Pub Date : 2018-03-27DOI: 10.26721/SPAFAJOURNAL.V2I0.158
Angel S. Recto, Evangelina Ramos Recto, R. R. Avellana
The Cagsawa Ruins is a popular name of the former Franciscan missionary complex which was demolished and rebuilt – particularly the church and convent – in 1724 by Fray Francisco Blanco, OFM, to make it bigger and stronger. The place was devastated by a violent volcanic eruption on 1 February 1814, when thousands of people in the nearby towns of Camalig, Daraga and Budiao were killed by pyroclastic flows and lahar. Since the 1814 eruption of Mount Mayon, the Cagsawa Ruins have been left undisturbed. No archaeological activities had been made in the area. The entire plan and blueprint of the Franciscan missionary complex remained unknown to many after the devastating eruption of Mayon. Some parts of the stone structures are still visible, while others are submerged. This paper will share the preliminary results of archaeological investigation at the Cagsawa Ruins.
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Pub Date : 2018-03-22DOI: 10.26721/SPAFAJOURNAL.V2I0.177
Ngo Thi Phuong Lan
The paper discusses decorations on the bricks and tiles from the 15th to 18th centuries which were found in the ancient royal architectural relics in Northern Vietnam. The aim of this paper is to learn the production and technical process of, as well as decorative patterns on, the bricks and tiles in this period. Based on archaeological documentary sources discovered from French scholars, and the findings and studies of Vietnamese scholars, royal bricks and tiles dated from the 15th to 18th century have been discovered in the northern Vietnamese sites, including Thăng Long-Đong Kinh- Eastern capital (Ha Nội), Lam Kinh site-Tây Kinh-Western capital (Thanh Hoa province) dated from the 15th to 18th century, and the second capital of the Mạc dynasty in Dương Kinh capital (Hải Phong province) dated from the 16th century. The contents of the paper delve into the characteristics and evolution of the decoration on the bricks and tiles progression over time in terms of materials, colour, form, decorative pattern and techniques. The form and function of the types of ornamental bricks and tiles are also covered in this study. The study is also compared, in a broader context, with the bricks and tiles in the royal architecture of the Ming and Qing periods of China and some Southeast Asian countries. The research shows continuous development through the decoration on the bricks and tiles in the ancient royal architecture in Northern Vietnam as well as cultural exchanges, and Vietnam’s unique character in the East and Southeast Asian region. This paper was presented at the 2nd SEAMEO SPAFA International Conference on Southeast Asian Archaeology on 30 May - 2 June 2016 at the Amari Watergate Hotel, Bangkok, Thailand. This paper has been peer reviewed.
本文讨论了在越南北部古代皇家建筑遗址中发现的15至18世纪的砖瓦装饰。本文的目的是了解这一时期的砖和瓦的生产和技术过程，以及装饰图案。根据法国学者发现的考古文献资料，以及越南学者的发现和研究，在越南北部的遗址发现了15至18世纪的皇家砖块和瓷砖，包括15至18世纪的thung Long-Đong Kinh-东部首都(Ha Nội)， Lam Kinh遗址- ty Kinh-西部首都(青化省)。以及始建于16世纪的Mạc王朝的第二个首都Dương京都(Hải丰省)。论文的内容深入探讨了砖和瓦的装饰在材料、颜色、形式、装饰图案和技术方面的特点和演变。对观赏性砖瓦类型的形态和功能也进行了探讨。该研究还在更广泛的背景下，与中国明清时期和一些东南亚国家皇家建筑中的砖块和瓷砖进行了比较。通过对越北古代皇家建筑砖瓦装饰的不断发展和文化交流，以及越南在东亚和东南亚地区的独特性格的研究。本文于2016年5月30日至6月2日在泰国曼谷Amari水门酒店举行的第二届SEAMEO SPAFA东南亚考古国际会议上发表。这篇论文已经过同行评议。
{"title":"Decoration On Bricks And Tiles (15th- 18th Century) In Ancient Royal Architecture In Northern Vietnam","authors":"Ngo Thi Phuong Lan","doi":"10.26721/SPAFAJOURNAL.V2I0.177","DOIUrl":"https://doi.org/10.26721/SPAFAJOURNAL.V2I0.177","url":null,"abstract":"The paper discusses decorations on the bricks and tiles from the 15th to 18th centuries which were found in the ancient royal architectural relics in Northern Vietnam. The aim of this paper is to learn the production and technical process of, as well as decorative patterns on, the bricks and tiles in this period. Based on archaeological documentary sources discovered from French scholars, and the findings and studies of Vietnamese scholars, royal bricks and tiles dated from the 15th to 18th century have been discovered in the northern Vietnamese sites, including Thăng Long-Đong Kinh- Eastern capital (Ha Nội), Lam Kinh site-Tây Kinh-Western capital (Thanh Hoa province) dated from the 15th to 18th century, and the second capital of the Mạc dynasty in Dương Kinh capital (Hải Phong province) dated from the 16th century. The contents of the paper delve into the characteristics and evolution