Pub Date : 2021-10-19DOI: 10.1163/24683949-12340092
G. Cipriani
{"title":"Editorial: Music in Time, Music in Space","authors":"G. Cipriani","doi":"10.1163/24683949-12340092","DOIUrl":"https://doi.org/10.1163/24683949-12340092","url":null,"abstract":"","PeriodicalId":160891,"journal":{"name":"Culture and Dialogue","volume":"93 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-10-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115315347","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-10-19DOI: 10.1163/24683949-12340098
Kathrin Engelskircher
Cultural translation phenomena are per se an intercultural product. Exchange and interaction take place every day in our globalized world. Especially with respect to music, a translational perspective can broaden the horizon of research projects in a very fruitful way. Music always combines elements from different cultures, periods and styles and can, in that way, serve as a medium of intercultural dialogue, which affects the participants of the dialogue not only on a rational, but also on an emotional level – and helps to cross borders and build bridges between different cultures. In my analysis, I take a look at the legacy of the Beatles and how it is performatively unfolded by the Spanish-Chilean band the Recalls, based in Germany. Different cultures intermingle in such appropriation and show a joyful (postmodern) handling to create a very special, discrete type of music and self-staging. Thus, music as a product of intercultural dialogue can become a chance for a successful interaction between different cultures.
{"title":"Intercultural Dialogue via Music: Translating the Beatles’ Legacy into Contemporary Pop Culture","authors":"Kathrin Engelskircher","doi":"10.1163/24683949-12340098","DOIUrl":"https://doi.org/10.1163/24683949-12340098","url":null,"abstract":"\u0000Cultural translation phenomena are per se an intercultural product. Exchange and interaction take place every day in our globalized world. Especially with respect to music, a translational perspective can broaden the horizon of research projects in a very fruitful way. Music always combines elements from different cultures, periods and styles and can, in that way, serve as a medium of intercultural dialogue, which affects the participants of the dialogue not only on a rational, but also on an emotional level – and helps to cross borders and build bridges between different cultures.\u0000In my analysis, I take a look at the legacy of the Beatles and how it is performatively unfolded by the Spanish-Chilean band the Recalls, based in Germany. Different cultures intermingle in such appropriation and show a joyful (postmodern) handling to create a very special, discrete type of music and self-staging. Thus, music as a product of intercultural dialogue can become a chance for a successful interaction between different cultures.","PeriodicalId":160891,"journal":{"name":"Culture and Dialogue","volume":"25 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-10-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116780465","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-10-19DOI: 10.1163/24683949-12340100
Robert Clarke
{"title":"Improvising Improvisation: From Out of Philosophy, Music, Dance and Literature, written by Gary Peters","authors":"Robert Clarke","doi":"10.1163/24683949-12340100","DOIUrl":"https://doi.org/10.1163/24683949-12340100","url":null,"abstract":"","PeriodicalId":160891,"journal":{"name":"Culture and Dialogue","volume":"70 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-10-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133255386","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-10-19DOI: 10.1163/24683949-12340096
Eske Tsugami
Girolamo Mei (1519–94) is known in the history of Western music as a humanist who stimulated the birth of the operatic form by his description of ancient tragedy. According to him, it was a wholly musical drama, with all the words sung from beginning to end. However, scholars have been silent about the details of his thought, including the way he conceived tragedy. As a result, the birth of opera has often been considered to be a product of a misunderstanding. However, his interpretation of the form of tragedy is firmly based on the words of Aristotle’s Poetics. It follows from this that his picture of ancient tragedy is a proper one. This paper deals with Mei’s intepretation of tragic katharsis, which corroborates and also is corroborated by his view of ancient tragedy and music, and which at the same time is the culmination of his aesthetic thought.
