, remaking the meaning of the police in the public imaginary from an agent of state warfare into an institution of state welfare. Far from simply creating photographs of policing as community care, Police Work engages in a process by which police violence is visually recoded as police benevolence. The visual politics of the family are central to this process by which we are made not to see police brutality, even when it is placed vividly on display. Ultimately, I show how, even as the camera moves between public and private, Police Work produces an ideology of separate spheres in which the expansion of policing can find its rationalization. Ultimately, this article reveals Police Work as a site through which to examine the intimate, yet often disavowed, entanglements between the domestic and the carceral.
{"title":"From State Warfare to State Welfare: Family Values in Leonard Freed's Police Work (1980)","authors":"K. Schreiber","doi":"10.1017/s0021875823000233","DOIUrl":"https://doi.org/10.1017/s0021875823000233","url":null,"abstract":"This article examines Leonard Freed's 1980 Police Work, a photobook that documents the activities of the New York City Police Department from 1973 to 1979. It contextualizes the photobook within this liminal decade after the fullness of the civil rights movement and before the rise of austerity politics. The photobook, I argue, produces a visual repertoire of policing that resolves the crisis of legitimacy faced by the NYPD during this decade, remaking the meaning of the police in the public imaginary from an agent of state warfare into an institution of state welfare. Far from simply creating photographs of policing as community care, Police Work engages in a process by which police violence is visually recoded as police benevolence. The visual politics of the family are central to this process by which we are made not to see police brutality, even when it is placed vividly on display. Ultimately, I show how, even as the camera moves between public and private, Police Work produces an ideology of separate spheres in which the expansion of policing can find its rationalization. Ultimately, this article reveals Police Work as a site through which to examine the intimate, yet often disavowed, entanglements between the domestic and the carceral.","PeriodicalId":14966,"journal":{"name":"Journal of American Studies","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2023-06-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90980067","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-05-31DOI: 10.22505/jas.2023.55.1.04
Joe Chung Hwan
{"title":"Narrating 9/11 in a “Graphic” Way: Amazing Spider Man, and In the Shadow of No Towers","authors":"Joe Chung Hwan","doi":"10.22505/jas.2023.55.1.04","DOIUrl":"https://doi.org/10.22505/jas.2023.55.1.04","url":null,"abstract":"","PeriodicalId":14966,"journal":{"name":"Journal of American Studies","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2023-05-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79431246","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-05-31DOI: 10.22505/jas.2023.55.1.03
Shin Nami
{"title":"Towards a More Inclusive Memory: Vexed Returns and Just Memory in Viet Thanh Nguyen’s The Refugees","authors":"Shin Nami","doi":"10.22505/jas.2023.55.1.03","DOIUrl":"https://doi.org/10.22505/jas.2023.55.1.03","url":null,"abstract":"","PeriodicalId":14966,"journal":{"name":"Journal of American Studies","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2023-05-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"72524038","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-05-31DOI: 10.22505/jas.2023.55.1.01
Lee Young Hyo
{"title":"Spectacle Lynching on Blacks and Whiteness","authors":"Lee Young Hyo","doi":"10.22505/jas.2023.55.1.01","DOIUrl":"https://doi.org/10.22505/jas.2023.55.1.01","url":null,"abstract":"","PeriodicalId":14966,"journal":{"name":"Journal of American Studies","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2023-05-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73031547","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-05-31DOI: 10.22505/jas.2023.55.1.02
Lew Seunggu
{"title":"The End of History and the Novelistic Haiku in Don DeLillo’s Point Omega","authors":"Lew Seunggu","doi":"10.22505/jas.2023.55.1.02","DOIUrl":"https://doi.org/10.22505/jas.2023.55.1.02","url":null,"abstract":"","PeriodicalId":14966,"journal":{"name":"Journal of American Studies","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2023-05-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81188736","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-05-04DOI: 10.1017/S002187582300021X
James A. Hilton
This paper offers close textual readings of poems from James Weldon Johnson's 1927 collection, God's Trombones, uncovering in Johnson's language resonant clues to his thought. In contrast to his disaffected novel The Autobiography of an Ex-colored Man (1912), Johnson's sermon–poems, through reengagement with the folkways of traditional African American worship, forge out a more potent creative space. As hybrid works, they diminish the gap between text and speech, and demand careful and lively ways of reading. My argument situates Johnson's practice in the contexts of sound recording, ragtime, and programmes for African American uplift at the turn of the century.
{"title":"Better Intoned Than Read: Sound and Matter in God's Trombones","authors":"James A. Hilton","doi":"10.1017/S002187582300021X","DOIUrl":"https://doi.org/10.1017/S002187582300021X","url":null,"abstract":"This paper offers close textual readings of poems from James Weldon Johnson's 1927 collection, God's Trombones, uncovering in Johnson's language resonant clues to his thought. In contrast to his disaffected novel The Autobiography of an Ex-colored Man (1912), Johnson's sermon–poems, through reengagement with the folkways of traditional African American worship, forge out a more potent creative space. As hybrid works, they diminish the gap between text and speech, and demand careful and lively ways of reading. My argument situates Johnson's practice in the contexts of sound recording, ragtime, and programmes for African American uplift at the turn of the century.","PeriodicalId":14966,"journal":{"name":"Journal of American Studies","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2023-05-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73136126","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-04-19DOI: 10.1017/s0021875823000075
Stephen R. Robinson
{"title":"Robert F. Zeidel, Robber Barons and Wretched Refuse: Ethnic and Class Dynamics during the Era of American Industrialization (Ithaca, NY and London: Northern Illinois University Press, 2020, $49.95). Pp. 219. isbn 978 1 5017 4831 8.","authors":"Stephen R. Robinson","doi":"10.1017/s0021875823000075","DOIUrl":"https://doi.org/10.1017/s0021875823000075","url":null,"abstract":"","PeriodicalId":14966,"journal":{"name":"Journal of American Studies","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2023-04-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77679169","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-04-19DOI: 10.1017/s0021875823000038
Alan Morton
{"title":"Julia Havas, Woman Up: Invoking Feminism in Quality Television (Detroit: Wayne State University Press, 2022, $34.99). Pp. 282. ISBN 978 0 8143 4656 3.","authors":"Alan Morton","doi":"10.1017/s0021875823000038","DOIUrl":"https://doi.org/10.1017/s0021875823000038","url":null,"abstract":"","PeriodicalId":14966,"journal":{"name":"Journal of American Studies","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2023-04-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87941069","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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