of the decoration on the bricks and tiles progression over time in terms of materials, colour, form, decorative pattern and techniques. The form and function of the types of ornamental bricks and tiles are also covered in this study. The study is also compared, in a broader context, with the bricks and tiles in the royal architecture of the Ming and Qing periods of China and some Southeast Asian countries. The research shows continuous development through the decoration on the bricks and tiles in the ancient royal architecture in Northern Vietnam as well as cultural exchanges, and Vietnam’s unique character in the East and Southeast Asian region. This paper was presented at the 2nd SEAMEO SPAFA International Conference on Southeast Asian Archaeology on 30 May - 2 June 2016 at the Amari Watergate Hotel, Bangkok, Thailand. This paper has been peer reviewed.","PeriodicalId":17409,"journal":{"name":"Journal of The Saudi Pharmaceutical Society","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2018-03-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85027528","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2018-03-14DOI: 10.26721/SPAFAJOURNAL.V2I0.575
A. Wee
Borneo is the world’s third largest island, and is shared between Malaysia (Sabah and Sarawak), Brunei and Indonesia (Kalimantan). One thing which stands out about the island is its incredible biological and ethnocultural diversity. It also has a long history of human occupation, dating back to at least 40 000 years ago. As such it has been, and continues to be, a place of archaeological, anthropological and scientific interest. This photo essay attempts in thirty-one images to explore some of this diversity and offer a very brief insight into Borneo’s unique heritage. Editor’s note: This series of illustrations was discovered on Instagram and were valuable both as a collection of illustrations, and also because their subject matter shed some light on the various and diverse cultures of Borneo.
{"title":"31 Days of Borneo","authors":"A. Wee","doi":"10.26721/SPAFAJOURNAL.V2I0.575","DOIUrl":"https://doi.org/10.26721/SPAFAJOURNAL.V2I0.575","url":null,"abstract":"Borneo is the world’s third largest island, and is shared between Malaysia (Sabah and Sarawak), Brunei and Indonesia (Kalimantan). One thing which stands out about the island is its incredible biological and ethnocultural diversity. It also has a long history of human occupation, dating back to at least 40 000 years ago. As such it has been, and continues to be, a place of archaeological, anthropological and scientific interest. This photo essay attempts in thirty-one images to explore some of this diversity and offer a very brief insight into Borneo’s unique heritage. Editor’s note: This series of illustrations was discovered on Instagram and were valuable both as a collection of illustrations, and also because their subject matter shed some light on the various and diverse cultures of Borneo.","PeriodicalId":17409,"journal":{"name":"Journal of The Saudi Pharmaceutical Society","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2018-03-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75753293","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2018-03-07DOI: 10.26721/SPAFAJOURNAL.V2I0.582
J. Cornelio
This article is concerned with the diverse forms of Christianity as the religion spreads around Southeast Asia. Although growth and expansion characterize much of Christianity's fortunes, no unifying trend is readily discernible. Four trends are identified in this article: popular religion, megachurches, the global church, and the struggling church. The article draws from different cases around the region to illustrate the importance of these developments. It in this manner that the article complicates the narrative that Christianity is moving to the Global South. The narrative often presents Christianity as a religion at war with itself insofar as geographic tensions are concerned. In contrast to its counterpart in the West, Christianity in the region is depicted as strict, fundamentalist, and often Charismatic in orientation. To view Christianity in Southeast Asia as a homogenous entity disregards issues at stake for its many denominations. Some of these concerns include different political regimes and uneven levels of economic development. This paper was delivered as an opening lecture at the workshop on Christian art in Southeast Asia, organized by SEAMEO SPAFA in the Philippines in March 2016.