{"title":"Girolamo Mei’s Interpretation of Tragic Katharsis as Culmination of His Aesthetic Thought","authors":"Eske Tsugami","doi":"10.1163/24683949-12340096","DOIUrl":"https://doi.org/10.1163/24683949-12340096","url":null,"abstract":"Girolamo Mei (1519–94) is known in the history of Western music as a humanist who stimulated the birth of the operatic form by his description of ancient tragedy. According to him, it was a wholly musical drama, with all the words sung from beginning to end. However, scholars have been silent about the details of his thought, including the way he conceived tragedy. As a result, the birth of opera has often been considered to be a product of a misunderstanding. However, his interpretation of the form of tragedy is firmly based on the words of Aristotle’s Poetics. It follows from this that his picture of ancient tragedy is a proper one. This paper deals with Mei’s intepretation of tragic katharsis, which corroborates and also is corroborated by his view of ancient tragedy and music, and which at the same time is the culmination of his aesthetic thought.","PeriodicalId":160891,"journal":{"name":"Culture and Dialogue","volume":"83 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-10-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133682350","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-10-19DOI: 10.1163/24683949-12340094
Abir Marsit
Des artistes ont changé leur rapport à l’art et ont collaboré à bouleverser le paysage culturel dans des domaines tels que la littérature, la musique, le cinéma ou l’art plastique. Comme en témoignent les œuvres de Yazid Kheloufi, Hosni Hertili, Hassan Massoudy et Alexia Traore, en s’attaquant aux interdits, leur liberté d’expression a laissé place à une force créatrice. Ils sont devenus maîtres de leur passé, de leur présent, de leur futur et même de leurs corps.
{"title":"La danse et l’écriture calligraphique : Une nouvelle chorégraphie de fiction","authors":"Abir Marsit","doi":"10.1163/24683949-12340094","DOIUrl":"https://doi.org/10.1163/24683949-12340094","url":null,"abstract":"\u0000Des artistes ont changé leur rapport à l’art et ont collaboré à bouleverser le paysage culturel dans des domaines tels que la littérature, la musique, le cinéma ou l’art plastique. Comme en témoignent les œuvres de Yazid Kheloufi, Hosni Hertili, Hassan Massoudy et Alexia Traore, en s’attaquant aux interdits, leur liberté d’expression a laissé place à une force créatrice. Ils sont devenus maîtres de leur passé, de leur présent, de leur futur et même de leurs corps.","PeriodicalId":160891,"journal":{"name":"Culture and Dialogue","volume":"35 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-10-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127112807","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-10-19DOI: 10.1163/24683949-12340099
Robert Clarke
{"title":"Philosophy and Gender in Nancy, Lacoue-Labarthe, Badiou, written by Sarah Hickmott","authors":"Robert Clarke","doi":"10.1163/24683949-12340099","DOIUrl":"https://doi.org/10.1163/24683949-12340099","url":null,"abstract":"","PeriodicalId":160891,"journal":{"name":"Culture and Dialogue","volume":"65 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-10-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115231909","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-10-29DOI: 10.1163/24683949-12340086
D. Jin
In this article, I examine the textual underpinnings of participatory Confucian democracy and Confucian meritocracy and propose realist Confucian democracy as an alternative following a balanced reading of classic Confucianism. I argue that Confucian plebeian values do not square with the political meritocrats’ (Daniel A. Bell and Tongdong Bai) advocacy for meritocratic rule while Confucian elitist values undermine participatory democrats’ (Sor-hoon Tan and Stephen Angle) ardor for justifications of active democratic participation. A shared difficulty with both groups is that they tend to overuse one aspect of Confucianism while leaving the status of other elements in limbo. The discussion of participatory democracy and meritocracy is followed by the introduction of an eclectic reading that strikes a dynamic balance between elitist and plebeian values in Confucianism, and which points to the wide gamut of realist democracy that combines democratic election with strong leadership.
