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Possible Worlds 可能的世界
Pub Date : 2021-12-06 DOI: 10.1515/9783110481112-014
D. Vanderbeke
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引用次数: 0
Insight by Metaphor – The Epistemic Role of Metaphor in Science 隐喻的洞察力——隐喻在科学中的认知作用
Pub Date : 2021-12-06 DOI: 10.1515/9783110481112-002
N. Kompa
My aim in this paper is to investigate the epistemic functions metaphors might perform. According to a traditionally influential idea metaphors have, at best, ornamental value; they are poetic or rhetorical devices, used to please or even sway people. Current research in philosophy, linguistics and psychology shows the need for a refined picture of what purposes metaphors might serve. Expressions are commonly used metaphorically in order to conceptualize abstract and mental phenomena. The expressions thereby employed are often taken from the realm of sense experience; we feel blue, or complain about someone being cold, and so on. Yet even in the natural sciences metaphors have added epistemic value. They direct our attention to phenomena that we did not hitherto notice, make us think thoughts that we did not think before, etc. More specifically, I will claim that metaphors have heuristic, exploratory and explanatory value. Nonetheless, some metaphors are more successful than others. I will close by advancing various criteria for metaphorical success and failure. Metaphor, it seems, is a matter of teaching an old word new tricks. (Nelson Goodman)
本文的目的是探讨隐喻可能发挥的认知功能。根据一种传统的有影响力的观点,隐喻至多有观赏价值;它们是诗意的或修辞的手段,用来取悦甚至动摇人们。目前在哲学、语言学和心理学方面的研究表明,需要对隐喻可能达到的目的有一个清晰的认识。表达通常用于隐喻,以便将抽象和心理现象概念化。这里所使用的表达方式往往取自感官经验的领域;我们感到沮丧,或者抱怨某人很冷,等等。然而,即使在自然科学中,隐喻也增加了认知价值。它们把我们的注意力引向我们迄今为止没有注意到的现象,使我们思考我们以前没有思考过的想法,等等。更具体地说,我将声称隐喻具有启发式,探索性和解释性价值。然而,有些隐喻比其他的更成功。最后,我将提出隐喻性成功和失败的各种标准。隐喻,似乎是一个教旧词新把戏的问题。(尼尔森古德曼)
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引用次数: 1
Frontmatter
Pub Date : 2021-12-06 DOI: 10.1515/9783110481112-fm
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引用次数: 0
The Making of A Mystic Dream of 4 制作一个神秘的梦想4
Pub Date : 2021-12-06 DOI: 10.1515/9783110481112-018
I. McGovern
A Mystic Dream of 4 is the title of my verse biography of the 19th century Irish mathematician, William Rowan Hamilton. This paper presents the thinking behind the making of the book, illustrated by a brief selection of the sonnets therein, hopefully finding some resonance with the themes of the Bridges Conference. William Rowan Hamilton (1805-65) is Ireland’s most celebrated mathematician; indeed, he is arguably the greatest mathematician of his time; in evidence of that, when the National Academy of Sciences elected its first foreign members in 1864, Hamilton’s name was top of the list! He had made significant contributions in a number of areas, many of which bore greater fruit in the following century (for example, ask any physical sciences graduate about the ‘H’ in the Schrödinger wave equation!). Equally significant, at least for our purposes here, he was also a poet! In this paper, I will discuss the making of a book: A title like A Mystic Dream of 4 [5] might suggest elements of spirituality, Freudian psychology and number theory; while all of these are present to some degree, it is in fact a verse-biography, as the subtitle reveals: A sonnet sequence based on the life of William Rowan Hamilton. But the first word of the title of this paper, ‘Making’, is no mere description of the business at hand, ‘to make’ deriving from ancient Greek as poiesis, the root of the word poetry. In the tradition of ‘bad poets borrow, good poets steal’, A Mystic Dream of 4 is lifted from one of Hamilton’s own poems, called The Tetractys [2]:
《神秘的4岁梦》是我为19世纪爱尔兰数学家威廉·罗文·汉密尔顿写的诗歌传记的标题。本文介绍了这本书背后的思考,通过其中的十四行诗的简短选择来说明,希望能与布里奇斯会议的主题产生共鸣。威廉·罗文·汉密尔顿(William Rowan Hamilton, 1805-65)是爱尔兰最著名的数学家;事实上,他可以说是那个时代最伟大的数学家;1864年,当美国国家科学院选出第一批外籍成员时,汉密尔顿的名字名列榜首。他在许多领域做出了重大贡献,其中许多在接下来的一个世纪里取得了更大的成果(例如,问问任何一个物理科学专业的毕业生Schrödinger波动方程中的“H”!)同样重要的是,至少就我们的目的而言,他也是一位诗人!在本文中,我将讨论一本书的制作过程:像《神秘之梦4》[5]这样的标题可能会让人联想到灵性、弗洛伊德心理学和数论的元素;虽然所有这些都在某种程度上存在,但它实际上是一部诗体传记,正如副标题所揭示的那样:一首基于威廉·罗文·汉密尔顿生活的十四行诗。但本文标题的第一个词“制造”,不仅仅是对手头业务的描述,“制造”源自古希腊语的poiesis,是“诗歌”一词的词根。在“坏诗人借,好诗人偷”的传统中,《4的神秘之梦》摘自汉密尔顿自己的一首诗《四元诗》[2]:
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引用次数: 0
Index 指数
Pub Date : 2021-12-06 DOI: 10.1515/9783110481112-020
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引用次数: 0
Concept Formation in Physics from a Linguist’s Perspective 从语言学家的角度看物理学中的概念形成
Pub Date : 2021-12-06 DOI: 10.1515/9783110481112-006
W. Thielmann
: This chapter explores concept formation in physics from a linguist ’ s point of view. After some preliminary reflections on conceptual structures, the chapter attempts to demonstrate that the key concept of modern physics is the body concept as introduced by Galileo. In stark contrast to the concepts we usu-ally possess, the body concept is an operational concept, i.e. a concept the purpose of which is the levelling of ontological differences. Employing operational concepts in the natural sciences shifts the line of inquiry from how natural things are to how we can manipulate them. The answers we get to such questions are – even though they involve nature – not about nature, but about our interaction with nature. If we continue forgetting about the role of human agents in scientific inquiry, physics may, however, prevail at the very bottom of the epistemological well at which Eugene Wigner marvelled at the “ the miracle of the appropriateness of the language of mathematics for the formulation of the laws of physics ” .