{"title":"The diversity of contemporary Christianity in Southeast Asia","authors":"J. Cornelio","doi":"10.26721/SPAFAJOURNAL.V2I0.582","DOIUrl":"https://doi.org/10.26721/SPAFAJOURNAL.V2I0.582","url":null,"abstract":"This article is concerned with the diverse forms of Christianity as the religion spreads around Southeast Asia. Although growth and expansion characterize much of Christianity's fortunes, no unifying trend is readily discernible. Four trends are identified in this article: popular religion, megachurches, the global church, and the struggling church. The article draws from different cases around the region to illustrate the importance of these developments. It in this manner that the article complicates the narrative that Christianity is moving to the Global South. The narrative often presents Christianity as a religion at war with itself insofar as geographic tensions are concerned. In contrast to its counterpart in the West, Christianity in the region is depicted as strict, fundamentalist, and often Charismatic in orientation. To view Christianity in Southeast Asia as a homogenous entity disregards issues at stake for its many denominations. Some of these concerns include different political regimes and uneven levels of economic development. This paper was delivered as an opening lecture at the workshop on Christian art in Southeast Asia, organized by SEAMEO SPAFA in the Philippines in March 2016.","PeriodicalId":17409,"journal":{"name":"Journal of The Saudi Pharmaceutical Society","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2018-03-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87383656","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2018-02-23DOI: 10.26721/SPAFAJOURNAL.V2I0.173
A. M. Gultom
The archaeology of Jakarta is a multi-layered artefact compounded with thin period separations. In the geographical sphere of the “greater Jakarta area”, its roots start from the Neolithic with the discovery of Buni tradition pottery. The Buni area stretched along the north coast of west Java towards the interior to the south. This geographical sphere then became the oldest kingdom in the archipelago, Tarumanagara, an Indian-influenced Hindu Kingdom. A series of different ancient kingdoms ruled until the arrival of the Europeans. First, the Portuguese signed a treaty with Sunda (a Hindu Kingdom and ruler of the port of Kalapa) to defend their territory from Cirebon (an Islamic Kingdom in the eastern part of west java). Kalapa became a prized area that was fought over until the Dutch East India Company (Vereenigde Oostindische Compagnie, or VOC), led by J. P. Coen, burnt it down and built Batavia. Kalapa, as one of the few main ports of Sunda, historically welcomed people (with or without their will) from different areas. The influx of multicultural influence through this port continued when Batavia became the capital of the VOC, and then for the Netherlands Indies. The area grew into what is now known as the greater area of Jakarta. Although this greater area is now delineated into three different provinces, the cultural span of the area is still the same. A version of this paper was delivered as part of SEAMEO SPAFA’s Capital’s Archaeology Lecture Series on 23 May 2017 at the Siam Society, Bangkok. This paper has been peer reviewed. The lecture can be viewed here: http://bit.ly/2imigGG
{"title":"Kalapa – Jacatra –Batavia - Jakarta: An old city that never gets old","authors":"A. M. Gultom","doi":"10.26721/SPAFAJOURNAL.V2I0.173","DOIUrl":"https://doi.org/10.26721/SPAFAJOURNAL.V2I0.173","url":null,"abstract":"The archaeology of Jakarta is a multi-layered artefact compounded with thin period separations. In the geographical sphere of the “greater Jakarta area”, its roots start from the Neolithic with the discovery of Buni tradition pottery. The Buni area stretched along the north coast of west Java towards the interior to the south. This geographical sphere then became the oldest kingdom in the archipelago, Tarumanagara, an Indian-influenced Hindu Kingdom. A series of different ancient kingdoms ruled until the arrival of the Europeans. First, the Portuguese signed a treaty with Sunda (a Hindu Kingdom and ruler of the port of Kalapa) to defend their territory from Cirebon (an Islamic Kingdom in the eastern