在这篇文章中，我考察了参与式儒家民主和儒家精英政治的文本基础，并提出了现实主义的儒家民主，作为对经典儒家思想的平衡阅读之后的另一种选择。我认为儒家的平民价值观与政治精英(Daniel A. Bell和白桐东)倡导的精英统治不一致，而儒家的精英价值观破坏了参与民主(sorhoon Tan和Stephen Angle)为积极民主参与辩护的热情。这两个群体的共同困难是，他们倾向于过度使用儒家思想的一个方面，而使其他元素的地位处于不确定状态。在讨论参与式民主和精英政治之后，介绍了一种折衷的解读，在儒家的精英和平民价值观之间取得了动态平衡，并指出了广泛的现实主义民主，将民主选举与强有力的领导相结合。
{"title":"Between Political Meritocracy and Participatory Democracy: Toward Realist Confucian Democracy","authors":"D. Jin","doi":"10.1163/24683949-12340086","DOIUrl":"https://doi.org/10.1163/24683949-12340086","url":null,"abstract":"\u0000In this article, I examine the textual underpinnings of participatory Confucian democracy and Confucian meritocracy and propose realist Confucian democracy as an alternative following a balanced reading of classic Confucianism. I argue that Confucian plebeian values do not square with the political meritocrats’ (Daniel A. Bell and Tongdong Bai) advocacy for meritocratic rule while Confucian elitist values undermine participatory democrats’ (Sor-hoon Tan and Stephen Angle) ardor for justifications of active democratic participation. A shared difficulty with both groups is that they tend to overuse one aspect of Confucianism while leaving the status of other elements in limbo. The discussion of participatory democracy and meritocracy is followed by the introduction of an eclectic reading that strikes a dynamic balance between elitist and plebeian values in Confucianism, and which points to the wide gamut of realist democracy that combines democratic election with strong leadership.","PeriodicalId":160891,"journal":{"name":"Culture and Dialogue","volume":"7 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-10-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124069017","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-10-29DOI: 10.1163/24683949-12340085
S. Flavel, Brad Hall
In this article we examine Classical Confucian political thinking through the lens of paternalism. We situate Confucianism amid contemporary models of paternalism to show that Confucianism can be understood as a soft form of paternalism regarding its method. Confucianism stresses cultivation of the people by moral exemplars to guide the people to act in ways that are in their own best interests. This is in contrast to use of law and punishment as a deterrent of unwanted behaviours of the people. We demonstrate that Confucian paternalism does not advocate for a static top-down structure of governance that is incapable of reform, underscoring its non-authoritarian ideal. We do this by stressing the vital upward momentum constituted in general cultivation of the wider population utilizing li (rituals). The picture that emerges from an examination of Confucian political thought through the lens of paternalism is what we name “exemplary paternalism.”
{"title":"Exemplary Paternalism: A Consideration of Confucian Models of Moral Oversight","authors":"S. Flavel, Brad Hall","doi":"10.1163/24683949-12340085","DOIUrl":"https://doi.org/10.1163/24683949-12340085","url":null,"abstract":"\u0000In this article we examine Classical Confucian political thinking through the lens of paternalism. We situate Confucianism amid contemporary models of paternalism to show that Confucianism can be understood as a soft form of paternalism regarding its method. Confucianism stresses cultivation of the people by moral exemplars to guide the people to act in ways that are in their own best interests. This is in contrast to use of law and punishment as a deterrent of unwanted behaviours of the people. We demonstrate that Confucian paternalism does not advocate for a static top-down structure of governance that is incapable of reform, underscoring its non-authoritarian ideal. We do this by stressing the vital upward momentum constituted in general cultivation of the wider population utilizing li (rituals). The picture that emerges from an examination of Confucian political thought through the lens of paternalism is what we name “exemplary paternalism.”","PeriodicalId":160891,"journal":{"name":"Culture and Dialogue","volume":"62 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-10-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130051429","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-05-19DOI: 10.1163/24683949-12340073
W. Binsbergen
The argument claims the vital importance of the idea of the fundamental unity of humankind for any intercultural philosophy, and succinctly traces the trajectory of this idea – and its denials – in the Western and the African traditions of philosophical and empirical research. The conclusion considers the present-day challenges towards this idea’s implementation – timely as it is, yet apparently impotent in the face of mounting global violence.
{"title":"Notes on the Fundamental Unity of Humankind","authors":"W. Binsbergen","doi":"10.1163/24683949-12340073","DOIUrl":"https://doi.org/10.1163/24683949-12340073","url":null,"abstract":"\u0000The argument claims the vital importance of the idea of the fundamental unity of humankind for any intercultural philosophy, and succinctly traces the trajectory of this idea – and its denials – in the Western and the African traditions of philosophical and empirical research. The conclusion considers the present-day challenges towards this idea’s implementation – timely as it is, yet apparently impotent in the face of mounting global violence.","PeriodicalId":160891,"journal":{"name":"Culture and Dialogue","volume":"122 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-05-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123990511","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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