本章从语言学家的角度探讨物理学中概念的形成。在对概念结构进行了一些初步的思考之后,本章试图证明现代物理学的关键概念是伽利略引入的物体概念。与我们通常拥有的概念形成鲜明对比的是,身体概念是一个操作性概念,即一个旨在消除本体论差异的概念。在自然科学中使用可操作的概念将探究的方向从事物是如何自然转向了我们如何操纵它们。我们对这些问题的答案是——尽管它们涉及自然——不是关于自然,而是关于我们与自然的互动。如果我们继续忘记人类在科学探究中的作用,物理学可能会在认识论的最底层占上风,尤金·维格纳(Eugene Wigner)曾在认识论的最底层惊叹于“数学语言对物理定律表述的恰当性的奇迹”。
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引用次数: 0
The Paradoxical Interplay of Exactitude and Indefiniteness 精确性和不确定性的矛盾相互作用
Pub Date : 2021-12-06 DOI: 10.1515/9783110481112-009
A. Plotnitsky
: The aim of this paper is to explore the radically new relationships among reality, temporality, and probability, and the corresponding revision of these concepts themselves, that emerged in the wake of the introduction of quantum mechanics in 1925 – 1926. I argue, however, that an analogous understanding of these concepts and their relationships had begun to emerge in literature, as a response to Kant ’ s philosophy, with the Romantics, such as Kleist and Hölderlin in Germany and Shelley and Keats in England, and has gradually developed throughout the history of literature and later on in philosophy. This understanding became especially pronounced in modernist literature, under the direct impact of quantum theory. Musil ’ s The Man Without Qualities serves as the main modernist example of this understanding in this paper. and the developments and the intended statement, the living of the calculable
本文的目的是探讨实在性、时间性和概率之间的全新关系,以及对这些概念本身的相应修正,这些概念在1925 - 1926年量子力学引入之后出现。然而,我认为,对这些概念及其关系的类似理解已经开始在文学中出现,作为对康德哲学的回应,与浪漫主义者一起,如德国的克莱斯特和Hölderlin,英国的雪莱和济慈,并在整个文学史和后来的哲学史上逐渐发展。在量子理论的直接影响下,这种理解在现代主义文学中尤为明显。Musil的《没有品质的人》是这一认识的主要现代主义例子。和发展和预期的声明,生活的可计算
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引用次数: 1
Author and Editor Directory 作者和编辑目录
Pub Date : 2021-12-06 DOI: 10.1515/9783110481112-019
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引用次数: 0
Narrating Science – Physics for Non-physicists 叙述科学-非物理学家的物理学
Pub Date : 2021-12-06 DOI: 10.1515/9783110481112-017
L. Kasper
: At first glance, physics and literature could not be more opposite: un-equivocal terms, definitions and objectivity on the one side. Ambiguity, feelings and subjectivity on the other side. Both physics and literature also gain different social acknowledgment. While our society and economy are based on scientific and technical knowledge, it is to this day still no problem not to know the second law of thermodynamics (as C. P. Snow remarked about 50 years ago). Not knowing Shakespeare ’ s works, on the other hand, would be extremely embarrassing. What narrative-based learning for in physics subjective and literary form of access to structure of for those people who have with a purely formal
乍一看,物理学和文学是截然相反的:一方面是明确的术语、定义和客观性。另一边是模棱两可,感情和主观性。物理学和文学也获得了不同的社会认可。虽然我们的社会和经济是建立在科学和技术知识的基础上的,但直到今天,不知道热力学第二定律仍然是没有问题的(正如c.p.斯诺大约50年前所说的那样)。另一方面,不知道莎士比亚的作品将是极其尴尬的。什么叙事性学习对于在物理上的主观和文学形式上的获取结构对于那些具有纯粹形式的人来说
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引用次数: 0
Establishing Evidence through a Shift in Viewpoint 通过观点的转变建立证据
Pub Date : 2021-12-06 DOI: 10.1515/9783110481112-016
Clemens Özelt
: The paper examines dialogues and reflections on dialogues by Albert Einstein, Bertolt Brecht and Alfred Döblin at the beginning and the end of the Weimar Republic, analyzing the aesthetics and the history of the genre in its sociohistorical context. The results can be outlined in the following four theses: of proper don about the economy, about takes as was, and centu-ries no what this grandiose, festive, wonderful piece of furniture really
本文考察了阿尔伯特·爱因斯坦、贝托尔特·布莱希特和阿尔弗雷德·Döblin在魏玛共和国初期和末期的对话和对对话的反思,并在其社会历史背景下分析了这种类型的美学和历史。结果可以概括为以下四个论点:关于经济的适当讨论,关于保持原状的讨论,以及几个世纪以来这个宏伟,喜庆,美妙的家具到底是什么
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引用次数: 0
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Physics and Literature
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