part of west java). Kalapa became a prized area that was fought over until the Dutch East India Company (Vereenigde Oostindische Compagnie, or VOC), led by J. P. Coen, burnt it down and built Batavia. Kalapa, as one of the few main ports of Sunda, historically welcomed people (with or without their will) from different areas. The influx of multicultural influence through this port continued when Batavia became the capital of the VOC, and then for the Netherlands Indies. The area grew into what is now known as the greater area of Jakarta. Although this greater area is now delineated into three different provinces, the cultural span of the area is still the same. A version of this paper was delivered as part of SEAMEO SPAFA’s Capital’s Archaeology Lecture Series on 23 May 2017 at the Siam Society, Bangkok. This paper has been peer reviewed. The lecture can be viewed here: http://bit.ly/2imigGG","PeriodicalId":17409,"journal":{"name":"Journal of The Saudi Pharmaceutical Society","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2018-02-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85899770","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2018-01-25DOI: 10.26721/SPAFAJOURNAL.V2I0.576
Thaneerat Jatuthasri
This paper aims to examine how Inao of King Rama II was composed from the Panji stories and became a masterpiece of Thai court drama literature and how the story is unique as a Thai literary work. It finds that Inao of King Rama II developed from the Panji stories and contains various elaborations, embellishments and innovations, in order to serve the purposes of Lakhon Nai and Thai literature. A perfect combination of prominent features from other Panji stories and new creations in its Thai adaptation makes Inao a reference for excellence in literature and the performing arts. This paper was presented at the Seminar and Performances of a Shared Heritage: The Panji/Inao Traditions in Southeast Asia, organized by SEAMEO SPAFA on 2-6 March 2013 at the Bangkok Cha-Da Hotel and the Thailand Cultural Centre, Bangkok, Thailand.
{"title":"Inao of King Rama II: The Transformation of the Panji Stories into a Masterpiece of Thai Court Drama Literature","authors":"Thaneerat Jatuthasri","doi":"10.26721/SPAFAJOURNAL.V2I0.576","DOIUrl":"https://doi.org/10.26721/SPAFAJOURNAL.V2I0.576","url":null,"abstract":"This paper aims to examine how Inao of King Rama II was composed from the Panji stories and became a masterpiece of Thai court drama literature and how the story is unique as a Thai literary work. It finds that Inao of King Rama II developed from the Panji stories and contains various elaborations, embellishments and innovations, in order to serve the purposes of Lakhon Nai and Thai literature. A perfect combination of prominent features from other Panji stories and new creations in its Thai adaptation makes Inao a reference for excellence in literature and the performing arts. This paper was presented at the Seminar and Performances of a Shared Heritage: The Panji/Inao Traditions in Southeast Asia, organized by SEAMEO SPAFA on 2-6 March 2013 at the Bangkok Cha-Da Hotel and the Thailand Cultural Centre, Bangkok, Thailand.","PeriodicalId":17409,"journal":{"name":"Journal of The Saudi Pharmaceutical Society","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2018-01-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83161065","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2018-01-25DOI: 10.26721/SPAFAJOURNAL.V2I0.159
K. Mu
Recent excavations from Stubhummika monastery, Thaton yielded over 2000 terracotta votive tablets, among them 1350 in good condition with others fragments. The study of these finds is based on the style of Buddha and Bodhisattava, decorative elements (stupas, śikhara, parasol and throne). These are compared with the contemporary tablets from Mon State, Śriksetra, Vesali and Bagan, and outside of Myanmar from India, central and peninsular Thailand and west Java to establish a comparative chronology. From this systematic approach, these tablets were divided into three groups: 1) Buddha (seated or standing Buddha, flanked by stupas), 2) Buddha Triad, and 3) Episodes of the Buddha. Their progression shows they are not be earlier than the 8th-9th century CE and not later than the 11th century CE.
