The comparative method in literature, as it has been conceived in the romantic milieu, has always considered analogy, similarity, exchange, as the main reference criteria in criticism. Such criteria are partly due to a political (and ideological) perspective that we tend to apply to the phenomenon of art production. Our reference model is in fact the modern social exchange of men and things in liberal society. Nevertheless, hermeneutic profitability in art is mostly based on distinction and mimetic rivalry.
{"title":"Rivalités mimétiques entre les arts : musique/littérature","authors":"M. Landi","doi":"10.15203/ATEM_2021_2.02","DOIUrl":"https://doi.org/10.15203/ATEM_2021_2.02","url":null,"abstract":"The comparative method in literature, as it has been conceived in the romantic milieu, has always considered analogy, similarity, exchange, as the main reference criteria in criticism. Such criteria are partly due to a political (and ideological) perspective that we tend to apply to the phenomenon of art production. Our reference model is in fact the modern social exchange of men and things in liberal society. Nevertheless, hermeneutic profitability in art is mostly based on distinction and mimetic rivalry.","PeriodicalId":166076,"journal":{"name":"ATeM Archiv für Textmusikforschung","volume":"33 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-03-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134235258","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Introduction. Poésie et musique : communauté et séparation à l’époque moderne","authors":"Thomas Klinkert, Numa Vittoz","doi":"10.15203/atem_2020_2.01","DOIUrl":"https://doi.org/10.15203/atem_2020_2.01","url":null,"abstract":"","PeriodicalId":166076,"journal":{"name":"ATeM Archiv für Textmusikforschung","volume":"214 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-07-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121845767","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Voci nere. Storia e antropologia del canto afroamericano","authors":"P. Attolino","doi":"10.15203/ATEM_2019_1","DOIUrl":"https://doi.org/10.15203/ATEM_2019_1","url":null,"abstract":"","PeriodicalId":166076,"journal":{"name":"ATeM Archiv für Textmusikforschung","volume":"29 2 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-02-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123575663","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Bilan scientifique de la Deuxième Biennale internationale d’études sur la chanson","authors":"P. Abbrugiati","doi":"10.15203/atem_2019_1.20","DOIUrl":"https://doi.org/10.15203/atem_2019_1.20","url":null,"abstract":"","PeriodicalId":166076,"journal":{"name":"ATeM Archiv für Textmusikforschung","volume":"8 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-02-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129060745","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
“’O sole mio” is considered the quintessential Neapolitan song, a widely popular musical icon of ‘Neapolitanness’. And yet, the song also raises questions about the nature of ‘Neapolitanness’ in music, as it is based on a habanera pattern, a rhythm originated in Cuba which became very popular in Europe in the late XIX century. The article reflects on how music could sound ‘Neapolitan’ (and thus ‘Italian’), and how these features are established, observing the case of “’O sole mio” from a cultural historical perspective.
“O sole mio”被认为是典型的那不勒斯歌曲，是广受欢迎的“那不勒斯性”音乐标志。然而，这首歌也提出了关于“那不勒斯性”在音乐中的本质的问题，因为它是基于哈巴内拉模式，一种起源于古巴的节奏，在19世纪后期在欧洲非常流行。这篇文章从文化历史的角度观察了“O sole mio”的情况，反思了音乐是如何听起来“那不勒斯”(因此是“意大利”)的，以及这些特征是如何建立的。
{"title":"“’O sole mio” e l’habanera: napoletanità e cosmopolitismo nella prima era della popular music","authors":"Jacopo Tomatis","doi":"10.15203/atem_2019_2.02","DOIUrl":"https://doi.org/10.15203/atem_2019_2.02","url":null,"abstract":"“’O sole mio” is considered the quintessential Neapolitan song, a widely popular musical icon of ‘Neapolitanness’. And yet, the song also raises questions about the nature of ‘Neapolitanness’ in music, as it is based on a habanera pattern, a rhythm originated in Cuba which became very popular in Europe in the late XIX century. The article reflects on how music could sound ‘Neapolitan’ (and thus ‘Italian’), and how these features are established, observing the case of “’O sole mio” from a cultural historical perspective.","PeriodicalId":166076,"journal":{"name":"ATeM Archiv für Textmusikforschung","volume":"111 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-11-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124520050","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Carrying out a careful sociological analysis of pop music, youth culture and expressive languages, this essay emphasises the social role of pop stars in today’s society. Drawing on cultural studies and research on youth subcultures, the paper considers rap music as a modern way of expressing social issues. In a second step, it seeks to analyse the symbolic power of pop stars and the use of digital technologies that transform the creative process. Pop music as a cultural phenomenon is in perpetual mutation; pop culture represents a locus where social transformations play out. Starting with the Birmingham School of Cultural Studies, sociological approaches to pop music have understood musical phenomena as the product of youth culture and examined the ways in which pop music as a cultural factor contributes to the socialization, the acknowledgment and the development of individual and collective identities. Youth from different generations and contexts identify with pop stars whose social role is particularly relevant. The influence of digital technologies on creative processes, on production methods and on ways of exploiting music, is redefining traditional categories of the interpretation of art as well as the perception of the role of the pop star. At the same time, these affect the social role of the artwork, encompassing both artist and recipient.
{"title":"Il ruolo sociale delle popstar","authors":"Lello Savonardo","doi":"10.15203/ATEM_2018_2.08","DOIUrl":"https://doi.org/10.15203/ATEM_2018_2.08","url":null,"abstract":"Carrying out a careful sociological analysis of pop music, youth culture and expressive languages, this essay emphasises the social role of pop stars in today’s society. Drawing on cultural studies and research on youth subcultures, the paper considers rap music as a modern way of expressing social issues. In a second step, it seeks to analyse the symbolic power of pop stars and the use of digital technologies that transform the creative process. Pop music as a cultural phenomenon is in perpetual mutation; pop culture represents a locus where social transformations play out. Starting with the Birmingham School of Cultural Studies, sociological approaches to pop music have understood musical phenomena as the product of youth culture and examined the ways in which pop music as a cultural factor contributes to the socialization, the acknowledgment and the development of individual and collective identities. Youth from different generations and contexts identify with pop stars whose social role is particularly relevant. The influence of digital technologies on creative processes, on production methods and on ways of exploiting music, is redefining traditional categories of the interpretation of art as well as the perception of the role of the pop star. At the same time, these affect the social role of the artwork, encompassing both artist and recipient.","PeriodicalId":166076,"journal":{"name":"ATeM Archiv für Textmusikforschung","volume":"25 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-01-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116803712","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Bertrand Dicale : Ces chansons qui font l’histoire. Un programme radio à (ré)écouter","authors":"C. Reyns-Chikuma","doi":"10.15203/ATEM_2018_2.17","DOIUrl":"https://doi.org/10.15203/ATEM_2018_2.17","url":null,"abstract":"","PeriodicalId":166076,"journal":{"name":"ATeM Archiv für Textmusikforschung","volume":"39 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-01-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131752057","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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