{"title":"Terracotta Votive Tablets from Catubhummika Hngak Twin Monastery, Thaton","authors":"K. Mu","doi":"10.26721/SPAFAJOURNAL.V2I0.159","DOIUrl":"https://doi.org/10.26721/SPAFAJOURNAL.V2I0.159","url":null,"abstract":"Recent excavations from Stubhummika monastery, Thaton yielded over 2000 terracotta votive tablets, among them 1350 in good condition with others fragments. The study of these finds is based on the style of Buddha and Bodhisattava, decorative elements (stupas, śikhara, parasol and throne). These are compared with the contemporary tablets from Mon State, Śriksetra, Vesali and Bagan, and outside of Myanmar from India, central and peninsular Thailand and west Java to establish a comparative chronology. From this systematic approach, these tablets were divided into three groups: 1) Buddha (seated or standing Buddha, flanked by stupas), 2) Buddha Triad, and 3) Episodes of the Buddha. Their progression shows they are not be earlier than the 8th-9th century CE and not later than the 11th century CE.","PeriodicalId":17409,"journal":{"name":"Journal of The Saudi Pharmaceutical Society","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2018-01-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86832794","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2018-01-15DOI: 10.26721/spafajournal.v2i0.564
I. N. G. Sugiartha
Balinese traditional dance and music are imbued with the values, cultural identity and artistic expression of the Balinese, with close links to the Hindu religion. Balinese Hindus in particular strongly believe that dance and music are mediums to bring them closer to the gods. In Bali, religion, art and culture are fused together in daily life. For the Balinese, no religious ceremony is complete without the presence of art and culture. Equally as important as dance and music, living in harmony with the environment for the sake of human survival is another strong conviction among the people of Bali. In addition to music and dance performances, nature is believed to hold many supernatural powers which cannot be understood by mankind. People are expected to maintain a harmonious relationship between all elements. This is why dance and music are continuously maintained and developed over time. The strong adherence of the Balinese people to Hinduism contributes to the preservation of traditional dance and music so that these traditions may never be lost. This paper was first presented on the Workshop of Hindu Art in Southeast Asia hosted by SEAMEO SPAFA, on May 28, 2017, at ISI Denpasar and has been peer-reviewed.
{"title":"BALINESE DANCE AND MUSIC IN RELATION TO HINDUISM","authors":"I. N. G. Sugiartha","doi":"10.26721/spafajournal.v2i0.564","DOIUrl":"https://doi.org/10.26721/spafajournal.v2i0.564","url":null,"abstract":"Balinese traditional dance and music are imbued with the values, cultural identity and artistic expression of the Balinese, with close links to the Hindu religion. Balinese Hindus in particular strongly believe that dance and music are mediums to bring them closer to the gods. In Bali, religion, art and culture are fused together in daily life. For the Balinese, no religious ceremony is complete without the presence of art and culture. Equally as important as dance and music, living in harmony with the environment for the sake of human survival is another strong conviction among the people of Bali. In addition to music and dance performances, nature is believed to hold many supernatural powers which cannot be understood by mankind. People are expected to maintain a harmonious relationship between all elements. This is why dance and music are continuously maintained and developed over time. The strong adherence of the Balinese people to Hinduism contributes to the preservation of traditional dance and music so that these traditions may never be lost. This paper was first presented on the Workshop of Hindu Art in Southeast Asia hosted by SEAMEO SPAFA, on May 28, 2017, at ISI Denpasar and has been peer-reviewed.","PeriodicalId":17409,"journal":{"name":"Journal of The Saudi Pharmaceutical Society","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2018-01-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76097083","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2017-11-17DOI: 10.26721/SPAFAJOURNAL.V1I0.174
Bambang Eryudhawan
Since independence in 1945, Jakarta transformed gradually from a colonial into a modern city. New areas and new buildings were developed to fulfil urgent needs in housing, shops, schools and other facilities as the population growing rapidly after the war. All were executed without city planning until the Outline Plan of Jakarta was published in 1957. Later on, the Outline Plan was mostly adapted into the Master Plan 1965-1985. Governor Ali Sadikin (1966-1977), with the Master Plan 1965-1985 in his hands, brought new approaches to modernize the capital city. But new developments needed strategic spaces and gave pressure to old city centre and historic buildings. Old buildings were unfortunately abandoned, ruined, or even demolished for some reasons. By 1968, Jakarta had been changed dramatically. At the very crucial time, Ali Sadikin realized that something had to be done: there should be a creative equilibrium between the old and the new. After some trips to Europe and USA he believed that Jakarta had an obligation to conserve its historical assets in the name of history and civilization. In 1968 he established Jakarta Department of Museum and History. From that moment, Jakarta’s urban conservation program is started. A version of this paper was delivered as part of SEAMEO SPAFA’s Capital’s Archaeology Lecture Series on 23 May 2017 at the Siam Society, Bangkok. The lecture can be viewed here: http://bit.ly/2zds9KS . This paper has been peer-reviewed.
{"title":"Urban Conservation in Jakarta since 1968","authors":"Bambang Eryudhawan","doi":"10.26721/SPAFAJOURNAL.V1I0.174","DOIUrl":"https://doi.org/10.26721/SPAFAJOURNAL.V1I0.174","url":null,"abstract":"Since independence in 1945, Jakarta transformed gradually from a colonial into a modern city. New areas and new buildings were developed to fulfil urgent needs in housing, shops, schools and other facilities as the population growing rapidly after the war. All were executed without city planning until the Outline Plan of Jakarta was published in 1957. Later on, the Outline Plan was mostly adapted into the Master Plan 1965-1985. Governor Ali Sadikin (1966-1977), with the Master Plan 1965-1985 in his hands, brought new approaches to modernize the capital city. But new developments needed strategic spaces and gave pressure to old city centre and historic buildings. Old buildings were unfortunately abandoned, ruined, or even demolished for some reasons. By 1968, Jakarta had been changed dramatically. At the very crucial time, Ali Sadikin realized that something had to be done: there should be a creative equilibrium between the old and the new. After some trips to Europe and USA he believed that Jakarta had an obligation to conserve its historical assets in the name of history and civilization. In 1968 he established Jakarta Department of Museum and History. From that moment, Jakarta’s urban conservation program is started. A version of this paper was delivered as part of SEAMEO SPAFA’s Capital’s Archaeology Lecture Series on 23 May 2017 at the Siam Society, Bangkok. The lecture can be viewed here: http://bit.ly/2zds9KS . This paper has been peer-reviewed.","PeriodicalId":17409,"journal":{"name":"Journal of The Saudi Pharmaceutical Society","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2017-11-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83649021","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2017-08-16DOI: 10.26721/SPAFAJOURNAL.V1I0.161
Ian G. Glover
My presentation is simply to acknowledge the help and encouragement of Ajarn Chin You-di to myself and teams of British and Thai archaeologists to resume the excavation of the important Iron Age, late-prehistoric site at Ban Don Ta Phet in Phanom Tuan District of Kanchanaburi Province which Ajarn Chin had undertaken in 1976. Ban Don Ta Phet is one of the earliest, if not the earliest site in Thailand to show clear connections with the early Buddhist civilizations of India in the last few centuries BCE. Research on the excavated finds has led to numerous dissertations and academic publications by Thai, British and international students and colleagues over the past forty years and have contributed to three Ph D theses, five Masters dissertations, two BA/BSc reports and thirty-two journal or conference publications.
我的演讲仅仅是为了感谢Ajarn Chin yu -di对我和英国和泰国考古学家团队的帮助和鼓励，以恢复Ajarn Chin在1976年进行的在北碧府Phanom Tuan区Ban Don Ta Phet的重要的铁器时代晚期史前遗址的挖掘工作。Ban Don Ta Phet是泰国最早的，如果不是最早的，与公元前几个世纪早期印度佛教文明有明确联系的遗址之一。在过去的四十年里，泰国、英国和国际学生和同事对发掘的发现进行了大量的研究，并发表了大量的论文和学术出版物，其中包括三篇博士论文、五篇硕士论文、两篇学士/理学士报告和三十二篇期刊或会议出版物。
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